Serj Tankian Uses Tree-Free Paper For ‘Imperfect Harmonies’ Booklet

SERJ TANKIAN USES TREE-FREE PAPER FOR ‘IMPERFECT HARMONIES’ BOOKLET
Amy Sciarretto

Noisecreep

Sept 10 2010

In addition to playing shows across Eastern Europe — in places as far
away as Romania and his native Armenia, which he played for the first
time — former System of a Down singer and solo artist Serj Tankian
delayed the release of his new album, ‘Imperfect Harmonies,’ because
he wanted to be sure and use tree-free paper for the CD booklet.

“We’ve been using tree-free paper for a while,” Tankian told
Noisecreep. “The last two System releases and my first solo album,
‘Elect the Dead,’ were tree-free. The manufacturing plant was out of
the paper, and it takes a little time to replenish it. So I thought,
well, we have to use this paper, so it was a two-week difference to
push the record back.” Tankian and his label, Warner Bros., weren’t
angsty about the delay; it gave everyone involved more time to set up
‘Imperfect Harmonies.’

He stumbled upon tree-free paper when researching alternatives to
recycled paper. “Sure, recycled paper, which is better than regular
paper, but when I found tree-free paper, and saw that other bands
had used it, some CD manufacturers were hesitant, especially since
labels are tied into exclusive deals with manufacturers, so it was
work and expensive to get this done, but I did the research myself
and was able to make a case for it,” Tankian said.

Tankian is currently enjoying being adventurous as a solo artist,
playing places that he hasn’t before and being confident to play with
an orchestral palette. “Working with the Elect the Dead Symphony gave
me a lot more confidence in using orchestral palette,” he said. “I
wanted to bring in other influences, electronic, rock, orchestral
and mix it up.”

The singer enjoys rolling solo, but isn’t ruling out the prospect
of doing another band — even though he certainly is not actively
pursuing that option while he promotes ‘Imperfect Harmonies.’

“I don’t know, maybe, if the time was right,” he mused about the
possibility of working with a band again. “It depends on what I feel.

I have been offered to do a lot of things; sometimes I do writing
collaborations that are fun, and I am open to it. It just depends
on what it is.” He also wants fans to understand that ‘Imperfect
Harmonies’ is a brooding and melancholic record that reveals itself
over time and there is no instant gratification implicit in the music.

As for playing Armenia for the first time in his career overall? It
was an overwhelmingly beautiful experience for Tankian, as he is of
Armenian heritage, and was at the top of his list of things to check
off in his career. “There was so much press and so many people,
along with opportunities, non-profits, the government and others
paying tribute and meeting us. There was even full live TV coverage,
so it was a big deal. We tried with System to perform over there,
but with all the infrastructure, it took time to get it right.”

Tankian will tour the U.S. in September and October to support
‘Imperfect Harmonies’ with a full band

From: A. Papazian

http://www.noisecreep.com/2010/09/09/serj-tankian-tree-free-paper-imperfect-harmonies/

Friends, Family Pay Respects To Ronia Mansourian

FRIENDS, FAMILY PAY RESPECTS TO RONIA MANSOURIAN

CTV.ca

Sept 10 2010
Canada

The family of teenage hit-and-run victim Ronia Mansourian took another
step in the long healing process Thursday as a visitation was held
at St-Gregory Illuminator Armenian Church in Outremont.

But as they walked into the church, the family was still looking for
answers as to how this tragedy could have happened.

“Especially with the father,” said family friend Vicken Darakdjian.

“He doesn’t believe that it’s happened. It’s very shocking.”

Ronia, 15, was struck by a car on Sept. 3 on Levesque Blvd. as she
was on her lunch break from school. The collision hurled her into a
city bus that had stopped on the narrow road to let her cross.

The reality of the incident still hasn’t fully sunk in for those
close to her.

“I don’t believe that it’s her, really her in the accident,” Tanya
Dakessian, a friend, told CTV Montreal’s Maya Johnson outside the
church. “I still don’t believe it. When you see her, it’s not really
her.”

Ronia was placed in a simple white casket, with her friends and family
struggling to console each other. Wreaths of flowers were placed at
the altar, including one in the shape of the CH logo of her beloved
Montreal Canadiens.

Throughout the evening, a steady stream of mourners came to pay
their respects.

“When something bad like that happens everyone kind of gathers to
support each other and that’s a good thing,” said Amber Seguin,
a friend of Mansourian’s sister, Goldie.

Ronia was struck and killed by a speeding driver with a suspended
license last Friday in Laval and her death has rocked much of the
Armenian community.

The driver of the hit-and-run vehicle sped off, and roughly 12 hours
later, 22-year-old Robert Belanger turned himself into the police.

Ronia died the next morning of her injuries.

Belanger faces charges of dangerous driving causing death, and leaving
the scene of an accident. He’ll be back in court next Friday for a
bail hearing.

Recent court cases have demonstrated that drivers accused of hit
and run are unlikely to get bail. Of note in Belanger’s case are his
prior convictions for theft, drug possession, and leading police on
a high speed case, the fact he was driving with a suspended licence,
and is currently out on bail while awaiting trial for fraud.

If convicted, Belanger faces life in prison.

Meanwhile, Ronia will be laid to rest on Friday, yet another step in
this sad journey for her devastated family.

“No one should have such an experience,” Darakdjian said. “You bury
your daughter, a child, your own child. It’s very, very difficult.”

From: A. Papazian

http://montreal.ctv.ca/servlet/an/local/CTVNews/20100909/mtl_visit_100909/20100909/?hub=MontrealHome

Der Zor Diary: A Pilgrimage To The Killing Fields Of The Armenian Ge

DER ZOR DIARY: A PILGRIMAGE TO THE KILLING FIELDS OF THE ARMENIAN GENOCIDE
By Lucine Kasbarian

Online Journal

Sept 10 2010

“My heart is like shattered homes and broken pillars thrown asunder .

