Mojalet Dance Presents George Kirazian’s Expanded ‘Book of Ruth’ Ballet in San Diego

“The Book of Ruth: The Ballet” flyer


SAN DIEGO—Armenian-American composer George Kirazian’s new and expanded ballet based on “The Book of Ruth: A Ballet” will premiere as a full-scale dance production by Mojalet Dance Collective. The performance will be held on September 30 and October 1 at the Poway Performing Arts Center, along with three additional contemporary dance pieces.

“The Book of Ruth” was composed by author, professor, and composer George Kirazian, and will be directed by Faith Jensen-Ismay, Mojalet’s Founder and Artistic Director. Based on the Old Testament story of the Hebrew woman Ruth and her family, the new work will combine traditional and modern dance components, choreographed by Jensen-Ismay to Kirazian’s music, recorded by The Parnassus Ensemble of San Diego.

Mojalet did a workshop production at the Vine Arts Village in April 2023, and the strong audience response prompted Jensen-Ismay and the company to expand the production to an extended version with additional music composed by Kirazian, which will premiere on the Poway stage.

“I am again excited to bring the classic story of ‘The Book of Ruth’ to life through the lens of dance. A story of dedication, perseverance, loyalty, acceptance and redemption gives us hope in humanity and for a more positive future,” said director Faith Jensen-Ismay.

When the elder Jewish woman Naomi loses her husband and both her sons, she implores both her widowed daughters-in-law to go back to their native land of Moab. One of them, Orpah, leaves. The other, Ruth, insists on staying with her mother-in-law Naomi, to embrace her people and her God. They go to Judah, where after a period of poverty, they meet a generous landowner named Boaz, who changes their lives.

“The Book of Ruth” in the Old Testament might well be the world’s first short story. The story also teaches its audience that love and devotion can heal after great losses and enable us to rise above our harmful prejudices against others.  

Mojalet Dance Collective has been entertaining and inspiring San Diego audiences for more than 30 years with traditional, modern and contemporary dance productions, including many world premieres, as they are dedicated to developing new and groundbreaking work. Artistic Director Faith Jensen-Ismay has an extensive history as a dancer, teacher, and choreographer, working throughout the entire county of San Diego and beyond.

A longtime member of the Armenian community who helped establish the first Armenian Church in San Diego, composer George Kirazian is a retired college instructor of Humanities, English Literature and Composition, and Opera Appreciation. Born and raised in New Jersey, he completed his undergraduate and graduate studies at New York University and taught English Literature and Composition at Grossmont College for nearly 40 years and served as Chairman of the English Department. He also taught Opera and Music Appreciation at San Diego State University. He is a longtime resident of San Diego with his wife Dikranouhi. They have three daughters: Yvette (husband John Harpootian), Andrea (husband Steven Urrutia) and Lisa (husband Steve Kradjian), and six grandchildren: Mark, Eric, Zari, Dante, Ani and Mari.

Kirazian’s musical compositions include “The Book of Ruth: A Ballet,” various art songs, hymns, and a new version of “The Divine Liturgy of the Armenian Apostolic Church,” which has been performed and recorded by Pacific Camerata of San Diego, the Paros Chamber Choir of Armenia, and also performed by members of the Armenian Church of San Diego. He has also published fiction and non-fiction: “Easy Writing: A Practical Guide for Practically Everybody”; “A Time for Fathers” (short novel), and five young reader books: “The Sleeping Violet,” “Perry the Peacock,” “Beyond the Koala Kingdom,” “Leo and the Mulberry Flute,” and “The Princess of December.” To learn more about Kirazian and his work, visit his website.

The two performances of “The Book of Ruth: A Ballet” will be held on Saturday, September 30 at 7 p.m., and Sunday, October 1 at 2 p.m. at the Poway Performing Arts Center. The performances will be combined with three other original dance pieces performed by Mojalet: The Requiem (Excerpts composed by W.A. Mozart); Bubbles (Featuring music of Johann Strauss II); and Liquid Gold (Music mix by Jensen-Ismay), all directed by Jensen-Ismay.

Resident dancers performing in the production include: Amylin Canaria, Alyssa Combs, Avery Goudswaard, Jasmyn Hamblin, Alia Ismay, Robby Johnson, Alyssa Kinnear, Kathryn McLean, Nef Valle, Nicole Wooding, and Christina Wutz.

To purchase tickets, visit the website. To donate to the production or for general information, visit the Mojalet Dance Collective website or all (858) 243-1402.

Applications for International Armenian Literary Alliance’s Three Literary Grants Now Open

IALA’s Creative Writing Grant graphic

The applications for International Armenian Literary Alliance’s three literary grants are now open. The grants for creative writing and translation—each worth $2,500—will be offered to one writer and two translators whose work-in-progress show exceptional literary and creative ability. Applications will be open until September 30, and the winners will be announced in December 2023.

IALA’s Creative Writing Grant will award $2,500 annually to one Armenian writer whose work-in-progress shows exceptional literary and creative ability. In 2023, the grant will be awarded for a collection of poetry, and in the coming years, to works of creative nonfiction and fiction, as well as other mixed genre forms. The grant will be judged by Gregory Djanikian and Raffi Wartanian.

IALA’s Creative Writing Grant, made possible by a generous donation from the Armenian Allied Arts Association, is meant to foster the development of contemporary Armenian literature in English through an annual monetary award, and support Armenian writers who have historically lacked resources in the publishing world. Additionally, IALA will support grant recipients in promoting their publications through marketing on our website and social media channels, book reviews, readings and discussions.

