Jan 15 2024

Russia's Foreign Ministry has angrily defended the performance of the country's peacekeepers in Nagorno-Karabakh. 

In September last year the 2,000-strong peacekeeping contingent did not intervene as Baku launched a lightning offensive to retake the region, which resulted in near-complete emptying of its Armenian population. 

And that came at the end of a nine-month blockade of the region during which the Russian troops were of limited help in getting supplies into Karabakh and transporting Karabakhis to Armenia for medical treatment. 

A number of Armenian officials, most recently Security Council Secretary Armen Grigoryan, have complained publicly about what they saw as the peacekeepers' failure to protect the roughly 100,000 local Armenians. 

"From September 19, ethnic cleansing started in NK. Until now, we haven't received any explanation of how the ethnic cleansing occurred in the presence of Russian peacekeepers. We haven't seen any explanations," Grigoryan said.

Russian Foreign Ministry spokeswoman Maria Zakharova stridently disagrees.

"We believe that these [accusations] are attempts to falsify the facts to avoid responsibility. There was no mass death of Nagorno-Karabakh civilians or significant damage to civilian facilities," she said at a briefing on January 12.

That is arguably true. Azerbaijani troops did not target Karabakhi civilians en masse, though there were sporadic reports of atrocities in villages. The exodus of the Armenians from Karabakh was nonetheless violent and chaotic. As locals were fleeing, over 200 people died in a fuel depot explosion and an estimated 64 died during the trek to Armenia, which saw days-long traffic jams. (An estimated 220 Karabakhi soldiers lost their lives trying to resist the onslaught.) 

"No one has the right to insult the peacekeepers, and we will respond to those who insulted them," Zakharova added. 

She also bristled at the use of the term "ethnic cleansing," which has been used by many other Armenian officials, including Prime Minister Nikol Pashinyan.

"Regarding the claims of ethnic cleansing in Karabakh, I would like to be presented with any facts, any documents, or statements from any international organization that is considered authoritative in Yerevan, for example, the United Nations or another organization," she added.

The peacekeepers were stationed in Karabakh under a Russia-brokered ceasefire in November 2020 immediately after Azerbaijan's victory in the Second Karabakh War and seizure of lands in and around the region. The Russian troops operated amidst ambiguity, with no clearly defined mandate.

Questions about the efficacy of the peacekeeping effort arose early on. In December 2020, Russian peacekeepers were unable to prevent Azerbaijan from seizing two Karabakh villages in their purported zone of responsibility. Over the next three years, Azerbaijan continued incursions into Karabakh, capturing additional territories and putting civilians at risk along the border.

In December 2022, as Azerbaijan blocked the Lachin corridor, the sole route connecting Nagorno-Karabakh to Armenia and the outside world, the peacekeepers were unable or unwilling to unblock it. The blockade continued for over nine months until Azerbaijan's decisive offensive in September that resulted in the dissolution of the de facto republic through another Russia-brokered ceasefire and the surrender of local defense forces. In the ensuing days, the entire population of Karabakh evacuated to Armenia, leaving the region empty save for a few dozen inhabitants, all while Russian peacekeepers looked on. 

Russia said several of its troops were killed during Azerbaijan's offensive, including a senior officer, but did not reveal details of the incident nor the precise number killed. 

After Azerbaijan established full control over the region, the Russians dismantled several observation posts. They now coordinate their peacekeeping activities exclusively with Azerbaijan. The peacekeepers' news bulletin keeps recording the absence of ceasefire violations and continuous interactions with Baku "to ensure the security of the civilian population." 

Most recently, Azerbaijan's Foreign Minister signaled the possible withdrawal of peacekeepers in 2025, as the 2020 tripartite agreement initially stipulated.

Armenian officials have not commented on Zakharova's remarks.

The European Sting

Jan 15 2024

Author: Vahagn Khachaturyan, President of Armenia, Office of the President of Armenia

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• Amid complex geopolitical shifts and a globally fragmented policy landscape, Armenia envisions a world strengthened by global cooperation.
• The Crossroads of Peace project advocates building trust through peace and explores how democracy and technological innovation can be transformative.
• Armenian President Vahagn Khachaturyan calls on leaders across the world to work together on building a sustainable and harmonious future.

As President of Armenia, I am serving a nation that has weathered historical storms, emerged resilient: adapted to reality and learned to survive.

In the context of today’s complex geopolitical shifts and the globally fragmented policy landscape, Armenia envisions a world strengthened by global cooperation in the framework of renewed and effective multilateralism.