. . Wild birds will nest in our ruins . . . Let me throw myself into
the water and be food for the fish’s babies . . . White waves lap
upon the black sea about us and do not mix . . . In this melancholic,
bewildered state, what can my darkened heart do?”

— Lyrics translated by Armen Babamian from “Homeless” (Andouni),
composed by Gomidas Vartabed in honor of Armenians broken and exiled
by the Genocide

Why would I seek out the Der Zor desert — the most infamous of the
killings fields in the premeditated extermination of the Armenian
people carried out by the Turkish government beginning in 1915?

Most of my extended kin did not survive the darkest period in
our people’s history: 1915 to 1923. My four grandparents survived
the ordeals but lost virtually everyone else, or, in some cases,
their entire clan. All but one grandparent lost their spouses, yet
managed to remarry and raise second families in the United States. My
parents, born and raised in the safety of America, were products of
those second marriages. My brother and I followed, brought up in
a home where Armenian was spoken almost exclusively. Recognizing
the value of what had been lost, our three generations vigilantly
practiced Armenian customs passed down from our ancestors. In exile,
we retained a love for the natural beauty of our ancient native land
of Western Armenia, and longed for that land, even as it lay within
the borders of present-day Turkey.

How could I let our departed ancestors know that they had not been
forgotten and were, in fact, with us in spirit every day? How could
I feel closer to them and identify with what they had gone through as
they were driven — barefoot and stripped naked, starving and fearful
— along wild mountain ranges, all the way to a desolate place where,
if they were still breathing, the Turks intended them to die agonizing
deaths? How could I let my forebears know that — as I recalled those
Armenians whose tongues and teeth were torn out and feet cut off —
that we, the grandchildren of survivors, 95 years later, freely and
mindfully used our tongues to speak our native language, our voices
to sing the folk songs of our elders, and our feet to perform the
dances of our native villages? How could I let our ancestors know
that the Armenian soul and our dreams of liberty, even in exile,
did not die with them?

When I learned that a pilgrimage was being organized to visit the site,
formerly in the Ottoman Turkish Empire, where caravans of Armenians
were driven to oblivion, a voice inside said that it was time for
me to walk in the footsteps of those who perished in or miraculously
survived what is now the northern Syrian desert of Der Zor. So I joined
other Armenian Americans, led by Vicar General Anoushavan Tanielian
and Deacon Shant Kazanjian of the Armenian Prelacy in New York to
visit people and places in Lebanon and Syria that were spiritually,
historically, and culturally significant to the Armenian nation.

Cellular memory

As we were landing at Beirut’s Rafik Hariri Airport, the clusters
of beige stone houses rising out of the hillsides reminded me of our
Western Armenian towns such as Kharpert — less than 650 kilometers
away in eastern Turkey — before their destruction. These Lebanese
hill dwellings transported me to a place that before this voyage had
existed for me only in historical photographs of Western Armenia and
in the recesses of my mind.

What exactly is Western Armenia? Armenia can be thought of as having
two parts: the eastern part, represented today by the Republic of
Armenia and Artsakh/Karabakh; and Western Armenia, consisting of
the eastern portion of Turkey as well as the northwest corner of the
Mediterranean (known as Cilician Armenia), also occupied by Turkey.

During the Genocide, Turkey liquidated the Armenians of Western
Armenia and attempted to do the same to the Republic of Armenia. The
descendants of the survivors of the Genocide are often referred to as
“Western Armenians.” Most live in diasporan Armenian communities,
though large numbers of them also reside in the Republic of Armenia.

As we journeyed about Lebanon to Armenian neighborhoods, community
centers and churches, all of which retained a distinct Armenian
character despite the passage of time, we seemed to be traveling
in a virtual labyrinth, spiraling inward, closer and closer to Der
Zor. We were not only homing in on where the unspeakable occurred. In
visiting vibrant Armenian communities along the way, some of them
settlements that existed long before the trials of Der Zor, we
were also drawing closer to the native lands of the Armenians —
and my body instinctively knew it. It was as if everything about
these territories — particularly later in Syria — had been seen,
touched, tasted and lived on by the ancient lifeblood within me.

Inside the Cilicia Museum in Antelias — a district of Beirut — we saw
rare clerical vestments, chalices, relics and documents rescued from
churches in Western Armenia. Most of these treasures were brought
to Lebanon through great personal sacrifices and under difficult
circumstances during and after the Genocide. These treasures —
including meticulously embroidered burgundy velvet vestments and
carnelian, garnet and ruby-encrusted relics — seemed to embody
a style that I had long embraced as my own. These engraved silver
belts, crosses and prized possessions revealed a decorative flair,
refinement, craftsmanship and love of animals and nature that I had
always instinctively sensed as being “Armenian.” The timeless style
of these treasures spoke to my tastes. It occurred to me that these
designs were not just my personal preferences but emblematic of a
national character belonging to our people and somehow genetically
ingrained in me.

The Armenian essence: Bourj Hammoud and Anjar

In such surroundings, I did what came naturally — speaking with my
fellow travelers, as well as Armenians we met, almost exclusively
in the Western Armenian dialect. It was our mother tongue and common
language, even if speaking it is becoming less frequent in America’s
melting pot.

As we rode along in our travels, I was entertained by Aroussiak,
a woman who, as situations arose, recalled just the right, hilarious
Armenian proverb. And in the seat ahead sat Azadouhi, whose family,
like part of mine, hailed from Dikranagerd, Armenia — today’s
Diyarbakir, Turkey. She knew of my interest in the endangered
Dikranagerd dialect, and would feed me remarks and phrases from it
each time she saw something on the road for which she knew the term.

As much as the pilgrimage was a solemn voyage for me, moments
like these, when the flames of our language and culture rose tall,
gave cause for joy and celebration. Before I knew it, surrounded
by majestic mountains leading to the magnificent Jeita Grottoes of
Lebanon, the Vicar and I were singing Lerner Hayreni (Mountains of
my Fatherland), an Armenian song of exile. Again and again, I stood
up in the aisles of the bus, craning my neck to see more and more of
the terrain. The lands were unmistakably calling out to me, saying,
“We are approaching where you come from.”