The Israelyan Armenian Translation Grant graphic

The Israelyan Armenian Translation Grant from the International Armenian Literary Alliance will award $2,500 to one translator working from an English source text into Eastern Armenian, whose work-in-progress shows exceptional literary and creative ability. In 2023, the grant will be awarded for a work of literature (in any form) that stimulates the imagination of young adults at a formative time in their development. In the coming years, the grant will also be awarded to translators working from English source texts into Western Armenian. The 2023 grant will be judged by Anna Davtyan, Armen Ohanyan and Zaven Boyajyan.

Despite the growing number of translated works from English to Eastern Armenian in recent years, translated literature remains an area that needs further attention and development. IALA’s Israelyan Armenian Translation Grant, made possible by a generous donation from Souren A. Israelyan, supports translators working with literature written in the English language through a monetary award. Additionally, IALA will support grant recipients in promoting their publications through marketing on our website and social media channels, book reviews, readings and discussions.

The Israelyan English Translation Grant graphic

The Israelyan English Translation Grant from the International Armenian Literary Alliance will award $2,500 to one translator working from Eastern Armenian source texts into English, whose work-in-progress shows exceptional literary and creative ability. In 2023, the grant will be awarded for a work of literature (in any form) written in Eastern Armenian and published any time after 1900, and in the coming years, to works written in Western Armenian. This grant will be judged by Dr. Myrna Douzjian, Nairi Hakhverdi and Tatevik Ayvazyan.

Given the traumatic history of the Armenian diaspora, many readers are unable to read works in the original Armenian, and therefore, have centuries of literature inaccessible to them. Translators working with Armenian texts have traditionally lacked resources in the publishing world, as well as access to other funding, due to the overwhelming influence of so-called “majority languages.” IALA’s Israelyan English Translation Grant, made possible by a generous donation from Souren A. Israelyan, supports translators working with contemporary Armenian literature through a monetary award. Additionally, IALA will support grant recipients in promoting their publications through marketing on our website and social media channels, book reviews, readings and discussions.

For more details, full eligibility criteria, and more information on past grant recipients, please visit IALA’s website, or contact Hovsep Markarian, IALA’s program manager, at [email protected].

The International Armenian Literary Alliance is a nonprofit organization launched in 2021 that supports and celebrates writers by fostering the development and distribution of Armenian literature in the English language. A network of Armenian writers and their champions, IALA gives Armenian writers a voice in the literary world through creative, professional, and scholarly advocacy.


Asbarez: ‘Encounters and Convergences’: Prof. Seta Dadoyan Publishes New Book

Professor Seta B. Dadoyan recently published her latest book, titled “Encounters and Convergences. A Book of Ideas and Art.”

An amalgam of philosophy and art, the book is an oeuvre in form and content, and as such, a statement about the author’s scholarly, aesthetic, and intellectual endeavors in general. Opposed to conventional and “strictly academic” practices, the opus is also an illustrated argument in favor of critical vantage points and interdisciplinary approaches. Dadoyan strongly posits the basic commonality and unity of the humanities, the arts and the social sciences, including Armenian Studies in particular. Since artworks and texts are responses to circumstances, and their motives and objectives are understanding human “situatedness” and debating the social-historical conditions, then their social embeddedness is common ground.

Similar to her over ten books and many studies in the history of the Armenian experience in the Near East, philosophy, and art history, this opus in turn is self-reflective in conception, cross-disciplinary in scope, dialectical in method, hermeneutical in approach, and in this case, artistic in _expression_. The accumulation of almost sixty “wartime” drawings, and half that number on “the spirit of matter,” two phases separated by an interval of rigorous academic work over three decades, establishes the legitimacy of her criteria for the “truth-content” as the meaning of both writings and artworks. Since both happened in phases and in response to specific circumstances, Part Two of the book is structured on a schematic autobiographical grid.

The book consists of 175 large pages. Its contents may be summarized as follows: the “Prologue on Scholarship and the Arts” introduces the subject; Part One in five chapters, entitled “My Aesthetic,” provides the theoretical-critical context by brief discussions of aesthetic theories through art history and the contemporary situation of the arts and mass cultures; Part Two, “The Quest and the Path” is in four chapters, “The Prelude” (10 works in color illustrations), “Encounters with Strife and Suffering” (seven works in full page illustrations), “Wartime Art and Aesthetic” (44 works in full page illustrations), “Of the Spirit of Matter” (28 works in full page illustrations). The “Epilogue” concludes the book, culminating with an Appendix: “Content with List of Illustrations.”


AW: In search of fog: the story of a displaced theater from Shushi

I met the actors of the Puppet Theater of Shushi in a quiet corner of Gyumri, Armenia’s second-largest city, three years after they fled the war in Artsakh. It was their first attempt to get out of forced inactivity. For four months, their colleagues, fellow actors in the theater, had been under blockade in Artsakh, or Nagorno-Karabakh. The only road that was meant to reunite them is still closed today.

Those who remained in Armenia decided to continue their work. Yet the staff of the theater changes. In contrast to their earlier, large team, only two enthusiastic women, Ashken and Lilith, were left in charge of arranging performances.

Since the war, the theater has not charged for tickets, providing free entry to all. The performers work other jobs to earn money, such as hairdressing, working abroad and performing at private events. 

