Statement from the Muslim Public Affairs Committee in the UK

Armenia Solidarity
British Armenian All Party Parliamentary Group
Nor Serount Publications
Tel 07876561398 or 07718982732

e-mails : [email protected], [email protected]
norserount@btconnec t.com [email protected]

Statement from the Muslim Public Affairs Committee

to:

Armenia Solidarity

British-Armenian All-Party Parliamentary Group

Nor Serount Publications

I apologise for the delay in responding to you, however before MPACUK
(Muslim Public Affairs Committee) committed to making a statement on the
Armenian Holocaust, I needed to ensure that I had done some research. To
date, the terms that can be argued or wordsmithed are genocide, crime
against humanity, ethnic cleansing and Holocaust – MPACUK will not be drawn
into a debate about semantics. What happened to the Armenians was all of the
above.

I am sorry that I missed the Memorial Day. In fact I would like to clarify
that statement and say ‘our’ memorial day as the horrific genocide that was
inflicted on the Armenian is a crime against humanity, and as brothers in
humanity, MPACUK extend the hand of condolence for your peoples’ suffering.
You deserve the recognition and the support of everyone including the
Turkish people who have to accept that a crime was committed in their name
against a vulnerable minority whose only sin was to be born Armenian in
(what is now) Turkey.

Quite correctly you have noticed that the British Government have hedged and
fudged their condemnation of the first Holocaust, and prevaricated due to
?insufficient evidence’ as a smoke screen not to offend Turkey as a powerful
member of NATO. However it is not in Turkey’s interest to deny its past, and
neither is it in the interest of justice to put the onus of proof on the
victims. Historians are prone to be political animals, however History has a
compelling force of making the truth known, warts and all.

Without ruining the tone of the email, MPACUK does not accept that this was
a Muslim crime, or a crime done in the name of Islam. It was done by evil,
sadistic human beings who unfortunately transcend religion, race, sexuality
and even humanity.

I hope this email is clear and unambiguous and reflects MPACUK’s position on
the tragic fate of so many Armenians.

Regards

Shant Student Association Holds Rally for Recognition

A.R.F. Shant Student Association
104 North Belmont Street, Suite 306
Glendale, California 91206
Tel: 818-462-3006
E-Mail: [email protected]
Website:

PRESS RELEASE
April 23, 2007

PASADENA, CA – On the evening of Friday, April 20th, 2007, nearly 700
guests attended the "Youth Rally for Recognition" organized by the
Armenian Revolutionary Federation Shant Student Association (ARF
Shant) and sponsored by the Armenian Youth Federation (AYF). An
annual tradition, the Rally was held at the Pasadena Armenian Center
this year.

Armenian National Committee Western Region Executive Director Andrew
Kzirian, Esq. served as the Master of Ceremonies. The Rally’s keynote
address was delivered by Mr. Mourad Topalian, former Chairman of the
Armenian National Committee of Armenia. In an emotional speech,
Mr. Topalian spoke about the importance of maintaining Armenian
cultural identity in a society where freedom and liberty are both
blessings and catalysts to assimilation. He also recalled a deeply
personal childhood memory from his father, who instilled in him the
significance of remembering the martyrs of the Armenian Genocide and
struggling for justice.

On behalf of ARF Shant and the AYF, the address to the youth was given
by Caspar Jivalagian. In his fiery speech, heralded by an original
ARF Shant video production in which he was the protagonist, Caspar
reiterated that the youth will never cede struggling for universal
recognition of the Armenian Genocide. He went on to say that
generations of Armenians will continue to intensify their activities
until Turkey has been forced to provide recognition, restitution, and
reparations for the massive crime against all of humanity.

The Rally’s attendees were also shown footage of an Armenian Genocide
survivor, who provided a personal first-hand account of the tragedies
that befell the entire Armenian nation. The Rally was adorned with
performances by singers Harout Hagopian, Arax Garabedian, Sossie
Mardirosyan, Daniel Decker, Armen Hovhanessyan and narrator Nune
Avetisyan.

The evening’s program was concluded with an electrifying performance
of Armenian patriotic and revolutionary songs by Harout Jekelian.

The mission of the Armenian Revolutionary Federation "Shant" Student
Association (ARF Shant) is to bring a higher level of political and
cultural awareness to Armenian students within American Universities
and institutions of higher learning. The ARF Shant’s goal is to work
side by side with the Armenian Student Associations and other Armenian
Student organizations to further the Armenian Cause.

From: Emil Lazarian | Ararat NewsPress

http://www.arfshant.org/

Speaker Torosyan message on the day of commemoration of the Genocide

NA Speaker Tigran Torosyan’s message on the day of commemoration of the
Genocide victims

ArmRadio.am
24.04.2007 11:07

`Dear compatriots,

Once again today the whole Armenian nation pays homage to the memory
of the victims of the Armenian Genocide planned and perpetrated by
Ottoman Turkey. Year by year increases the number of countries which
recognize and condemn this vicious crime, thus offering their moral
support to the Armenian people and reconfirming their responsibility
for civilization and the fate of humanity, and believing that for them
moral values are higher than political interests.

Bowing before the memory of the Armenian Genocide victims we must not
only pursue that one of the most cruel events in human history is
acknowledged, but are also obliged to support our Armenian states as
the best memorial to the memory of victims and the most important
guarantee of safe and worthy life of our people in Motherland and
Diaspora."

Serge Sargsyan: We struggle to prevent reoccurrence of genocides

Serge Sargsyan: We struggle to prevent reoccurrence of genocides

ArmRadio.am
24.04.2007 12:35

`Dear compatriots,

When the whole Armenian nation in Motherland and Diaspora is
commemorating the Armenian Genocide victims, we again bow before the
memory of our innocent victims. This unprecedented crime prepared and
perpetrated by Ottoman Turkey was not prevented 92 years ago, was not
recognized and denounced in proper time, thus paving the way for the
reoccurrence of similar crimes.

The condemnation of the Armenian Genocide is not the problem of the
Armenian people only, since the genocide is a crime against humanity.

Today we express our sincere gratitude to those countries,
organizations and individuals that support us in our struggle to
prevent and condemn the crimes against humanity.

We struggle for the sake of humanity and the memory of the victims of
all genocides. We fight to prevent reoccurrence of similar crimes.

Today we commemorate also the editor-in-chief of the Agos weekly Hrnat
Dink and express our support to Turkish intellectuals and individuals
striving for historic truth.

Dear compatriots, the issue of recognition and condemnation of the
Armenian Genocide is on our foreign policy agenda. We remember our
history, but Armenia is moving forward, aspiring to establish normal
relations with all its neighbors. Armenia is moving forward,
decisively building a civilized, developed and democratic state.’

Critics’ Forum Article – 4.21.07

Critics’ Forum
April 21, 2007

Film
Dark Forest of History: The Making of a Documentary
By Hovig Tchalian

A special edition DVD of the film, Dark Forest in the Mountains:
Surviving the Theater of Perpetual War, has recently been released by
Fugitive Studios. The DVD includes the documentary of the same name,
which recounts episodes in the Nagorno-Karabagh conflict and was
originally filmed in 1994. This re-mastered version of the original
DVD (the first re-release won the AFFMA Awards Jury Prize in 2002)
also includes additional footage, a journal of war photos, and a
brief but arresting digitally animated history of Armenia.

By far the most significant addition to the DVD, however, is the
documentary film, Hands and a Homeland, shot by the filmmaker, Roger
Kupelian, upon his return to Armenia a decade later, in 2004. The
new documentary includes interviews with people involved with and
affected by the war – soldiers, medics and surviving families with
whom Kupelian came in contact as an embedded journalist on the front
lines in 1994.

By their very nature, documentaries are often fragmented, episodic.
And Kupelian’s films are, in that respect, true to the genre. The
juxtaposition of the two films, in fact, acts as an additional
fragmentation of sorts, allowing the later film to serve as a gloss
on the earlier one. The result is a complex composite that
highlights both the strengths and weaknesses of Dark Forest, raising
in the process a number of important issues about the two films,
their subject matter, as well as the documentary form itself.

The 1994 film focuses primarily on the origins of the Nagorno-
Karabagh conflict. It also documents the daily lives of the soldiers
and families struggling through the protracted war precipitated in
the early 1990’s between the neighboring nations of Armenia and
Azerbaijan. We see original footage of the war as well
as "portraits" of soldiers and commanders, medics and heroes,
families and children. Interviews with scholars and historians and a
narrative voiceover provide additional explanation and commentary.

The first few episodes of the 1994 film are by far the most
episodic. Together, they present the immediate background to the
conflict. (The separate animated history places it in its larger
historical context.) They also weave in several portraits of
soldiers and commanding officers, including one of Garo Kahejian, a
leader of a group of men who is reported as having been killed in
battle, but only after being presented as, ironically, himself
the "grandson of Genocide survivors."

This final portrait is woven in somewhat less than deftly,
unfortunately, leaving the impression that, in this case at least,
what matter is less the story of Garo than its historical
antecedent. Without immediate recourse to the animated history of
Armenia, the viewer is surprised, almost taken aback, by the sudden
introduction of the Genocide question at this point in the film. The
sudden shift in focus fails to do justice to the historical irony of
Garo’s tale, allowing it to be engulfed by the enormity of the
subject instead of presenting it as one element (albeit an important
one) in the film’s larger trajectory.

The rest of the 1994 film and its 2004 epilogue offer a direct, and
by and large more compelling, response to this initial moment of
crisis. In essence, the films together try to answer the implicit
question raised by the first – "How does one begin to speak of the
Genocide?"

One sequence in the episode entitled "the great game," for example,
follows a group of soldiers planning a campaign. Kupelian carefully
describes the struggles and vicissitudes of battle that help
illuminate the implications of the larger conflict. Another simple
but effective sequence presents an interview with a medic, who
suggests that the battle for Karabagh is meant to avoid another
forced exodus of Armenians, like the ones from Van, Mush, and
Erzerum, in the early twentieth century.

In perhaps the most effective sequence of all, we watch and listen to
a father recount how, after several returns from battle unscathed,
his son playfully accused him of having misled him about the war and
gone off to spend time with friends instead. The father goes on to
say that his son’s curiosity about the war soon led him, along with
his cousin, to put on their fathers’ clothes and sneak off to the
battlefront.

Perhaps better than any other sequence in Dark Forest, this retelling
of a true story highlights in almost novelistic fashion the difficult
vagaries of the conflict: a son who jokes that his soldier father is
deceiving him then proceeds to assume his father’s identity and take
matters into his own hands by heading to the battlefront. The
episode illustrates in uncanny fashion both the father’s and son’s
depth of commitment to a cause and the occasional absurdity of the
war that united them in it. What is more, the audience is allowed to
take in the story unfiltered, unadorned. To his credit, Kupelian
films the father seated alone in the backseat of a car, the lens
focused on his face, telling his tale as he knows it.

Sequences such as these help make the second half of the 1994 film
more convincing than the first. In the second half, the film raises
issues more skillfully and less intrusively than in the first, less
as weighty questions that hang over the film or intrude at
inopportune moments than as the its true subtext, haunting its
narrative like the duduk music that permeates so much of its span.

The 2004 film presents a "where are they now" series of episodes in
which, during individual interviews, the people introduced in the
first film comment on the war, its significance, and its effect on
their lives. Most important of all, the 2004 film presents two
related issues that help clarify and begin to answer the questions
raised by the 1994 film – the theme of "perpetual war" and its
antecedent notion of a perpetual struggle for existence.

We are told by one of the soldiers, for instance, that the 1994 truce
between Armenia and Karabagh is no more than an illusory victory and
that the Nagorno-Karabagh region cannot be truly independent so long
as nations do not recognize its right to exist. And historian Levon
Marashlian suggests that without its "symbiotic" relationship with
Karabagh, Armenia would not survive. He adds that the historical
example of Nakhichevan serves as a solemn reminder of what can happen
to Karabagh, and by implication, Armenia itself. The region, which
lies immediately south of present-day Armenia, was carved out by
Stalin and, as a consequence, lost its entire population of
Armenians, which at one time made up 40% of the people living there.
Finally, Marashlian makes the explicit link between the Nagorno-
Karabagh conflict and the Armenian Genocide of the early twentieth
century – by killing one and a half million Armenians and thereby
bringing the nation to the brink of extinction, he explains, the
Ottoman Turks precipitated the desperate struggle for existence that
has raged ever since. The comment effectively "closes the loop" with
the one made by the medic in the 1994 film – that the struggle for
Nagorno-Karabagh is the response to the forced exodus of Armenians
from Van, Mush and Erzerum.

Dark Forest in the Mountains raises long-standing and difficult
questions about the struggle for independence, for family and for
survival and deals with them effectively and convincingly. The film
occasionally suffers from awkward moments but is generally well-paced
and features skillful editing, narration, sub-titling, and
direction. Perhaps the next iteration (in 2014?) will blend the two
films together and find an even stronger narrative thread. But until
then, the present version more than lives up to its name. (A brief
mention in the DVD’s animated history explains the somewhat
mysterious origin of the film’s title – Dark Forest in the Mountains
is a loose translation of "Nagorno-Karabagh.") Despite occasionally
losing its way, the latest version of Kupelian’s film nonetheless
skillfully navigates the dark forest of history and emerges intact.

Roger Kupelian is a visual effects artist whose credits include Lord
of the Rings and the recent Flags of Our Fathers. He is currently
working on a docudrama about the legend of Vartan Mamigonian.

All Rights Reserved: Critics Forum, 2007

Hovig Tchalian holds a PhD in English literature from UCLA. He has
edited several journals and also published articles of his own.

You can reach him or any of the other contributors to Critics’ Forum
at [email protected]. This and all other articles published
in this series are available online at To sign
up for a weekly electronic version of new articles, go to
Critics’ Forum is a group created to
discuss issues relating to Armenian art and culture in the Diaspora.

www.criticsforum.org.
www.criticsforum.org/join.

Armenian Genocide | 1915-2007 | Commemoration Programme In Tbilisi

PRESS RELEASE
Armenian Cooperation Center Of Georgia (ACCG)
7 Khodasheni St., Tbilisi, Republic of Georgia, 0105
Tel/Fax: (995 32) 98 61 88
E-mail: [email protected]
Internet:

Each April Armenians all over the world commemorate victims of Armenian
Genocide in Ottoman Empire in 1915 â=82¬` 1923.

On April 23, 2007, at 8.00 p.m., Armenian Cooperation Center of
Georgia (ACCG) organizes a peaceful protest with torches entitled
`Flames of remembrance and struggle’. The protest will be held at the
Turkish Embassy in Tbilisi, Georgia.

92 years ago, on the eve of April 24 Armenian intellectual elite – 800
writers, painters, lawyers, representatives of clergy, etc. were
arrested and later on murdered in Istanbul. Armenian population of
Ottoman Empire lost its intellectual and spiritual leadership in one
night. This was followed by mass deportation and genocide of Armenians
of all provinces of Ottoman Empire.

On April 24, 2007, at 11.00 a.m., the Diocese of Armenian Apostolic
Church in Georgia will hold ecumenical memorial service in honor of the
victims of the Armenian Genocide in Ottoman Empire in 1915-1923.

On April 24, 2007, at 2.00 p.m., by the initiative of ACCG a peaceful
demonstration at the Turkish Embassy in Tbilisi will demand recognition
of Armenian Genocide.

On April 24, 2007, at 4.00 p.m., in Tbilisi State Armenian Drama
Theater after Petros Adamyan, a mourning evening dedicated to the
memory of the victims of Armenian Genocide will be organized by the
administration of the theater and the Union of Armenians of
Georgia. During this event ACCG will hold an exhibition of documentary
photos on Armenian Genocide. Also, an exhibition of children
paintings entitled `We remember and we fight for peace’ with
participation of all Armenian and some Russian schools of Tbilisi will
be displayed.

Representatives of other communities and public organizations of Tbilisi
are scheduled to participate in the events

Press Service of Armenian Cooperation Center of Georgia

http://www.Armenia.ge

Manchester Armenian Youth Organisation Conference

PRESS RELEASE
Manchester Armenian Youth Organisation
229 Upper Brook Street
Manchester, M13 0FY

Contact: Barouyr Der Haroutunian
UK: 07092 88 99 97
Intnl: (+44) 7092 88 99 97
E-mail: [email protected]
Web:

An Armenian Future?

28th April 2007, Manchester Armenian Church Hall, Upper Brook St.
Manchester M13 0FY.

The UK’s 6 Major Armenian Youth Organisation’s have joined forces to
organise the first Armenian Youth Conference in the United Kingdom ,
titled "An Armenian Future".