Our group spent an afternoon in Bourj Hammoud, a suburb of Beirut with
a sizable Armenian population. In the years following the Genocide,
survivors from Der Zor who plod into Lebanon were permitted to build
shacks in what was then swampland.

Today, Bourj Hammoud is one of the most densely populated districts in
the Middle East. It teems with barbers, cobblers, and sellers of food,
clothing, music, books and souvenirs — nearly all of them Armenians.

Here we found Armenian churches, compatriotic, athletic and cultural
organizations, meeting halls, and the offices of local Armenian
newspapers and radio stations. During the Lebanese Civil War, the
Armenian community remained neutral. As a result, parts of Bourj
Hammoud — now mostly repaired — endured repeated shelling by those
who resented that neutrality.

For those who live in “BH,” as it is known for short, it is natural to
hear the Armenian language spoken in the streets and Armenian music
playing outside. For Armenians visiting from anywhere except Armenia
(or, perhaps, Glendale, California), it’s an astonishing experience.

Storefront signs appear in Arabic, Armenian, and English or French.

Streets are named for cities in Western Armenia such as Adana,
Marash and Sis. Perhaps most amusing to an outsider are the scads of
identically dressed young Armenian men in their designer t-shirts,
jeans, dark sunglasses and five-o’clock-shadows, weaving through
thick traffic on their motorbikes.

Upon entering the Bekaa Valley, 50 kilometers northeast of Beirut,
a sign overhead announced, “Welcome to Anjar” in Arabic, Armenian
and English. Anjar is populated by descendants of the Armenians of
the Mediterranean region of Musa Dagh (now In Turkey) who outlasted
murderous assaults by the Turkish army in 1915. The Armenian defense
stand became a global symbol of resistance memorialized by author
Franz Werfel in his renowned “Forty Days of Musa Dagh.” In 1939,
Anjar was gifted to Armenians rescued from Musa Dagh and enabled
them to begin their lives anew. As our group was introduced to the
Anjar community that today clings tenaciously to its proud history
and identity, I was overwhelmed that an endangered piece of Western
Armenia — Musa Dagh — had been, in a very real sense, relocated and
preserved here. During a conversation with the remarkable Reverend
Father Ashod Karakashian, I revealed my sorrow about our Armenian
condition. His response was inspiring: “The heroes of Sassoun [another
Armenian region that endured Turkish assaults] were outnumbered and
fought off marauding Turks through their absolute will to survive
and live on their native soil in dignity. Where would we be if these
Armenians had given up at the first sign of duress?”

Haleb

As our tour bus ambled along a highway en route to Aleppo, I recognized
the tree before me: the slender perennial that is depicted in paintings
that hang in Armenian homes throughout the world. In these paintings,
two of these trees grow upright in the foreground of the twin peaks
of Mt. Ararat — the universal symbol of Armenia, even if the mountain
today happens to be within the boundaries of Turkey.

This tree is the Mediterranean Cypress, planted centuries ago by
conquering Romans extending their empire. I could not help but conjure
Armenia in my mind upon seeing thousands of these trees in our travels.

The northwestern Syrian city of “Haleb,” as Armenians call Aleppo.

There was something unmistakably familiar about the northwestern
Syrian city of “Haleb,” as Armenians call Aleppo: The dense and
vibrant Armenian-speaking neighborhoods; the Armenian churches
constructed in our traditional architectural style; the narrow,
winding, cavernous cobblestone streets; structural motifs that were
decidedly “Orientalist;” stone houses that were at once ancient and
environmentally conscious; the arid climate; the fruit, nut and olive
orchards; the camels, donkeys and bazaar merchants — all these things
had an air of familiarity. The absence of over-industrialization
which allowed the natural beauty of the terrain to shine through and
the lack of blatant consumerism and pop culture were just a few more
reasons why Haleb in particular seemed much more native to me than
New Jersey or Boston do.

And it’s no wonder. The very first Armenian presence in Haleb dates
back to the 1st century b.c., when Armenia’s King Dikran I subjugated
Syria and chose Antioch (later a chief center of early Christianity)
as one of his four capital cities. After 301 a.d., when Christianity
became the official state religion of Armenia, Haleb developed into an
important center for Armenian pilgrims on their way to Jerusalem. And
in the 12th century, when the boundaries of the Armenian Kingdom
of Cilicia were not far from Haleb, Armenian families and merchants
settled there in large numbers and established their own businesses,
residences, schools and churches. I was, in a very literal sense,
hitting close to home.

My eyes grew wide as we were led into the center of the Old City to
one of the oldest and largest castles in the world: the extraordinary,
towering Citadel of Aleppo. As it turns out, stone inscriptions in
this medieval fortified palace tell us in Greek that Armenia’s King
Dikran captured it when he took Haleb.

It was often the case that when people heard someone in our group
speaking Armenian they would approach us to simply say welcome. This
time, it was a tourist from Barcelona inside the Citadel who had come
to visit his Syrian relatives. Recognizing our vernacular, he wanted us
to know how proud he was that his grandfather had hidden and protected
Armenians during the Genocide. As we expressed our gratitude for his
grandfather’s righteous deeds, he posed for a photo with members of
our group.

It is said that some of the underground passageways built under the
gigantic moat surrounding the Citadel lead to the 40 Martyrs Armenian
Cathedral more than a kilometer away. It was upon visiting this
hauntingly beautiful 15th century Cathedral that I witnessed a most
inspiring scene. During the Divine Liturgy of the Armenian Church,
it is customary for the Nicene Creed, also known as “Havadamk,” or
“We believe,” to be recited as an Armenian declaration of belief
in Christ’s single nature with human and divine attributes. Here in
the Cathedral, hundreds of worshipers attending mass at the height
of summer joined the clergy to recite — in Armenian, of course —
this credo in perfect, melodic unison. Chills went down my arms as
I remained mute to appreciate the sacred feeling of communal and
spiritual oneness that permeated the room. Thus did the echoes of
Armenia continue to embrace us.

