Armenpress: Lithuanian president congratulates Armenia on Republic Day

Lithuanian president congratulates Armenia on Republic Day

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12:43,

YEREVAN, MAY 28, ARMENPRESS. Lithuanian President Dalia Grybauskaitė congratulated Armenian President Armen Sarkissian and the Armenian nation on Republic Day.

“The President wished that consistently developed and open cooperation on bilateral level as well as at the EU level did not lose the momentum and opened many more opportunities for our countries to achieve shared objectives and implement beneficial business, trade, culture, science and other relevant projects for the people of Lithuania and Armenia”, Grybauskaitė’s office said in a news release.

President Grybauskaitė wished Armenia continued prosperity, success and unity.

On May 28th, Armenia celebrates Republic Day, a holiday marking the established of the First Armenian Republic in 1918.

Edited and translated by Stepan Kocharyan




Asbarez: Annual Tribute to Maria Jacobsen Held in Solvang

Annual tribute to Maria Jacobsen

SOLVANG, Calif.,—By the initiative of the Friends of Maria Jacobsen Committee, the annual tribute to Maria Jacobsen was held at Bethania Lutheran Church in Solvang. The event, which took place on Sunday, May 5, was in honor of Maria Jacobson, the founder of the Bird’s Nest Orphanage in Jbeil, Lebanon.

On behalf of Western Prelate Archbishop Moushegh Mardirossian, Rev. Movses Shannakian participated in the commemoration.

Rev. Movses Shannakian

The program began with prayer in front of the Maria Jacobsen bust in the church courtyard. Committee Chair Dr. Garbis Der Yeghiayan welcomed and thanked the guests for their participation.

Rev. Movses conveyed the Prelate’s message, conveying gratitude to Maria Jacobsen and all humanitarians who saved and cared for orphans of the Armenian Genocide. Pastor Christ Brown expressed his appreciation for the tribute and affirmed that his church is always open to this and similar events. The program also included cultural performances.

The tribute concluded with the singing of “Cilicia” after which attended were hosted to lunch by the organizing committee.

Le député Philippe Folliot menacé de mort après «un incident» en Turquie lors d’un séminaire parlementaire de l’OTAN

La Depeche. France
17 avr. 2019
Philippe Folliot lors de l’ouverture du séminaire en Turquie. Capture d’écran Tweeter
Publié le 17/04/2019 à 11:02 , mis à jour à 11:09
                                                               
l’essentiel Le député du Tarn Philippe Folliot a vécu un déplacement très mouvementé en Turquie où il dirigeait la délégation française participant à un séminaire de l’assemblée parlementaire de l’OTAN. La délégation française a quitté la séance. Philippe Folliot et sa collègue Sonia Krimi ont été menacés sur les réseaux sociaux.

Philippe Folliot va se souvenir longtemps de son déplacement en Turquie à l’occasion d’un séminaire dans le cadre de l’assemblée parlementaire de l’OTAN. Le député tarnais qui dirige la délégation française se retrouve président de séance. La situation dérape quand le président du Parlement turc, puis le ministre turc des affaires étrangères attaquent la France sur le Rwanda, et qualifient de “populiste” la reconnaissance du génocide arménien par la France.

“J’étais président de séance, je ne pouvais donc pas répondre. C’est ma collègue Sonia Krimi qui est intervenue” rapporte Philippe Folliot. Devant la violence de l’attaque verbale des représentants turcs, la délégation française décide de quitter la séance. Un épisode inédit au sein de l’assemblée parlementaire de l’OTAN, précise Philippe Folliot. 

https://www.ladepeche.fr/2019/04/17/le-depute-philippe-folliot-menace-de-mort-apres-un-incident-en-turquie-lors-dun-seminaire-parlementaire-de-lotan,8137133.php   

“Les autorités turques ont cherché à minimiser la portée de l’incident” indique encore Philippe Folliot. Les officiels turcs attaquent alors la députée de la Manche Sonia Krimi sur ses origines.

 “La parole et l’action de la France, et Emmanuel Macron ne sauraient être dénigrés et caricaturés sans réactions” réagit Philippe Folliot sur son compte Twitter.