The conference will feature round table discussions, and presentations,
aimed at promoting links between Armenia’s worldwide diaspora, and those
living in Armenia itself, as well as issues such as repatriation and dual
citizenship.

We will also be joined by a Guest speaker, Dr. Susan Pattie, Director of
the Armenian Institute in London.

Participation is free, and all are welcome. For information on attending
the event please visit the website at

We look forward to seeing you at the conference, and hope you take this
wonderful oppurtunity to engage in important discussions.

Media organisations are welcomed to cover the event.

http://www.gotmayo.co.uk
www.gotmayo.co.uk

Toronto Seminar on Indigeneities and Cosmopolitanisms

PRESS RELEASE
Sociology-Anthropology and
Simone de Beauvoir Institute
Concordia University
Contact: Sima Aprahamian, Ph.D.
1455 de Maisonneuve W.
Montreal (Quebec)
H3G 1M8

A Session that may be of interest to Armenians

Toronto, May 8-12, 2007 the American Ethnology
& Canadian Anthropology Society are having joint meetings at University of
Toronto.
The theme is "Indigeneities and Cosmopolitanisms".
nthropologica.ca/

The session entitled "Words that trigger fear and representations of fear"
brings together papers that are based on research among survivors of
atrocities, genocide, mass murder, and extreme
violence through an examination of verbal and non-verbal triggers of
memory that incite fear. The panel also has papers that examine
representations of fear in survivor memoirs.

While Victoria Rowe (Chuo University, Japan) will examine the consequences
of State generated fear through a focus of 1915, and the experience of the
Armenian people during the Genocide as it is represented in survivor
accounts, Sima Aprahamian (Concordia University) will examine expressions
of fear in Linda Ghan’s novel Sosi. Sosi, the young woman at the centre of
Linda Ghan’s novel speaking about Armenians living in Turkey after the
Genocide states:"They were a frightened, Mediterranean people. The
remnants of terror. I hated them for their fear. I hated them for my
fear"(Ghan 2005: 134) & yearns to be with people who have never known
fear.

The other papers in this panel include Diane George’s (Carleton
University) discussion of Coetzee’s Holocaust novel Disgrace which
portrays the complexity of species relations between humans and dogs, and
Karin Doerr’s (Concordia University) paper which will explore fear induced
by language memories. The paper will examine how certain German words,
used during the Nazi period as part of the genocidal
vocabulary, have remained etched in the memory of survivors. Thus, a word
can conjure up traumatic, life-treating events that the individuals
experienced in the past.

The session takes place on May 9, 2007
9 AM
FA3 – Panel 5
Session organizer and chair: Sima Aprahamian, Ph.D. (Concordia
University)

At the University of Toronto, Toronto

The session is part of the international symposium on "Fear" which is
taking place during the
joint conference of the Canadian Anthropology Society (CASCA) and
the American Ethnographic Society (AES), hosted by the Department of
Anthropology at the University of Toronto, May 8-12, 2007

ession%20Schedule–Sorted%20by%20Day%20and%20Time. pdf

From: Emil Lazarian | Ararat NewsPress

http://www.casca-aes2007.a
http://www.casca-aes2007.anthropologica.ca/S

Armenian Reporter – 4/21/2007 – front section

ARMENIAN REPORTER
PO Box 129
Paramus, New Jersey 07652
Tel: 1-201-226-1995
Fax: 1-201-226-1660
Web:
Email: [email protected]

April 21, 2007 — From the front section

All of the articles that appear below are special to the Armenian Reporter
For photographs, visit

1. Hope for the City donates $10 mln in medical aid to Armenia
* Founders deliver aid and meet stakeholders

2. Friends and family mourn the passing of James Aljian (by Paul Chaderjian)
* Former MGM Studios executive served as Executive Director of Lincy Foundation

3. From Washington, in brief (by Emil Sanamyan)
* Bush, Fried stress importance of elections in Armenia
* U.S. renews warning to Azerbaijan over Karabakh…
* …and argues for Kosovo independence
* Turkish-Kurdish tensions heat up
* Lobbying against the Genocide resolution continues
* Prominent Democratic senators endorse Genocide resolution

4. European observers say May 12 will be "a touchstone for Armenian
democracy" (by Armen Hakobyan)
* Should Armenian voters keep their fingers clean?

5. Foreign ministers of Armenia, Azerbaijan meet again
* Minsk Group co-chairs to return to the region

6. Inscriptions at Tzitzernakaberd (by Armen Hakobyan)

7. AGBU centenary celebrations concluded in Yerevan (by Betty
Panossian-Ter Sargssian)
* Sarkis Demirjian, Karnig Yacoubian, and Nazar Nazarian awarded the
Mkhitar Heratsi medal

8. Armenians are weightlifting champions in Europe

9. U.S. European Command’s Combined Endeavor 07 to be held in Yerevan next week

10. The lost motherland, part 2: The ruins of Ani (by Tatul Hakobyan)

11. Living in Armenia: A grandfather, a granddaughter, and destiny (by
Maria Titizian)

12. Commentary: Wanted: A new Armenian strategy/perspective on Middle
East (by Talar Kazanjian)

13. Letters
* Neither better nor worse, just different (Maida Garabedian Domenie)
* Is the UN continuing the trauma of genocide? (Dr. Ani Kalayjian)
* Why cancel a memorial concert to Hrant Dink? (Shahkeh Yaylaian Setian)

14. Editorial: Let the people prevail

15. Editorial: Refusing complicity

************************************** *************************************

1. Hope for the City donates $10 mln in medical aid to Armenia

* Founders deliver aid and meet stakeholders

YEREVAN – On April 12, the Minnesota-based charity Hope for the City
donated medicine to Armenia worth $9,595,000 wholesale. On hand to
deliver the donation were the charity’s founders, Dennis and Megan
Doyle.

Hope for the City acquires surplus goods and gets it to those in
great need in the United States and abroad. Its international
operations are focused on delivering medical supplies, medicine, and
medical equipment to developing countries.

The medicines donated and the institutions that will receive them
were chosen in consultation with Armenia’s Ministry of Health and the
United Armenian Fund. "We worked specifically so that we would not
undermine the existing pharmaceutical companies in Armenia," Megan
Doyle said. "These are drugs that are not necessarily manufactured
here, so they are difficult to get and typically very expensive."

* A second visit

This was the Doyles’ second visit to Armenia. During their first visit
in 2005, they established relationships with several entities. Hope
for the City has provided medical equipment and supplies to the
Arabkir Children’s Hospital in Yerevan; the Armenian Relief and
Development Association (ARDA), which is active in the Gyumri area;
and the Armenian-Austrian Medical Association. The combined value of
these donations was over to $1 million.

On this visit, the Doyles, who were accompanied by Hope for the City
executive director Clare Brumback, were able to see the donated
equipment in use and have further in-person discussions with their
partners in Armenia. Also with them was Patrick Donahue, a biomedical
technician sent by Universal Hospital Services, the largest medical
equipment outsourcing supply company in the United States. Mr. Donahue
worked on repairing equipment donated by Hope for the City and
assessed the need for additional equipment repair.

His Holiness Karekin II, Catholicos of All Armenians, received the
Doyles in Etchmiatzin. They also met with Foreign Minister Vartan
Oskanian and Deputy Minister of Health Tatul Hakobyan.

Dennis Doyle is the CEO of Welsh Companies, a leader in full service
commercial real estate, based in Minneapolis, Minn. He and his wife
Megan started Hope for the City in 2000. Since its inception, Hope for
the City has donated approximately $230 million worth of goods.

* Making the rounds

Visiting the Arabkir Children’s Hospital, Dennis and Megan Doyle
delivered medical equipment and met with Dr. Ara Babloyan, the
director of the hospital, who provided them with a new needs
assessment list.

In Gyumri, they met with Toros Philabosian, director of ARDA, and
visited the city’s birthing hospital and its orphanage. At the
hospital, they handed out layettes for all 70 children born in April.
At the orphanage, they gave clothing, bottles, and diapers to the
children.

Back in Yerevan, the Doyles met Dr. Taron Tonoyan, director of the
Austrian-Armenian Medical Association, who provided them with a new
needs assessment. They visited the Austrian-Armenian Hospital, where
they met patients and saw equipment donated by Hope for the City.

The Doyles also visited the Armenian-American Wellness Center and
became familiar with its programs and facilities. They met one of its
principals, Hranush Hakobyan, who is also a member of Armenia’s
National Assembly and chair of its Standing Committee on Science,
Education, Culture and Youth Affairs.

* CFF connection

Dennis and Megan Doyle are members of the board of the Cafesjian
Family Foundation (which owns this newspaper). In that capacity, they
also visited programs supported or operated by the foundation,
including the fuel-cell design and manufacturing firm H2ECOnomy,
Armenia TV and other media organizations, Cascade Capital Holdings,
and the Cafesjian Museum Foundation.

Hope for the City and the Cafesjian Family Foundation also sponsor a
microlending program. The Doyles visited a bakery and a small
parquet-flooring business that had received loans through the program.

Before leaving Armenia on April 15, Dennis and Megan Doyle said they
were happy with how the aid provided by Hope for the City had been
distributed to date. They said they were eager to do more for Armenia.

**************************************** ***********************************

2. Friends and family mourn the passing of James Aljian

* Former MGM Studios executive served as Executive Director of Lincy Foundation

by Paul Chaderjian

BEVERLY HILLS, Calif. – Friendly, loyal, personable, tough, a man who
valued honesty and truth, a hero. These are a few of the words being
used to describe the late James Aljian. The 75-year-old Oakland native
will be buried in Beverly Hills today. He passed away ten days ago
from cancer, but the impact he made on the homeland through the Lincy
Foundation will be felt for many generations in Armenia and beyond.

Up until a few months ago, when cancer began to slow him down, Mr.
Aljian, known as Jim, focused much of his time on his responsibilities
as the executive director of Kirk Kerkorian’s Lincy Foundation. Mr.
Aljian was also an executive and one of the original board members of
Kerkorian’s Tracinda Corporation and MGM Mirage Incorporated.

"I first met Jim in 1961 when he was an auditor with Ernst & Ernst,"
said Mr. Kerkorian. "He was tough, and I knew right away that I needed
him on my team."

In addition to his most recent responsibilities in Mr. Kerkorian
business ventures, Mr. Aljian also a former senior vice president of
finance at MGM Studios in the 1970s and MGM/UA Entertainment in the
1980s. He served on the boards of Western Airlines, South West
Leasing, MGM Grand Hotel, Chrysler Corporation, and Daimler Chrysler.

"Jim’s loyal confidence and business acumen proved invaluable to me
over the years," said Mr. Kerkorian, "but no more valuable than his
friendship, which meant so much. I will miss him more than I care to
think about."

The organization that Mr. Aljian, a certified public accountant,
helped manage is credited with building the first of many megaresorts.
Mr. Kerkorian, Mr. Aljian, and company developed several major Las
Vegas resorts in the 1960s and 1970s, including Caesars Palace, the
Flamingo, the International (now the Las Vegas Hilton), and the
original MGM Grand (now Bally’s Las Vegas).

"Jim played an invaluable role on our board and he will be very
sadly missed," said MGM Mirage chair Terry Lanni.

* Lincy Foundation

"He was a very down to earth, very friendly and devoted to the
charitable work of the Lincy Foundation," said Harut Sassounian,
vice-chair of the Lincy Foundation, president of the United Armenian
Fund and publisher of the California Courier newspaper. Mr. Sassounian
worked with Mr. Aljian since the creation of the United Armenian Fund
(UAF) more than 15 years ago.

"He provided good counsel and direction to accomplish the intended
objectives of his projects," said Mr. Sassounian, "and to make sure
that the funds provided fully served the purpose for which they were
committed."

Mr. Sassounian says Jim will be sorely missed. "I’ve learned a lot
from him over the years," he said. "I hope that all of us together on
the Lincy staff will be able to continue the work that he spearheaded,
both in the US and Armenia."

Since its establishment in 1989, the Lincy Foundation has provided
tens of millions of dollars to a various Armenian and non-Armenian
charities in the US and Armenia. In recent years, the Foundation
allocated $170 million for infrastructure redevelopment in Armenia and
is currently allocating another $60 million.

"Mr. Aljian oversaw all of Lincy’s operations, including the
requests that came in," said Mr. Sassounian. "He reviewed and
investigated all aspects of the requests, the propriety of the
requested funds, what they would be allocated for, who the requesting
organizations were, what their background was, how much they have
raised and what their project were all about."

The consummate accountant, Mr. Aljian valued each penny, according
to Mr. Sassounian. "He counted every penny," he said, "because those
pennies were destined for a specific purpose of charitable use. It
didn’t matter if it was a dollar or a million dollars, every penny had
to serve a good purpose, and he made sure of that."

Sassounian says the late CPA was friendly but very tough about
finances. "He knew a lot about accounting, and he knew a lot about
finances," he said. ""For good reasons, he put a high premium on
honesty, on the truth. He would not put up with any kind of corruption
or waste of time or money."

* Private, family man

After living in Las Vegas for many years, Mr. Aljian relocated his
family to Southern California when Tracinda Corporation and Lincy
Foundation headquarters moved to Beverly Hills.

"Mr. Aljian was a very private man," said Mr. Sassounian, so private
that it was only when Mr. Aljian’s illness prevented him from working
did his Lincy Foundation colleagues know of his illness. "He never
complained. He always said he was fine. Even when he didn’t feel good,
he put on a brave face and kept it to himself."

Mr. Sassounian began working with Mr. Aljian right after the 1988
earthquake in Armenia. The Lincy Foundation had been formed months
earlier, and Mr. Sassounian approached the charity and proposed the
idea of forming the United Armenian Fund in order to deliver
assistance to Armenia through a coordinated effort.

"He was fun to be with," said Mr. Sassounian. "We discussed a lot of
issues unrelated to business including recollections of his college
days, when he played football in San Francisco. He liked the outdoors.
He was a handyman. He fixed things, and he would tell a lot of
Hollywood stories."

For more than 30 years, Mr. Aljian was a voting member of the
Academy of Motion Picture Arts and Sciences, the organization that
hands out the annual Oscar awards.

* Early years and Armenian heritage

Mr. Aljian was the son of Genocide survivors from Dikranagerd. He was
born in Oakland and graduated from Oakland High School before heading
to the University of California at Berkeley for his undergraduate
degree. Mr. Aljian also had a graduate degree in business
administration from Golden Gate University in San Francisco.

After serving as an Eagle Scout, Mr. Aljian also served in the U.S.
military and was a decorated sharpshooter in the Army’s Third Infantry
Division and stationed in Germany for a short period. A great source
of pride, however, came from the work the Lincy Foundation had done in
the homeland.

"Even though he didn’t know the language," said Mr. Sassounian, "he
had a great interest in Armenian issues, especially in recent years as
the genocide issue became very prominent. When it became an issue in
Washington and with Congress, he asked a lot of questions."

Mr. Sassounian says Mr. Aljian was always approachable and returned
every phone message, even if he did not know the caller. Mr.
Sassounian says Mr. Aljian never turned his back to anyone, even
strangers who approached him during his rare appearance at Armenian
social event.

"Anybody who called and said ‘I want to come and see you’ was told
to come on down," said Mr. Sassounian. "He would not say I’m busy, or
who are you. A lot of people went and talked to him. They may not have
always gotten what they wanted out of him, and because he was very
tough. Even though he was very sociable and friendly, but he was at
the same time a very good businessman, and he knew when to say yes and
when to say no."

Mr. Aljian’s first and only visit to Armenia was in 1998. He
accompanied Senator Bob Dole on a fact-finding mission for the Lincy
Foundation. "It was a good trip at the beginning of the Lincy
projects," said Mr. Sassounian. "He enjoyed it immensely, and he
always talked about going back. But unfortunately, he got busy, and
later on, his health did not allow him to travel."

* Final respects

"I miss him, and I will miss him a lot," said Mr. Sassounian. "It’s
been 18 years that I’ve known him and worked with him, sometimes
closely, and traveled with him. There was no question that he wanted a
homeland that’s prosperous, especially economically, that it would
have high employment, that there would be very little emigration. He
cared strongly about that. He definitely wanted the projects that
Lincy did to be enjoyed by the public at large and have the money
definitely go strictly to the purposes intended."

Friends and family will pay their final respects this morning at
9:30 a.m. at Good Shepherd Catholic Church, 505 N. Bedford Drive, in
Beverly Hills. The family requests that in lieu of flowers, donations
be made to The UCLA Foundation for the James Aljian Memorial Fund at
the David Geffen School of Medicine, 10945 Le Conte Ave., Suite 3132,
Los Angeles, Calif. 90095.