They call themselves a “wandering theater,” but emphasize that they still belong to Shushi. They described Shushi as a city of white-walled buildings and constant fog, reminiscent of Eden. One of these women said that without fog, she feels like she can’t breathe. I recalled cities in Armenia that are also foggy, like Sevan and Dilijan, but she was indifferent.

Father and daughter watching their mother’s performance with Mt. Ararat in the background. Preparing to perform “The Three Little Pigs.” Ironically, the story of the pigs is similar to the story of the actors themselves – in both, they lose their homes. Ashken keeps the puppets in the closet of her new home, leaving little room for clothes. The entire theater fits into different corners of her house. A view from the window of one of the kindergartens, where the theater had a touring performance. Performing in this hall reminded the actors of their theater in Shushi. Every time they remember Shushi, they do so with smiles and bliss. “Look! These walls! Shushi was like this!” they said. (First spectators and magical walls) Lilith is a poet who used to write scripts for the theater. Since half of the theater’s actors are under blockade in Artsakh, she has taken on an acting role, playing the wolf. (Anxiety before the play) Magic beyond the curtains David smokes a cigarette and exhales the smoke to “burn” one of the houses of the little pigs.
David is not a member of the theater anymore, but he voluntarily assists the theater during its performances. The theater achieves its big desires through humble means. Gayane has been involved in theater from a young age. Since the war, she has practiced carpet weaving. She is not a member of the Puppet Theater anymore, but she volunteers as an actor to support her colleagues. (Waiting for her part) Children go through different reactions while watching the performance: surprise, fear of the wolf, sympathy for the pigs, uncontrollable laughter and desire to warn the pigs to beware of the wolf. Lilith puts on a tough, masculine voice to perform as the wolf. Children applaud the actors. Argine is a professional actress. She wears a t-shirt featuring the “tatik-papik” (or grandma-grandpa) sculpture, one of the primary symbols of the Armenian heritage of Artsakh. Her husband and daughter are her devoted audience. Since the property of the theater remained in Shushi, the performers made new puppets from dough and pieces of cloth. “The theater does not have a home. It is a wandering one, but the property is located in Gyumri,” the actors say, remaining loyal to their former place of residence, from which they were displaced. Vahagn, a former member of the theater, works as a hairdresser to take care of his family while voluntarily assisting the theater.

Diana Hovhannisyan is a cultural anthropologist, documentary photographer and filmmaker based in Armenia. She has worked as a research assistant for different anthropology programs concerning war, refugee studies and informal education. Her interests include trauma and memory studies, visual anthropology and everyday culture.


Six Key Takeaways from the Ocampo Hearing

On September 6, 2023, the Tom Lantos Human Rights Commission (TLHRC) held a powerful emergency hearing to discuss the pressing situation in Artsakh, where 120,000 Armenians are being starved by the Azerbaijani government in an effort to exterminate the Armenian population in the region, marking another Armenian Genocide. The hearing was hosted by Commission co-chair Congressman Christopher Smith (R-NJ). Witnesses present at the hearing were former International Criminal Court (ICC) prosecutor Luis Moreno Ocampo and Director of Columbia University’s Artsakh Atrocities Project and Adjunct Professor at Georgetown University David L. Phillips. 

Following are six key takeaways from the hearing:

  • “There are different forms to commit genocide. One form requires zero victims. Genocide, under Article 2(c) requires just creating conditions to destroy the people…blocking the Lachin Corridor with a life system for the Nagorno-Karabakh people is exactly creating conditions.”

Former ICC prosecutor Ocampo argued that Azerbaijan is currently committing genocide against the people of Artsakh, based on Article 2(c) of the U.N. Convention on the Prevention and Punishment of the Crime of Genocide, which states: “deliberately inflicting on the group conditions of life calculated to bring about its physical destruction in whole or in part.” Azerbaijan’s 265+ day blockade of the Berdzor (Lachin) Corridor has stripped the 120,000 Armenians in Artsakh of access to food, medical supplies and humanitarian aid. If current conditions persist without intervention to put a stop to President Ilham Aliyev’s cruelty, the Armenians in Artsakh will starve to death. 

Video Link: https://youtu.be/qLS764xsHTI

  • “The negotiation is between a genocider and his victims. You cannot ask for a negotiation between Hitler and the people in Auschwitz. It’s not a negotiation.” 

Ocampo highlighted that President Aliyev and the people of Artsakh are not equal parties at fault who can come to an agreement through negotiation. The fundamental issue is that Aliyev is the genocidal oppressor, and there cannot be a negotiation between the power committing genocide and the victims. Azerbaijan’s genocide of the Armenians in Artsakh must be stopped, before negotiation is an option. Once the Berdzor (Lachin) Corridor is opened and the 120,000 Armenians in Artsakh have access to the outside world, then negotiations can be discussed. The present situation, however, has no room for negotiation, because Aliyev has made no room. 

Video Link: https://youtu.be/C2JT09tgi4c

  • “This hearing has two empty chairs. Two. Those of the U.S. Department of State and USAID.”

Chairman Smith pointed out that despite numerous requests, representatives of the U.S. State Department and USAID did not respond to the commission’s invitation to participate in the hearing. “Since 1995, I have chaired hundreds of hearings with State Department or USAID witnesses. This is a unique case of absolute nonresponse,” explained Rep. Smith. The absence of the U.S. Department of State and USAID highlights a lack of accountability or of a justifiable defense of the current policy towards the blockade – a policy that promotes genocide and proposes impossible negotiations between the aggressor and the victims. If there was a policy worth defending or a reasonable claim as to why the United States has chosen not to act, there would surely have been two witnesses present, or a written response as to why they could not be there. 

