“Artsakh FA” leaves for Tbilisi

“Artsakh FA” football team will hold a training camp on February 11-23 in Tengiz Sulakuvidze sports academy in Tbilisi, Georgia. The press service of the club reports.

During the camp, “Artsakh FA” will hold 4 friendly matches with the top teams of Georgia, and the games are scheduled for February 13, 16, 19 and 22.

To add, “Artsakh FA” has left for Tbilisi today with its own new bus.

Ambassador highlights the role of Armenian MPs at Lebanese parliament

Panorama, Armenia
Feb 7 2019

The Speaker of the Armenian parliament Ararat Mirzoyan received on Thursday of the Ambassador of Lebanon to Armenia Maya Dagher. As the parliament press service reports, highly assessing the current level of the two countries’ friendly relations, Ararat Mirzoyan underlined the important role of Lebanon’s Armenian community in the political, public life of the country, as well as in deepening of bilateral relations. The Speaker noted that the Parliamentary Friendship Group is formed in the newly elected legislative body and most of the newly elected deputies are concerned over the strengthening of the relations with Lebanon.

Maya Dagher, in turn, attached importance to the role of the Armenian community and the six Armenian MPs in the Lebanese Parliament and two ministers. Maya Dagher also emphasized the two peoples’ centuries-old and firm friendship and expressed readiness for promoting the steps to be taken in enlivening of the activity of the Parliamentary Friendship Groups and the expansion of the two countries’ cooperation.

The sides touched upon the development of democracy, the protection of human rights and freedoms, the improvement of the legislative field and other issues of bilateral interest, the release said.

Vahagn Khachatryan: Tax Code would be good if it was written by businessmen (video)

Former Mayor of Yerevan Vahagn Khachatryan thinks that the amendments to the Tax Code are dictated by a strict, fiscal policy.

The economist believes that the Tax Code would be good if it was compiled by businessmen, not as always, the Finance Ministry and the State Revenue Committee.

Khachatryan also thinks justice and equality are not the same thing.

According to Mr. Khachatryan, although democratic reforms are in the right direction, they are not satisfied with the pace. Of course, Khachatryan also realizes the objective reasons for the slow pace.

Theatre: Beast on the Moon review: A powerful and timely tale that speaks to a modern audience

The Standard, UK
Feb 1 2019
 
Beast on the Moon review: A powerful and timely tale that speaks to a modern audience
Reviewed by FIONA MOUNTFORD
Our Rating: 4 stars (of 5)

118 Finborough Rd
SW10 9ED
finboroughtheatre.co.uk

At this week’s Critics’ Circle Awards Neil McPherson, the long-serving artistic director of the Finborough, deservedly won the Special Award for services to theatre.

The Finborough, one of the tiny jewels in London’s theatrical crown, is especially skilled in the field of timely revivals, with its astute selections of unjustly neglected gems from the 20th century. Beast on the Moon (1995) is just such a play; Richard Kalinoski’s drama is a powerful exploration of family, memory and legacy, as it follows two young survivors of the Armenian genocide to new lives in America. 

Another factor in favour of Jelena Budimir’s production is a sparkling lead performance from Zarima McDermott, an actress about whom we are surely destined to hear considerably more. McDermott plays Seta, a 15-year-old who arrives in Wisconsin in 1921 as the “picture bride” of 19-year-old photographer Aram (George Jovanovic).

He selected her photo from those sent by the Mission in Istanbul and they married “by proxy”, but a well-intended muddle means that Seta wasn’t the woman he thought he’d picked. It’s the first blip of many in an uneasy relationship, burdened as it is by so much undiscussed trauma on both sides.

McDermott’s open, expressive, worried face sparkles with life and inquiry, and sometimes rage. Mr Tomasian, as Seta refers to him for many years, has fiercely traditional expectations of a wife, and these do not include cuddling a homemade doll instead of concentrating on “marital relations”. Their sparse living room is dominated by a family portrait with the faces of all the figures cut out. Only late on do we, and Seta, learn the terrible fate that befell Aram’s family at the hands of the Ottoman Central Committee.