Glendale businessperson and philanthropist Kosti Shirvanian was
friends with Mr. Aljian and his wife for nearly three decades. Mr.
Shirvanian says that he is proud of Mr. Aljian for all the
contributions the Lincy Foundation made to the homeland. "Even though
he was an American-Armenian," said Mr. Shirvanian on the phone from
Shanghai China, "he was able to accomplish a lot in Armenia through
his influence at Lincy. He should be given credit for all his
contributions to the homeland. He was one of the kindest men. He was
hard to get close to, but he was my hero."

************************************* **************************************

3. From Washington, in brief

by Emil Sanamyan

* Bush, Fried stress importance of elections in Armenia

President Bush sent a message of congratulations to Armenia’s newly
appointed prime minister, Serge Sargsian. The message also noted that
the U.S. "expects" Mr. Sargsian to "make a great contribution to
holding a free and fair election in accordance to international
standards, which will serve as a serious stimulus for developing
relations between the two countries," PanArmenian.net reported on
April 17.

At a roundtable discussion with journalists from former Soviet
republics held on April 11, Assistant Secretary of State Dan Fried
said in reference to the May 12 parliamentary election that the U.S.
does not "expect perfection. We don’t expect to go from deeply flawed
to perfect, but we do expect to see substantial forward progress."

In a comment sure to spark Armenia’s competitive streak, Mr. Fried
told an Armenian journalist, "Given the strength of the Armenian
diaspora and given Armenia’s links to the West, frankly, you ought to
be way ahead of Georgia. But I ask you, are you in terms of democratic
reforms?" Answering a later question, Mr. Fried did acknowledge
"shortcomings" in Georgia as well.

Mr. Fried added, "Armenia should be doing better. It should be a
leader. It should be a prospering country. It has all the ingredients.
And lack of oil and gas is not necessarily a curse."

* U.S. renews warning to Azerbaijan over Karabakh…

Addressing the on-again, off-again Azerbaijani threats to go to war
against Armenians, Mr. Fried noted, "it is important to try to find a
peaceful settlement. War will destroy everything Azerbaijan is trying
to do." He said, "Azerbaijan has every opportunity, like Armenia,
although the economies are very different, to have a very good 21st
century."

Almost a year ago, during a similar roundtable discussion on April
4, 2006, Mr. Fried told an Azerbaijani journalist in attendance: "Your
country’s going to have a lot of money coming in from oil and gas, but
only if there is peace. If there is war, there is no more money. All
right? Just look at the map. You know what I’m talking about. You’re
well set up for peace. Of course, the oil and gas money won’t do you
any good unless it’s well spent, but that’s a different issue."

* …and argues for Kosovo independence

While U.S. officials continue to stress what they call the "unique"
nature of each conflict, likely independence of the former Serbian
province of Kosovo would still set an important precedent. The United
States and its allies are determined to recognize the independence of
a breakaway region (Kosovo) despite opposition from its former ruler
(Serbia) and an important international player (Russia).

In prepared testimony for an April 17 hearing in the House Foreign
Affairs Committee, Undersecretary of State for Political Affairs Nick
Burns stressed, "supervised independence for Kosovo is now the only
way forward." He added: "We need to act now. We cannot afford to wait
any longer. Until there is clarity, Kosovo’s undefined status will be
a source of increasing tension and instability."

After a "period of international tutelage for a limited number of
years," Kosovo will formally declare independence. The United States
and other Western allies will then move to recognize this independence
even if Serbia and Russia continue to oppose it.

The House committee, including its chair Tom Lantos (D.-Calif.),
spoke overwhelmingly in support of Kosovo’s independence. Just two
committee members, Reps. Dan Burton (R.-Ind.) and Diane Watson
(D-Calif.) expressed opposition.

"Kosovo has been a part of Serbia for a long, long time," said Rep.
Burton, who has also been a big booster for Turkey, Azerbaijan, and
the former Zaire dictator Mobutu Sese Seko. "Externally imposed
solution won’t work." He warned that independence would lead to
"bloodshed."

Rep. Watson also worried that recognition of Kosovo’s independence
would set a precedent for more conflicts, and asked why the United
States would not support independence for Somaliland, Taiwan, or
Kurdistan "from either Iraq or Turkey."

* Turkish-Kurdish tensions heat up

The chair of the Turkish General Staff, Gen. Yasar Buyukanit, told
reporters in no uncertain terms that he wants his army to go into Iraq
"for a military operation" against Turkish Kurdish (PKK) rebels there,
and the reason it has not yet done so is because "a governmental
decision is required for that," Turkey’s "semi-official" Anadolu news
agency reported on April 12.

The reason this decision has not been made is because of U.S.
opposition, which says that the rebel threat should be dealt with "in
a cooperative way, in a joint way, rather than [through] unilateral
actions," argued State Department spokesperson Sean McCormack the same
day.

Turkey claims that the recently increased tempo of operations
against its forces in Turkish Kurdistan and occasional terrorist
attacks against civilian targets inside Turkey are coordinated from
northern Iraq. This view has been questioned, however, by British
journalist James Brandon, among others. Mr. Brandon is one of the few
Westerners to visit the PKK camps in northern Iraq.

Speaking at the Jamestown Foundation on March 29, Mr. Brandon
described the primitive condition and remote location of the camps,
which make any real coordination difficult if not impossible. He also
argued that it would be in Turkey’s interest to make peace with the
secular PKK, whose leaders have stepped back from demands for
independence.

Turkey’s real concern appears to be not with any activity generating
imminent terrorist threats, but the rise of a de facto Kurdish state
on its border with Iraq. In fact, the most recent Turkish
saber-rattling came following the statement by the Iraqi Kurdish
leader Mas’ud Barzani, who told Al Arabiya TV that if Turkey continues
its cross-border interference, Iraqi Kurds would respond by
interfering inside Turkey. Mr. Fried of the State Department called
Mr. Barzani’s words "extremely unhelpful and unwise."

* Lobbying against the Genocide resolution continues

Turkey’s Kurdish concerns dominated an April 17 event with senior
Turkish Parliament members hosted by the Hudson Institute and
moderated by its Zeyno Baran. At the same time, the members of
parliament from both the governing and opposition parties stressed
their displeasure with the House resolution on the Armenian Genocide
(H. Res. 106), currently backed by 188 members of Congress.

In a quick interview with the Reporter, Erol Aslan Cebeci, a member
of the Turkish parliament from the ruling Justice and Development
Party (AKP), likened the impact of the potential passage of the
non-binding measure to Pearl Harbor, the JFK assassination, and the
9/11 attacks. "Even people herding sheep in the mountains in Turkey,
they will remember when this resolution will pass," he claimed.

During the presentation, Mr. Cebeci warned, "Turks are an emotional
group of people when it comes to these issues" and with resolutions
continuing to pass through Congress and other parliaments, "believe me
in my lifetime we will not see [Armenian-Turkish] normalization."

Mr. Cebeci also argued that "Turks and the Turkish republic have
come a long way on [the Genocide] issue in the last 10 to 15 years."
Back then, Mr. Cebeci said, the Turkish government would just say that
"nobody died." He went on: "Now you can hear that, yes, there were
atrocities committed, yes there were massacres, but it was not one-way
… that we regret this…. But I don’t think there will ever be a point
when the Turkish public will say that, yes, there was a genocide."

Members of parliament from the opposition Republican People’s Party,
former ambassadors to NATO and the United States respectively, Onur
Oymen and Sukru Elekdag, suggested that Congress had no "jurisdiction"
over the Genocide issue. Moreover, Mr. Oymen waved a copy of a book by
denier Justin McCarthy and claimed that "580,000 Turks were killed by
Armenians." (This is down from past claims of "two million" Turks
killed).

The delegation also included the parliament’s Foreign Affairs
Committee chair Mehmet Dulger, the former foreign minister Yasar
Yakis, and member of Parliament Zekeriya Akcam, all from AKP.

* Prominent Democratic senators endorse Genocide resolution

Senate Majority Leader Harry Reid (D.-Nev.) and a top contender for
the Democratic presidential nomination Sen. Hillary Clinton (D.-N.Y.)
have agreed to co-sponsor the Senate Genocide resolution (S. Res.
106), the Armenian National Committee of America (ANCA) reported on
April 18.

During a Washington "breakfast briefing" held by Senators Dick
Durbin (D.-Ill.) and Barack Obama (D.-Ill.) with Illinois residents on
April 12, Sen. Obama – also a leading contender for the Democratic
presidential nomination – was asked whether he planned to co-sponsor
S. Res. 106 introduced last month by none other than Sen. Durbin.

In response to a question from the ANCA’s Karine Birazian, Sen.
Obama said: "For those who aren’t aware, there was a genocide that did
take place against the Armenian people. It is one of these situations
where we have seen a constant denial on the part of the Turkish
government and others that this occurred. It has become a sore spot
diplomatically. I have to check with my staff to find out what has
gone on in our office that has resulted in us not signing on to [S.
Res. 106]."

The Senate measure currently has 29 supporters.

In a statement last September, Sen. Obama said: "the Bush
Administration’s policy concerning the Armenian Genocide is wrong and
is untenable." He nevertheless voted to approve the nomination of
Ambassador Richard Hoagland, arguing that "it is in the best interest
of the U.S.-Armenia relationship to have an effective U.S. ambassador
in place."

************************************ ***************************************

4. European observers say May 12 will be "a touchstone for Armenian democracy"

* Should Armenian voters keep their fingers clean?

by Armen Hakobyan

YEREVAN – "The upcoming Parliamentary elections in Armenia on 12 May
will be a crucial touchstone for the degree of maturity of democracy
in Armenia." A four-member "pre-election delegation" of the
Parliamentary Assembly of the Council of Europe (PACE) reached this
conclusion during a visit to Armenia that lasted from April 10 to 13.
The delegation had been invited by the speaker of Armenia’s National
Assembly.

The delegation’s conclusions were based on back-to-back meetings
over the course of four days. They were announced by Leo Platvoet (The
Netherlands, Group of the Unified European Left), head of the
delegation, who spoke at the National Assembly on April 13.

The other members of the cross-party team were Georges Colombier
(France, European People’s Party Group), Ewald Lindinger (Austria,
Socialist Group), and Bernard Marquet (Monaco, Alliance of Liberals
and Democrats for Europe).

The delegation met with the president, the speaker, the ministers of
justice and foreign affairs, the chair of the Central Electoral
Commission, representatives of various political parties participating
in the elections, members of the Constitutional Court and of the
Office of the Human Rights Defender of Armenia, and representatives of
the mass media and nongovernmental organizations.

"The delegation was heartened by the assurances of the Armenian
authorities, and all political stakeholders it met, that it is their
intention to hold elections that fully meet Council of Europe
standards for democratic elections. In this respect the delegation
stresses that it is the responsibility of all parties and stakeholders
to adhere to the rules that a genuinely democratic process demands.

"The delegation took note of the improved election code, which has
generally passed the expert analysis of the Council of Europe’s Venice
Commission. The election code forms a sound basis for the conduct of
democratic elections if it is fully implemented in good faith.

"The delegation welcomes the efforts by the authorities to create a
centralized voters’ list, in line with longstanding recommendations by
the Parliamentary Assembly. However, the delegation also notes the
concerns of several interlocutors that the accuracy of the voters’
lists still leaves a lot to be desired. It therefore calls upon the
authorities to continue, and if necessary step up, all efforts to
ensure the highest possible accuracy of the voters’ list on Election
Day."

The day before the delegation’s arrival, however, the head of the
Passport and Visa Department of Armenia’s police had announced that
voter lists are posted at every precinct and also online (at
). She had urged voters to check the lists and report
errors through a hotline established for the purpose or via letter or
email. Her request was broadcast by all media throughout the country.
(See also last week’s edition of the Armenian Reporter.) In addition,
the U.S. government and the International Foundation for Election
Systems are modernizing the Passport and Visa Department’s computer
systems for this same purpose.

[On April 19, the Passport and Visa Department announced that in the
ten days since the announcement, 10,254 names had been removed from
the rolls. Of these, 3,680 were the names of deceased voters.]

* Inky fingers?

The PACE delegation said it "regrets the reluctance by the majority of
the political players in Armenia to introduce the inking of voters
fingers, as advised by the Venice Commission, as a proven mechanism to
prevent multiple voting."

Since the countries represented by the four members of the
delegation do not require voters to have their fingers inked upon
voting, this correspondent asked how many member countries of the
Council of Europe follow the practice. "I don’t know how many
countries," Mr. Platvoet said, "But I have been an observer in
Azerbaijan, Albania, and Serbia, and Mr. Marquet in Montenegro, and
those countries do. Also, Mexico, which has observer status in the
Council of Europe, has this practice."

During the press conference, Mr. Platvoet said the delegation tried
to avoid double standards. "The fact remains, however – and by the
way, the government and all political parties agree – that a lot has
to improve in order for Armenia to have good elections. The principle
is this: if you want to have free and fair elections, the condition is
public trust in the system. And we hope that this trust will grow
during this election cycle."

The delegation said it "was concerned over its overall impression of
a lack of popular interest in the election process by the electorate.
Such attitudes of apathy, or even cynicism, are not conducive to the
development of democracy in Armenia. The delegation was not able, with
few notable exceptions, to discern marked differences between the
political platforms of the contenders. It was left with the impression
that the upcoming elections are regarded by many as a struggle between
political elites and not between concepts and ideas. In relation to
this, the delegation is concerned that in a number of constituencies
only one candidate is running for the majoritarian mandate, thereby
not allowing the electorate in those constituencies a fully democratic
choice."

Would voter apathy or similarities among the platforms of various
parties lead the delegation to assess the election as not free and
fair, this correspondent wanted to know. "We have to be honest and in
our statement we simply repeated those general thoughts that were
shared with us during our visit. Of course we hope this will
contribute to fair and free elections."

* Campaign ads

The statement continued: "The delegation would like to stress that a
level playing field in the campaign, and full respect for the
principles of freedom of expression and assembly, are key conditions
for democratic elections. It is therefore concerned by the uneven
conditions for the political players, as highlighted by the media
monitoring sponsored by the Council of Europe. In this respect the
exorbitant costs for paid political advertising demanded by
broadcasters are deeply regretted."

The statement failed to note, however, that as required by law,
state-run public television is providing one hour of free television
time to each political party that is running in the elections. The
free time is from 5:15 to 6:15 every afternoon. Paid advertising rates
are set by each commercial station and are the same for all parties.
Mr. Platvoet did note, however, that he had been elected twice with
"zero minutes of television time."

Citizens abroad cannot vote

The statement also noted: "The fact that out-of-country voting has
been abolished in the amended election code is of concern to the
delegation, as, in practice, it will disenfranchise a sizable part of
the Armenian population that is living abroad."

On the night of April 12, during the delegation’s visit, two
Prosperous Armenia party campaign offices in different parts of
Yerevan were rocked by explosions two hours apart. (No one was hurt.)
The delegation took note of the incident: "The delegation strongly
condemns the recent attacks on the headquarters of a political party
in Armenia. It would like to reiterate its position that violence and
intimidation have no place in a democratic society. Electoral
violations during past elections have never been satisfactorily
investigated and prosecuted. A climate of impunity for electoral
violations and election related violence cannot be allowed to exist in
Armenia. The delegation therefore calls upon the competent authorities
to fully investigate any election related complaints that are brought
to its attention and, where violations are found, to provide redress
and prosecute the violators to the fullest extent of the law."

What would be the repercussions for Armenia, as a member of the
Parliamentary Assembly of the Council of Europe, if the elections are
not free and fair? "As you know, the previous elections did not meet
Council of Europe standards and principles," Mr. Platvoet said. "There
have been positive changes since then, as for example in the election
law. The state authorities and political parties are becoming
increasingly aware that if they want to be part of European
institutions, then they have to move toward free and fair elections.
We do not know what will happen on Election Day, of course. But if
that step forward is not taken, that will be an obstacle to
integration with Europe. But this is a hypothetical, a what-if. We
must wait for Election Day and see what will happen."

*********************************** ****************************************

5. Foreign ministers of Armenia, Azerbaijan meet again

* Minsk Group co-chairs to return to the region

YEREVAN – On April 18 in Belgrade the foreign ministers of Armenia and
Azerbaijan met on the sidelines of a ministerial meeting of the Black
Sea Economic Cooperation organization. Armenia’s Foreign Ministry
reports that Vartan Oskanian and Elmar Mammadyarov were joined by the
cochairs of the OSCE Minsk Group and the personal representative of
the OSCE chairman-in-office.

The co-chairs made suggestions regarding the remaining areas of
disagreement on the negotiating document for a final resolution of the
Nagorno-Karabakh conflict, both foreign ministries said. But neither
would disclose the substance of the suggestions. It was agreed that
the cochairs would visit the region again and discuss with the
presidents of Armenia and Azerbaijan the possibility of another
meeting of the two presidents.