L’affaire ne s’arrête pas là. Reconnus à l’aéroport au moment de repartir, les parlementaires français déclenchent des réactions. “Certaines personnes nous ont insultés, d’autres voulaient faire des selfies” explique Philippe Folliot assez incrédule qui prend la défense de sa collègue parlementaire sur les réseaux sociaux.

Tout s’emballe alors. “D’habitude, mes tweets sont vus par 1500 à 5000 personnes… Là, certains tweets ont été vus 115 000 fois, 80 000 fois… Certains messages sont injurieux, d’autres sont menaçants. Il y a dans le lot des menaces de mort. Certains messages sont en Turc donc on ne les comprend pas” détaille Philippe Folliot.

Surpris mais pas impressionné, Philippe Folliot poursuit sa mission au sein de l’assemblée parlementaire de l’OTAN avec de nouveaux déplacements prévus.




Asbarez: The Silent Canvas Speaks Aloud: Seta Manoukian Paints Again

Artist, Seta Manoukian

BY NARE GARIBYAN

The starting point of Seta Manoukian’s artistic trajectory, perhaps began before she was born, under the watchful eye of the universe, granting her a creative and non-linear path in life. From a young age, Seta always felt deeply connected to her inner core, which has manifested into her daily practices as an ordained Buddhist nun. “I cannot tell you if my art would be different if I was not a practicing Buddhist, because I have found silence within from the very beginning—before I started painting,” she explains.

In this apparent dichotomy, Buddhism and art share commonalities in the use of symbols, vision, color, mind, emotions and feelings, but are particularly connected in the realm of silence. Seta states that all artists, “have an inner world in silence, they are similar to monks, in a sense. In their ateliers, they are like monks. Even before the moment of creation, artists can have inner crises alone, just like monks. But, in front of people, this is not evident.”

She enjoys the fruits of her labors as it appears on the canvas, as she can see where she was and where she is headed. Yet, her painting gains a unique quality because Seta “is still painting in a way, creating invisible symbols in the core. Buddhism is an art, but it is invisible. That is the difference between painting and Buddhism.” It is this energy that allows her to see beyond the subconscious. She continues by explaining that, “[artists] are aware of their subconscious, but they are ignorant about what lies beyond, and do not know about the wisdom that lies beyond, as well. And they are unaware of its compassion.”

This is what compels Seta Manoukian; her art stems from such depths. The viewer is challenged to see what lies beyond the image on the canvas. However, three years ago, viewers were unable to see Seta’s new works of art, as she was on hiatus from creating. Instead, she spent time focusing on her Buddhist practice. Describing that time in her life, Seta says, “I did not want to paint. I was refusing to paint. I was refusing it so much, that even in my own dream, someone else was painting my work. At the end, I said this is ridiculous. I have to paint. If I did not miss painting, I would not have seen it in my dream.”

She now works to create a balance between the two practices, art and Buddhism. Sometimes, as she mediates a thought comes to her mind regarding a color she needs to add to the canvas. “It is like dealing with two [good] addictions at the same time. It is like the two addictions are trying to converse together in the same language,” Seta explains.

Her art portfolio spans various time periods and styles; there is the War Period focused on expressing people’s anxieties of the Lebanese Civil War, which started in 1975. Ten years of turmoil later, there is the T-Shape Period of the 90’s where people gained horizontality. This was followed by the Organic Series, featuring blood and organic shapes in forms including: mixed media, sculpture, art in performance, and commentary on displacement. Soon after came the Vertical Series, containing a steady point on the ground, lines stretching into verticality. Seta describes her new pieces as “variations of those past themes, sometimes with different objects. It is again organic, with subjects such as nature, life and death, everything on the canvas comes from nature. It is the same, but has taken other forms.”

She started by creating her red organic shapes again, which brought her to a new place in her art. Continuing to use the circular shape, but this time representing fertility by painting white eggs, housed in colorful vessels— like a womb. However, it is not evident what the vessel is. Seta describes it as “all are one, the plant, the person, and the animal. And life is given and there is death. There is also humor.”

The circularity continues in rough-hewn rocks, representing pain, which Seta expresses in various forms on the canvas. There are rocks suspended in air by thin strands of hair. There are bloody, dark rocks that morph into a bit of lightness. However, the theme of rocks is best displayed in one particular series where the rocks are enveloped in crumpled pieces of paper that almost transform into makeshift wings, carrying the rocks away as the rocks change shape into colorful, delicate oval balls.