The second half takes a different tack, with the arrival of an orphan boy called Vincent (adult actor Hayward B Morse). The play loses its way a little here, as we miss the powerful scenes between husband and wife, but what this section demonstrates so movingly is Seta putting down roots and blossoming in a place that welcomes hard-working immigrants of all nationalities. If that doesn’t have something to say to us today, I don’t know what does.

Until February 23

 

Music: Lara Sarkissian is combining Armenian mythology with 21st century beats

Dazed Digital
Jan 16 2019

The Oakland experimental producer explores her heritage using indigenous instruments and contemporary electronic production

16 January 2019
by Angela Skujins

Disruptions usually make us feel uncomfortable – they’re the things that interrupt or stop the ease our everyday lives. But for 26-year-old Lara Sarkissian, who plays with the idea of interference both musically and thematically, disruptions are a source of creativity.

On DISRUPTION, Sarkissian’s five-track debut EP, the Oakland-based producer blends thumping, experimental electronic beats with layers of ethereal woodwind instruments from her Armenian upbringing – with samples fleeced from YouTube tea advertisements – mixed on Ableton with her her Roland System-1 synthesizer. She describes the EP, which flew somewhat under-the-radar when it was released during end-of-year list season in late December, as an “electronic soundtrack to an imagined fictional film inspired from stories of Armenian mythology, the transition from the worship of nature to the roles of gods and goddesses, and tying these narratives to encounters with familial spirits”. Those encounters include what Sarkissian today describes as “visitations” from her deceased grandmother. “There have been multiple times in the past couple of years after my grandma passed away that I had encounters with her, and it’s been very visual,” she says.

The EP is underscored by an electronic rhythmic pulse that draws from Sarkissian’s deep appreciation for club music. For many people involved in the underground music community, Sarkissian is perhaps better known by her DJ alias, FOOZOOL, and as a co-founder of the party and record label Club Chai, which started in 2016 as a DIY clubnight in Oakland connecting non-western club sounds.

We spoke to Sarkissian about DISRUPTION, ritualistically burning frankincense, and how her past ties into her future.


How have you been shaped by your Armenian background?

Lara Sarkissian: My family are actually from Iran, but we’re ethnically Armenian. I was born and raised in San Francisco and I went to an Armenian school for ten years. I grew up around Armenian music – a lot of it was folk music – in a household where my mum would always be blasting it, like in the car. I remember my first memory of music was just me listening in the car through a cassette. I remember how obsessed I was with the percussion in Iranian music, which has a lot of drums, and how much I would fixate on it as a child.

I was going to ask you how music found its way into your life, but it sounds like it was interwoven with your Armenian ancestry.

Lara Sarkissian: Yeah, it’s something that I didn’t expect myself to have a career in because I didn’t realise I could. It was in high school when my friends and I started a band. We were playing a lot of post-punk, a lot of garage rock, some blues covers. That was when I really fell in love with percussion. I just started listening to music really differently then.

How were you listening to it differently?

Lara Sarkissian: I literally just paid attention to the drum lines, the structures, the different layers. I like the different atmosphere in tracks. I think that’s what I like to create in (my music) because I come from a very visual background.

It’s kind of translated into sounds for me – so making landscapes, atmospheres out of new tracks, and all the new layers out of the tracks, I always see it as this environment you’re stepping into. It’s about the distance of it all, what you can hear far away, what you can hear closer, where are voices coming from, and the movement of it all. For me I’m painting this picture like a scene – almost like a film scene.

Lara SarkissianPhotography Azha Ayanna Luckman

What’s the visual landscape you created in DISRUPTION?

Lara Sarkissian: When I made it, I was thinking a lot about my grandmother’s story. There have been multiple times in the past couple of years after my grandma passed away that I had encounters with her, and it’s been very visual. It definitely wasn’t a hallucination.

Like a haunting?

Lara Sarkissian: Not a haunting, but it was almost like I was super conscious and awake. It was a very visual picture of her and I knew what message she was sending me. It wasn’t anything that I could hear – but it was moreso a visual thing. This has happened to me before with family who have recently passed away, but I didn’t know yet.