Here I outline Armenia’s strategic initiatives, including the Crossroads of Peace project, which addresses the importance of acknowledging the cost of crises, advocates for building peace through trust, and explores how genuine democracy and technological innovation can be transformative and how mutually they protect and embolden each other.

Furthermore, it emphasizes the significance of economic cooperation and shared values in the new world order. Drawing inspiration from the biblical tale of Noah’s Ark, Armenia’s metaphor serves as a reminder to humanity of the importance of peaceful coexistence, hope, and joint efforts to confront global challenges, including poverty, inequality, climate change, armed conflicts and humanitarian crises.

Economic cooperation stands as a linchpin for global stability, security and prosperity. Armenia, with its skilled workforce and commitment to sustainable development is well-positioned to play an instrumental role in the emerging economic landscape.

Recognition of the importance of fostering economic ties that go beyond national borders – from regional to global, promoting responsible business practices, and contributing to worldwide economic growth is a key for global stability.

In the spirit of cooperation, we actively seek opportunities for trade, investment and partnership with other nations worldwide. By aligning economic interests with shared values, we aim to contribute to a more interconnected and agile world by prioritizing sustainability, innovation and inclusivity, fostering economic relationships that benefit not only our nation but also the global community.

In the evolving world order, liberty, democratic institutions and innovation emerge as powerful tools to address global challenges and navigate geopolitical shifts.

Democracy, with its emphasis on inclusivity and consolidated decision-making, provides a framework for nations to come together. Technological innovation, when wielded responsibly, has the potential to empower individuals and nations to overcome challenges and foster positive change.

Armenia is committed to upholding democratic values and leveraging innovation as tools for positive change. Recognizing the potential of “liberation technology”, we aim to empower citizens, promote their social and economic rights, enhance good governance, transparency and promote accountability.

By harnessing the power of digital innovation, Armenia seeks to create an environment where democracy flourishes, and technology becomes a force for good in addressing global challenges.

The 21st century has seen the world grapple with crises, from pandemics to environmental challenges, and the recognition of the cost of crisis is not merely economic; it is also human and environmental.

In the times of the current polycrisis and in light of unprecedented interdependence and evolving changes of the world order, one nation’s crisis is a challenge for all. As we navigate these challenges, building peace through trust becomes paramount.

Acknowledging the cost of crises and the importance of addressing them with resilience and determination must become an imperative. The recent conflict and forced displacement of persons in the South Caucasus serves as a stark reminder of the impact of geopolitical shifts on civilians.

Principles of Armenia’s Crossroads of Peace project. Image: The Government of Armenia

However, Armenia is committed to turning the aftermath of the crisis into an opportunity for building lasting peace and promoting regional cooperation.

The Crossroads of Peace project, initiated by the Government of Armenia, places a significant emphasis on building mutual trust as the foundation for peace. By actively engaging with neighbours and international partners, Armenia seeks to rebuild new cooperation in the region and foster understanding among nations.

Through diplomatic initiatives, dialogue, and cultural exchange, we aspire to bridge divides and create an environment where nations can work together to confront global challenges.

Armenia, with its rich history and strategic location, has launched the Crossroads of Peace project as a testament to its commitment to global cooperation.

This visionary initiative aims to transform the region into a hub for a political dialogue, cultural exchange and international cooperation. It seeks to transcend traditional geopolitical divisions, fostering an environment where nations can converge to jointly address common challenges.

The Crossroads of Peace has the potential to transform a fragmented region with closed borders into a macro-regional cooperation hub, to unleash the whole potential of the Caucasus, tout court.

The biblical tale of Noah’s Ark serves as a powerful metaphor for our collective journey in the face of global challenges, including climate change. Armenia, with its legacy of resilience and hope, aligns with the spirit of Noah’s Ark, symbolizing a modern-day ark for humanity.

The ark is a timeless symbol of survival, peaceful coexistence, and renewal. Armenia, too, envisions itself as a symbol of hope by fostering global cooperation, acknowledging the cost of crises, building peace through trust, championing democracy and innovation, and promoting value-based economic cooperation.

Armenia strives to be a beacon of hope in a multipolar world. At the crossroads of history, we urge for strengthened global cooperation as we navigate geopolitical shifts in an evolving world order.

The Crossroads of Peace project, inspired by our commitment to peace and partnership, exemplifies Armenia’s vision for a more interconnected world where nations are united in the face of global challenges.