“On the occasions that something has bothered me in my life, that upheaval manifests [on the canvas] and [helps me to see] how I can see that upheaval in the right view. That comes forward, like the rocks I did; at that time, someone was really bothering me and I painted a rock, something heavy, then that heavy thing, slowly, changes, becomes lighter and the heaviness does not remain,” states Seta. This approach is connected to Buddhism, where change brought forth by inquisitiveness is inevitable.

The verticality from past works comes out again in a pair of hands that come together at the wrist, in prayer, pointing upwards, praying for humanity to find the oneness amongst each other in order to create a better reality. But, Seta reminds me, “Do not forget that sometimes, I have used black as well; it is not just angelical, it is all of it. In Buddhism, at the end, black and white is the same.” This manifests into two paintings, featuring the same golden container on both canvases, pouring out strips of dripping paint. In one, the background is white, with the paint stream in black. In the other, there is a black background with the paint stream in white. Seta describes this as being purification in the practice of Buddhism. Again, perhaps hinting at the essence of the T-Shape Period.

Most importantly, the majority of Seta’s paintings, whether in the past or present, have an expanse of white surrounding the image on the canvas. This white space connects back to the Silence. It is as important as the image on the canvas, but perhaps it is even more significant, pointing to the invisibility of one’s inner core, which is on public display on the canvas, yet is hidden.

Seta is a Buddhist nun first, and her identity as an artist follows. But, right now, she is both. This may further change or morph in the years to come. How can we explain her varied series of work? Seta reflects, “My life has always been in flux, always moving and changing. I have changed a lot in my life, moving from Beirut, to America, from Hinduism to Buddhism. I have leaped a lot, leaped and leaped until the end. I have leaped a lot, and quickly. In one life, there have been many changes, changes, and changes. I feel like I have lived 3-4 lives in my one life, and such is reflected in my work.”

This retrospective expanse of Seta Manoukian’s work was recently co-published in Beirut, Lebanon, in a book, Seta Manoukian: Painting in Levitation by Kaph Books, and the Saradar Collection. Seta just returned from a trip to Beirut to participate in the book’s presentation at the Sursock Museum. She enjoyed the fact that many of the audience members were youth interested in learning about her art and the strength of one’s inner core.

In this same spirit, Seta is looking forward to share her exhibition, Seta Manoukian: Recent Work, with the public, at the Tufenkian Fine Arts Gallery, in Glendale from April 18 to May 17. She is also cognizant that viewers are not used to seeing work like hers. Seta explains that, “in Buddhism everything slowly goes into nothingness and simplicity, like a rose left in the white expanse. It is an issue of simplicity and understanding.” However, she is eager to see and hear people’s reactions to her work, because she learns something new about her art from each comment and new perspective—which helps her move forward in her work.

Regardless of people’s varied opinions, when I stand in front of one of her paintings I feel a sense of calm, peace, and meaningfulness. I invite you all to experience Seta Manoukian’s art with an open mind and an open heart.

Armenian Foreign Minister pays tribute to the memory of Rwandan genocide victims

News.am, Armenia
April 7 2019
Armenian Foreign Minister pays tribute to the memory of Rwandan genocide victims Armenian Foreign Minister pays tribute to the memory of Rwandan genocide victims

20:00, 07.04.2019
                  

Armenian Foreign Minister Zohrab Mnatsakanyan visited the Rwandan Genocide Museum during his official visit to Kigali and paid tribute to the memory of the victims, the press service of the Armenian Foreign Ministry reported.

Armenian Foreign Minister left a note in the museum’s memorial book, in particular:  “This is a reminder of another common responsibility to resist the genuine cause of the genocide, injustice, intolerance, discrimination and hatred. Denial of genocide is the continuation of genocide. 

The Armenian Genocide committed in 1915-1923 by Ottoman Turkey against the Armenian people and its continued denial reminds that no political considerations, no compromise with respect to moral responsibility, will remove that responsibility. I hope that this museum, as a genuine manifestation of the struggle against genocide and its denial, will be morally strong against the denial of that crime. “

In the Caucasus, queer people are forced to flee their homes

Global Voices Online


Photo by Anna Nikoghosyan for OC Media. Used with permission

The following is a version of a partner post written by Armine Avetisyan, Nika Musavi, and Dato Parulava that first appeared on the website OC Media.