Video Link: https://youtu.be/bQQivJRDj1g

  • “Why are we denying this genocide?”

Ocampo posed this question, which requires an answer from the Biden administration. There is ample evidence that there is a genocide being committed against the 120,000 Armenians in Artsakh. The United States, a signatory to the Genocide Convention, is a nation built on the ideal of preserving and protecting democratic ideals at home and abroad. By remaining silent as President Aliyev, who Rep. Christopher Smith noted “rules Azerbaijan with an iron fist as a dictator,” cuts off Artsakh to access to the outside world, including humanitarian aid, the United States is allowing a genocide to take place in the 21st century. 

Video Link: https://youtu.be/DPtUJVthejY

  • “By being silent, by not acting, the Biden administration is making a statement that it values Azeri oil and gas more than it does the lives of Armenians in Artsakh.” 

Professor David Phillips identified where American interests come into play. The value of Azerbaijani oil seems great enough to the Biden administration that it can turn a blind eye to the humanitarian crisis in Artsakh and maintain relations with President Aliyev, a dictator who consistently acts in opposition to the U.S. ideal of democracy. American foreign policy is shaped by both ideals and interests, yet it seems ideals have been tossed to the side, as a genocide occurs without any response from the U.S. government. The hypocrisy here is strong, and the only ones who suffer are the people of Artsakh. Until there are consequences to hold Azerbaijan accountable for their actions, there will be no change for the Armenians in Artsakh. 

Video Link: https://youtu.be/LcVbNQXiytU

  • “Delay is Denial” 

Chairman Smith captured the level of urgency needed from the United States in Artsakh. Delaying a clear and forceful U.S. condemnation of Azerbaijan’s genocide against Artsakh’s Armenia population is effectively complicity in that crime and its denial. U.S. denial and silence in the face of the genocide enable Azerbaijan to act without consequences. This emergency congressional hearing was held before Congress came back in session, because the situation in Artsakh is so pressing. It is essential that action is taken quickly without further delay, as every day counts for the Armenian people in Artsakh. The inability of the U.S. government to put forth a policy to assist the Armenians in Artsakh and condemn Aliyev’s actions is denial. 

Video Link: https://youtu.be/PEoK9iQ5dPI

Madeline Bogdjalian is an undergraduate student at the College of the Holy Cross in Worcester, MA, pursuing a degree in political science with a minor in Middle Eastern Studies. Madeline's academic interests include law and policy. She is a fall 2023 Hovig Apo Saghdejian Capital Gateway Intern in the ANCA's Washington, D.C. headquarters, a staff writer for the College Street Journal at Holy Cross, a member of the Moot Court team, as well as the treasurer of the Worcester "Aram" AYF Chapter.


Armenian Film Festival Debuts in Glendale

Sept 13 2023

The inaugural Armenian Film Festival — put on by the Armenian Film Society, a Glendale-based nonprofit that shines a spotlight on Armenian films and filmmakers — began on Wednesday and will run through Sunday as a way to promote and empower Armenian films.
The film festival will close at the Alex Theatre on Sunday at 5 p.m. with a 15th anniversary screening of director Sev Ohanian’s “My Big Fat Armenian Family.” Afterward, audience members will hear an in-depth career retrospective discussion with Ohanian, a Hoover High School alum, who is also known for co-writing and producing the films “Searching” and “Run.”
Longtime Glendale resident Armen Karaoghlanian, co-founder of AFS alongside his wife, Mary Karaoghlanian, said this festival has been something on the society’s radar for years now. With a collection of films personally sought out by AFS or selected through a submission process, Karaoghlanian said all films have an Armenian connection through theme, characters or storylines.
“The films were made for a global audience, not just an Armenian audience,” Karaoghlanian told the News-Press. “So, my hope for the festival is that someone will come out because they’re interested in what an Armenian film or what an Armenian story is like, and they walk away realizing that Armenian filmmakers are incredibly talented.”
The opening night of the festival took place at the Alex Theatre on Wednesday and included a red carpet premiere of “Amerikatsi,” directed by and starring Michael Goorjian. On Friday, the festival showcased a series of select shorts including “Carnivore,” “Animus,” “Ararat” and “From the Work of the Devil” at the Laemmle Glendale.
Michael Aloyan, director and writer of “Carnivore,” said the film is “a collection of moments and memories.” Personal to Aloyan, who was born and raised in Glendale, “Carnivore” explores the experiences of Armenian American families in a coming-of-age short set in Glendale.
The short emphasizes the impact of the choices people make on their identity and “forces [characters] to confront these age-old traditions of manhood and ideas that are passed down.”
While “Carnivore” was well received in the Golden Apricot Yerevan International Film Festival in Armenia in July, Aloyan admitted he was a bit nervous to showcase the film in Glendale.
“I’m curious to see how [Glendale residents] are going to feel about it, how they’re going to feel about being portrayed in certain ways,” he said ahead of the screening. “I think everybody knows at least one person in this movie; whether it’s their cousin or their uncle, they’re all relatable if you grew up in this community.”
With the establishment of Armenian cinema in 1923, Karaoghlanian was eager to put out the first Armenian Film Festival in 2023 to celebrate a century of Armenian cinema.
“We feel like we’re now ushering in the next chapter, the next 100 years of Armenian cinema,” he said.
On Saturday, the festival will host a discussion and book signing with Howard Kazanjian for his work, “Howard Kazanjian: A Producer’s Life” at 11 a.m. at Hero House, located at 326 Mira Loma Ave. Kazanjian is an Armenian American film producer whose credits include “Star Wars” and “Indiana Jones,” and his novel chronicles his experience rising in Hollywood.
In the afternoon, another series of shorts will be screened at Laemmle Glendale, including “Cycles,” “No Thanks,” “Anahide” and “Nowhere” at 4 p.m. Then at 6 p.m., the shorts “250km,” “It Takes a Village …” and “Echoes of Kef Time” will also be showcased.
On Sunday, two of AFS’s projects, “Back to Ashtarak,” a short documentary, and “The Peace of All,” a feature documentary about Artsakh, will play at 11 a.m. at the Laemmle Glendale.
Filmed in 2021 in Armenia, “Back to Ashtarak” is about film director Tigran Nersisian’s connection to his hometown of Ashtarak. Nersisian, who sees himself as multicultural, was born in Ashtarak before moving to Russia at age 5. Once he decided he wanted to pursue filmmaking, Nersisian and his family moved to Glendale so he could study at UCLA.
While the documentary is about himself, Nersisian said his hope is that the film resonates with audiences and connects them to their own hometowns. Based on the film’s screenings thus far, this has often been the case.
“After the screenings, people would come to me and tell me that the film transported them to their childhoods and that’s the best reaction I can get because that’s really what I wanted to achieve,” Nersisian told the News-Press. “I wanted the viewer to at some point disconnect from me and my story and find their stories within that short film.”
Nersisian said Armenian filmmakers in the area are “lucky” to have the opportunity to be a part of the Armenian Film Society and the events they put on. While the organization started off small in 2015 by hosting one event each month, it has grown over the years through partnerships with nonprofits and local theaters. Karaoghlanian said they have put on dozens of events this year alone.
“[The Armenian Film Society] is a connecting hub for us,” Nersisian said. “That’s where we meet other filmmakers, that’s where we network, that’s how we communicate. And I’m really grateful to Armen and Mary for everything they’re doing.”
Karaoghlanian is happy with the festival’s lineup and is thrilled to be hosting it in Glendale.
“I always refer to Glendale as the best place on earth. It’s truly the city where I feel most at home,” he said. “We’re hopeful that people come to this festival and better understand who we are and better understand our culture … but also we just want people to come out, celebrate movies and have fun.”

