Message for U.S. Citizens in Armenia: Virtual Town Hall with Ambassador Tracy on November 8th at 3:00pm

US Embassy in Yerevan, Armenia
Oct 22 2021
Home News & Events | Message for U.S. Citizens: Virtual Town Hall with Ambassador Tracy on November 8th at 3:00pm

Dear U.S. Citizen Community,

The U.S. Ambassador to Armenia, Lynne Tracy, will participate in a virtual town hall to meet with the U.S. citizen community and answer questions.  U.S. citizens are invited to listen to this briefing on Monday, November 8 at 3pm via the following online link:  https://youtu.be/Pyr-3gl9paA.

If you have any questions you would like the Ambassador to address, please send your questions to [email protected] no later than 5:00 p.m. on Monday, November 1.

The U.S. Embassy continues to provide updated information for U.S. citizens via our webpage and COVID-19 notice.  The State Department also provides timely information through its COVID-2019 webpage, as well as global and country-specific travel advisories. The Embassy strongly encourages U.S. citizens abroad to enroll in STEP: Smart Traveler Enrollment Program.

For emergency American Citizens Services, including emergency passports, please visit our website for additional information.

Sincerely,

American Citizen Services

U.S. Embassy Yerevan

Unknown Arshile Gorky painting discovered during routine maintenance

Public Radio of Armenia
Oct 22 2021

“This discovery is the sort of moment that drew so many of us to art in the first place—the wonder and surprise, the invitation to think beyond what we already know, hints of new horizons,” Marc Payot, president of Hauser and Wirth, which will debut the work in a non-selling exhibition in New York next month, told Artnet News in an email.

The painting, which has been dubbed Untitled (Virginia Summer), is being added to a new Gorky catalogue raisonné, due out this month from the artist’s foundation.

When Gorky finished the painting on paper, The Limit (1947), he was in quite a prolific period, making a new work every day. As a result, it appears he was short on materials, and, lacking a stretched canvas to work on, simply placed it atop the earlier work now identified as Untitled (Virginia Summer).

It’s quite possible that this isn’t the only painting the artist obscured this way. “Curators of museums: It’s not a bad idea to take it out of the basement or off the wall, look behind, and see if you’ve got two paintings instead of one,” Matthew Spender, the artist’s son-in-law and author of From a High Place: A Life of Arshile Gorky, told the New York Times.

Gorky used glue along the edges and kraft paper tape, an adhesive designed for easy removal, to affix The Limit onto the canvas, presumably as a temporary measure. But when the artist died the following year, Virginia Summer stayed covered, lost to art history for over seven decades.

Conservators Michaela Ritter and Olivier Masson of the Swiss restoration studio Masson and Ritter undertook the painstaking work of peeling back The Limit to reveal the painting underneath. They then constructed a new stretcher on which to safely display the delicate work on paper.

“Arshile Gorky. Beyond the Limit” will be on view at Hauser and Wirth, 542 West 22nd Street, New York, November 16–December 23, 2021. 



During Routine Maintenance, Conservators Discovered an Unknown Arshile Gorky Painting Hidden Behind a Work on Paper

Oct 21 2021

The newly discovered work will go on view at Hauser and Wirth in New York next month.

When the Arshile Gorky Foundation sent a work by the early Abstract Expressionist out for routine conservation, they got more than they bargained for: The single work came back as two after onservators discovered a painting hidden behind the later work on paper.

“This discovery is the sort of moment that drew so many of us to art in the first place—the wonder and surprise, the invitation to think beyond what we already know, hints of new horizons,” Marc Payot, president of Hauser and Wirth, which will debut the work in a non-selling exhibition in New York next month, told Artnet News in an email.

The painting, which has been dubbed Untitled (Virginia Summer), is being added to a new Gorky catalogue raisonné, due out this month from the artist’s foundation.