Faced with bullying, discrimination, and violence, queer people in the South Caucasus are frequently forced to flee their homes.

“I was still in kindergarten when I realised I was born in someone else’s body.’

‘At school, I was forced to write on my workbooks ‘schoolgirl’. I would erase the ‘girl,’ and teachers would add it again, and so on. My development was very straightforward, there was no moment I would consider the beginning of my identity discovery, as I have always considered myself a boy,” 30-year-old Mel Daluzyan from Gyumri tells OC Media.

Mel Daluzyan, 30, from Gyumri, northwest Armenia (/Private archive)

Despite Mel’s best efforts, to society, he was a girl named Meline. Mel has been weightlifting since 2002 and was a part of the Armenian Weightlifting Federation’s women’s national team.

“My trainer would try to inspire me, telling me God created me “like this” in order to be good at heavy lifting, and at some point, when I was still young, I also tried to look at it from this perspective. But I realised that despite everything, I also have the right to a personal life, the right to be happy, especially considering I’m not hurting anyone with my life and lifestyle,” says Mel.

According to Mel, when he participated in Pink Armenia’s first LGBT forum in Armenia in 2015, and a group photo of the participants was published online, the media began to discuss his personal life, threatening his career. The record-holding two-time European champion and double bronze world medalist left Gyumri two years ago, settling abroad.

Pink Armenia’s first LGBT forum in Armenia in 2015 (Pink Armenia)

“I left Armenia in 2016, after a year of unsuccessful attempts to find a job in my field. So many negative attitudes were spread towards me that I couldn’t even find a job as a trainer in a gym. Now I live in the Netherlands, I haven’t faced any discrimination here, only unconditional support in all matters. At this point, I am not even considering returning to Armenia.”

Mel says that life is difficult in Gyumri for those who are ‘different’, especially if you are famous.

“Gyumri is the most conservative city in Armenia. The main problem was gossip: everybody considered it their sacred duty to invent a myth about me to explain what they didn’t understand, and the media helped to spread these rumours. Of course, all of this created some difficulties for me when I appeared in my new environment, when I had to build my life again from nothing, but eventually, I succeeded in introducing myself to people as I am. I was able to achieve the fact that my friends won’t let anybody call me “Meline.”

According to Mel, there would be no problems with his parents if society had not interfered.

“LGBT people in Armenia are deprived of almost all rights. Of course, if someone has a secret life, drowning out their identity, having a formal marriage, it’s possible to live “quietly” in Armenia. But judge for yourselves — how can it be considered a “quiet life”? I don’t have any friends who are not hiding and are able to live quietly.”

Homosexuality has been legal in Armenia since 2003, but the rights of queer people are not protected under the law. A 2017 report on the human rights situation of queer people in Armenia by queer rights group Pink Armenia, said that despite the positive trend of a number of media outlets cooperating with rights groups and queer people to present their stories, the population of Armenia still had an overwhelmingly negative attitude towards queer people.

Research conducted in 2016 by Pink Armenia and think-tank the Caucasus Research Resource Center showed that 89% of Armenia’s population think homosexuals should not be allowed to work with children.

The research found that people who had less contact with queer people had more negative attitudes towards them than those with queer acquaintances.

People from queer rights groups insist that while the numbers are uncertain, many queer people leave Armenia every year due to homophobia.

Twenty-two-year-old Tazo Sozashvili can’t visit his family in Kakheti, the region in eastern Georgia where he was born. He is afraid he will be harassed because of his sexuality. He is afraid of what his family might have to go through if such a thing happened.

Tazo, who works for Equality Movement, a queer rights group, made headlines with his emotional speech at the Georgian Parliament in 2018.

“I cannot go to my village to see my parents, my grandmother, and grandfather. I was bullied at school for 12 years. I still hate to visit the place, because every day it was terrifying, each day meant facing death. Today I cannot visit my parents in Kakheti, because it is dangerous. This is the difference between me and you. You will never understand what it costs me to stand here and say this because it will cause problems for me. You will never understand this because you are white heterosexual privileged people. I hate you,” Tazo said on 1 May, in front of parliament’s Human Rights Committee after they went back on their promise to mark International Day Against Homophobia.