First published in the September 9 print issue of the Glendale News-Press.

https://glendalenewspress.outlooknewspapers.com/2023/09/13/armenian-film-festival-debuts-in-glendale/

Open Letter to the Rabbinical Center of Europe

Dear Rabbinical Center of Europe:
 
As a non-profit organization dedicated to genocide and human rights studies since 1982, the International Institute for Genocide and Human Rights Studies (“IIGHRS,” A Division of the Zoryan Institute) is deeply concerned about and takes great issue with the open joint letter that was released by the RCE signed by 50 senior leading European Rabbis.
 
We recognize that we are currently living in a time where antisemitism is at historically high levels. We also condemn the recent trend in which Holocaust imagery and language have been misappropriated, especially regarding the COVID-19 pandemic. We would like to point out, however, that the word “genocide,” coined by Jewish scholar Raphael Lemkin in 1943/1944, was adopted into law in 1948, many years after the Armenian Genocide and as a result of the Shoah. Article II of the 1948 Genocide Convention states:
 
Genocide means any of the following acts committed with intent to destroy, in whole or in part, a national, ethnical, racial, or religious group, as such:

  1. Killing members of the group;
  2. Causing serious bodily or mental harm to members of the group;
  3. Deliberately inflicting on the group conditions of life calculated to bring about its physical destruction in whole or in part;
  4. Imposing measures intended to prevent births within the group;
  5. Forcibly transferring children of the group to another group.

Kindly note that the above definition of the crime of genocide does not include any reference to the number of people who perished, or the magnitude of suffering, but rather to the intent behind the destruction of a group. According to this definition, the Srebrenica massacres (8,000 victims), the Genocide in Rwanda (800,000 victims), the Cambodian Genocide (2 million people), the Shoah (6 million people) and the Armenian Genocide (1.5 million) are all widely understood as constituting genocide under the definition of the Genocide Convention. Applying this term to the current situation in Artsakh, or Nagorno-Karabakh, is fully in accord with the scholarly and legal understandings of genocide and in no way trivializes or diminishes the Holocaust or any other example of genocide. In fact, various legal scholars, such as former prosecutor of the International Criminal Court Luis Moreno Ocampo, as well as genocide scholars have described the situation in Nagorno-Karabakh as constituting genocide. The situation there is not a simple “political disagreement” as was described in your letter.

We hope that the RCE can appreciate that the phenomenon of genocide is not unique to any one group, nation, religion or ethnicity. The attempted destruction of an entire population is a crime against all humanity and must be recognized as such, no matter who the victim group may be. In our view, genocide is a shared human experience, and unfortunately, this heinous crime has impacted many groups throughout history, and continues to do so in various parts of the world today. This includes Nagorno-Karabakh, whereby a government is deliberately inflicting conditions of life calculated to bring about another group’s physical destruction, which is one of the acts of genocide defined in Article II of the Convention listed above. 

The Zoryan institute, by teaching genocide comparatively and by recognizing the destruction, trauma and pain that this crime inflicts, seeks not to prioritize one case over another, but rather to deepen our understanding about the common patterns and dynamics that allow genocide to take place, which allows us to more effectively prevent future instances of genocide moving forward. Our goal is to educate and teach about genocide in order to work towards a safer and more just world.