Kessab

The Armenian presence in the Kessab region of Syria (about 100
kilometers west of Haleb) predates Christ. Here in Kessab’s village of
Kaladouran, the air, the soil, the foliage, the homes, the people and
their traditions are Armenian to the core. The Armenians of Kessab,
a coniferous forested region that faces the Mediterranean Sea, had
endured centuries of persecutions and Turkish attacks. Those unable to
resist were death-marched to Der Zor in 1915. In the post WW 1 era,
Kessab endured further attacks from Turkey. In 1939, Turkey unjustly
annexed part of Kessab’s Cassius Mountain range. This included the
Barlum Armenian Monastery, farms, fields, properties, laurel tree
forests and grazing lands that belonged to the native Armenians.

Locals say that in the annexation Turkey managed to capture enough land
to ensure that it possessed the pristine, sandy beaches surrounding
the Kessab region and not the rocky ones, which were left to Syria.

It was only through the efforts and perseverance of the Armenian
Catholic Patriarch of Cilicia Cardinal Krikor Aghajanian and Remi
Leprert, the Papal representative in Syria and Lebanon, that Kessab
remained under Syrian jurisdiction. From Kessab, Turkey is a mere
3 kilometers to the north, and Musa Dagh 50 kilometers further. A
bright spot in the annals of Armenian history is that a vibrant,
Western Armenian way of life, and Kessab’s unique Armenian dialect,
still thrive in this coastal town and surrounding villages. Let us
rejoice that Armenians freely live and prosper in a remnant of the
majestic lands of the Armenian Cilician Kingdom.

Seeing magnificent Kessab again was a homecoming. Twenty years ago
as a college graduation present, I was permitted to come to Kessab
to rebuild the then nearly vanished Sourp Stepanos chapel with the
organization named Yergir yev Mushagouyt (Land and Culture). Today,
as I stepped out of our group’s van, entered the finished sanctuary
and marveled at its rustic beauty, I knelt down, prayed, and then
kissed the beams of the chapel, grateful to witness a miracle:
a restored piece of Western Armenia that others and I had in some
small way helped to make a reality.

And yet, in a moment of grief, I lamented aloud the burdens we
Armenians bear. A resolute voice among us, Reverend Father Datev
Mikaelian of Aleppo, again brought reassurance: “Gather your strength
by looking at Kessab’s mountains and breathing deeply. Think of all
our compatriots who resisted, sacrificed their lives, and are buried
under these mountains. We cannot falter.”

Der Zor: The killing fields

As we circled closer and closer to Der Zor, and with each community we
visited, we went deeper and deeper into the Armenian consciousness. In
mid-August, we reached the epicenter — to which countless thousands
of uprooted Armenians had been driven to their deaths.

The killing fields.

I stood on Der Zor’s blanched desert sands with nothing visible
around us. Every fact and figure I had read, learned and memorized
about the Armenian Genocide seemed to vanish. I could think only of
the bleakness, the barrenness, the blinding sun and searing heat of
August — and how sentient beings had been deliberately herded to
this inferno of nothingness to suffer and expire.

As I stood apart from the group, the atmosphere held a transcendent
significance. We had been given the rare opportunity to viscerally
sense the thirst, hunger and agony that our martyrs and survivors
had endured. The reverence I had for the tormented souls who had
their final release here left me oblivious to physical discomforts
in the present. In fact, we arrived just two days shy of the 95th
year of British statesman Viscount Bryce’s reporting that caravans
of Armenians started to arrive in Der Zor.

Many voyagers in the modern day have scratched and sifted the surface
of Der Zor and found the skulls and bones of the murdered Armenians.

Today, the land is still bare and unoccupied on the surface, and
misery seems to cling to the dry, hot air. I thought about how the
beaten bodies of our ancestors found eternal respite here, even if
their spirits did not. I stared at the sand and, through my tears,
quietly sang “Hahnk-jeh-tsek,” or “May You Rest,” an Armenian repose
of the souls. Turkey continues to claim that it had merely “relocated”
Armenians to Der Zor. Yet who could survive in this abysmal place?

Relocation meant death, just as Turkey intended. Before we scrambled
back on the bus, I collected sand and tumbleweed so that my
contemporaries back in America could recall Der Zor in a tangible way.

Ghosts of the Euphrates

Several kilometers from the Der Zor desert, our group gathered on
a suspension bridge over the Euphrates River where many Armenians
had met their end. A dozen or so local Syrian boys seemingly seeking
amusement and relief from the heat had perched themselves about 25
meters above the water, on the rails and cables of the bridge. As
we ceremoniously tossed flowers into the Euphrates, these boys
began to jump into the river. Their acts recalled for many of us
the Armenian girls and women who, during the Genocide, committed
suicide by flinging themselves into these very waters to avoid rape
and abduction by Turks. Remembering this and seeing the boys jump,
I could barely get the words out as the Vicar led our group in song:

Gooys aghcheegner (Armenian virgins) Eeraroo tzerk purnetzeen (holding
each others’ hands) Eerenk, zeerenk (as they in unison) Yeprad Kedn
nedetzeen (threw themselves into the Euphrates)

Could these local boys, the eldest of whom were just teenagers,
have known the significance of what they were doing? Or was it just
a coincidence? To their families and the local authorities’ great
regret, several youths had in recent years died from making such
colossal leaps. Were these feats somehow intended to honor our dead
or were they just youthful bravado? I was too unsettled by what we
were witnessing at the time to ask more than a handful of people,
who did not know.

To somehow mitigate my heartache over what I had seen, I walked further
along the bridge, my arms clinging to my torso for solace. As I leaned
over to peer through my tears at the river below, some postcards of
rescued Armenian treasures from Cilicia fell from my diary and sailed
down the Euphrates. At the time, I felt I had unwittingly littered
the River. But later, it occurred to me that the postcards may have
had a mind of their own and sought to trail after and comfort the
souls who had not been saved.