In 2017, the prosecutor’s office examined 86 alleged hate crimes, 12 out of which were based on sexual orientation and 37 on gender identity.

The Public Defender’s report says violence against queer people, whether in the family or in public spaces, is a serious problem, and that the government has been unable to respond to this challenge.

Tazo’s speech was unplanned. Realising what his family might have felt after suddenly seeing him on TV, he decided to prepare them and called them. That’s when he came out to his mother.

“She cried. Why would you do something like that? What will people say? — She asked with rebuke, but it was not anger she was speaking out of, it was regret,” Tazo says.

His phone was loaded with messages and calls. A lot of them were encouraging, but there were others who didn’t get it.

Tazo has not talked to his father since his speech.

“All our relatives and friends have been calling him. He wanted to throw his phone away. They showed sympathy, which is rare because some families in the same situation have been pushed to leave villages,” Tazo says.

After his public coming out, several old acquaintances from the village tried to reconnect.

“Around 10 people who I knew from the village sent me friend requests — they were asking why I’d think they were homophobes, that they’re here to help me and that only my well-being matters,” says Tazo.

But others were not so welcoming. They have been threatening him for several years now.

“Now I’m pretty sure I can’t go back for a very, very long time. They have been threatening me for several years now. When these guys are together, they are very aggressive, but individually they have told me they understand me,” says Tazo.

For the first several days after his public coming out, Tazo was unable to use public transport. He was afraid of being recognised. But now it’s getting better.

“Some of my acquaintances have told me they have seen a whole different me. They ask if there is anything they can do because they don’t want to raise their children in this kind of environment,” he says.

But it’s not the same for policymakers Tazo says. He says there are very few politicians who can see the severity of the issue and a few who can see it, but just don’t care.

Tazo says he is proud to have given voice to the “invisible people.”

“This is not only my story. This is the voice and pain of thousands of people who fall victim to domestic violence, who are kicked out of their own homes, rejected by their parents, bullied at school, discriminated against at work because of their sexual orientation.”

“There is a point after which you just can’t take it anymore. There will come a time when many people will speak up, just like me, and we will all come together and demand that officials stand where they belong, and do live up to their responsibilities,” says Tazo.

Elvira and Amina are a couple who originally lived in Baku. Their lives have changed a lot since OC Media first spoke with them in September 2017.

The women’s relationship moved fast; they moved in together six months after meeting. Shortly after this, they got married in a European country where same-sex marriage is allowed.

The couple says they felt that they had a truly nuclear family and that friends and relatives perceived them the same way. Elvira and Amina’s parents, albeit reluctantly, soon came around to the idea that they do not have sons-in-law, but daughters-in-law. However, the couple still felt uncomfortable in Azerbaijan and were thinking about emigrating.

“First of all, we were tired of being secretive,” Amina says. “Secondly, the certificate of marriage issued in Europe was not valid at home, and according to the law, we remained strangers to each other. Elvira’s young son lives with us and it’s hard to explain to him that he should not speak openly with other people. What if people, for example in the kindergarten, learned what our family looks like?”

Their son unfortunately became an indirect participant of almost criminal drama, which forced the family to leave Azerbaijan.

“I lost some expensive gold jewellery from my jewellery box. They could only have been stolen by my son’s nanny. No one except her stayed in our apartment alone,” said Elvira.

When it came to the police, the nanny neither recognised nor denied her guilt. Instead, she gave the investigator some compromising evidence on her employers — intimate photos and videos.

“We turned from victims into suspects. In any case, the investigator treated us as if we were suspects,” adds Elvira.

After the police officer received the compromising material, he told Elvira she should drop the charges — and not only because the nanny could publish their personal photos and video online. According to him, during the investigation, police would begin checking the couple’s ‘moral appearance’ (although, according to the law, it has no relevance to a case of theft) and they would interview their parents and colleagues; they could even take custody of their son away from them. The investigator also advised Elvira to look closer at Amina as the possible thief.

“It was disgusting! I realised that this woman had been spying on us. I felt a sense of insecurity, the investigator’s gaze, and after being advised to lay low, we decided to leave this country as soon as possible.”