Speaking in Vienna the previous day, Mr. Oskanian had said, "I have
seen all the proposals that have ever been produced by the mediators,
and if I were to base my judgment purely on the content of the
document on basic principles at hand, I can assure you that we’ve
never been this close. What we have today is the most sensible, the
most balanced. This is a trade-off among principles, this gives
something to everyone, and denies every maximalist demand the sides
might have. It is a balanced approach and we hope we will be able to
continue to make progress on the basis of this document."

But two factors affect the negotiations and need to be addressed,
the Armenian foreign minister added: "One is the militaristic ambition
of Azerbaijan. Let me repeat: this conflict has no military solution.
This must be ruled out so we can focus on compromise. Second, the
public statements made by the sides should match the spirit and letter
of the document. When the document is eventually opened up, the public
will ask why the statements don’t match the content. In the case of
Baku’s statements, there is a discrepancy between their statements and
the content of the document. My guideline is to go by what we’ve been
hearing, what the co-Chairs have been hearing during the talks."

For the full text of the Armenian foreign minister’s statement see

A.H.

******************************************** *******************************

6. Inscriptions at Tzitzernakaberd

by Armen Hakobyan

YEREVAN – "The genocide of the Armenian people in 1915-22 is a global
disgrace," inscribed Boris Yeltsin in the memorial book for notable
visitors to the Armenian Genocide Museum at Tzitzernakaberd.

The apricot tree attached to the poplar is in bloom. All around it
are wormwood trees with plaques next to each of them showing which
head of state, religious leader, or other dignitary planted the tree
and when. Behind the unmatched flowers of the apricot tree is the
arresting monument in memory of the 1.5 million victims of the
Armenian Genocide. It stands there as a memorial and a protest, a
demand for restitution, as a symbol of survival, and a warning never
again to allow such a tragedy.

On the road to the monument workers are preparing for the arrival on
April 24 of much of the population of Armenia. Nearby is the Armenian
Genocide museum-institute, which has been in operation for a mere 11
years but has already become a repository of documentation and
artifacts of the tragic era. Construction began in 1995, on the 80th
anniversary of the Genocide. It operates as part of Armenia’s National
Academy of Sciences.

Countless Armenians have visited the museum, as have thousands of
tourists, and delegations visiting the country. They have seen the
Ottoman state’s planned and deliberate destruction of Armenian
civilization in Western Armenia in 1915 and the years that followed.

The director of the museum-institute, Hayk Demoyan, accedes to my
request, and in deputy director Suren Manukyan’s office I start
perusing the volumes of the memorial book for notable visitors. This
too is history, the pages of which are still being written, as the
blank pages of human memory are filled. There are scores of
inscriptions, enough for a book-length study, but there’s nothing
stopping us from pausing on just a few of them.

The first inscription in the book for foreign dignitaries was made
on May 2, 1996, by Patriarch Alexy II of Moscow and all Russia. "The
delegation of the Russian Orthodox Church visited the Armenian
Genocide museum, paid its debt of deep respect, and prayed for the
repose of the souls of the 1915-22 genocide of the Armenian people. In
eternal memory of the victims of genocide."

I turn the pages and the still-timely September 11, 1998,
inscription of Dr. Ioannis Kasoulides, the foreign minister of Cyprus,
catches my eye: "The Nazis were condemned in Nuremburg. The Hague is
sentencing the crimes against humanity in Bosnia and Rwanda. None of
those atrocities would have taken place if the genocide against the
Armenian people were prevented and condemned. In my country, Cyprus,
in 1974 Turkey once again engaged in ethnic cleansing. The
international community must stop such horrors."

Neighboring Georgia’s past and present leaders too have written
their impressions. Let’s quote Eduard Shevardnadze’s note from
September 29, 1999: "In their heroic history of many centuries, the
Armenian people have faced many adversities. The subject of this
museum too is evidence for all generations in all countries for how
carefully peace must be maintained, how we must not fail to maintain
and develop good-neighborly relations among peoples. I believe in the
wisdom of the Armenian people, their worthy past, and their great
future."

The president of Bulgaria, Petar Stoyanov, mentions the assistance
provided to Armenians by the Bulgarian people. On December 1, 1999, he
wrote: "I deeply bow before the suffering and heroism that lies at the
foundation of the history of the Armenian people. I am proud that my
people gave refuge and assistance to Armenians persecuted in their
country and that the great Bulgarian poet wrote of Armenians and
Armenia, ‘a people always brave and martyred.’"

Then I come across the September 15, 2001, inscription of the
current president of Russia, Vladimir Putin: "Russia has felt the
tragedy and pain of the Armenian people as its own. We bow our heads
before the memory of the victims of the Armenian Genocide."

Among these broad sentiments, I suddenly come across the October 12,
2002, inscription of the first president of Russia, Boris Yeltsin:

"The genocide of the Armenian people in 1915-22 is a global
disgrace. There cannot be and is no forgiveness for it. Russia has
recognized it, as have many countries in the world. It is time for
Turkey too to repent.

"I have been looking for many years and see that Armenia is being
reborn! Thank you for preserving memory and truth."

On July 12, 1999, the president of the Senate of France, Christian
Poncelet, wrote: "This century, which has been witness to so much
suffering, the genocide of 1915, but also as Anatole France had hoped,
the recognition of a free and independent Armenian state, is coming to
an end. My fellow senators and I sincerely hope that the new
millennium bring peace, stability, reconciliation, and brotherhood in
a stable Europe."

And whereas France has recognized and condemned the 1915-17 genocide
of the Armenian people by Turkey, the Jewish state has not –
notwithstanding the genocide that befell the Jewish people in the
hands of Nazi Germany in 1939-45. So it is interesting to see what
Israel’s deputy foreign minister, Nawaf Massalha, wrote on December 6,
2000: "What we have just seen here is horrible and shaking. No one can
stay indifferent in the face of this atrocity. I identify myself with
the suffer[ing] of the Armenian people as well as with the desire to
continue to live as a proud, independent, and free people, who
perseveres and continues its glorious culture. Our sincere
condolences, and we call upon the world, even today, to take the
appropriate lesson from the past, and make sure that such things will
never happen again."

In the same context, it is interesting to see what dignitaries from
the United States have written in the memorial book. Let’s look at two
inscriptions.

"Our visit was extremely moving," wrote Rep. Adam Schiff of
California. "To witness in such graphic form the undeniable facts of
the genocide, through the faces of the men, women, & children . . .
and especially through the children is a searing experience. We must
rededicate ourselves to the justice & peace of final unequivocal
recognition."

And Rep. Frank Pallone of New Jersey wrote: "The museum continues
its great effort to document & explain the Armenian genocide in the
most effective way. One day I will come back, and the U.S. Congress
will have recognized the Armenian genocide." Alas, that day has not
yet come.

Let us close with the memorable inscription of Jacques Chirac, the
president of France, whose signature enacted the French law
recognizing the Armenian Genocide. "Souviens-toi!" or "Remember!"

*************************** ************************************************

7. AGBU centenary celebrations concluded in Yerevan

* Sarkis Demirjian, Karnig Yacoubian, and Nazar Nazarian awarded the
Mkhitar Heratsi medal

by Betty Panossian-Ter Sargssian

YEREVAN – A year’s worth of celebratory events honoring the Armenian
General Benevolent Union first 100 years concluded this week with a
final string of events in Armenia and Nagorno-Karabakh.

A delegation of 130 AGBU members representing 24 chapters from 15
countries, headed by the AGBU’s president, Berge Setrakian, and eight
members of the Central Board came to Armenia for the occasion. The
celebrations spanned the week of April 2-8.

On April 3 the AGBU delegation visited Nagorno-Karabakh to take a
close look at reconstruction projects in the villages of Norashen,
Bareshen, and Jrakn in Hadrout, which are being implemented thanks to
the financial support of the AGBU.

The week included a conference dedicated to the 100th anniversary of
the organization and another conference discussing educational issues.
During the second conference a project to create an Armenian virtual
university and an online teaching program was presented.

The delegates also held working meetings to discuss the
organization’s current and future projects. They were joined by a few
dozen AGBU young professionals from Armenia and the diaspora. The
meetings afforded participants the opportunity to forge new ties.

The members of the Central Board were received by President Robert
Kocharian of Armenia on April 6. The president decorated three members
of the AGBU Board of Trustees – Sarkis Demirjian, Karnig Yacoubian,
and Nazar Nazarian – with the Mkhitar Heratsi medal.

Armenia’s National Academy of Sciences awarded Mr. Setrakian with an
honorary doctorate.

On the last day of the jubilee week, the AGBU turned a symbolic page
by burying a time capsule.

"All the chapters of the AGBU contributed to the contents of the
time capsule," Ashot Ghazarian of the AGBU office in Yerevan told the
Armenian Reporter. "Each put in a token representing the work of the
AGBU in various sectors. There were DVDs, pictures, and video films in
the iron-and-steel double box; they will be preserved for coming
generations. The box will be opened a century later. The time capsule
was buried symbolically in Etchmiatzin because it represents the
eternal existence of our nation, our religion, and it is a place where
people have walked during the past centuries and will walk in the
future. Besides, over the past millennia the Armenian Apostolic Church
has been the protector of all our national supreme values and we are
sure that for the coming hundred years it will also preserve that
symbolic legacy of the AGBU", Mr. Ghazaryan said.

The AGBU says it plans to meet new challenges using modern means.
"The preservation and development of the Armenian language in Armenia
and the diaspora should be carried out with modern means and
technologies. Apart from continuing our projects in requalification
programs of Armenian language teachers and the modernization of
Armenian-language textbooks, we aim to establish a virtual university
so that our national language, literature, history, and cultural
values will easily be within the reach of the young and upcoming
generations," Mr. Ghazarian added.

****************************************** *********************************

8. Armenians are weightlifting champions in Europe

Meline Daluzian of Gyumri, Armenia, won the gold medal in the 63
kilogram women’s category in the European weightlifting championship,
which is underway in Strasbourg, France. She established three new
records, Noyan Tapan reports.

Sergey Petrosian, 19, who represented Russia and is of Armenian
origin, won the gold medal in the men’s 62 kilogram category.

*************************************** ************************************

9. U.S. European Command’s Combined Endeavor 07 to be held in Yerevan next week

YEREVAN – Military communicators from 42 countries and two
multinational organizations are preparing for Combined Endeavor 2007,
a set of military communication exercises to be held April 27 through
May 10 in Baumholder, Germany, and Yerevan.

This U.S. European Command-sponsored exercise brings NATO members,
countries that are part of NATO’s Partnership for Peace, and other
countries together to plan and execute interoperability testing of
command, control, communications, and computer systems. The stated
purpose is to be prepared for future combined humanitarian,
peacekeeping, and disaster-relief operations.

************************************* **************************************

10. The lost motherland

by Tatul Hakobyan

Part 2: The ruins of Ani

Let us move from Kars to another capital of the Kingdom of Bagratunis,
the ruins of Ani. Ani was first mentioned in the manuscripts by
historiographers Eghishe and Ghazar Parpetsi, as an unassailable
fortress. It is assumed that Ani got its name from the fortress city
Ani, which was a religious center for pagan Armenians.

In foreign lands, even if it is Western Armenia, a good and
well-informed taxi driver can turn out to be more useful than an
Armenian-Turkish phrasebook, a map of the region, or your knowledge of
the architectural monuments. For example in the province of Kars, my
best companion is a Turkish citizen by the name Jelal, who not only
has a good knowledge of English, but is also versed in history (the
Turkish version, of course). On his mother’s side he is Armenian, but
what is the most important he is a kind and a trustworthy taxi driver.

On March 23, I was the only visitor to the ruins of Ani. The weather
was rainy, so after I had visited several churches, Jelal told me that
he’ll wait for me in the taxi by the gates, while I once again took
pictures of the dilapidated masterpieces of Armenian medieval
architecture.

During 989-1001, by order of Smbat II of the House of Bagratuni,
architect Trdat built the main cathedral of Ani in the territory
between the enclosures Ashotashen and Smbatashen. King Smbat was not
lucky enough to see the wonder, and only under the patronage of
Catranide, the wife of Gagik the First, who inherited the throne from
King Smbat, was the construction of the main cathedral of Ani
finished.

The inscription on the southern front of the cathedral states,
"During the reign of Gagik, the King of kings of Armenians and
Georgians, I, the daughter of Vasak, the king of Syunik, the queen of
Armenians, by inspiration of our gracious Lord and by the order of
King Gagik, have built this holy cathedral, founded by Smbat the
Great."

Ani, the capital-fortress city of the Bagratunis, which is now
introduced to tourists as part of the Turkish heritage, is located at
the right bank of river Akhurian, 45 kilometers from Kars, capital of
Vanand’s Armenian kingdom, by the village of Ojakhli.

In the beginning of the eighth century, the Armenian ruler Ashot
Bagratuni the Meateater bought the provinces of Arsharunik and Shirak
and joined them together with Ani to his lands. By the great wall of
Ani, next to the entrance, there are English and Turkish signs telling
about the history of the city. Obviously, these signs, as well as the
ones within the walls never mention that Ani was an Armenian capital.
You will never find the words "Armenian" or "Armenia" anywhere, except
in the thousand-year inscriptions on the Armenian churches. These tell
the truth about Ani. Everything else that they’ll tell you in Ani are
lies, in the word and spirit of Turkish historiography.

Last time I visited the ruins of Ani, which was possibly in the
August of 2003, Turkish frontier guards Mammed and Murad were showing
tourists a quarry across the border. They were offering binoculars and
telling in their poor English, that the digging had been going on for
three years.

"What country is on the other side of the river?" I asked.

"Ermanistan, Ermanistan" the Turkish guards agreed. In "Ermenistan"
the binoculars were showing trucks by the quarry carrying stones, and
3 people sitting on a hill, possibly artists, who were painting the
cathedrals of the Armenian kingdom of Bagratuni.

The Turkish frontier guards said that the Armenians were making
underground explosions in the quarry, and that was the reason that the
ruins of Ani were collapsing.

This time there were no frontier guards, and one did not need to get
permission to visit Ani from Kars anymore. I’m all alone in the ruins
of Ani. From the other side of the river the noise of the tractors
working in the quarry on the Armenian side was still disturbing the
silence of the ruins. However, that didn’t prevent me from imagining
and shouting at the top of my voice that I am the king of the ruins of
Ani.

In the year 961, Ashot Bagratuni II moved the capital from Kars to
Ani. In 992, the catholicosate also moved to Ani. Historians state
that at that times Ani had a population of about 100 thousand, 12
bishops, 40 monastery superiors, and 500 priests.

With the decline of the Bagratuni kingdom, in 1045, Ani was besieged
by the Byzantine army. The last king, Gagik II got the city of Cesaria
and a palace in Constantinople as compensation.

A few years later, in 1064, the Seljuk Turks captured Ani and sold
it to a Kurdish dynasty Shadadan. In 1200, Tamar, the Georgian queen,
captured Ani; in 1237, it was passed into the hands of the Mongols. In
the middle of the 14th century, the Turkmen tribe Karakoyunlu made Ani
their capital. In 1579, Ani became a part of the rising Ottoman
Empire.

From the beginning of the 19th century until now, Ani has been
desolated. In the city, within and outside its walls, the monuments of
Armenian medieval architectural are dilapidated.

Tigran Honents’ Saint Gregory Church was built in a comparatively
late period, in 1215, when Ani was under the control of the Georgian
queen Tamar. Maybe this is the reason this church is in reasonably
good shape; the inner walls of the church are all in colored
miniatures.

Saint Amenaprkich church was built during the first half of the 11th
century. Today half of it is ruined. The bridge of Ani, which was
built in the tenth century and is almost ruined, connects the right
and the left banks of Akhuryan and is open for tourists, because it is
situated in a neutral zone of the Turkish-Armenian border. You have to
look at the Saint Hripsime monastery using binoculars. It is on the
bank of the river, almost ruined.

In Ani, beside Armenian culture, you can also see architectural
monuments from the Seljuk period, such as a bathhouse or the Menuchehr
mosque.

Jelal, the taxi driver, was patiently waiting by the gates.

"Jelal, can we say today, that these ruins of Ani are ours?" I asked.

Jelal didn’t answer, but there was kindness on his face. He drove
faster and half an hour later, under the downpour turning into snow,
we reached Kars, ready to leave for Avetis Aharonyan’s birthplace the
next morning.

To be continued.