There is a saying that the Euphrates looks clear and bright to everyone
but Armenians who, when they gaze upon it, see only murky greens and
browns. As an Armenian who has now been there, I can vouch for that
saying. Even so, I suppose I should feel grateful that the Euphrates
did not appear to run red from the blood of murdered innocents flung
there during our ordeals.

Bones at the Der Zor Memorial Museum.

It was only much later that my thoughts turned to personal connections
to Der Zor: as a young girl my maternal grandmother Armaveni buried
her own mother in those sands. And my paternal grandmother Lucia
helplessly watched her two infant daughters perish in this wasteland.

In the days that followed our pilgrimage, I gradually collected my
thoughts about all we had seen. I recognized that the Armenia of our
ancestors was present all around us in the Levant. Two of the regions
we visited in Syria — Kessab and Haleb — are long established,
ancient Armenian communities. Lebanon’s Anjar and Bourj Hammoud are
communities established in the early 20th century, though there have
been Armenians who have lived in those regions for centuries.

On the deepest level, puzzle pieces of a dismantled Western Armenia
were staring back at us: In Anjar, I found the soul: the Armenian
struggle for survival and dignity. In Haleb and Bourj Hammoud, I
found the spirit: the lively, vibrant Armenian community. In Kessab,
I found the body: Our homelands. And in Der Zor, I found the core:
The tormented remains of our ancestors.

Faith and renewal

Many pilgrimage sites contain shrines where miracles are said to have
occurred. If someone asked me what miracles I observed, I would first
say that it is nothing short of a miracle that any Armenian survived
the death marches into Der Zor. The second miracle was the existence
of Armenian outposts in Lebanon and Syria where the Western Armenian
culture, practically extinguished, persists. Bearing witness inspired
me to rededicate myself to the Armenian struggle for justice. And it is
my hope that by 2015 — the 100th anniversary of the Armenian Genocide
— every Armenian who has not yet gone will make the pilgrimage to
Der Zor.

We pilgrims owe a debt of gratitude to the people of Lebanon and Syria,
who welcomed us this summer. Their governments were notified of and
approved our pilgrimage. They permitted us to freely travel to sacred
Christian sites and to worship and commemorate as we chose. We had
full access to our own churches and community centers, which are in
Armenian possession. These same nations took in refugee Armenians at
the time of the Genocide, 95 years ago. Then, our exiles were permitted
many rights that had been denied to them in their own native lands:
to safely identify themselves as Armenians, freely speak their native
language, practice their customs, honor their dead, earn a living,
and build homes, schools and churches.

Counterfeit pilgrimage

What can we expect now that Turkey has organized an alleged pilgrimage
for Armenians around the world, to occur on September 19? A one-day
religious service will be permitted at the newly renovated 10th
century Armenian Holy Cross Church on Aghtamar Island in the Van
region of present-day Turkey.

To promote its image of being tolerant of its minorities, Turkey
has recently reopened this church as an income-generating secular
museum and tourist attraction. As evidence of its alleged intention
to “reconcile” with its genocidal past, and instead of providing
restorative justice, Turkey has made known that Armenians must, in
effect, pay for visitation rights to Aghtamar’s appropriated church
on appropriated land.

The exquisite Holy Cross Church, studded with bas-relief sculptures
of biblical scenes, was confiscated when Van was emptied of its
Armenians during the Genocide. In the years that followed, the Church’s
exterior became riddled with bullet holes made by local gun-toting
Turks. Left to rot, Holy Cross had somehow escaped total eradication
or conversion to mosques or animal stables like most other Armenian
churches in Turkey.

Van was, at one time, the capital of Armenia. The Holy Cross Church
was the seat of an Armenian Patriarchate from the 12th to the 19th
centuries. As the Der Zor Memorial Museum states, “In 1915, the
province of Van had 197,000 Armenian inhabitants, 33 monasteries, 75
churches, and 192 schools. The city of Van alone had 32,000 Armenian
inhabitants and 8 churches.”

Unlike our recent pilgrimage to Der Zor and the Armenian churches
along the way, this “pilgrimage” the Turks arranged for the Armenians
to our captive Aghtamar insults the entire Armenian nation, not just
those Armenians that Turkey itself victimized and dispossessed.

In the wake of Der Zor and our dreams for Western Armenia, perhaps
Vicar Tanielian summarized the rebirth and mission of the Armenian
people best in one of his sermons: “As with the death of Jesus
Christ, the lands and the people of Armenia were lost to us. They
each suffered, were crucified and buried. But in the end, Christ and
Armenia were both resurrected.”

And so our struggle continues.

Lerner Hayreni (Mountains of my Fatherland)

Oh, how I have longed for you, Proud mountains of Armenia, Upon your
bosoms I have run and grown tired, My mountains, mountains, mountains
of my fatherland.

>>From your peaks, clouds could have slid Like sheep descending into
a valley.

Now I wish to be in your midst.

To again embrace you, mountains of my fatherland.

Emerald mountains, I left my heart with you.

And instead took with me the fragrance of your rose.

In my veins is the strength of the mother soil, My mountains,
mountains, mountains of my fatherland.

— Music by A. Mirankoulian. Lyrics by V. Aramouni

Lucine Kasbarian is a second-generation American-born Armenian writer
and political cartoonist. She is the author of “Armenia: A Rugged
Land, an Enduring People (Dillon Press/Simon & Schuster). An Armenian
folk tale, retold by her, will debut in 2011 by Marshall Cavendish
publishers. To read more about Lucine’s trips to Lebanon and Syria,
visit: Armenian American Pilgrims Pay Homage in Lebanon, Syria and
Der Zor and The Lure of the Levant.

