AND THIS IS HOW WE SHALL KILL YOU
By Donna-Lee Frieze
Forward
6660/
May 27 2009
Armenian Golgotha: A Memoir of the Armenian Genocide, 1915-1918
(Vol. 1 & Vol. 2)
By Grigoris Balakian
Translated by Peter Balakian with Aris Sevag
Knopf, 509 pages, $35.00.
Before we learned to say "never again" came our silence. The unheralded
attempt to obliterate the Armenians in the Ottoman Empire ushered in
the 20th century: a century of genocide.
The belated appearance in English of Bishop Grigoris Balakian’s
groundbreaking testimony "Armenian Golgotha" (first published privately
in Armenian in 1922) means that the reader is confronted with scenes
that are today grotesquely familiar: death marches, macabre killings,
rape and torture, all directed at a specific ethno-national group. As
Peter Balakian (the bishop’s great-nephew) writes in his introduction,
the book is not a scholarly history of the genocide but documents the
"social and political process" in a way that may be unprecedented
for survivor memoires of this genocide.
In 1918, Grigoris Balakian, a survivor of the atrocities, did not
have the word "genocide" at his disposal to describe the actions
he’d witnessed. He wrote the two-volume memoir (covering the period
of 1915 through 1918) decades before the word appeared in our
lexicon. A year before Balakian died in 1934, RaphaÃ"l Lemkin, the
brilliant Polish-Jewish jurist, attempted to outlaw what he termed
"acts of barbarity" and "acts of vandalism." By the time the word
came into print, through Lemkin’s seminal 1944 work, "Axis Rule
in Occupied Europe: Laws of Occupation, Analysis of Government,
Proposals for Redress," the two terms had coalesced (around the idea
of intentionality) into one term — "genocide."
Balakian and Lemkin’s paths never crossed; however, the historic
trial of Soghomon Tehlirian affected both men deeply. Tehlirian
assassinated Talaat Pasha — an instigator of the Armenian Genocide —
and his trial, along with Balakian’s presence at the trial "to prove
the fact of the Armenian massacres," sparked Lemkin’s questioning
of a legal system that tries one person for murder but leaves mass
atrocity unpunished.
Both writers spent at least the second half of their lives driven
by the deep conviction that genocide against religious, ethnic or
national groups must be made visible. Both believed in the power of
witness and testimony of genocide. Lemkin, a Holocaust survivor, had
also written a memoir, but did not complete it before his death. In it,
Lemkin shows how deeply his studies of the Armenian Genocide colored
his description of the atrocities of occupied Europe. He writes that
the Armenian Genocide is an event that demonstrates "definite intent
of total destruction." It is "intent," not destruction alone, that
differentiates genocide from other human rights crimes.
For Peter Balakian (poet, memoirist and professor of English at
Colgate University), here translating with the help of Aris Sevag (a
writer, translator and editor), the singularity of "Armenian Golgotha"
resides in the work’s comprehensive historical information regarding
the Ittihad government’s intent to destroy the Armenians living in
the Ottoman Empire. The bishop was able to survive and record the
intimate details of an empire bent on a genocide, which, by 1920,
had killed 1.5 million Armenians. Not unlike the Holocaust, this was
a genocide committed by a government as a pretext to war, with its
fair share of deniers, including the present-day Turkish state.
Grigoris Balakian had a privileged position as a vartebed (celibate
priest) in the Armenian community before the genocide, and the respect
and leadership continued after 1915, as Armenian deportees relied
on him for information, prayer, physical and spiritual survival,
and even bribes from Turkish officials in exchange for shelter, food
and life. Although Balakian was condemned to death, his position as a
mediator between the Turks and Armenians meant that he had to strike a
balance between responsibility for his compatriots and accommodation
with the Turks, a responsibility that the bishop often reports as
overwhelming. After the genocide, and notwithstanding the evident
pain of reliving past horrors by retelling them, Balakian honors his
pledge to document all he has heard, seen and experienced.
Balakian’s memoir, of course, is harrowing. Page after page, Balakian
describes the intimacy of the genocide, conducted with axes, cleavers
and knives, indeed any implement the killers could find. Despite
the explicit nature of Balakian’s testimony, he still feels that the
graphic scenes he witnessed cannot be fully represented in writing:
"It is impossible to imagine, let alone write about, such a crime or
drama in full detail; to have an imagination that powerful requires the
special inner capacities of criminals." As an intellectual influenced
by the enlightenment ideas of his era, Balakian has a writing style
that is often florid, but it is also strained by the trauma he attempts
to convey.
Balakian has no interest in understanding the minds of the perpetrators
— not the government, not the police, not the criminals who were
released from jail in order to execute the genocide. One of the most
extraordinary passages in the book describes Balakian’s death march to
the desert, accompanied by Captain Shukri of the Yozgat police, who
bluntly confides the strategies of the genocide to Balakian. During
this march, Balakian’s only interest in eliciting information about
the genocide from the outspoken criminal is so that he can, if he
should survive, report the captain’s crimes and testimony.
As if deliberately foreshadowing later atrocities, Shukri, who
had "overseen the deaths of 42,000 Armenians," often used the word
paklayalum (cleanse) to describe the massacres. Long before the Nazis
used the rhetoric of pest extermination, or Slobodan MiloševiŤ first
popularized the term "ethnic cleansing" for alleged actions against
Serbs in Kosovo, Balakian’s perpetrators used the euphemism "cleanse"
to explain the torture and intended destruction of an ethnic minority.
Many eyewitness accounts of genocide are understandably concerned
with individual suffering. In a self-abnegating act of imagination,
Balakian’s memoir, at least for the first of the two volumes,
concentrates on the suffering of the group. Genocide is a crime
targeted toward intended group destruction, and "Armenian Golgotha"
is replete with narratives that focus on collective suffering,
marking this memoir as one of the few to explicate the true nature
of the crime.
Testimony is strong armor against denial. Memory is always selective
— as, indeed, is rigorous historical research — but to question the
minute details of the eyewitness and victim is to slip dangerously
down the precipice of denial. Balakian’s memory is extraordinary, but
so, too, are his intellect, his compassion and his ethical obligation
to immortalize his beloved co-nationals, who, as Balakian outlines,
suffered incomprehensible tortures. History lives through being told
and retold.
At the beginning of the 21st century, with Darfur still in the news,
it is sobering to read a memoir about the first modern genocide
of the 20th century that details the components of intended group
destruction in all its complexity. The intended annihilation of a
group that motivated Lemkin to name genocide and ensure the crime
would be outlawed on the international stage forces us to remember,
and act on, our cry of "never again."
Donna-Lee Frieze is a research fellow and genocide studies scholar
at Deakin University in Melbourne, Australia.