Things like that have happened to me which throw me off. That’s where DISRUPTION comes from. It comes from a disruption to your day and week, but not in a bad way.

How does her passing tie into the mythological angle of DISRUPTION?

Lara Sarkissian: I was reading a lot about Armenian mythology, and I came across some really interesting things: like a lot of the ancient Armenian instruments that come from the highland regions date back to almost 3,000 years. Certain percussion instruments are used in ceremonies dedicated to certain gods and goddesses.

I was tying that into my grandmother’s story – thinking about her in the afterlife – and creating stories around that. Like who she encounters and what different gods and goddesses she came across. For the track “Greeted by Tir”, Tir was a god that translated a lot of dreams and passed on powers of the arts to people. I was thinking about my grandma and her love for the arts and literature, and who she must have encountered in the afterlife.

“There have been multiple times in the past couple of years after my grandma passed away that I had encounters with her, and it’s been very visual. It definitely wasn’t a hallucination” – Lara Sarkissian

Tell me about the instruments you used in the EP.

Lara Sarkissian: I used a lot of different tools. I used Native Instruments’ “Discovery Series: Middle East” pack as a plug in on Ableton for some of my percussion, which allows you to have more control over it.

I sampled a lot of Duduk sounds – that’s the wind instrument that’s indigenous to Armenia. It’s usually made out of apricot wood and it’s a very lyrical instrument. It almost sounds like vocals, so when you change the pitch of it, and when it’s layered all together, it sounds like different ranges of vocals coming in.

I used a lot of doumbek sounds, Dhol, and then I also used my Roland System-1 synthesiser a lot. I do a lot of looping, a lot of panning of the sounds so they could sound very full. It feels like it’s coming to you from different directions.

What about the lyrics?

Lara Sarkissian: It’s funny because that first track, “Ceremony for Arak”, has lyrics from a tea advertisement on YouTube. It has 100 views, and the lady in the beginning is saying “Light the frankincense / I hope you’re going to be in a relaxed mood…

It’s funny that the sample was for a tea advertisement, but it totally made sense for the theme of the EP because it was talking about rituals. Whenever we visit my grandma at her gravesite that’s the first thing you do – you light the frankincense, and you let it burn for a while. Whenever I would visit gravesites with her, you would do this at all the gravesites for family members. That’s why those lyrics made sense for her, you know, “Burn the sweet aroma of frankincense / Relax and focus your mind / I hope the deep-rooted environment will provide a happy and peaceful mood / Burn the sweet aroma of frankincense / Your mind / Burn the frankincense / Your mind / Burn the frankincense.”

What rituals do you personally exercise to keep grounded?

Lara Sarkissian: Working on music. Honestly, working on music and having access to that has been a really healing thing for me. It’s very therapeutic. So I make sure every day I spend some time on that.

Also lighting incense, lighting candles in my room. The basic things like having cosy lighting. Every time I return to my room when I come home at night, I have to turn on my coloured lights in my room to make sure it’s a cosy space.

We’ve talked a lot about the past. What do you have planned for the future?

Lara Sarkissian: This year I started getting into spacial audio and creating these 360 sound pieces. It’s something that I want to return to next year. I want to get back into filmmaking too. I really want to shoot a really short horror film and create some experimental weird thing.

I’m working with this filmmaker based in Oakland named Nadia Shihab where I’m the associate producer for her documentary film JADDOLAND. I’ll be doing a lot of work around that as well – planning screenings and community screenings, travelling to festivals, and stuff.

Videos at

Antilias – FRANCO-HARMENIANS VISITED HIS ENORMOUS FATHER

Armenian Catholicosate of Cilicia
Communication and Information Department
PO Box : 70 317 Antelias – LEBANON
Tel: (+961-4) 410 001 / 3
Fax: (+961-4) 419724
E-mail: [email protected]


FRANCO-HARMENIANS VISIT TO HIS ENORMOUS FATHER

 

Today, two French-Armenian Armenian scholars
Clot Mutafia and Remon Georgia visited H.E. Aram A. to the Catholicos.