In the spirit of Noah’s Ark, let us embark on this collective journey, keeping hope alive and working together for a sustainable and harmonious future.

https://europeansting.com/2024/01/15/crossroads-of-peace-armenias-call-for-global-cooperation-in-an-evolving-world/ 

Jan 15 2024

Jan 15 2024

Jan 15 2024

Jan 15 (Reuters) – A heart-warming story of a man jailed for wearing a tie has become the first Armenian film to make it onto the Oscar's shortlist, in the international feature category.

"Most of the films that have been made about Armenia really tend to revolve around the genocide. I wanted to make a film that would be enjoyable for Armenians and something that could relate to non-Armenians," said U.S. actor Michael A. Goorjian, who has directed and written the film. He also stars in it.

Shot in Armenia with a mostly local cast and crew, "Amerikatsi" (American in Armenian) is also an attempt to rebuild the country's film industry, which lost its way after independence from the Soviet Union in 1991.

"What the film is about is survival and resilience. Despite the setting, it's very hopeful and playful," said Goorjian, whose late father was Armenian.

It tells the story of Charlie, an American who repatriates to then Soviet Armenia after World War Two and finds himself in prison because of his tie.

From his cell, Charlie realises he can see inside an apartment nearby and lives vicariously through the life of the couple there.

Making the film was itself a test of resourcefulness.

Filming, interrupted because of the COVID-19 pandemic, took about seven months to complete, wrapping in July 2020 as border clashes broke out between Armenia and Azerbaijan.

"We had cast and crew that went and fought in that war. And so it was a challenge to make this film for sure. But all the obstacles we faced, I would say actually made it a better film," Goorjian said.

As international tensions and economic downturn dominate the headlines, "Amerikatsi", which premiered at the Woodstock Film Festival in 2022, has tapped into a human need for positivity.

"I've found with the film, people come up to me all the time and say 'I miss feeling this way after a movie, feeling good'," Goorjian said.

He will find out if "Amerikatsi" has made it from the shortlist and onto the 2024 Academy Awards nominations on Jan. 23.

https://theprint.in/entertainment/armenian-film-makes-oscar-shortlist-for-first-time/1924415/

https://www.thehindu.com/entertainment/movies/an-armenian-film-makes-oscars-shortlist-for-first-time/article67742864.ece

Jan 15 2024

A heart-warming story of a man jailed for wearing a tie has become the first Armenian film to make it onto the Oscar’s shortlist, in the international feature category.

“Most of the films that have been made about Armenia really tend to revolve around the genocide. I wanted to make a film that would be enjoyable for Armenians and something that could relate to non-Armenians,” said U.S. actor Michael A. Goorjian, who has directed and written the film. He also stars in it.

Shot in Armenia with a mostly local cast and crew, “Amerikatsi” (American in Armenian) is also an attempt to rebuild the country’s film industry, which lost its way after independence from the Soviet Union in 1991.

“What the film is about is survival and resilience. Despite the setting, it’s very hopeful and playful,” said Goorjian, whose late father was Armenian.

It tells the story of Charlie, an American who repatriates to then Soviet Armenia after World War Two and finds himself in prison because of his tie.

From his cell, Charlie realises he can see inside an apartment nearby and lives vicariously through the life of the couple there.

Making the film was itself a test of resourcefulness.

Filming, interrupted because of the COVID-19 pandemic, took about seven months to complete, wrapping in July 2020 as border clashes broke out between Armenia and Azerbaijan.

“We had cast and crew that went and fought in that war. And so it was a challenge to make this film for sure. But all the obstacles we faced, I would say actually made it a better film,” Goorjian said.

As international tensions and economic downturn dominate the headlines, “Amerikatsi”, which premiered at the Woodstock Film Festival in 2022, has tapped into a human need for positivity.

“I’ve found with the film, people come up to me all the time and say ‘I miss feeling this way after a movie, feeling good’,” Goorjian said.

He will find out if “Amerikatsi” has made it from the shortlist and onto the 2024 Academy Awards nominations on Jan. 23.

(Reuters)

https://in-cyprus.philenews.com/whats-on/armenian-film-makes-oscar-shortlist-for-first-time/

Jan 15 2024

The following piece was provided by the Armenian Museum of America:

By Jesse Kenas Collins

Over the past year, the Armenian Museum of America’s Sound Archive program has taken a giant step forward. Each month, the Museum posts a handful of songs digitized and restored from its collection of 78 rpm records on its website along with a historical writeup about the artists.