We cordially invite you to better acquaint yourselves with the ongoing situation in Nagorno-Karabakh and encourage you to read the recently published edition of the Zoryan Institute academic journal, Genocide Studies International, published by the University of Toronto Press, that is devoted to this particular crisis: https://www.utpjournals.press/toc/gsi/15/1.

We would be happy to send you a physical copy of this issue for your reference.

Sincerely,

The Zoryan Institute (IIGHRS) Board of Directors
Editors of Genocide Studies International
Editors of Diaspora: A Journal of Transnational Studies
Faculty Members of the Genocide and Human Rights University Program
Affiliates

SIGNATORIES

Dr. Maureen Hiebert, Chair of the Zoryan Institute’s Academic Board, Associate Professor, Political Science, University of Calgar

Dr. Varouj Aivazian, Chair of the Zoryan Institute’s Corporate Board, Professor of Finance and Chair of the Economics Department at University of Toronto Mississauga
 
Dr. Alexander Alvarez, Vice-chair Academic Advisory Board, Zoryan Institute, Co-Editor Genocide Studies International, Professor of Criminology & Criminal Justice, Northern Arizona University

Dr. Rouben Adalian, Board Member of the Zoryan Institute
 
Dr. Joyce Apsel, Clinical Professor, Liberal Studies, NYU, and President of the Institute for the Study of Genocide
 
Dr. Yair Auron, Professor of Emeritus, Open in University Israel
 
Mr. Diran Avedian, President, and Founder of Lactopur Inc.
 
Dr. Talar Chahinian, Co-editor of Diaspora: A Journal of Transnational Studies and Lecturer in the Program for Armenian Studies at University of California Irvine
 
Dr. Doris Bergen, Chancellor Rose and Ray Wolfe Professor of Holocaust Studies, the University of Toronto
 
Dr. Bedross Der Matossian, Professor of History, the Hymen Rosenberg Professor in Judaic Studies, University of Nebraska, Lincoln
 
Mr. Federico Gaitan Hairabedian, Esq., Lawyer and President of the Luisa Hairabedian Foundation, Argentina

Ms. Mari Hovhannisyan, the Zoryan Institute Armenia International Foundation for Research and Development  
 
Dr. Elisa von Joeden-Forgey, Endowed Chair in Holocaust and Genocide Studies, Keene State College (NH, USA)
 
Dr. Sossie Kasbarian, Co-editor of Diaspora: A Journal of Transnational Studies and Senior Lecturer in Politics, University of Stirling
 
Ms. Arsinée Khanjian, Canadian actress, director, producer, playwright and human rights activist
 
Dr. Adam Muller, Co-Editor of Genocide Studies International and Director of the Peace and Conflict Studies Department, University of Manitoba
 
Dr. Jennifer Rich, Co-Editor of Genocide Studies International, Exec. Director of the Rowan Center for the Study of the Holocaust, Genocide, and Human Rights, Director of the MA Program in Holocaust and Genocide Education, and Associate Professor of Sociology at Rowan University
 
Dr. William Schabas, Professor of International Law at Middlesex University in London and Professor of International Humanitarian Law and Human Rights at Leiden University

Ms. Kate Simola, the Zoryan Institute of Canada Inc. 
 
Dr. Lok Siu, Professor of Ethnic Studies at UC Berkeley and Chair of the Asian American Research Centre

Dr. Amy Sodaro, Associate Professor and Deputy Chairperson of the Social Sciences, Human Services and Criminal Justice Department at CUNY
 
Dr. Henry Theriault, Co-Editor of Genocide Studies International, Past President of the International Association of Genocide Scholars and Associate Vice President for Academic Affairs Worcester State University
 
Dr. Alan Whitehorn, Professor Emeritus, Royal Military College of Canada
 
Dr. Andrew Woolford, Professor and Department Head, Sociology & Criminology, University of Manitoba
 
Ambassador A. Yeganian, Chair of the Zoryan Institute Armenia International Foundation for Research and Development  
 
Ms. Megan Reid, Deputy Executive Director of the Zoryan Institute
 
Mr. K. M. Greg Sarkissian, Co-Founder and President of the Zoryan Institute

Zoryan Institute and its subsidiary, the International Institute for Genocide and Human Rights Studies, is a non-profit organization that serves the cause of scholarship and public awareness relating to issues of universal human rights, genocide, and diaspora-homeland relations. This is done through the systematic continued efforts of scholars and specialists using a comparative and multidisciplinary approach and in accordance with the highest academic standards.


Playing a deadly game with the innocent

As Armenians, we correctly, but at times naively, view the Artsakh conflict as the struggle of an oppressed people seeking what is theirs – their homes, land, culture and the right to free _expression_. Much of world history can be summarized in three dimensions: the overt oppressors, the oppressed and the manipulators. In our current drama, the oppressors are the same characters from history in the modern day – the Turks who have made a full time job out of attempting to destroy the original settlers of the highlands. Our brethren in Artsakh, who have survived despite the immense challenges of the past century, are the heroes of the oppressed. The manipulators are powerful nations driven by self interest. When proxy conflicts are launched or used to meet those interests, the oppressed become pawns in a chess game. Armenians often seek to demonstrate moral correctness and an emotional connection yet are frustrated by the absence of a shared morality among all the actors. This is a natural reaction, yet it ignores the larger, more powerful dynamics at play. Our political and religious leadership must have a higher comprehension. 

