SERJ TANKIAN FOLLOWS HIS PASSION
By Richard Cromelin, Los Angeles Times Staff Writer
Los Angeles Times, CA
/la-et-serj24oct24,1,2113527.story?coll=la-entnews -music
Oct 24 2007
System of a Down’s singer is influenced by world events but remains
an optimist.
Serj Tankian is a thoughtful, erudite man — especially for a wild-man
rock singer — but sometimes he’s simply overwhelmed by an impulse. His
decision to quit studying for law school and become a musician came
so suddenly that he literally hit the brakes on his Jeep Wrangler
one night in the early 1990s.
And in 2005 he was accepting a European MTV Award with his band,
System of a Down, when something came over him.
"In my mind something just sprung up and went, ‘You have to say this,’
" Tankian says. "And I’m like, ‘Thank you very much, but what I really
want to say is civilization is over.’
"I said, ‘Let’s find a way to work through this peacefully with
each other all together with love and understanding.’ And I’m going
to my seat and I go, ‘What . . . did I just say?’ It was what was
percolating out of me. And since then I’ve been thinking about that
and what it means."
Tankian’s engagement with this disquieting thesis — that greed,
nationalism and indifference to the environment have taken civilization
past the point of no return — sets the tone for much of his new solo
album, "Elect the Dead." Released this week, the collection is the
first work from a System member since the popular and acclaimed Los
Angeles quartet formalized an "indefinite hiatus" earlier this year.
"Nature-based beings will survive apocalyptic days of now . . .
nature will survive us human dogs after all," he sings in the song
"Honking Antelope," his eccentric, twangy warble and jumpy cadences
as distinctive in his work as they are in System of a Down.
Tankian, 40, is taking the apocalypse well. Sitting in his living room,
he almost seems to look forward to the transition.
"We’re all addicted to civilization, myself included, because we can’t
imagine life without it," he says. "If we were able to imagine life
without it, like the 0.1% of indigenous population on this planet,
it wouldn’t be scary at all, it would just be like, ‘Well, it’s not
going to be this way, it’ll be another way.’
"I have hope," he adds. "I’m a very hopeful, optimistic person. I
smile every day, and I don’t go around going, ‘The sky is falling,
the sky is falling.’ If I do, I’ll probably be thinking, ‘The sky is
falling. I hope I can see it — that’ll be such a trip.’ "
‘Indefinite hiatus’?
On stage and on record, Tankian is a flamboyant, Rasputin-like figure
with a fierce glare and a unique voice that’s helped make System of
a Down a Los Angeles rock institution. And away from music, he’s
a fervent social crusader with a special interest in the Armenian
genocide. He and Rage Against the Machine’s Tom Morello, another L.A.
rock firebrand, founded the nonprofit organization Axis of Justice
to unite musicians, fans and political organizations behind activist
causes.
But entering his hillside home in Calabasas is more like stepping
into a mountain monastery than the lair of a rabble-rousing rocker.
The glass-walled main room is spotless and uncluttered, centered on
a hanging fireplace above a flat, square stone arrayed with candles.
It’s silent except for the clicking of claws on the wood floor as
Tankian’s dog, Bowie, walks by, and the clamor of a row of wind chimes
out on the deck.
Tankian’s homes haven’t always been so tranquil. He was born in Beirut,
and came to the U.S. with his family at age 7, just as civil war in
Lebanon was heating up. He grew up in Hollywood and the San Fernando
Valley, and after graduating from Cal State Northridge he joined a
relative’s jewelry business.
He later started a software company with products geared to that trade,
and after selling it he took classes to prepare for law school. But
he’d started tinkering with music in college, and then came that
moment of revelation.
"The realization came to me: Do I want to be a . . . lawyer? . . .
Hell no, I want to do music. And that was it."
Tankian teamed with guitarist Daron Malakian in a band called
Soil, and after it broke up the two formed System of a Down. They
had immediate support in the Armenian community, but soon their
experimental hard rock, most of it recorded with producer Rick Rubin,
caught on big. They’ve released five albums since 1998, and none has
sold fewer than 1 million copies in the U.S.
SOAD was also one of the few bands in the hard-rock/metal fold to
earn consistent critical respect, and its fiery blend of poetry and
politics has brought the group an intense, loyal following.
So word of this "indefinite hiatus" — often a term for "we’re finished
but don’t want to say so" — has sent waves of concern through the
System audience.
Tankian, who says the four musicians needed a break after a busy
decade-plus, understands, but he’s not going out of his way to be
reassuring as he prepares for an extensive concert tour, which includes
a show on Saturday at the House of Blues. Malakian and System drummer
John Dolmayan, meantime, are preparing to record under the name Scars
on Broadway.
Says Tankian: "We’re friends, we support each other, we talk to each
other. I’m supportive of their projects and vice versa, and when we
have something to say together we’ll get together and say it. But
not because we have to release a record next year."
Bucking the system
As a label owner himself — his Reprise-affiliated Serjical Strike
Records has had some success with the Texas band Fair to Midland and
is also the home of Tankian’s solo album — he knows that System’s
label, Rubin’s American Recordings, will be wondering when that next
record is coming.
"I’m sure they’re going to ask that, but that’s beside the point.
They’re going to get it if and when it’s available. No one can force
you to do anything you don’t want to do. . . .
"We have to stop seeing things as branded items on the shelf," he
says. "We’re not Nabisco. We’re not a corporation that’s putting out
cookies every year so that next year’s cookies are going to be this
and that.
"We’re a group of artists and we do art, we do music and that’s got
to be fresh, and when you want to speak together, that’s when it’s
got to be spoken," Tankian says. "We’re not the type of band to just
press it for the money every year. System of a Down has never been
that type of a band; we’ve never taken corporate sponsorships. We’ve
done it because it’s our passion."
From: Emil Lazarian | Ararat NewsPress