From: A. Papazian

http://onlinejournal.com/artman/publish/article_6307.shtml

The Director’s Office Of David Sarkisyan

THE DIRECTOR’S OFFICE OF DAVID SARKISYAN
by Yuri Avvakumov

Oye! Times

Sept 10 2010

David Sarkisyan was Moscow’s beloved cultural guardian; his friends
in the city’s vibrant artistic community are fighting to preserve
his eccentric and baroquely overfilled office as a testament to his
inclusive, nurturing spirit.

David Sarkisyan left his office last December, before Christmas,
and never returned to his workplace again. On January 7, 2010, he
died suddenly of lymphoma.

During the decade he spent in his office as director, the Museum of
Architecture staged hundreds of exhibitions and became the center not
just of Moscow’s architectural life but also its artistic life. David
was neither a builder nor an architect – a biologist by training, it
was as if he found himself in the life of architecture museum director.

He was like a squatter who had taken up residence in an abandoned
building and invited his friends in.

Since no one was protecting Moscow architecture from destruction
and fake substitutes, the public movement Archnadzor organized its
exhibitions in the museum. The Moscow Architecture Preservation
Society, or MAPS had its birthplace in the museum, petitions to the
Moscow authorities were signed here, and journalists hurried here to
hear the first reaction of cultured people to the latest initiative
by unintelligent developers.

Meanwhile the museum’s yard filled up with sculptures that were brought
here from the Donskoy Monastery, where at one time the museum had a
depository and restoration workshops – there was nowhere else to take
them. The museum also took in paintings removed from the Hotel Moskva,
which was being demolished; elderly architects brought David their
precious archives, and the formerly dull management office began to
gradually fill up with brightly covered books, photos of country
estates outside Moscow, travel souvenirs, multi-coloured stones,
table-top sculptures, Chinese umbrellas and a metronome, becoming
increasingly reminiscent of Wells’ Magic Shop. For the last few years
there was only enough free space left in the office for three chairs –
two for visitors and one for the director. David was a human omnivore,
accepting young and old, respecting fame and loving those just starting
in art, not dividing into high and low but trusting his own taste
for talents, wherever they might come from.

The Office: Living Art or Sarcophagus

Thousands of friends and acquaintances came to say farewell to
David Sarkisyan, which is highly unusual for the funeral of a museum
director, and obituaries were published not just by Moscow newspapers
and magazines but also by Western publications. While the Ministry
of Culture was looking for a new director to fill the vacancy,
David’s close friends thought about how to preserve the memory of
the legendary director – and as it happened they didn’t have to go
far to find their tribute. David’s office, wonderfully made into an
artistic installation, is a memorial in itself. This obvious idea
unexpectedly encountered opposition from the newly appointed director,
an architect by profession, who thought he would free up the office
by moving all David’s things into a glass sarcophagus in a suite in
the main block of the museum.

A letter to protect the office, addressed to the Minister of Culture,
was signed by dozens of distinguished Moscow museum curators, art
historians and architects. The ministry supported the request that the
office be preserved as a memorial. Archive experts are now at work
in it, compiling a so-called collection inventory so that all the
exhibits can be handed over to the museum for permanent preservation.

The installation in memory of the last director of the architecture
museum in Moscow is currently being shown in Venice, in the ancient
Palazzo Zenobio, which was decorated by Tiepolo. Since the second
half of the nineteenth century it has been the home of the Armenian
College, and in recent times artistic exhibitions have often been
staged here. David loved this palazzo, with its luxurious garden,
a rarity in Venice. In 2002 he was curator of the Russian pavilion
in the Giardini for the Architecture Biennale.

Venice, with its unique aura-bewildering to any supporter of orthodox
city-plans-is a lot like his office. Everyone knows the story about
the first deputy mayor of Moscow, head of the capital’s construction
complex, who, when he found himself in Venice for the first time,
looked round the ramshackle little houses and declared that the
city needed urgent repairs. One has to assume he meant Moscow-style,
with demolition and consequent “restoration” in reinforced concrete.

An exhibition entitled “The Director’s Office” opened to the public
together with the latest Architecture Biennale, the theme of which
this year is “People meet each other in architecture”. Many of David’s
friends from various cities around the world gathered at the opening
in late August in the cool and spacious courtyard of the palazzo. The
installation occupied two dark halls in the left wing of the building:
in one there was a memorial film full of interviews with those who
knew David well when he was alive.

Back in Moscow, his office has become a kind of lesson, or
homework, left by Sarkisyan to Moscow’s architects and to the city’s
authorities. It is something organic in the museum that belongs to
living people, not to workshops, guilds, trade unions or ministries.

The first duty of the architect is to preserve the “natural” beauty
of the city, which often grows without his involvement, and only
then to add his professional skill to what exists. David believed
passionately that architects should be more like gardeners, otherwise
our city will turn from a garden into a morgue.

From: A. Papazian

http://www.oyetimes.com/news/europe/5780-the-directors-office-of-david-sarkisyan

BAKU: Azerbaijan Can Make Right Conclusions, Become Independent Play

AZERBAIJAN CAN MAKE RIGHT CONCLUSIONS, BECOME INDEPENDENT PLAYER IN ITS REGION

news.az
Sept 10 2010
Azerbaijan

Yuriy Bocharov News.Az interviews Yuri Bocharov, political
technologist, PR-manager (Israel).

Some experts believe the main event in the Russian President’s visit
to Azerbaijan was the signing of the final document on the state
border, others say it is the agreement on raising volumes of export
of Azerbaijani gas to Russia, while the rest say that by his visit to
Yerevan and Baku Medvedev showed to the West that Russia is the main
power in the region. And what are your impressions of Medvedev’s visit?

There is a saying “To do a good face in a bad game”, which means to
try to conceal trouble and problems under external calmness. Russia has
troubles in both political and especially economic sense. But it needs,
if exactly, it ‘wants’ to play a role of the leading political force
not only in our region. President Medvedev is striving to show his
international importance on the background of the “working” success
(and shortages) of Premier Putin.