************************************** *************************************

11. Living in Armenia: A grandfather, a granddaughter, and destiny

by Maria Titizian

Can genetic material serve as the medium through which thoughts and
memories are transmitted? Some would argue that it is scientifically
difficult, if not impossible to prove. I on the other hand, have
nothing to prove. All I know is that I ended up where he began. Not
quite, but close enough. We came from different countries but we were
both born by the sea. He fought for physical survival while I fight to
keep memories alive. His journey took him to the Sorbonne, mine guided
me back to the lost-again found-again homeland. Ours is a strange
story. A grandfather and granddaughter that never met yet who had a
relationship that defied comprehension. He lived through atrocity,
I’ve only read about it. His gentle spirit allowed me to feel outrage
and horror the first time I read about the Genocide. He never got the
chance to tell me about it.

When my family moved to Canada in the sixties, my grandparents
stayed behind in Lebanon. I was only a child and have no memories of
either of them. Living on different continents, worlds apart, my
grandfather and I were bound together by the words we wrote in our
letters to one another. By the time they decided to join us in Canada,
civil war had erupted in Lebanon and they were trapped. My family’s
story is the story of our nation. Torn asunder, trying to piece
together fragments of an existence with no place to call home.

Many memoirs have been written by Armenians about their
grandparents’ experience during the Genocide. There is a common thread
in all these stories – the survivor invariably picks a grandchild to
whom to tell their story. My grandfather never got the chance to tell
me his story; he died in 1980 before we were able to be reunited. I
understand now that he never had to pick me because I was destined to
be the vessel through which his story would one day be told. I was the
one who returned to the place we call the homeland, a place he yearned
for his whole life. Although it’s not Cilicia, where he began, it is
the lost-again found-again homeland, that elusive piece of geography
that binds us to her will and where I find myself now.

My grandfather was born in Haji Hababli, Musa Dagh, in 1900. His
family was large and its offspring predominantly males, a condition
that continues three generations on. When his village received news
that they too would be forced to abandon their homes and join the
caravans like the rest of the Armenians living in Anatolia, the
village coordinated a resistance. They were mountain people, tough and
stubborn, unaccustomed to change and unwilling to succumb to the
enemy. They preferred to perish on their lands rather than be forced
to flee. Although some of the residents of Musa Dagh obeyed the
deportation orders, the majority ascended the mountain and fortified
their positions. Musa Dagh was one of the few sites that organized its
self defense and thus became the stuff of legends. For forty days and
forty nights, the population of Musa Dagh valiantly held back the
Turkish army until the last bullet was placed in the barrel of their
guns. Finally, lack of food, supplies, and ammunition forced them to
make a critical decision which did not include surrender. Off the
coast, they could see warships anchored in the bay. The villagers made
a banner which read, "Christians in Distress: Rescue." Several young
boys were ordered to swim out and warn the officers of the ships of
their desperate situation.

After the French and British saved the Armenian population of Musa
Dagh, they were transported temporarily to Port Said in Egypt until
the French authorities could figure out what to do with them. When
they arrived their ship docked at the port and they remained on board
for two days. When they were finally allowed to disembark they
surveyed their new surroundings. A barren terrain, where there were no
plants or vegetation, only eternal stretches of sand. Quickly a tent
city was erected with each family assigned to one tent. This temporary
accommodation would be where they would live for the next four years.
After a time the tents were organized and divided into sections, each
one carrying the name from their lost villages in Musa Dagh: Haji
Hababli, Vakif, Kabusia, Khdr Bek, Bitias and Yoghun Oluk. Some of the
women set up a canteen to provide food and not long after they were
supplied with drinking water. To protect the tent city a unit of ten
men, comprised of British and Armenian soldiers was organized. The
American Red Cross and the Armenian Church helped to establish small
workshops to provide employment. Sewing, carpet weaving, and
comb-making began to flourish. A hospital was set up with the aid of
Egypt’s Armenian Red Cross. However within the first two years over
300 souls perished to illness. Just when they were settling into their
new lives, they were informed that they were to be sent back to Musa
Dagh, which was now under French mandate. After four years in Egypt,
whoever hadn’t perished from illness or a broken heart began the
journey back home.

After the population of Musa Dagh slowly began to return to their
ancestral homelands, the tent city was dismantled and the refugees
gone. When they returned to Musa Dagh, they found their homes and
villages destroyed, their crops ruined. They rebuilt their homes, but
twenty years later were deported once again as a result of the
annexation of Musa Dagh to Turkey. Thus in 1939, the French
authorities brought 1,068 families to Ainjar, Lebanon, where they
continue to live today. All that remains of Musa Dagh is the village
of Vakif, which continues to exist and according to most accounts is
the last remaining Armenian village in Turkey.

Once back in Musa Dagh, my grandfather was sent to Paris by the
Gulbenkian Foundation to continue his education, with the promise that
upon returning he would dedicate his life to his people. It was a
promise he kept till his death. His children never understood the
fervor with which he served his community. His grandchildren, most of
them born and raised in faraway lands didn’t bother much with family
history. So why was it that I, among his many grandchildren, felt a
tug at my heart the first time I read the word atrocity? Why was it
that I left behind my parents, siblings, aunts, uncles, and cousins to
tread the uncharted waters of a newly independent homeland with two
young children? I have no logical answers. All I know is that
something beckoned me here, to be on this land, to breathe its air, to
bear witness to its development and empowerment, and to share the
blame for its mistakes. Was it in the encrypted words in the letters
of an old man to a granddaughter thousands of miles away attempting to
tell his story or was it mapped out in my genetic code?

This year marks the 92nd anniversary of the Genocide. It is an
intrinsic component of Armenian national identity and it will be sixth
year that I will be marching with my fellow Armenians toward the
Genocide Memorial. Tzitzernakaberd, perched upon a hill in Yerevan
will open its arms to its dispersed children and wait. Whether it is
sunny or raining, whether Mt Ararat will emerge from the clouds,
whether Turkey acknowledges the atrocities of the past, we will
continue to pay homage to our forefathers who perished over 90 years
ago because as a friend once assured me, we have no choice for it is
mapped out in our genetic code.

******************************************* ********************************

12. Commentary: Wanted: A new Armenian strategy/perspective on Middle East

by Talar Kazanjian

Mention the Middle East and you’re likely to think of chaos, conflict,
and insecurity. In recent decades, the waves of turmoil caused by
regional wars – whether these are periodic or ongoing – have brought
upheaval and social unrest to many Middle Eastern countries.

For the Armenians of the Middle East, such crises have generally
been cause for deep concern. But the developments of the last several
years suggest that even more troubling times may lie ahead. If in the
past conflicts were largely contained within national boundaries,
today the danger of spillover into a regional conflagration is
greater. Adding to the complexity is that fact that the Republic of
Armenia lies right on the border of what has become known as the
Greater Middle East.

These are new realities, and Armenians – both in the republic and in
the diaspora – need to revisit their strategic thinking on the Middle
East. Such a strategy would take into consideration the security of
both Armenia and the Armenians living in the Middle East.

The new U.S.-centric international perception of the Middle East
began taking shape after the September 11, 2001 terrorist attacks. The
re-evaluation of American policy after that date led to the perception
of the Middle East as a unified entity: a large land mass stretching
from Pakistan and Afghanistan through Iran to the Arab world –
integrated to a significant degree within a single framework.

Given the divided nature of the region in the 20th century, it would
have been logical to find that each country’s Armenian community dealt
with the problems of insecurity largely on its own. However, with the
change in the way the whole region is being perceived and with the
advent of globalization, it has become necessary for Armenians to
change their understanding, and to devise a new, more comprehensive
strategy that would include the totality of Armenians living in the
region.

The first step in such a strategy would entail dropping the
perceptions that are becoming outdated. Armenians elsewhere still tend
to think of the Middle East as a region where the preservation of the
Armenian language and culture are relatively easy to achieve. This
region is viewed as a source of Armenian-speaking immigrants to North
America, Europe, Australia, and elsewhere. However, since the creation
of an independent Armenia, this view is less certain.

On several occasions during the last several years, the need for a
comprehensive Armenian vision has made itself felt. One example is the
decision taken by the Armenian government to send a small military
contingent to Iraq, which resulted in objections from the region’s
local Armenian communities. Wherever one stands on the question of the
deployment, the fact to emphasize here is that the entire debate
occurred largely due to the lack of a common vision, where the role of
the regional Armenian presence would be clear.

Both Armenia and the Armenians of the Middle East could derive
benefits from a unified position. In the Middle East, Armenians could
promote the position of Armenia in the countries in which they live.
The connections and networks of each Armenian there could be used to
advance Armenia’s interests and position in those countries.

On the other hand, Armenia could provide a safe haven for Middle
Eastern Armenians when their livelihoods are disrupted or seriously
threatened. This very situation presented itself after the Iraq war in
2003. Since that time, at least by some accounts, the Iraqi Armenian
community has been victimized by the daily insecurity in the country.

Unfortunately, the variety of help or protection on offer by
Armenians (whether it’s the Republic of Armenia or diaspora
organizations) continues to be limited in scope. Even if Armenians all
over the world had expressed a desire to help the Iraqi Armenians,
there was no unified plan to deal with the issue.

With further crises looming over the region, Armenians might use
their failure to act in Iraq as an impetus to devise plans where the
respective abilities of both Armenia and the Armenian organizations in
the Middle East could be incorporated in a complementary, unified plan
to protect the Armenians of the region.

Armenia and the Armenians of the Middle East have congruent
interests in many spheres of security. Focusing on the multitude of
"Armenian interests" in the diverse countries of the region no longer
serves the interests of the Armenian presence as a whole. A new
strategic perspective on the Middle East would help Armenians as a
group face the challenges and probable changes that the region’s
future holds in store. And it would help them endure.

* * *

Talar Kazanjian is a graduate student at Johns Hopkins University
School of Advanced International Studies in Washington. She is
originally from Syria. This is her first contribution to the Reporter.

*************************************** ************************************

13. Letters

* Neither better nor worse, just different

Sir:

Garbis Moushigian’s letter to the editor ("An Armenia to be proud of,"
Mar. 24) was so well written, and I believe it expressed the feelings
of many of us in the diaspora. I too have had moments of frustration
over developments in Armenia – followed by enthusiasm when I keep in
perspective that this is a newborn country, which has come a long way
in a short 16 years.

Compare Armenia to the other ex-Soviet countries: Even Russia has
not gotten its act together, and it is a far more resource-rich
country, and does not have its borders closed. It is very true that
once we saw the real Armenia, it was very different from the Armenia
we had imagined. Not worse or better, just different. Mr. Moushigian
is right: the majority of us in the diaspora are descendants of
Western Armenia, and the present Armenia is not only different in
language and mentality (due to long years of Russian influence), but
is also not the Armenia we would know from our literature, dreams, and
upbringing. Even the cuisine is different. But again, that does not
mean that it is better or worse; it’s just different, and sometimes in
a more positive way.

The language difference I believe has made it difficult for both
sides to assimilate well. After all, Western Armenians – in spite of
the lack of a country, schools, and any feedback from the motherland
for many years – must be credited with keeping the spirit of
Armenianism alive into the second, third, and fourth generations.
Today we find many diaspora Armenians who, while not speaking a word
of Armenian, still know that they are Armenian. Western Armenians have
inherited a wonderful literary heritage. And just as we have always
admired the works of Eastern Armenian poets, musicians, and
dramatists, the current Republic of Armenia should also respect those
works dating back centuries emanating Western Armenian authors.

Thank you for Mr. Moushigian’s wonderful letter.

Very truly yours,

Maida Garabedian Domenie

Florida

* Is the UN continuing the trauma of genocide?

Sir:

I was invited to attend a UN exhibit on the 13th anniversary of the
Rwandan genocide titled "Lessons Learned"; it was scheduled to take
place on April 9, and organized in part by the British-based Aegis
Trust. Shortly before the event, I received an urgent call from a
colleague who was outraged, and urged me to read my e-mail
immediately.

What I found was a letter indicating that the event had been
"postponed" for political reasons. The postponement followed on the
objection by the Turkish UN Mission to a single sentence in the
exhibit: "Following World War I, during which one million Armenians
were murdered in Turkey, Polish lawyer Raphael Lemkin urged the League
of Nations to recognize crimes of barbarity as international crimes."

Certainly, in an exhibit about "lessons learned" about the Rwandan
genocide, it is helpful to know how Raphael Lemkin coined the term
"genocide" in response to the mass atrocities committed against
Armenians by the Ottoman Turks. The Aegis Trust, too, felt that the
reference to the Armenians was extremely relevant, and took its stand
against the UN.

More generally, as a psychologist and a traumatologist working with
survivors of mass trauma for over 20 years, I like to caution that
denialist and revisionist policies impact us all negatively.
Psychologically, these cause a regression in healing, and
re-traumatize every one of us: survivors, witnesses, bystanders – as
well as the perpetrators. In the healing process it is not just the
trauma that counts; what’s more important is what happens after the
trauma. Ninety-two years of revisionism and denial is leading to
another form of continued genocide, called "psychological genocide."

Very truly yours,

Dr. Ani Kalayjian

Cliffside Park, New Jersey

* Why cancel a memorial concert to Hrant Dink?

Sir:

On Friday, April 6, I drove from my home in Cape Cod to Providence,
R.I., with joy in my heart to attend a concert "dedicated to dialogue
in memory of Hrant Dink," featuring "Armenian composers of the Ottoman
period." The reason for my joy was that Armenian and Turkish students
at Brown University had put their differences aside and organized this
event. But when I arrived, I was told that the concert had been
canceled because of protests and threats from Armenian and Turkish
citizens.

I drove back home with sorrow because the efforts of the students
had been struck down by those who could not come to terms with
separating their feelings against the Turkish government from the
students’ expression of goodwill. The students had tried to do
something that should have been undertaken by Armenian and Turkish
citizens of goodwill. What a lesson could have been learned: That
Armenians and Turks would benefit from civil discourse, could debate
differences of opinion, and even enjoy shared similarities.

In trying to understand the reasons for the protest and threats, I
learned some things. First, some people were offended because the
event was to take place on Good Friday and entertainment events are
generally not held on Good Friday. But because the concert was a
memorial to Hrant Dink – who believed in, and lived and died because
of his beliefs in justice and peace – the concert would have been
appropriate. In discussing this issue with a much-respected Armenian
priest, he said he would not have objected to the concert.

Second, some people felt that the concert would have harmed the
passage of the resolution to recognize the Genocide, when and if it
comes up for a vote. I don’t understand the rationale for that
thinking. Perhaps someone who protested the concert on the basis of
that reasoning would offer an explanation.

Third, some people felt greater distrust of the Turks because of the
concurrent issue involving the re-opening of the Aghtamar church. Now,
the manipulation of the Aghtamar opening and the erasing of any
mention of Armenian history certainly confirmed my long-held distrust
of the Turkish government. But that does not mean that I have any
animosity towards Turkish persons. Rather than reacting to fears that
the concert would be used as propaganda by the Turkish government, I
suggest that a more proactive position would have been to tell the
truth. And the truth is that the concert is an example of freedom of
speech, which Americans hold dear, as opposed to Article 301 in Turkey
that makes it a crime to mention the Genocide. The concert, I thought
at first, would be an opportunity to draw a contrast with Turkey’s
denial of freedom of speech; but on second thought, was its
cancellation an example of the denial of free expression by Armenians
and Turks in America?

I have been in correspondence with Turkish and Armenian students and
I am very proud of their intentions. But I am still trying to
understand why prominent Armenians in Rhode Island and the East Coast
felt compelled to use pressure and threats to have the concert
canceled. They could have simply not attended the concert. I would
appreciate the protesters explaining why they thought they had a right
to deprive me and others from attending an event that honored Hrant
Dink. I cannot answer for the Turkish protesters; I can only question
their motives. But as an Armenian of Turkish citizenry, I have to ask,
what would Hrant Dink say?

Very truly yours,

Shahkeh Yaylaian Setian

Cape Cod, Massachusetts

*********************************** ****************************************

14. Editorial: Let the people prevail

On May 12, the citizens of the Republic of Armenia will go to the
polls and elect a new National Assembly.

The election campaign is in full swing. The parties and individual
candidates are reaching out to voters with their platforms, their
assessments of the current situation, and their plans for the future.
There are well-attended rallies throughout the country. People can see
all their choices.

The parties and candidates running represent a range of options:
from advocates of unfettered free-market capitalism to socialists to
communists. That said, most advocate a balanced foreign policy of
continuing good relations with Russia, the United States, and Europe,
maintaining peace, and reaching a settlement in Nagorno-Karabakh that
provides for continued Armenian control of the region and the security
of its people. Likewise, most acknowledge the economic policies that
have allowed Armenia to make significant economic progress over the
last few years, though they have divergent views on the nature and
pace of further reforms.