The conflict in Ukraine is headlined as the struggle of a victimized people against a despotic force seeking to destroy their sovereignty. The media loves to characterize the Ukraine

war in romantic, heroic and democratic terms. At one level this may be correct, but the Ukraine conflict is also a proxy battle that has ignited a new Cold War. There are many struggles for freedom that the west chooses to ignore, yet Ukraine is the buffer between western democracies and Russian President Vladimir Putin’s attempt to revive the Russian empire. He is on record as stating many times that the dissolution of the Soviet Union was the biggest error in our times. Every move he makes in the Caucasus, Ukraine or domestically serves that vision. The global powers are the only ones with the capability of escalation or de-escalation. We have all chosen the former by continuing to arm Ukraine. No NATO nation troops die, and it’s a great

opportunity for the west to utilize military inventory. It is very disappointing to hear U.S. Secretary of State Antony Blinken speak only of continued war and offer little hope for a diplomatic solution. The suffering is horrific so the east and west can establish new fault lines.

We should view the conflict in Artsakh and national security issues facing Armenia in the context of geopolitical dynamics rather than morality. Most nations will express sympathy but act out of self interest. The behavior of the EU nations and the United States are clear examples. If we could use the endless number of sympathetic messages and humanitarian calls for airlifts as currency, the plight of Artsakh would be very different.

Closer to home, we should view the conflict in Artsakh and national security issues facing Armenia in the context of geopolitical dynamics rather than morality. Most nations will express sympathy but act out of self interest. The behavior of the EU nations and the United States are clear examples. If we could use the endless number of sympathetic messages and humanitarian calls for airlifts as currency, the plight of Artsakh would be very different.

Recently, the Armenian ambassador to the Russian Federation was summoned to the Russian Foreign Ministry. The Armenian diplomat was on the receiving end of Russian displeasure over Armenia’s criticism concerning the lack of Russian support. The Russians also said they would “analyze” Armenia’s decision to hold military training with the United States rather than with the CSTO. 

While the United States and Europe continue their bottomless barrel of statements of “concern” and “urging,” Russia has reached an agreement to send Russian aid to Artsakh through the Aghdam road, with an open-ended declaration to open the Berdzor (Lachin) Corridor to aid. In the last few weeks, the idea of sending aid through Azerbaijani territory has been accepted by both Russia and the west. The Artsakh government has no choice but to accept this channel.  This is a diplomatic loss for the Armenians. By using the Aghdam road, Russia is clearly acknowledging that Artsakh is part of Azerbaijan. 

It is difficult to not interpret this as a response to Armenia’s pro-western overtures. It also displays Russia’s advantage in its geographic proximity to the Caucasus. By utilizing the Aghdam route, Russia supports the Turkey-Azerbaijan alliance while appearing favorable as a humanitarian ally. Russia has outflanked the west by delivering aid, while attempts by France to send supplies have been blocked. Meanwhile, the west is left with more empty statements. Samantha Power, the head of the USAID, has expressed concern over the deteriorating humanitarian situation but has sent no aid. French President Emmanuel Macron has been rumored to sponsor a U.N. Security Council resolution to address the blockade, but thus far there is nothing submitted. 

Frustrated? What should we expect when everyone, except Artsakh, has accepted Azerbaijani territorial integrity over Artsakh? Possession is a powerful weapon – apparently more powerful than an International Court of Justice ruling and the “urging” of multiple nations and organizations. Foreign policy is the manifestation of a global chess game at somebody’s expense. Despite the rhetoric adopted by the west, Armenians could be considered collateral damage in a dangerous game of east/west influence in the Caucasus.

Any interest foreign powers have in Armenia and Artsakh are not based on morals, but on cold, duplicitous self interest. Armenians must mirror that thinking in order to survive. This has been the history of Armenia for centuries. The names and players have changed, but not the game. Turkey and Russia will continue to use each other for their exploits. Russia has been weakened and must compromise with the Turks. The west wants to be a player in this region but is unwilling to commit the resources to secure their position. Turkey, a NATO member, is tolerated by western countries, skillfully using their fear of Russia. Iran and India are wildcards with significant interests. Israel has aligned itself with Armenia’s enemy. 

Within this regional drama, the struggle for Artsakh has degenerated into a genocidal campaign. Azerbaijan uses criminal methods the world has promised to outlaw and prevent. Public starvation as a method of subjugation is beyond any representation of civilized human existence. The Azerbaijani-Turkish alliance has consistently committed war crimes and violated international laws. They continue their evil practices, because they know that the ramifications are zero. Meanwhile, we play by rules intended to keep countries like Armenia in their place. Our priority must be the survival of our brethren in Artsakh. Start with a hardened view that no one will care if Armenians die.

The war in the Ukraine will end when the powers are satisfied. A country will have been destroyed and thousands killed. Who will remember the orphans and destroyed families? All will be forgotten, yet the buffer between Europe and Russia will be solidified. Ukraine’s government will promote its heroic defense to earn its side on the new Iron Curtain. Remember what happened in Georgia in 2014. Georgia expressed strong western leanings, with hopes of EU and NATO membership. The west promised support for its overtures. Russia invaded South Ossetia and Abkhazia, and the support never materialized. Russia is weaker today, and Putin is unpredictable, but they have proven they are still capable of hurting Armenia. Armenia should continue on this balanced path as the best hope to avoid becoming collateral damage, but with a renewed sense of self interest to protect its future.