 

During the meeting, reference was made
to the revealed presence of Armenology. His Holiness emphasized the Armenian studies region
His Holiness expressed the need to give special importance and within this context,
that the Catholicosate of the Great House of Cilicia continues on the path of various works
contribute to the development of Armenian studies.

 

Let us know that prof. Q:l:oht:Mutafia and Remon Georgia to them
they occupy an important place in the field of Armenian studies. They are located in Antilias
from the mainland to participate in the conference dedicated to “Metaxe Chambu”.



Communication & Information Department

Exhibition: Russian city to host event dedicated to Osip Mandelstam’s Armenian themed works

Panorama, Armenia
Jan 9 2019
Culture 12:10 09/01/2019 Armenia

The Literary Museum in the Russian city of Voronezh is hosting on 12 January an event titled “Osip Mandelstam’s Armenian frescoes” dedicated to the 128th birthday anniversary of the renowned Russian poet, translator and literary critic, Russian media said.

Mandelstam visited Armenia in 1930, and during the eight months of his stay he rediscovered his poetic voice and was inspired to write poems and an experimental meditation on the country and its ancient culture.

During the cultural event, the students of the Voronezh Armenian Sunday School will present the writer’s poems dedicated to Armenia and his “Journey to Armenia” travel narrative.

An exhibition titled “Mandelstam in Voronezh” will conclude the cultural meeting.

A permanent exhibition dedicated to the poet’s life and creative activity opened in the Voronezh Literary Museum in 2011.   

Armenpress: More than $38 million to be invested in Armenia’s airports

More than $38 million to be invested in Armenia’s airports

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13:54,

YEREVAN, DECEMBER 27, ARMENPRESS. The government of Armenia has approved the 2018-2022 master plan of Yerevan’s Zvartnots airport and Gyumri’s Shirak airport.

Caretaker minister of transportation, communication and IT Hakob Arshakyan said at the Cabinet meeting that the master plan gets updated once every five years in accordance to the contract.

The plan envisages nearly 38,2 million dollars investments that will result in ensuring ICAO standards, reach IATA service C level, improve security and conform with new international standards.

A 2800 meter-long section of the Zvartnots airport’s runway will be renovated, among others.

Reconstruction will also take place in Shirak airport, which will enable to ensure conditions for the operations of Airbus A-320 and Boeing B 757-200.

Edited and translated by Stepan Kocharyan




Suspension of Lydian Armenia company’s activity results in low export volume: Khosrov Harutyunyan

Aysor, Armenia
Dec 26 2018
 
 
Suspension of Lydian Armenia company’s activity results in low export volume: Khosrov Harutyunyan
 
 
Chairman of the NA’s economic affairs standing committee does not agree with the claims that it is necessary to stop mining activity as it is harmful and is not of great economic significance.
 
Speaking to Aysor.am, Harutyunyan stressed that it is necessary to work with all mining companies to understand how to make their activity safe.
 
Referring to the tough statements addressed to the activity of Lydian Armenia company, Harutyunyan said that to eliminate the concerns the government must forward clear demand and do everything to reduce the danger even for a percent.
 
“If someone asked me what to do in case of Lydian, I would say that if there is even one percent that your productive activity may negatively influence on the mine you should eliminate this possibility. What additional investments are necessary for reducing the ecological impacts, for cleaning stations? Ensure it all and we, instead, grant you with additional privileges. It would be beneficial for both parties,” Harutyunyan said, noting that such cooperation gives opportunity to have serious infrastructures and form big trust among the investors.
 
“Lydian is a big company, it is necessary to speak with them, to ask their opinion. Such method would have shown to potential investors that the authorities are open for dialogue,” he said.
 
Harutyunyan stressed that it is necessary to have examples of successful investments and cooperation to attract investors.
 
He also stressed that tough attitude toward Lydian and other companies as well as closing roads by activists fighting against mine exploitation harm the economy.
 
“During the eleven months the export volumes have gone down. If Lydian Armenia worked such figure would not have been registered,” he said.