The U.S. chargé d’affaires in Armenia has rightly pointed out, "it
doesn’t appear that there were any . . . political decisions taken to
disallow parties or candidates. We were worried about it, but it
appears that it went well." (See interview in the print edition of
this newspaper.)

This is an exciting moment for Armenia, whose people, 15 years ago,
declared their intention to build a democratic state. It is also a
critical moment: for people to maintain their faith in their
burgeoning state, the elections must be free and fair.

The Central Electoral Commission is legally responsible to ensure
that the elections meet this standard. The president, the government,
the Central Electoral Commission, and various political parties have
declared their commitment to free and fair elections. Officials,
activists, and citizens must understand that their leaders mean what
they say. Ultimately, it is the responsibility of every citizen to be
active and vigilant.

Several entities, including domestic groups, are monitoring the
election process. This process includes or has included legal reforms,
the establishment of electoral commissions, the verification of voter
rolls, nominations, the training of poll workers, and much else.

It also includes the campaign. Careful monitoring is underway to
confirm that incumbents do not get disproportionate coverage in the
mass media. Indications so far are that opposition candidates have
more access to television than has been the case in the past. A good
gauge is state-run public television, which has been providing
significant news coverage to opposition candidates in addition to
legally mandated free time. As for print media, a wide range of views
are published and readily distributed. The government newspaper,
Hayastani Hanrapetutiun, has been allocating room to all parties.

It is gratifying to see that, so far, Armenia is living up to its
promise. On Election Day, we look forward to seeing citizens
throughout the country exercise their right to vote – and carefully
guard that right.

Armenians living in the United States have a role too. Through our
connections to Armenia, we can and should encourage citizens to
participate in the democratic process, be vigilant, and help Armenia
fulfill the promise it made to itself – and to the world – to be a
free nation led by its people.

***************************************** **********************************

15. Editorial: Refusing complicity

The New York Times has written a powerful editorial excoriating "the
U.N.’s craven new leadership" for "bowing to Turkey’s demands" to
"censor discussion of the Armenian genocide." The editorial, which
appeared on April 13, argues that in making such demands, Turkey makes
itself an accessory to the crime of 1915: "It’s odd that Turkey’s
leaders have not figured out by now that every time they try to censor
discussion of the Armenian genocide, they only bring wider attention
to the subject and link today’s democratic Turkey with the now distant
crime."

See for the full text of the editorial, which also
appeared in the International Herald Tribune.

The New York Times has shown moral leadership at a time when several
major newspapers have opted for an unprincipled stance. With the Bush
administration, the well-paid Turkish lobby, and Turkey’s allies on an
all-out campaign to defeat the Armenian Genocide resolutions in
Congress, these newspapers have given space to specious and poorly
argued commentaries on the matter. These essays portray Turkey as a
reliable U.S. ally and raise false alarms about disastrous
consequences that would follow the adoption of the resolutions.

Even the New York Times published such a commentary in the guise of
news last week. To their credit, the editors promptly published a
correction that addressed the article’s worst offense.

The New York Times is right to point out that every time Turkey
tries to censor discussion of the Armenian Genocide, it makes itself
an accessory to the crime. In demanding that others join it in denial,
Turkey asks them to become complicit as well. It is unfortunate that
the U.S. administration and so many newspapers have chosen complicity.
Kudos to the New York Times for refusing to play along.

Let us once again urge President Bush to choose the right path.
Instead of complicity in the crime, let the United States regain its
proud place as one of the nations that tried to do something about the
Armenian Genocide as it was happening, and helped the survivors
afterward. In his annual message on April 24, President Bush should
use the expression he has been at pains to avoid: the Armenian
Genocide.

connect:
President George W. Bush
The White House
1600 Pennsylvania Avenue NW
Washington, DC 20500

Comments: 202-456-1111
FAX: 202-456-2461
[email protected]

************ ************************************************** *************

Please send your news to [email protected] and your letters to
[email protected]

(c) 2007 CS Media Enterprises LLC. All Rights Reserved

http://www.reporter.am
www.reporter.am
www.elections.am
www.armeniaforeignministry.com
www.nytimes.com

Armenian Reporter – 4/21/2007 – arts and culture section

ARMENIAN REPORTER
PO Box 129
Paramus, New Jersey 07652
Tel: 1-201-226-1995
Fax: 1-201-226-1660
Web:
Email: [email protected]

April 21, 2007 — From the Arts & Culture section

All of the articles that appear below are special to the Armenian Reporter.
For photographs, visit

Briefly
1. Ani Maldjian brings Anne Frank back to life
2. Eddie Mekka is definitely not "Stuck in the Past"
3. "Aram’s Choice" nominated for children’s book of the year
4. Reminder: Arpa International Film Festival call for entries
5. Complete online guide to Armenian Genocide commemorations and
cultural events
6. God Bless You, Kurt Vonnegut

7. Fresno’s most popular anchorwoman marks her 25th anniversary
* Stefani Booroojian is the face of stability, perseverance, and hard work

8. Music: Gor delivers what he promises (by Tamar Salibian)
* Acoustic folklore release concert draws hundreds of fans

9. Music: Singing to honor the memory of the Armenian Genocide (by
Betty Panossian-Ter Sargssian)
* A concert by the Armenian acoustic rock band the Beautified Project

10. Film: The inside story of the Karabakh war (by Betty Panossian-Ter
Sargssian)

11. Animators are ready to bring the epic David of Sassoon to movie
screens (by Paul Chaderjian)
* Harut, a popular online cartoon, empowers a pitch for a multimillion
dollar project

12. Anything but silenced: Students mobilize against genocide (by Arin
Mikailian)
* So Cal Armenian Students’ Associations commemorate the Armenian Genocide

13. Essay: The Pink House (by Armen D. Bacon)

****************************************** *********************************

Briefly

1. Ani Maldjian brings Anne Frank back to life

Soprano Ani Maldjian made her Long Beach Opera debut this week in the
role of teenager Anne Frank. The 24-year-old was the first place
winner of the 2005-2006 Western Region Metropolitan Opera National
Council auditions, and she is currently a resident artist with the
Seattle Opera Young Artist Program.

In the opera, "The Diary of Anne Frank," Ani recreates Anne’s life
from the ages of 13 to 15, when the teenager and her family hid from
the Nazis in the attic of an Amsterdam office building.

"I’m Armenian, and I have the same history as the Jewish people,"
says Ani. "I understand from the point of view of my ancestors. I know
what they went though. Of course, we can’t ever really understand. Yet
I feel I know Anne Frank, that I understand the sadness and hope in
her heart."

"The Diary of Anne Frank" is a monodrama, written for one soprano
and a chamber orchestra. It was composed in 1969 by Grigori Frid and
premiered in Moscow in 1972. The opera was first seen in the U.S. in
1978, and its Long Beach presentation was its West Coast premiere.

The last performance of "The Diary of Anne Frank" in Southern
California will take place on Saturday, April 21. In May, Ani will
perform in Kona, Hawaii. She stars in "La Cenerentola" at the Cowell
Theater at Fort Mason Center San Francisco in July. Then in October,
Ani will make her Seattle Opera main stage debut as Priestess in
Christoph Willibald Gluck’s "Iphigénie en Tauride."

connect:

ww w.seattleopera.org
myspace.com/sopranoanimaldjian

* * *

2. Eddie Mekka is definitely not "Stuck in the Past"

Laverne & Shirley star Eddie Mekka was on location in Carnegie (near
Pittsburgh), Pennsylvania, in March, filming his latest movie project
titled "Stuck in the Past." The movie about an aging Broadway star
remembering his impoverished childhood is being directed by Greg
Robbins, who is known as Pastor Greg on the Trinity Broadcasting
Network situation comedy Pastor Greg.

Mekka was born in Worcester, Massachusetts. He changed his name from
Edward Mekjian when he headed to New York City to sing and dance. He
landed parts on Broadway and was even nominated for a Tony Award.
Eddie moved to Los Angeles in 1975 to star in the hit ABC sitcom that
made him famous. Laverne & Shirley was constantly one of the
most-watched shows from 1976 to 1983. Episodes are still on television
in the U.S. (Nick-at-Nite) and around the world.

In addition to his role as Carmen "the Big Ragoo" Ragusa, Mekka also
has acting credits in movies like A League of Their Own and more the
recent Dream Girls. He has also been featured in television shows like
24 and Crossing Jordan, and spent one season on the daytime soap opera
Guiding Light.

connect:

* * *

3. "Aram’s Choice" nominated for children’s book of the year

The Canadian Library Association’s award recognizing outstanding
stories for children under 12 has named Aram’s Choice as one of its
top ten titles of the year. The 2007 Book of the Year for Children
Award will be presented next month by the Canadian Association of
Children’s Librarians, which is part of the Canadian Association of
Public Libraries.

Aram’s Choice is the third book of a series called "New Beginnings."
The book shares with its young readers the story of the Armenian
Genocide in detail, but through the comprehensible voice of a
12-year-old immigrant.

Aram’s Choice is about how Canadians helped more than a thousand
Armenian refugees who escaped the genocide. Among the 1,300 refugees
were 110 boys who were taken to Georgetown, Ontario. These boys would
eventually known as the Georgetown Boys. A stage production of this
story will also premiere in New Jersey on June 2.

connect:
;

* * *

4. Reminder: Arpa International Film Festival call for entries

The 10th Annual Arpa International Film Festival will be held November
2-4 at the Egyptian Theater in Hollywood. The festival is inviting
Armenian filmmakers to submit their feature-length, short,
documentary, animation, and music video projects for consideration.
The deadline for submissions is June 30.

connect:

* * *

5. Complete online guide to Armenian Genocide commemorations and
cultural events

For the past few years, Armenians looking for Genocide commemorations
and cultural events to attend have been using one web site –
– for a thorough listing of events worldwide.

Webmaster Armen Vartanian created the site in 2003 to give Armenians
in the greater Los Angeles area a complete list of the dozens of
commemoration events taking place in Southern California.

Vartanian is a recent graduate of the Mt. Sierra College of
multimedia arts and design. He says following the site’s inaugural
year, Armenians began submitting their events from all corners of the
world. In 2006, Vartanian says, more than 40 thousand people used the
site at least once.

This year, GenocideEvents.com is offering user-friendly drop-down
menus for each geographic region. The menus then lead to secondary
listings by country and city. Among the listings this year are more
than 200 events ranging from protests to rallies, from concerts to
film screenings, and from prayer vigils to church services. The events
listed are taking place throughout the month of April and in various
locations including Australia, Europe, the Middle East, North America,
and South America.

If your event is not listed this year, join the site’s mailing list
and plan on adding your 2008 commemoration for the world to see.

connect:

* * *

6. God Bless You, Kurt Vonnegut

For decades, rumors circulated that one of the America’s most prolific
writers, Kurt Vonnegut, was Armenian. This month, Vonnegut – a
third-generation German, who created Armenian characters and
references to things Armenian in his literature – died at the age of
84.

One of Vonnegut’s most noted Armenian characters was Rabo Karabekian
in the novel Bluebeard. Rabo was a World War II veteran and an
abstract expressionist painter. Bluebeard is said to have been a
fictional autobiography with the Genocide being an important
storyline. Vonnegut’s other books include Player Piano (1952), Cat’s
Cradle (1963), a collection of short stories titled Welcome to the
Monkey House (1968), the classic Slaughterhouse-Five (1969), and
Breakfast of Champions (1973).

In 1999, Vonnegut also published a collection of pieces written for
National Public Radio titled, God Bless You, Dr. Kevorkian. In the
book Vonnegut talks to an eclectic group of people including
Shakespeare and Hitler. How Dr. Kevorkian is involved is that Vonnegut
employs the good doctor to create near-death experiences, so that
Vonnegut can talk to his dead interviewees.

connect:

******** ************************************************** *****************

7. Fresno’s most popular anchorwoman marks her 25th anniversary

Stefani Booroojian is the face of stability, perseverance, and hard work

FRESNO, Calif. – In 1982 Stefani Booroojian began her career as a
broadcast journalist at Fresno’s channel 24, KSEE TV. Twenty-five
years later she’s still going strong, bringing the evening news into
the homes of millions of Central San Joaquin Valley residents. This
month marks the start of Stefani’s second quarter-century at channel
24 and in television news.

"I realize 25 years is quite a milestone," says Stefani with great
modesty, "but I sort of just kept coming to work, and the years just
kept piling on. My colleagues did throw a wonderful celebration. I
was flabbergasted!"

The petite anchorwoman started at channel 24 as an intern, never
anticipating she would become a household name in the valley, perhaps
the best-known personality in the region. Thousands tune in to her
broadcasts on weeknights to find out what is happening in their world.

After graduating from Fresno High School in 1976, Stefani enrolled
at Fresno State and majored in journalism. "I was drawn to radio and
television in college when I started taking courses and realized I may
have some potential," she says. "I particularly liked providing a
public service as well as the performance aspect."

Stefani learned the workings of the news business like so many
others trying to get started, scoring an internship at channel 24.
"When I was in college, one of my professors suggested I change my
name," says Stefani. "He didn’t feel Booroojian would work well on the
air. He said it was ‘too ethnic and too hard to say and spell.’ I
decided to go with it anyway, and figured an Armenian name would be
accepted just fine in the San Joaquin Valley. It was!"

Once she earned her degree, Stefani started working at a local radio
station, where Greg Lefevre heard her and asked her to audition at
channel 24.

"I hired Stefani in 1982 when I was news director at KSEE," says
Lefevre. "It was the easiest and smartest decision you could make. I
had listened to Stefani on the radio in those days, more than holding
her own with the morning deejays."

Lefevre, who went on to be a CNN bureau chief in San Francisco,
recalls that Stefani’s manner was clear and convincing, even early in
her career. "She knew news, and her journalism instincts showed
through," says Lefevre, who is now a media trainer and consultant.

"When I invited Stefani in for an audition," he says, "she lit the
place up. Here was a bright, capable communicator who cared deeply
about her profession and about the community she served."

The audition and job offer were the beginnings of a long television
career, spanning two and half decades and earning her countless awards
and accolades, including two Emmys, an award from Fresno State, and
the title of the valley’s favorite news anchor.

Former channel 24 anchor Brent DeMonte says Stefani made an
impression right off the bat. "She walked in as a pretty little
dark-haired gal," he says, "very friendly to everyone when she came
in."

Over the years, Stefani has never shied away from volunteering for
local organizations, running the San Francisco marathon to help the
Leukemia and Lymphoma Society, hosting fundraisers for the Armenian
Community School of Fresno, appearing at special events, and talking
to students in high school and college.

"The Armenian community has been very supportive of me and my
career," says Stefani. "I’m proud to represent such an important
segment of the central valley population."

Whenever the local Armenian community has approached Stefani to
participate, she has always been ready to help out. Stefani hosted
local Armenia Fund relief telethons when the community came together
to help the homeland after the 1988 earthquake and to raise funds to
buy fuel in the early 90s. Stefani also hosted local segments for the
valley broadcasts of the Armenian National Committee’s Horizon TV
program.

Fifteen years ago, Stefani spearheaded a program that many now know
as Buddy Check 24. The program promotes breast self exams and early
detection. On the 24th of each month, Stefani hosts special broadcasts
to educate and encourage women to partner up and remind their partners
to conduct self exams.

"The Buddy Check stories have all been memorable to me, because the
program does save lives," says Stefani. "Meeting women who have been
touched by the program is extremely gratifying to me."

Breast cancer survivors who say early detection made the difference
between life and death can’t thank Stefani enough. "When no one else
believed in us, she was there," said Sandy Flint, a cancer survivor
and former president of the Susan G. Komen Breast Cancer Foundation.

In addition to Buddy Check, Stefani says serving as a media witness
to an execution and covering the fifth anniversary of 9-11 from New
York have also been monumental moments in her career.

Important stories, fame, success, and accolades have not changed
Stefani. "She’s remained sweet, very even-tempered, and a very nice
person," says fellow anchorman Jack Noldon. "That makes her one of the
tops in my book."

Talent, credibility, the skill of being one of the most capable
wordsmiths in the business, perseverance, and personality have allowed
Stefani to survive through several different owners at 24, perhaps a
dozen station managers, news directors, co-anchors, and hundreds of
reports, producers, and writers.

For those who want to follow in her footsteps, Stefani has a few
words of sound advice. "Don’t give up," she says. "Be willing to work
hard and possibly for little pay at first. The rewards will come
later."

While many personalities have appeared and disappeared from the
airwaves in the central valley, some moving on to a bigger television
market and chasing dollars and more fame, Stefani has remained
satisfied with serving her community and her hometown.

Anchorman Bud Elliott, who was Stef’s other half on the news desk
for fifteen years says you just can’t beat what she’s got going for
her. "Stefani brings an inside view and sensitivity that only a native
can have," he says.