Columnist
Stepan was raised in the Armenian community of Indian Orchard, MA at the St. Gregory Parish. A former member of the AYF Central Executive and the Eastern Prelacy Executive Council, he also served many years as a delegate to the Eastern Diocesan Assembly. Currently , he serves as a member of the board and executive committee of the National Association for Armenian Studies and Research (NAASR). He also serves on the board of the Armenian Heritage Foundation. Stepan is a retired executive in the computer storage industry and resides in the Boston area with his wife Susan. He has spent many years as a volunteer teacher of Armenian history and contemporary issues to the young generation and adults at schools, camps and churches. His interests include the Armenian diaspora, Armenia, sports and reading.


Living in Baghdad during the ISIS takeover as an Armenian

In previous weeks, headlines about ISIS attacks around the world have triggered memories of living in Baghdad during the ISIS takeover of parts of Iraq in 2014 and its barbarous consequences: the extermination and ethnic cleansing of the region’s indigenous populations.

A lot was written about the situation in the Nineveh plains and surrounding areas consisting of the Nineveh governorate, the second most populous governorate after Baghdad. But what was life like in the capital city, Baghdad?

My high school was based in Zayouna, a Sunni-dominated area east of Baghdad. In Zayouna, you could spot the ideologues and supporters of ISIS. They felt that their religious sect was left behind in post-2003 Iraq, following the U.S. invasion. They experienced nostalgia for Saddam’s era, but none of them had grown up during his period.

Most of these ISIS admirers were active on social media platforms through fake accounts. Their content was based on fake news, false propaganda, videos and posters with preaching by religious fundamentalist clerics. They spread hate speech and calls for a “crusade” against minorities.

At school, even some teachers, who shared the views of fundamentalist students, glorified the actions of ISIS. They called atrocities against the Yazidis and Assyrians Western propaganda and a fabrication. One of the teachers even referred to me as a najis – ritually unclean. A call for conversion and pressure to change the religion to “go to heaven” followed. 

Not all students supported ISIS actions or shared their ideology. Some opposed ISIS’s medieval, outdated way of life. They were concerned about what was happening to Assyrians and Yazidis in the northern parts of the country. This was a period when even refusing to like or share an extremist post on social media was considered an act of resistance. There were students who did that and more. 

Born in the cradle of civilization while preaching incivility; growing up in a climate of diversity while enforcing exclusion; operating in the center of learning while full of ignorance – this is how one can describe the ISIS vision for Baghdad.

During this chaotic and violent period, ISIS cells were created in Baghdad. Born in the cradle of civilization while preaching incivility; growing up in a climate of diversity while enforcing exclusion; operating in the center of learning while full of ignorance – this is how one can describe the ISIS vision for Baghdad.

The blood spilled in 2010 at the Syriac-Catholic “Sayyidat Al-Najat” church (“Our Lady of Salvation” in Arabic), located in Baghdad’s upper-middle class Al-Karrada district, which was back then one of the most ethnically and religiously diverse areas in Baghdad, was still fresh in Iraqi Christians’ memories. 

Seeing the ISIS takeover from a Baghdadi gaze has its particularities. Baghdad, besides being the capital city of Iraq, was also a diverse urban environment. (It’s gradually losing its diverse character.) Every ethnic and religious group present in Iraq has a community in the capital city – from Yazidis living in the Sinjar district of Nineveh in the north to Mandaeans of the Maysan governorate in the south. Baghdad was a melting pot. 

Sayyidat Al-Najat church

Day by day, the situation in the capital worsened. Street fighting between militias, assassinations, forced deportations and death threats became a part of everyday life, especially for minorities. 

Under these circumstances, our family—my mother, father, aunt, sister and me—left Iraq in 2014 and lived for nine years as refugees in Lebanon until finally arriving in Australia this year via a humanitarian resettlement program.

We felt we did not belong in Iraq. It no longer was the site of progress called home by those who lived on this land for thousands of years. The darkness of extremism and fundamentalism had taken over. The Mesopotamia of the ancient code of laws, functioning public institutions, and rule of law was turned into a region of anarchy, political instability and public insecurity.

Natan Bedrossian was born in Iraq in 1996. During the ISIS takeover, the spread of extremism, and the chaos and instability that ensued, he left Iraq in 2014. Natan lived in Lebanon for nine years and wrote for Aztag Daily newspaper. In 2023, he resettled in Australia and is a student at TAFE (Technical and Further Education).


IALA and AGBU host Break the Silence: A Reading for Artsakh

The International Armenian Literary Alliance, in partnership with AGBU, presents “Break the Silence,” a reading hosted by Pulitzer Prize winner Peter Balakian. The reading will feature besieged journalists from the unrecognized Republic of Artsakh and award-winning writers in solidarity around the globe, including poet Ilya Kaminsky, named by the BBC as one of the 12 artists who changed the world.

Join the virtual event on September 17, 2023 at 9 a.m. Pacific | 12 noon Eastern | 8 p.m. Armenia/Artsakh time to hear about what life is like for the 120,000 Armenians of Artsakh who have been cut off from food, medicine, gas and electricity since Azerbaijan blockaded the only road out of the country in December 2022, and learn how you can help.

Registration for the event is required. After registering, you will receive a confirmation email containing information about joining the event. The full lineup of speakers will soon be announced on IALA’s event page.

The International Armenian Literary Alliance is a nonprofit organization launched in 2021 that supports and celebrates writers by fostering the development and distribution of Armenian literature in the English language. A network of Armenian writers and their champions, IALA gives Armenian writers a voice in the literary world through creative, professional, and scholarly advocacy.