Along with more conventional musical recordings, some of the recordings touch on Armenian cultural, political, and educational history, as well as the history of recording technologies. The program is sponsored by a generous grant from the SJS Charitable Trust.

The Museum hosted musicologist Ian Nagoski to its galleries to weave the story of the influential but largely forgotten soprano Zabelle Panosian, who was born in Bardizag and emigrated to Boston in 1907. Ian’s talk drew from his recently published book “Zabelle Pansoian: I Am Servant of Your Voice,” co-authored with Harout Arakelian and Harry Kezelian.

In November, the Museum welcomed the world-renowned composer and musician Ara Dinkjian. Speaking to a packed house, Ara discussed the early history of some of the first recordings of Armenian music through the 1940’s. The presentation built on Ara’s book and CD compilation “Armenians in America on 78 rpm.”

“As we approach our fourth year presenting the Sound Archive at the Armenian Museum of America, we are proud to make this content available to people around the world,” says Executive Director Jason Sohigian. “For half a century now, the Museum’s collection of 78 rpm records has grown thanks to generous donors who have been entrusting us with their personal collections.”

“This music was almost lost to history at least twice in the past 100 years alone,” adds Sohigian. “First as a result of the Armenian Genocide, and then when audio technology has changed from records to other media in the 21st century. The Museum is now at the forefront of preserving and sharing these treasured archives of Armenian history and culture.”

The Sound Archive explores the Museum’s extensive collection of recordings including some that serve as more than entertainment, anchored by a series of articles about moments of cultural and political history. In one segment, listeners can eavesdrop on a party at the home of the writer Hamasdegh (Hampartzoum Gelenian) on the night of June 10, 1939. The commemorative disc opens with an introduction by none other than William Saroyan.

A second article covers an NBC San Francisco radio broadcast from June 24, 1945, highlighting the Armenian National Chorus as well as advocacy work about the Armenian Question from celebrity chef George Mardikian and attorney Souren Saroyan of the Armenian National Committee.

Most of the posts focus on the most influential Armenian artists recording during the 78 rpm era. The Museum highlighted two post-war music icons, The Gomidas Band, a group at the frontier of kef style, and Guy Chookoorian, an artist and musical comic with a character and approach all his own.

Writing, research, and audio digitization is undertaken by this author along with Harout Arakelian and Harry Kezelian. To explore the archive of digitized recordings and articles dating back to 2021, please visit: www.armenianmuseum.org/sound-archive.

About the author: Jesse Kenas Collins is a digitization specialist responsible for the transfer of analog recordings to digital files for the Armenian Museum of America. Jesse is a museum professional and music preservationist with more than a decade of experience working in collections care, exhibitions production, and audio digitization. Jesse’s preservation work and research into the music of the Middle East extends into his work with the restoration of historical musical instruments.

https://www.watertownmanews.com/2024/01/15/digital-archive-of-armenian-music-accessible-via-armenian-museum-of-america-website/

Jan 15 2024

Jan 15 2024

In a significant move, the Armenian government has confirmed an upsurge in the subsidies allocated to communities across the nation. The changes, which have been in effect from January 1, were announced by Prime Minister Nikol Pashinyan via his Facebook account. The government’s decision marks a pivotal push towards economic development in Armenian communities, including those with high income potential.

Interestingly, the capital city Yerevan and the popular resort town of Tsaghkadzor do not fall under the new subsidy increase. The prime minister pointed out that these two locations possess substantial potential for generating their own income. Despite the diminished subsidies, Pashinyan confirmed that these two locations would not be left unsupported. They are set to receive proportional assistance through specific programs aimed at fostering income growth.

This latest announcement from the prime minister reflects the government’s continued commitment to fostering economic development in Armenian communities. The increase in subsidies is a strategic move designed to bolster the economic strength of communities across the country. It recognizes the importance of supporting local economies and helping them to thrive, making it a significant step forward in Armenia’s economic growth trajectory.

The implications of this decision are far-reaching. By supporting communities with increased subsidies, the government is investing in the future of Armenia. It is a clear indication that the government is committed to ensuring that every community, irrespective of its income potential, is given the necessary support to grow and prosper. This move will undoubtedly have a positive impact on Armenia’s overall economic health and is a testament to the government’s dedication to its people and their prosperity.

https://bnnbreaking.com/breaking-news/economy/armenian-government-ups-the-ante-increased-subsidies-for-communities/