Fresno’s top cop, Police Chief Jerry Dyer says Stefani is simply a
great person. "Stefani always had the interest of Fresno at heart
first," he says.

Chief Dyer, like many other city officials, politicians, community
leaders, and newsmakers know that Stefani is not only trustworthy but
has the perspective of a veteran journalist.

Stefani says she takes each news day in stride, not at all surprised
by the copy that may come up on her prompter during live newscasts.
"You learn to read through anything," she says, explaining how anchors
have to stay on their toes and speak without scripts during breaking
news situations or simply when shows are produced badly and fall apart
on the air.

"I’m only a year away from tying a record for sitting next to a
co-anchor," says Stefani’s current co-anchor Rich Rodriguez. "I’ve
told her many times that she can’t leave or retire before I do because
she’s such a joy to work with at 6, 10, and 11."

Rich says that over the past six years he and Stefani have
co-anchored, they have never had a quarrel. "I think because we have
so many things in common, it helps us click on the air. So often we’re
comparing notes about our kids and the crazy things that they do."

Stefani’s infectious laugh, says Rich, is something that can keep
him snickering for an entire newscast. Rich says Stefani’s laugh is
one thing that people don’t know about her.

"When it comes to her craft," he says, "she is one of the finest
delivering news. She reads with great emotion and interpretation and
that’s something journalism profs can’t teach because it is a gift."

Those who have worked with or simply know Stefani Booroojian all
seem to say the same thing: she’s beyond compare, a gem whose
brilliance shines through the lens and into the hearts of so many.

Several generations of young Armenians who have grown up in Fresno
and have aspired to follow in her footsteps have also been empowered
by the idea that an Armenian can be on the air, be successful and
maintain her identity.

"The real winners, of course are viewers across Central California,"
says Lefevre." Congratulations, Stef, on 25 great years!"

************************************ ***************************************

8. Music: Gor delivers what he promises

* Acoustic folklore release concert draws hundreds of fans

by Tamar Salibian

Known throughout Armenia as the lead guitarist for the popular rock
band Lav Eli since 1996, Gor Mkhitarian has emerged as a solid world
music act since his solo launch in 2001. "My music is for an Armenian
audience from age 5 to age 60" Gor explains. "I call it ‘modern
traditional’ music." On April 7, Gor enchanted the audience with his
unique style in an acoustic set at the Barnsdall Gallery Theater. It
was a promotional event for his new CD, "Acoustic Folklore," but Gor
assembled with a group of talented musicians to perform many of his
older songs as well as a number of songs from the new CD.

Soft-spoken and slightly bashful, Gor emerged on stage to begin the
show with guitarist and banjo player Aaron Stayman. Stayman, who had
flown in from Boston expressly for the concert, blended witty banter
and muted charm which went well with Gor’s brief introductions to each
song. Gor and his group were relaxed with each other and communicated
well with the audience. Speaking to the Armenian Reporter before the
show, Gor described his group as "fantastic musicians." The Barnsdall
Gallery Theater was a prime location for such an intimate event, as
the performers kept the audience laughing at many jokes, impressed
with the precise musicianship, and applauding joyfully after each
song.

Gor and Stayman began the night’s performance with the song
"Gladiator." The duo harmonized well and Stayman pronounced the
Armenian song lyrics clearly. Gor and Stayman performed a number of
songs together before Gor slowly invited more of the musicians onto
the stage to join the group. Accordionist Ara Dabanjian, nylon
guitarist Jay Dean, and bass player Varoujan Hovakimyan helped Gor and
Stayman on stage to create a lush, complete sound. Many of the
performed pieces were love songs, which made guitarist Jay Dean
jokingly complain, "another love song?" to much laughter from the
audience. "I call these songs short and sweet," explained Gor. "Short
for sure and sweet for me for sure," he joked. "They’re little bit
cheesy, yes," he added, "but it all comes from the heart."

The inclusion of Aaron Stayman’s banjo and Ara Dabanjian’s accordion
in the arrangements was evidence of Gor’s mission to create "modern
traditional" music. Stayman’s fiery banjo performance created a
distinctive sound. Gor’s respect for each musician was evident as he
repeatedly noted each individual’s performance throughout the night.

Rounding out the group’s cohesion was the inclusion of keyboardist
Erwin Khachikian and percussionists Narek Ovsepyan and Mher Vahakn.
Vahakn’s boyish glee while performing was evident throughout the
entire set and paired well with Ovsepyan’s focused demeanor. The
camaraderie during the show presented a back-and-forth communication
between guitarists Jay Dean and Aaron Stayman, percussionists Mher
Vahakn and Narek Ovsepyan, and between accordionist Ara Dabanjian and
keyboardist Erwin Khachikian. On "Stigma," each instrument stood its
own while blending well to create a sweet and unified sound. The unity
on stage paired well with the blend of genres from Gomidas Armenian
folk music to punk rock.

Gor’s final invitation was to duduk player Jivan Gasparyan, Jr. The
inclusion of the duduk, a traditional Armenian instrument, further
propelled the band’s fusion of old and new and of modern and
traditional. The evening came to an end with what Gor described as
"Armenian reggae" in the song "Vad or" (Bad Day). The evening ended
with many audience members rushing to the stage to congratulate Gor
and his bandmates on a successful night and a solid set of songs from
his new CD, "Acoustic Folklore."

Gor’s music is available on iTunes and at cdrama.com.

************************************* **************************************

9. Music: Singing to honor the memory of the Armenian Genocide

* A concert by the Armenian acoustic rock band the Beautified Project

by Betty Panossian-Ter Sargssian

Or by the five A’s, as the lead singer-songwriter André Simonian likes
to put it. They are André, Armen, Arlene, Areg, and Arne.

André has a sense of humor, one verging on the black. And,
accordingly, his songs are an ode to the dark side of life.

The theme of the Beautified Project’s upcoming concert, to be held
on April 22 at the Avant-Garde Folk Music Club in Yerevan, is not a
celebratory one at all. "It is more like coming together and focusing
on the dark side of our reality," André says. The band will perform in
memory of the Armenian Genocide.

André Simonian started playing the guitar when he was a teenager in
Iran. At 19 he moved to England to study media and music. Meanwhile,
he played in different rock bands, such as the Blue People Society and
Persia, which sang in Farsi.

"I was 22 when I started writing my own songs and the first time I
got the chance to really work on my songs was when I was 26." It was
then that André founded the Beautified Project, an acoustic rock band
"dealing with issues like loss, death, and more real-life situations,
rather than love songs or how beautiful girlfriends are! We, Armenians
like to drink dark, black, and bitter Armenian coffee, and that is
very much what life is, what our reality has been: dark, black, and
bitter. That’s the real taste of life," says the artist. He adds that
writing about the negative aspects of life fills him with positive
energy.

The band’s debut album, Serenades for Insanity, was out in the UK in
June 2006. The band had worked almost two years on it, with André
writing all the music and lyrics.

Then André decided to move to Armenia. After much planning he
arrived in Yerevan almost eight months ago, regrouping the Beautified
Project. He says he has a mission here in Armenia. "Basically, in
Armenia rock is associated with the 80s, black leather, and
three-minute guitar solos, but I want to prove that rock music can
associate with our history and present." He is definitely not
referring to the use of Armenian traditional music instruments. "Our
music hasn’t got any of the Armenian elements, but (I’m hoping) it has
the Armenian soul."

He dreams of contributing to the rock scene in Yerevan. Back in
London, the Beautified was one of a thousand good rock bands, but in
the Armenia it aspires to be a leading phenomenon.

The music of the Beautified is acoustic-based rock, and musicians
like James Blunt have influenced it. "A lot of people tell me that,
although I do not sound like a girl." But regular comparisons to Pink
Floyd leave the artist surprised, "because I do not own any Pink Floyd
records."

The album hasn’t got a single guitar solo, but instead has a
melancholic character with many mellow piano solos. "It’s rock,
because it’s still angry, the lyrics are dark and there is raging
energy."

In the UK André and The Beautified Project got recognized because of
their first single, All Alone, released in late 2005. It was inspired
by the life and death of the Armenian painter Arshile Gorky, and a
little bit by Atom Egoyan’s Ararat. That film "portrayed Gorky in the
best way possible, showing that although he escaped from the Genocide,
had a life in a safe country; he couldn’t cope with his past and at
the end became a victim of Genocide," says André.

Between the lines, All Alone narrates the Armenian feelings of being
betrayed and of living with a Genocide still not recognized.

To André, even today the Armenian diaspora are victims of the
Armenian Genocide, and the latest example of it is Hrant Dink.
"Armenian rock bands have to use their powers to bring these issues
up. During our upcoming concert dedicated to the Armenian Genocide we
want to dedicate All Alone to the memory of Hrant Dink."

The band aspires to achieve wide recognition first in Armenia, and
then to conquer the whole world.

The Beautified Project’s first-ever Armenian concert in December
2006 opened to a full house. It was the first time André Simonian was
performing live in Armenia. It was a great success for a band at that
time unknown to the Armenian public. Almost five months later, this
second concert will regroup around the band its first-ever core of all
Armenian fans.

connect:

* * *

Lyrics

* All alone

Watching the mirror stare at me
Watching the future spit on me
Watching me going down
It was hard watching you walk away

Sitting here all alone
Comes tomorrow I’ll be gone
Even my neighbor Jerry the nun
Hasn’t got a clue what’s going on

Getting high all alone
All our lives pretending clones
What is wrong with a bit of shame?
When you know you’re the one to blame

Whispers will turn to louder screams
My life will fall like an autumn leaf
Shadows of the past haunting our dreams
Tonight is the night and I’m so pleased

Sitting here all alone
Resting on the table a little gun
Even my neighbour Jerry the nun
Hasn’t got a clue what’s going on

********************************************** *****************************

10. Film: The inside story of the Karabakh war

by Betty Panossian-Ter Sargssian

One day an eight-year-old boy poked his nose into his father’s closet
and, finding an army uniform, asked, "Dad have you ever been a
soldier?"

"I suddenly felt the whole weight of that question," remembers
Vardan Hovhannisyan. "How should I answer him? Within ten years he’ll
be joining the army, too."

At one end of the answer lay the past of the father, and on the
other end was the son’s future. "I may not sound too original, as all
parents encounter such feelings at some point of their lives. But I
felt that the day to settle scores with my past had came," Vardan
recalls.

To find the right answer, he opened another closet, the one holding
his archival footage of the Karabakh war in the early 1990s.

The result of that backward voyage is a story of people in war and
peace, an internationally produced and released documentary depicting
the inside story of the war.

Does the film answer the boy’s question? Perhaps. But it raises more
universal questions: Are people the same in war and peace? Does peace
always offer happier endings than war does? Is there truly peace in
peacetime?

Back in 1990s Vardan was a 21-year-old college dropout who had
found himself a well-paid job as a freelance war correspondent. He
sold his battle footage to various news agencies. But at some point he
realized that the material he was producing didn’t end up serving the
truth. "I didn’t want to be manipulated. I refused to let my material
be twisted." So he boycotted the news agencies and stayed in the
trenches as a war volunteer, using his camera as his weapon.

He filmed the war for four years. He filmed the fear in the air, the
victorious smiles of the soldiers, the messages that fathers sent to
their children, born or unborn, the army nurse who vowed to send her
son to battle as soon as he was old enough to hold a machine gun. He
also filmed the frozen tears for a friend who was killed, the smell of
blood, dirt, and sweat, the dampness of the trenches, and the choking
smoke of the fires.

Vardan Hovhannisian was not a film director and never dreamed of
becoming one. His lengthy archival footage of the war was his personal
documentation of an important part of recent Armenian history, an
important part of his life.

Produced by the Bars Media Documentary Film Studio in Yerevan, A
Story of People in War and Peace depicts the universal themes of war:
killing, fear, boredom, and long hours of waiting in damp and cold
trenches. These things never change and cross borders of nationality,
ethnicity, religion, and even time.

A 70-minute version was coproduced for broadcast on BBC Storyville;
90-minute versions are being coproduced for broadcast on Germany’s WDR
and Finland’s YLE, and a 52-minute version is being coproduced for
broadcast on the French-German ARTE channel.

What began as a personal project is now being related to thousands
of people in different countries. The interest of people from various
European countries in this film comes as a big surprise to the
filmmaker. The secret may be that this film gives its viewers a
first-hand account of what war really is. "Over years people have been
exposed to journalistic accounts of the bombshells, the bangs, and the
explosions, but seldom have they gone into the trenches, listened to
the conversations of the soldiers, or experienced the real fear, the
blood, and the sweat," says Vardan. A viewer from Belgium once told
Vardan that the film had evoked memories of his late grandfather, who
had fought in World War II.

* Visiting the past to see the future

Stories of the survivors and the fallen had to be remembered to create
a very close and intimate portrait of the characters in war, and who
they had become in peace.

The making of this film brought to the surface feelings and
sensations long forgotten. In the Armenian version of the film there
is a scene where, by mistake, a hand comes into the frame: the very
dirty, frostbitten, ruptured hand of an old man. "I asked myself whose
hand this could be," says Vardan. It took him a while to realize that
it was his own. "Now, 13 years later, my hands look younger. I had
simply forgotten that for years after the war I always kept my hands
in my pockets to warm them. This film threw me back into such
forgotten sensations," says the filmmaker.

Besides being a return to the war, the film is a window to the
future. "It is something very important: not to be stuck in the war.
It could be so dangerous. Take the example of Djoud. He had big
problems and until now he encounters social problems," says Vardan.

In the war footage Djoud was a lively, bold, wild young man with a
hint of aggression in all of his actions. A hero of the trenches, he
is a killing machine at the same time. And peace didn’t bring much
peace to this character. Twelve years later Vardan visited him in
prison, where he was serving the last months of a sentence for drug
dealing.

The back-and-forth journey of the film accentuates the harsh
realities of peace. The five characters of the film have to fight in
peaceful battlefields. "There are no social programs to engage these
war veterans, to give them the means to secure a decent living. They
are deprived of the weapons to defend themselves in peace, because
they spent their best years at the battlefield, while crooks stayed
home and gathered wealth. Criminals have credit histories in Armenia,
but war veterans don’t."

Vardan is resentful and tells that many of the veterans do not even
possess a document showing that they spent years in the battlefield.
Another character in the documentary, Felo, was only recently able to
get such a document, and only after long bureaucratic chaos.

* Four years compressed into five days

What is presented in the war footage of A Story of People in War and
Peace is only five days in 1994, out of four years’ worth of film. The
filmmaker explains his choice: "I chose those five days and those
people in particular because they presented a group of people who were
strangers to me before the war and with whom I have had no connection
since." The trajectories of their lives were unknown to the filmmaker,
which made the whole filmmaking process a sort of lottery game with
unknown results and surprises.

The archival footage is shot during a close-range battle, where many
were wounded or killed.

The five characters are all very sensitive people. Each copes with
peace in his own way.

The filmmaker’s friendships forged in fire were one of the drivers
of this film. Those friends now live in the shadows and he felt the
urge to find who they had become. "At war we knew who we were. We were
soldiers fighting for our land. But we had lost our identity in
peace."

"There exists a different type of bond between friends in battle.
You become brothers, and that means more than life itself. And it sort
of warms us. When we gather together, we feel that warmth, we can
relate to each other without words, like those guys sitting under the
tree at the end of the film," says Vardan.

* Film therapy

After the war was over, the footage was locked away in a drawer.
Vardan was tired of those images. Like many of his friends, he wanted
to live his life. He got married and formed a happy family, but life
kept reminding him that the war had changed his way of perceiving
life. "War failed to victimize me. I felt proud that I was out of war
with my dignity preserved; I hadn’t turned into a criminal, into an
animal. I had survived that meat grinder."

As the years passed, however, Vardan began to realize that peace had
been breaking his wings. "Now I see that we were victorious in war but
are being defeated in peace on all levels."

Opening the closet helped heal the wounds he had gotten in
peacetime. "This film revealed the good in me; it erased my
aggressiveness," says the filmmaker.

The filming of the peace scenes took a year and half to complete.

The filming of the Armenian version is still going on, and will be
completed by the end of May. The Armenian version will be longer and
more in depth than the version to be shown at the Tribeca film
Festival. The film will have a different rhythm, "more true to the
Armenian nature." The ending will be different, and one more character
will join the group of veterans in war and peace. But no one should
expect a happier ending.

* Lessons from the trenches: Time is not money

"I always think about what I’ll be doing next," Vardan says. "One of
the things war has taught me is that time is not money. You cannot buy
your life back. If you spend it, it’s gone! It taught me the value of
time, especially when I was held hostage for six months. Any moment
the door could open and that could be the end of my life, so I had to
reevaluate what time really meant."

