QUARTER OF BOURJ HAMMOUD IN BEIRUT
2009/08/0 2 | 18:39
Culture
The following is an article that appeared in the Los Angeles Times
regarding a photo and film festival that opened last week in Beirut
focusing on the Armenian neighborhood of Bourj Hammoud, that is now
undergoing a sort of revival due to cheap real estate prices. The
festival also includes a photo exhibit on Sanjak, the last remaining
Armenian refugee camp dating back to the 1920’s. The local municipality
plans to raze the site and build a shopping center.
A rare photo exhibition and film festival explores the ups and downs
of Beirut’s Armenian suburb as it undergoes a transition that has
the potential to either help or alienate residents who have already
endured decades of marginalization.
"Badguer," which takes its name from the Armenian word for "image,"
opened last week with a performance from an Armenian rock band and
features a number of foreign and local artists. Babylon & Beyond
visited the exhibition on a recent warm evening and found a lively
mix of local families and young, stylish Beirut residents. Bits of
Armenian, Arabic, French and English could be heard over the strains
of a young man’s violin.
Until recently, the quaint streets of Bourj Hammoud, the bustling,
mostly Armenian neighborhood just east of Beirut, were practically
unknown to the well-heeled Lebanese and Persian Gulf tourists that
crowd the capital’s cafes and shops in summer.
But as Beirut’s galleries, bars and cultural spaces creep ever eastward
in the search for cheaper real estate, Bourj Hammoud is emerging as a
destination for its distinctive food, bootleg DVDs and fine metalwork
in gold and silver.
The municipality, meanwhile, is hoping this new interest will translate
into sustained support for local cultural and artistic initiatives.
"Badguer" is currently being staged on the grounds of an old pipe
factory in the heart of Bourj Hammoud, a setting which lends itself
well to the themes of memory and transformation.
Arpina Mankasarian, the chief engineer at the Bourj Hammoud
Municipality and a primary organizer of the event, said it was
important that the show depict the community truthfully.
"People said, ‘It’s a very good project, but it’s very sad – you have
sad pictures,’" she recalled. "I said, ‘This is the reality. Sad,
and, the reality."
Work like that of photographer Sintia Karam, who did a series of
poignant portraits of the residents of Sanjak, the last Armenian
refugee camp in Lebanon, raise uncomfortable questions not only for the
community but also for its religious leaders and politicians. Sanjak
is home to about 50 impoverished families who will be homeless when
the municipality carries through on its plan to demolish the camp
and build a shopping center.
"I just hope the leadership realizes how important this is and allows
us to continue," Mankasarian added.
Jeanette Zamaroud, a 32-year-old homemaker who lives in Bourj Hammoud,
agreed. Zamaroud, who was accompanied by her young son and daughter,
said it was important for the community to be exposed to something new.
"We don’t have exhibitions like this in the neighborhood," she
said. "They should do more so that our children develop and see what
is going on in the country."
For the artists, especially those who grew up in Bourj Hammoud,
participating in the exhibition was a cathartic experience.
Tamara Stepanyan’s thoughtful installation "My Beiru" deals with
longing and emptiness by re-creating elements of the artist’s first
encounter with Bourj Hammoud after emigrating from Armenia in 1994
after the collapse of the Soviet Union.
"It’s very hard to be an Armenian from Armenia in Lebanon, especially
the first years," she said. "It’s my life I’m presenting here,
all the pictures, all the letters, they’re very personal things
[…] for me it’s like a treatment; I’m dealing with my past."
"It had to come out some time," she added, smiling.