I think the whole visit is a formality, Moscow’s attempt to justify
itself for Armenian projects. In fact, Moscow had nothing to offer Baku
except for its explanations. From here come the so-called projects
of the century. Have there been any differences on delimitation of
state border? Is this the level of presidents? On the background of
the volumes of oil products supplies to other countries and Iran’s
intention to get up to 10 bn cubic meters of gas a year, the new
agreement with Russia for supply of 2 bn cubic meters of gas seems
not too significant. In fact, President Aliyev by his actions has
“saved Dmitriy Medvedev’s image” by his actions, like we say in
the East by signing a number of protocols thus making this a state
visit. Let’s take into the essence of Russia’s economic offers in
the sphere of energy sources. We can view this either a bribe to
Azerbaijan for their pro-Armenian policy or as a long-term project
on the settlement of their own interests.

Why did Gazprom proposes the allegedly extremely favorable economic
offers by means of which Azerbaijan can sell its gas by European
prices paying to Russia only for transportation. Here we see Russia’s
intention to fill its pipelines by 100% since it does not only bring
tens of millions of dollars a year to its treasury but also freezes
construction of alternative ways of oil supplies to Europe. In fact,
Russia wants to transit all Azerbaijani energy sources by any means
even by raising the amount of deals in order to remain the main
supplier of energy sources, which means to be the main player in
the European space. Meanwhile, Gazprom’s offer to purchase share of
BP which is operating the BTC pipeline shows Russia’s intention to
control others’ oil flows.

Which goals do you think Russia pursues by ensuring its long-term
military presence in Ukraine and Armenia?

Like most superpowers of the world Russia pursues only its own state
interests.

In any form Russia is losing its influence in the Caucasus and in
the entire Middle East. Today the military base in Gryumri (Armenia)
is factually its last bastion in the region which helps it control
the air space of Turkey, Iran, Georgia, Azerbaijan and defend its
borders at a distance.

Meanwhile, Sevastopol is the last serious marine base of Russia
in the Black Sea. After losing it, Russia will lose the Black and
Mediterranean Seas and along with them its influence in the Middle
East.

Today Russia is taking huge efforts to preserve its influence in the
region including supplies of free arms to Armenia and the writing
off Ukraine’s debt partially.

On the other hand, where can Armenia surrender, who needs it in
its current state? Who wants to be friends with it and why? The
leading geopolitical players view Armenia only as their platform in
the Caucasus.

Do you think it is possible to believe Russian leadership who states
that the recently signed agreement on the Russian military base in
Armenia is not targeting Azerbaijan?

What does sincerity of people who are willing to rule the world mean?

Though the tasks of the 102nd Russian military base provide for the
strategic stability of Russia’s external border, we should not forget
that they are equipped with anti-missile S-300 complexes and MiG-29
fighters while the staff is about 5,000 people. Meanwhile, according
to different sources, almost the whole staff consists of Russian
citizens of Armenian ethnic. In fact, the base is de-facto a part of
the Armenian armed forces, supported by Russian money and technique.

So whose interests will the base defend in case of the armed conflict?

Though Russia will hardly intervene into the armed conflict in the
territory of NKO, it cannot be said about the Armenian armed forces
including the soldiers of the 102nd ‘Russian’ military base.

Why do you think Russia is raising its military cooperation with
Armenia and simultaneously agrees to export S-300 complexes to
Azerbaijan?

As they say: “Nothing personal, only business!”

We should not forget that Russia is the world’s second arms suppliers
after the United States, while its revenues from the military
industrial complex occupy a significant place in its budget after
supplies of energy sources and crude. In addition, Russia is obliged
to supply arms to Armenia free of charge, while it can get the real
price from Azerbaijan. In addition, according to other estimates,
it is the same S-300 complex, which Russia was trying to supply to
Iran but could not do this because of sanctions. It means that if
Azerbaijan gets it, this will rescue Russia once again.

I would like to draw your attention to a number of other military
proposals received from Russia, in particular, on modernization
of MiGs and tanks, supply of missile boats and other accompanying
military technique. In fact, the geopolitical importance of Azerbaijan
and ‘unstable’ neighbors obliges the country to raise its military
potential all the time. However, due to existence of many proposals
of the leading arms dealers, I think Azerbaijan may get additional
privileges as a “gratitude” for each purchase of this kind especially
that it has a choice between the United States, Turkey, Israel and
Ukraine. Thus, Russia has someone to compete while Azerbaijan has
someone to choose between.

Can we believe the Russian president who says Russia, as the Caucasus
state, is extremely interested in the soonest resolution of the
Karabaakh conflict and therefore, it will further take measures
for settlement?

The life in the Middle East taught me not to believe any word. I would
not say that Russia is interested in the full scale war. In fact, no
one, even very odious regimes, are interested in such a war. However,
no one is against local wars, especially if they are controlled. All
leading arms dealers are interested in international conflicts and
they constantly encourage their participants in their intention to
arm and get military superiority and then try to settle the problem.

Unfortunately, unless there is the Karabakh conflict, Azerbaijan will
be interested in ‘partnership’ with both Russia and America and will
have to take account of their strategic interests. On the other hand,
Russia will be obliged to take into account Azerbaijan’s interests in
other spheres and other neighbors by trying to prove its importance
in the region to Azerbaijan. Azerbaijan must be able to take advantage
of this moment and settle at least a part of its problems.

How will this Russia’s intensification influence the South Caucasus
and a wider region?

In fact, in the Caucasus Russia is trying to apply the US model
of conduct in the Middle East and in particular in the issue of
Israel-Palestine confrontation. The negotiations here are also
intensified only in period of election campaigns in both America and
Israel. The periodical intensification of hostilities up to local wars
and everything goes anew. In the result, all neighbors are obliged to
rearm in order to “preserve: the military parity which is constantly
violated by either America or Russia.

