Korea Herald, S. Korea
March 8 2009
Check out ‘Karsh-Look’
If you want to be a great photographer, maybe you need the guts to
snatch a lighted cigar from the lips of a prime minister.
Yousuf Karsh, considered one of the world’s greatest photographers,
did. Barely 33 at the time, the Canadian photographer of Armenian
heritage snatched a cigar out of Winston Churchill’s mouth to record
him on the day he had addressed the Canadian Parliament.
"Instinctively, I removed the cigar. At this the Churchillian scowl
deepened, the head was thrust forward belligerently, and the hand
placed on the hip in an attitude of anger," Karsh reminisced in his
book, "Faces of Our Time."
Karsh pressed on the camera shutter. The photo captured Churchill and
Britain of the time perfectly: defiant and indomitable. Naturally, the
British prime minister was furious, but later said to him, "You can
even make a roaring lion stand still to be photographed," allowing
Karsh to take one more photo.
That is how the legendary photograph "The Roaring Lion" was taken. It
was sold to many reputable magazines, and Karsh soon rose to
stardom. Since then and throughout the 60-year career that continued
until his death in 2002, Karsh was referred to as the portrait
photography master.
To commemorate the master’s 100th birthday, about 70 of his
representative works, including the portrait of Churchill are
displayed at the exhibition "Faces of Our Time," at the Hangaram Art
Museum at the Seoul Arts Center in southern Seoul.
The exhibition has three divisions. The first part, "Portraits," is
the main one. Leading figures of the 20th century like Albert
Einstein, Mother Teresa, Audrey Hepburn, Ernest Hemingway, Helen
Keller, Pablo Picasso and Jacqueline Kennedy posed for Karsh.
While most photographers at that time had the guests visit their
studios, Karsh packed up his cameras to visit their homes or
offices. That way, he could adequately arrange the backgrounds using
the subject’s personal belongings or space to better express their
characters.
"He always went through in-depth research about his subjects
beforehand, to create photos that reveal not only the subjects’ looks
but also their occupations and personalities," said exhibition curator
Ahn Sun-young.
What is more amazing is that all his masterpieces took three shots at
the most, many just a single shot.
"The photos are so delicate that it looks like they have been
retouched by Photoshop, which wasn’t even there then. Karsh printed
the original vintage films much more delicately than we handle digital
films now," Ahn said.
Karsh was especially brilliant at using light. He would deliberately
darken one-quarter of the photo to make the subject appear more
dramatic. This unique style is known as the "Karsh-Look," and is still
favored by many photographers today.
In the other two parts of the exhibition, viewers can see the
photographer’s earlier works, featuring nude models and Canada’s
postwar years.
The Karsh exhibition runs through May 8. Tickets are 8,000 won for
adults, 7,000 won for adolescents and 6,000 won for kids. For more
information, call 1544-1682 or visit
By Park Min-young