In mid-March 2018, the family bought a one-way ticket to the US.

Until 2000, same-sex relationships were criminally punishable in Azerbaijan, with sentences of several years in prison. In 2000, same-sex relationships between people over the age of 16 became legal. But the ban and its subsequent repeal concerned only men. There was not a single word about queer women in the law.

Azerbaijan does not prohibit discrimination based on sexual orientation. For cases of blackmail, dismissal from work, and other cases of harassment, victims can file only a general complaint, for example, about a human rights violation.

In 2014, the Nefes LGBT Azerbaijan Alliance conducted a survey on attitudes towards queer people. The results showed that 56% of respondents consider queerness to be an innate disease, 60% of them treat queer people badly, and 64% would not want to work with them. Most of the respondents were young men with a higher education.

A number of queer people in Azerbaijan told OC Media that queer men are treated even worse than queer women. Human rights activist Eldar Zeynalov explains that Azerbaijan’s patriarchal society, where society sets high standards for a man’s ‘masculinity’ is primarily responsible for this.

“For a man in a homosexual relationship, it’s as if he “reduces himself to the level of a woman” and humiliates himself, but also encroaches on the tradition and on the foundations of society,” Zeynalov explains.

According to him, there is only one way for Azerbaijani society to accept queer people — money, power, or both.

“Money and power for the majority in Azerbaijan are a stronger argument in favour of masculinity than sexual preferences. A rich and powerful man can be forgiven for much, including sexual relations with someone of the same sex,” Zeynalov added.

Amina and Elvira are now living in the US with their son. They are trying to get settled: looking for a job, settling into a new apartment, and getting used to not being afraid that someone will find out the truth about them.

by OC Media



Chess: Gabriel Sargsyan takes part in Sharjah Chess Masters 2019

Panorama, Armenia
Sport 16:54 28/03/2019 Armenia

Member of Armenian National Chess Team Gabriel Sargsyan is participating in the 3rd Sharjah Chess Masters underway these days in the United Arab Emirates, the country’s chess federation reported.

As the source details, the major tournament has brought 178 chess players from 31 countries, including 35 grand masters. After six rounds played, the table is topped by Ernesto Inarkir. Gabriel Sargsyan has scored 4 points. 

Azerbaijani forces made nearly 200 ceasefire violations in Artsakh line of contact during past week

Azerbaijani forces made nearly 200 ceasefire violations in Artsakh line of contact during past week

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12:59, 2 March, 2019

YEREVAN, MARCH 2, ARMENPRESS. During the period from February 24 to March 2 the Azerbaijani forces violated the ceasefire regime in the Artsakh-Azerbaijan line of contact nearly 200 times by firing more than 3000 shots from various caliber weapons at the Armenian positions.

The Artsakh defense ministry told Armenpress that the Defense Army forces fully control the situation in the frontline and continue confidently conducting the military service.

Edited and translated by Aneta Harutyunyan




Famous French singers to perform in Yerevan to honor Charles Aznavour on 95th birthday anniversary

Famous French singers to perform in Yerevan to honor Charles Aznavour on 95th birthday anniversary

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15:59, 2 March, 2019

YEREVAN, MARCH 2, ARMENPRESS. Famous French singers Patrick Fiori, Hélène Ségara, Léa Castel, Slimane and others will perform in Yerevan on the 95th birthday anniversary of renowned French-Armenian singer Charles Aznavour.

Charles Aznavour has passed away at the age of 94 on October 1, 2018.

The concert “For You, Aznavour” will take place in the Karen Demirchyan Sports and Concert Complex on May 26, the organizers of the concert told reporters today.

“Each singer will sing one song of Aznavour and one more song from their songs. No dance or other performance will be held”, director Lusine Martirosyan said.

French-Armenian Hayk Shahbazyan, co-author of the project, said the French singers will perform with the Armenian Philharmonic Orchestra led by conductor Eduard Topchyan.

Director of the Armenian National Philharmonic Orchestra Ruzanna Sirunyan said they have accepted the cooperation proposal with pleasure and stated that there may arise some problems for the Orchestra because the concert is at the Sport Complex, but the organizers and the executives of the Complex will provide assistance to solve these problems

The concert is also planned to be held in Moscow and Paris.

Edited and translated by Aneta Harutyunyan