For example, it is proven that in period of the second Lebanese
war the terror organization of Hezbollah fought against Israel by
“Russian” arms supplied to Syria. Meanwhile, today Russia is trying
to supply Syria with new missile complexes and Jachont missiles
intended to fight ships at a distance of up to 300 kilometers and
capable of carrying warheads of up to 200 kg. Israel considers
not without grounds that they may get to Hezbollah terrorists and
therefore it starts discussing purchase of new fighters in America
which immediately causes the protest of Egypt and Jordan who are
allegedly losing military parity. In the result, America is “obliged”
to modernize their armed forces. So, who has gained here?

See how differently the military capacities of Caspian littoral states
are declared today, how many publications about ships and cruisers of
different countries there are in press. There are so many proposals
for modernization of their marine fleet. Don’t you think that we have
already seen this script?

However, seeing such a Middle Eastern script of developments,
Azerbaijan can make right conclusions and become an independent
player in its region especially that it has the economic component
and political opportunities for this step.

Yuri Bocharov is political technologist, PR-manager (Israel), foreign
member of the Russian academy of natural science, member of a number
of expert councils of Israel and Russia.

From: A. Papazian

U.S. Embassy Hosts The Indie Pop Band "Brazzaville"

U.S. EMBASSY HOSTS THE INDIE POP BAND “BRAZZAVILLE”

news.am
Sept 10 2010
Armenia

The U.S. Embassy is pleased to announce a program that will showcase
America’s cultural diversity by featuring Brazzaville, an indie pop
band, September 11-15, 2010. The program in Armenia will conclude
Brazzaville’s international tour of Central Asia and the Caucasus,
U.S. Embassy in Armenia informed NEWS.am.

Brazzaville was formed in 1997 by David Brown (vocals, guitar). Band
members also include Matthew Reynolds De Merritt (horns, keyboards),
Ivan Knight (drums), Kenny Lyon (guitar), and David Ralicke (saxophone,
trombone). Brazzaville has released nine albums to critical acclaim,
including Teenage Summer Days and East L.A. Breeze, which reached the
top of the Russian charts thanks to its English version of KINO’s “A
Star Called Sun.” The band’s live album Brazzaville in Istanbul was
also a European World Music Chart Top 20 Album. Brazzaville has been
featured in The L.A. Times, The New Yorker, and Afisha, among other
publications, and plays to sold-out crowds around the world. The
group’s musical influences are derived from the multicultural and
poly-ethnic neighborhoods of Los Angeles, as well as from international
experiences. The group is dedicated to the idea that the world is a
beautiful place filled with wonder and that cultural exchange breaks
down barriers.

Brazzaville will perform in Yerevan on September 12, 8:00 pm in Lovers’
Park on Baghramian Avenue 21. On September 13 the group will travel to
Gyumri for a same-day concert at the State Drama Theater at 7:00pm. The
band will also perform for music school students in Hradzan and will
conduct a master class in Yerevan. All events are open to the public
and free of charge.

From: A. Papazian

CIS Supreme Council Of Heads Of Control Bodies To Be Held In Yerevan

CIS SUPREME COUNCIL OF HEADS OF CONTROL BODIES TO BE HELD IN YEREVAN

Panorama
Sept 10 2010
Armenia

CIS Supreme Council of Heads of Control Bodies 10th summit will be
held in Yerevan from 28 to 30 of September.

According to our sources, all the representatives of the CIS countries,
except Azerbaijani, have already confirmed their participation.

During the summit a range of decisions are supposed to be adopted,
documents signed and further activities defined.

The Chairman of Control Chamber of Armenia Ishkhan Zakaryan suggested
to have 10th summit in Yerevan.

From: A. Papazian

Azerbaijan Violated Ceasefire 54 Times

AZERBAIJAN VIOLATED CEASEFIRE 54 TIMES

news.am
Sept 10 2010
Armenia

On September 8-9, 54 ceasefire violations by Azerbaijani side were
registered in the frontline between the armed forces of Azerbaijan
and Karabakh.

The Azerbaijani units fired at Karabakh positions from different types
of small arms, including sniper rifles in the directions of Hadrut,
Martuni, Askeran and Martakert, NKR Defense Ministry press service
informed NEWS.am.

With retaliatory fire the NKR Defense Army neutralized the enemy.

From: A. Papazian

Azerbaijan Revokes Resolution On Karabakh

AZERBAIJAN REVOKES RESOLUTION ON KARABAKH

Aysor
Sept 10 2010
Armenia

Azerbaijan has proposed to revoke the draft of the resolution A/64/L.57
on ~SRespect for human rights and international law on the occupied
territories of Azerbaijan.~T The draft of the resolution was on
the agenda of the 64th session of the UN General Assembly. The
resolution~Rs part on situation on the occupied territories of
Azerbaijan was proposed to put on agenda of the 65th session of the
UN General Assembly, Trend agency quoted Azerbaijan~Rs Permanent
Representative to UN Agshin Mekhtiyev as saying.

Azerbaijan~Rs Foreign Ministry issued a statement announcing the
decision late Thursday. It said the decision was made after OSCE Minsk
Group Co-Chairs had informed would visit the region late September
or early in October, launching a mission to investigate the facts.

From: A. Papazian

Azerbaijan Fires 793 Shots At NKR Lines

AZERBAIJAN FIRES 793 SHOTS AT NKR LINES

Aysor
Sept 10 2010
Armenia

The Defense Ministry of Nagorno Karabakh said in the statement that
Azerbaijan’s armed forces again violated the cease-fire agreement
early on Thursday.

Early on September 9 and all day long, Azerbaijan violated cease-fire
agreement with Armenia 54 times, attacking the Armenian positions
across the line of contact between Nagorno Karabakh and Azerbaijan.

The fire was opened towards Armenian positions in direction of Gardrut,
Martuni, Askeran and Martakert regions. Some 793 shots were registered,
of these 250 shots were fired from large-caliber weapons.

Armenian forces defeated positions; this made the Azerbaijani side
stop the attacks.

From: A. Papazian