A story of people in war and peace has been shown in film festivals
all over the world, winning numerous awards. During the upcoming
months the Armenian version will be shown for Armenians in the United
States and in other countries with large Armenian communities.

connect:

www .tribecafilmfestival.org

************************ ************************************************** *

11. Animators are ready to bring the epic David of Sassoon to movie screens

* Harut, a popular online cartoon, empowers a pitch for a multimillion
dollar project

by Paul Chaderjian

GLENDALE, Calif. – A vision. Inspiration. A dream. These are a few of
the ethereal "somethings" that young Hollywoodians need to realize
daunting ventures like making a motion picture. They are also what the
filmmakers in this story have, in addition to the epic of David of
Sassoon – a story passed on to modern Armenians through dozens of
generation of their ancestors.

Hayk Manukyan, 24, and Henri Hovhanesian, 29, and a team of their
animator friends have set out to make a full-length three-dimensional,
computer-generated animated motion picture, much like the titles from
Disney-Pixar Studios like Toy Story, Cars, and Finding Nemo.

"If you ask any Armenian what’s the most popular story, they’ll say
David of Sassoon," says Henri, who will be producing the film.
"There’s a sense of pride when you see that statue, somebody so
legendary that represents our people. It’s something that we’ve always
wanted to see animated and told in an animated movie."

The statue Henri is referring to is the Ervand Kochar’s depiction of
the thousand-year-old epic about a hero who is known as the liberator
of his people from those who tried to enslave the Armenians of
yesteryear. The story, which originated somewhere between the 9th and
10th centuries, is about the battles of Sasuntsi Davit, who fought
Arab and Persian invaders with his lightening rod of a sword and his
magical horse, Kourkik Jelali.

"The country is at its weakest point," says Hayk. "They have lost
their leader and are being controlled by the Egyptian empire. All
their hope is on this one man, David, who happens to be the king’s
son, but he doesn’t know it. The main villain in this story is his
brother, half-brother. Basically, it’s a story about David finding out
who he is, and stepping up and taking the role of his father."

"The quickest way people would relate to it," Henri chimes in, "is
that it’s Lion King that would look like Lord of the Rings and feel
like Gladiator. It’s a young kid who is lost. Through his knowledge of
his history, he realizes that we are bigger and stronger than what
they say, and he says, ‘I’m going to take it back.’"

* David and Harut

Poet Hovhannes Toumanian is sometimes credited with being the first to
put the oral poems about the legend of David of Sassoon on paper.
However, a search on Google will provide academic sources that say
Bishop Karekin Srvantzdiants and a philologist named Manoug Abeghian
transcribed and gathered the various versions of the tale and
published them in the late 1800s.

Enter the computer era and a generation growing up text-messaging
and e-mailing one another, and you have Henri and Hayk, who learned
how to create cartoons by using Flash and Maya programming. Their
interest in illustrations and animation first gave birth to the 21st
century epic of Harut, the immigrant from Armenia who terrorizes the
freeways of Southern California and tells Aparantsi jokes.

"The first story that featured the Harut character was one Armenian
boxer named Vartan," explains Hayk. "Vartan is fighting the two-ton
terror for a million dollars. And the million dollars is if he
survives. It’s not even if he wins it. It’s just if he survives."
Harut appears in this cartoon as the ringside announcer but becomes
the object of Internet hype.

Hayk created the Harut Internet phenomenon. Thousands of fans have
hit various websites like YouTube to watch Harut come to life. The
cartoon, which may be found by searching for Hayasa on YouTube, has
also been featured on Hayk’s HayasaPictures.com website and on local
cable television programs in Southern California.

"Vartan was supposed to be the main character," says Hayk, "but
everybody’s response was aimed at Harut. Harut this and Harut that.
And they were repeating his words, and his phrase ‘aloh?’ became
popular. So in a way, he became the popular character, and Vartan
faded out after the first short." Harut, speaking English with a heavy
Armenian accent, his balding head and prominent nose, became an
overnight hit with young Armenians surfing the Internet.

In the two years that followed the first Harut appearance on the
‘net, Hayk created another dozen cartoons featuring Harut the taxi
driver, Harut the ninja fighter (pronounced neeen-ja), and Harut, the
stereotypical Aparantsi learning the ways of the New World.

In one sketch, Harut is speeding down the ‘van oh van’ or State
Highway 101 at 100 miles per hour. "It says van oh van," says Harut
when the California Highway Patrol officer pulls him over and asks if
he realizes he’s driving at 100 MPH. "You can’t be serious," says the
cop. That’s the number of the freeway, not the speed limit. "Oh crap,
Vartan," says Harut to the cop. "What’s a Vartan," asks the cop. "My
cousin," says Harut. "What about your him," asks the cop, and Hayk
changes the shot to a trail of smoke and fumes whizzing down Freeway
405 while a donut-eating officer watches in disbelief.

"There was really no script," says Hayk about his Harut series.
"There were story boards and just kind of coming up with the script on
the spot, animating and recording it." The average length of these
cartoons, which still live on the Internet is about five minutes, and
Hayk has been producing one new episode every two months."

Hayk’s current employers at Six Point Harness Studios liked Harut
the Ninja so much that they have signed a deal with Hayk to handle the
production of the series when a third party shows interest in funding
the project. Hayk says his "neenja" can be an animated series for
television, a full-length feature, sketches for web sites, or an
animated cell-phone graphic.

* Gettin’ into animation

Hayk’s love for making cartoons began early in life. "When I was ten,"
he says, "I was shooting movies at home." He was enrolled in the
Sevada Art Studio until he was 14, then wrote a letter to Disney
Animation asking for a job. He received a response with a list of
schools he should consider. One of them was Pasadena’s Art Center
College of Design, which offered high school students the opportunity
to attend Saturday class on campus.

"For the next four years, when I was in high school," says Hayk,
"every weekend, I would go to Art Center. I was getting life drawing
and painting and improving my artistic skills." After graduating
Glendale High School, the Yerevan native began working professionally
for small animation companies.

"The first project I worked on was in 2001," says Hayk. "I was hired
by Cornerstone Animation, which was a group of animators who separated
from Disney and started their own animation company. And over there, I
was working on everything from Lion King 1.5 to their other sequels,
storyboarding sequels. And I did a Mickey Mouse animation for one of
the Disney rides. That’s where I got most of my experience in
animation and knowledge."

Hayk’s dream at 14 to work for Disney had come true much as Henri’s
dream of being part of the film industry. The 29-year-old Etchmiadzin
native says art is in his veins, and both his parents have always
dabbled in fine arts. "It was always that thing that you’re never
going to make a living from the arts." Henri says he at one time
considered becoming a doctor but dropped the notion after volunteering
at a hospital.

While attending Glendale College, Henri landed an internship on the
first animated feature Warner Brothers was producing, Quest for
Camelot. The internship led to a paid production-assistant position,
and he spent several years working his way up the ranks. "I learned
how to manage and what it takes to meet the deadlines," he says.
"After that I went to Sony for a small TV show, called Sammy. It was a
David Spade project."

Henri continued his career at DreamWorks and Universal Studios,
where he worked on films like Curious George. Preparing for his
journey in Hollywood were private lessons, animation classes at
California State University, Northridge, and four years at San Jose
State University. Many of those involved with "David of Sassoon" are
also students and graduates of San Jose State.

"I met Hayk through his website, Hayasa Pictures," says Henri. "We
met because of Stepan Partamian’s TV show, and we decided to work
together. We did a couple of the animations together, and then I got
more involved." While Henri is working on the producing and business
aspect of "David of Sassoon," Hayk is leading the creative team and
developing the artwork and the look of the feature.

* The new David

"I based David on the statue," says Hayk, referring to the Kochar’s
sculpture across the train terminal in Yerevan. "It’s something you
grow up knowing, and when you picture David in your head, you picture
the statue by Kochar."

Hayk says he found photographs of Armenian athletes and people he
thought looked like the statue. The process of creating David is
taking place on the web, says Hayk. He and the other animators on the
project share a private blog, where they upload illustrations and
critique one another.

"I go over the artwork and give them notes," says Hayk. "Everyone is
not sitting there working in one place. We worked through the web. Two
of the animators are working on set design and environment. Three
others are working on the character design and the look of the
people."

* The Oscar speech

"There are so many great Armenian characters, Armenian stories that
the world has yet to get to know," adds Henri from across the table.
"We have a lot of heroes. We are small country, and we are always
getting to be known as being beaten down and controlled by other
countries. But in our history we’ve had so many heroes and we want to
bring them to life."

Henri says he is determined to introduce the world to Armenian
stories. For him, he says, it’s not enough to hear Jivan Gasparyan’s
duduk in various motion pictures or look for Armenian surnames in the
credits. "Let’s make a movie," he says, "where every single name is
going to be Armenian, the characters are going to be Armenian, the
music is going to be composed by Armenians. I think it’s time, and
it’s been ready to happen."

*********************************** ****************************************

12. Anything but silenced: Students mobilize against genocide

* So Cal Armenian Students’ Associations commemorate the Armenian Genocide

by Arin Mikailian

The voices of Armenian musicians and distinguished speakers were
anything but "silenced" on Sunday night, April 15, as the All-Armenian
Students’ Association presented Silenced Cries: A Benefit Concert for
Humanity.

The concert, held at the University of Southern California’s Bovard
Auditorium, was the work of students serving on the Genocide
recognition committees of ASA chapters across southern California.

This year’s event sought not only to pay respect to those lost in
the Armenian Genocide, but also to spread awareness of genocide
underway today.

In previous years, the All-ASA has organized candlelight vigils and
rallies to protest the Turkish government, but this was the group’s
first attempt to produce a live show. Bands and musicians on hand
included One Side Zero, Jacob Armen, R-Mean, and Aviatic. Raffi
Kassabian, a graduate student at UCLA and former president of its ASA
chapter, said the genocide in Darfur inspired the ASA to take a
different path.

"I wouldn’t call this an event for mourning or remembrance," he
said. "This is more of an event to get our youth active because
they’re in a unique position. We have a ready set audience willing to
listen."

Kassabian also said the use of music would not just reach out to the
Armenian audience, but all those who want to bring an end to genocide
in their lifetime.

The evening of music and speech began with a set of songs performed
by One Side Zero, followed by a speech given by Rabbi Jonathan Klein,
director of USC’s Hillel Jewish Center.

As Sunday marked Yom HaShoah, the Jewish holiday to remember those
lost in the Holocaust, Rabbi Klein said genocide survivors should not
be segregated by race or ethnicity. He said genocide survivors must
come together and stop future atrocities from occurring – including
Darfur.

"There’s no question," he said. "As descendants of Armenians we
gather here to demand an end to cruel and unspeakable crimes. We must
take action."

After the speech, Armenian drum prodigy Jacob Armen performed. Armen
treated the audience to a song played on the santour. He said he
decided to play the traditional santour to demonstrate the endurance
of the Armenian people and their culture.

"Music touches souls," he said. "Souls are what stay with us
forever. For us to survive and maintain our identity and culture is
not just a big accomplishment, it’s a huge statement to the world."

The final speaker of the night was the Rev. Vazgen Movsessian, who
shared his experiences from a trip to Rwanda last year.

Movsessian said the most emotional moment of the trip was what he
came across at the country’s genocide museum. After reading the tales
and hearing the stories of countless victims being raped and murdered,
Movsessian said he became emotional because this was a tale all too
familiar to him.

"I was reading my story," he said. "I was reading the story my
grandparents told me. I was looking at these pictures in a museum on
the other side of the earth and I’m looking at these pictures and I’m
sitting there crying."

As Movsessian brought his speech to a close, he said the survival of
Armenians is not by accident and it would parallel their reputation of
survival to bring an end to the genocide in Darfur.

"This is the first time we’re talking about genocide and there’s a
comma," he said. "You talk about the Armenian Genocide, there’s a
period, and the Holocaust there’s a period. It’s not an accident why
we’re here. All the musicians here tonight are touching your souls
with music. We all have to start touching souls; today we have the
most wonderful opportunity."

The concert winded down to an end with performances by Armenian
rapper R-Mean and the rock band Aviatic.

Some students were touched by the blend of music and speakers to
spread awareness.

"It was very informational as well as entertaining," said Erik
Yesayan, a senior at USC. "Adding the speakers made the performances
much more meaningful."

The revenue from ticket sales will go to a charity supporting the
Darfur cause, said Levon Matti, culture chair of the ASA. More
important than the money, he said is the participation of students.
"We are spreading the message to them," he said. "The idea is to
educate the young so they can educate their young."

The concert was also sponsored by USC’s International Student
Assembly and Graduate and Professional Student Senate.

***************************************** **********************************

13. Essay: The Pink House

by Armen D. Bacon

Sometimes it is the strangest of things that can catch your eye when
you are out and about. Like a flock of birds dancing in unison up in
the clouds. A ladybug or dragonfly that lands on your windshield. Or a
pedestrian crossing the street with an interesting rhythm in his step.
It can all unfold in front of your very eyes, transporting you
millions of miles away from your daily reality. What you might see is
far less important than the clarity of vision that can come with any
such sighting. It can make you stop. Think. Understand. Appreciate.
Most of us admittedly are too busy to make any sort of genuine
connection. Our minds are preoccupied with mental "to do" lists. And
so, more often than not, we sacrifice these precious moments, and find
ourselves rushing to arrive at the next place. A moment in time, lost
forever, never again to present itself in exactly the same way.

I work downtown, and follow a simple, rather mundane route each
morning: Friant to 41 South, right on 180-West, a quick exit at Van
Ness/Fulton, where I continue traveling south until I reach my office.
I can do this quite effortlessly while sipping a cup of French roast
and singing with Frankie and the boys as the dial rests on my favorite
radio station. That’s the ritual, one that I could probably do in my
sleep. But a few months ago, something kidnapped my attention, stirred
my emotions, and has become the highlight of my daily commute ever
since.

It was a pink building hidden on the outskirts of downtown Fresno
that caught my eye and captivated my spirit. It was just a pink
building that over time became both my fascination and obsession.
Don’t get me wrong. Like you, most days I arrive to work unsure as to
how my car has maneuvered itself onto the on-ramp and managed to
safely transport me to my destination. In this writing, however, that
shall remain a mystery. I am a hopeless daydreamer, especially when at
the mercy of my steering wheel. I have three tickets to prove it.

The pink building. It’s not really much to look at, honestly. Its
outer appearance, its subdued façade and faded color is faint and
unimpressive. The walls are long and narrow, quiet, understated, and
unassuming. Battered and ignored in appearance, yes, but with an
old-world charm and art deco features that beg respect. I have no idea
what or who resides inside. The building may even be condemned. But
that hardly matters. It appears to be a vacant shell – just waiting to
be discovered. I have created an entire scenario around that building
– I am a bohemian artist; it is my quiet hideaway; it is there that I
create written works of art and find both solitude and serenity. It is
my inspirational landmark, anonymously tucked away from the chaos and
hectic- ness of (my) normal everyday life. It has become my sanctuary.

There is one slight complication. I’ve never been inside. For now,
it is a complete figment of my imagination. But I can see it perfectly
in my mind’s eye. The interior is simple. No closets (no clutter). No
television (no reality television). No cell phone (no text messaging).
Only the very basics. A bag of local produce from the nearby farmer’s
market. A bouquet of fresh flowers. Space to think. Soft classical
music whispering from the walls. There is little room for storing
history, knickknacks, or personal mementos. Everything is present
tense and in the moment. There is a simple table, maybe a small sofa
or loveseat, concrete floors, a Middle Eastern area rug, and a wall of
bookshelves to the ceiling. It’s a virtual paradise, and in my fantasy
world – it’s all mine.

Everyone needs a home away from home. Mine is not a five star hotel,
a sandy beach house in Mexico, or a condo in Hawaii. It’s an obscure,
pink building that I have transformed into "my space," only I needn’t
log on to get there. It’s all in a morning’s drive. For some people,
the drive to work drives them crazy. Not me. I drive, I dream, and let
the imagery of my pink building ignite the passion that fuels my
personal journey. After all, the day is young, and there is so much
yet to see.

******************************************** *******************************

Please send your news to [email protected] and your letters to
[email protected]

(c) 2007 CS Media Enterprises LLC. All Rights Reserved

From: Emil Lazarian | Ararat NewsPress

http://www.reporter.am
www.reporter.am
www.longbeachopera.org
www.eddiemekka.com
www.amazon.com
www.bn.com
www.AFFMA.org
www.WithoutABox.com
www.GenocideEvents.com
www.GenocideEvents.com
www.vonnegut.com
www.thebeautified.com
www.warandpeacefilm.com