When Gorky finished the painting on paper, The Limit (1947), he was in quite a prolific period, making a new work every day. As a result, it appears he was short on materials, and, lacking a stretched canvas to work on, simply placed it atop the earlier work now identified as Untitled (Virginia Summer).

Arshile Gorky, The Limit (1947). Photo by Jon Etter, ©the Arshile Gorky Foundation/Artists Rights Society, courtesy the Arshile Gorky Foundation and Hauser and Wirth.

It’s quite possible that this isn’t the only painting the artist obscured this way. “Curators of museums: It’s not a bad idea to take it out of the basement or off the wall, look behind, and see if you’ve got two paintings instead of one,” Matthew Spender, the artist’s son-in-law and author of From a High Place: A Life of Arshile Gorky, told the New York Times.

Gorky used glue along the edges and kraft paper tape, an adhesive designed for easy removal, to affix The Limit onto the canvas, presumably as a temporary measure. But when the artist died the following year, Virginia Summer stayed covered, lost to art history for over seven decades.

Conservators Michaela Ritter and Olivier Masson of the Swiss restoration studio Masson and Ritter undertook the painstaking work of peeling back The Limit to reveal the painting underneath. They then constructed a new stretcher on which to safely display the delicate work on paper.

Arshile Gorky, Untitled (Virginia Summer) ca. 1946–47. Photo by Jon Etter, ©the Arshile Gorky Foundation/Artists Rights Society, courtesy the Arshile Gorky Foundation and Hauser and Wirth.

The find is all the more remarkable considering Virginia Summer was hanging quite literally in plain sight at some of the nation’s most prestigious museums. The foundation has loaned The Limit to both the National Gallery of Art in Washington, D.C., and the Philadelphia Museum of Art, the latter for a major retrospective of the artist in 2009 and 2010.

On the other hand, the discovery wasn’t entirely unexpected. Gorky’s daughters Natasha Gorky and Maro Spender had already noticed one of the corners of The Limit had come unstuck. Clearly, there was paint underneath.

Conservators had long been deemed too risky to try and see what was really under there, but with a lighter work schedule due to the pandemic, Ritter and Masson were able to take the time to do it carefully. As they worked, they came to realize the canvas contained a completed late masterpiece by the artist, an aqua-colored abstract canvas filled with biomorphic shapes.

At the time, Gorky was experimenting with new techniques, mixing oil and turpentine for a more fluid, expressive style.

“Gorky was incredibly inventive in his last years,” Payot said. “This painting gives us additional insight into his own revelations and wonder at that time. It’s thrilling for us to share a newly found masterpiece with the public, as well as scholars and artists who have long loved and been inspired by Gorky’s work.”

Because the work had never been exposed to light, the colors remained as vibrant and fresh as the day Gorky painted them. “[It was] like an explosion compared to The Limit,” Masson told the Times. “It was so well protected. I would say it’s in mint condition.”

“Arshile Gorky. Beyond the Limit” will be on view at Hauser and Wirth, 542 West 22nd Street, New York, November 16–December 23, 2021. 

Grand Duke Georgy Romanov visits Armenian Genocide Museum-Institute

Public Radio of Armenia
Oct 22 2021

On a working visit to Armenia, Grand Duke Georgy Mikhailovich Romanov and his wife visited the Armenian Genocide Museum Institute (AGMI).

The guests were greeted by Lusine Abrahamyan, AGMI Deputy Director for Museum Works.

They toured the Armenian Genocide Museum, got acquainted with permanent and temporary exhibitions. At the end of the visit, Mr. Georgi Romanov left a note in the Book of Honorary Guests.

Expressing gratitude to Mr. Georgi Romanov for the visit, Lusine Abrahamyan presented the guest with the English translation of the Ravished Armenia, where Aurora Mardiganyan tells about the support of Nikolay Nikolayevich Romanov.

When I am Sad: Armenian-French co-production selected for CINANIMA Animated Film Festival of Portugal

Public Radio of Armenia
Oct 22 2021

The animated film When I am Sad directed by Lilit Altunyan has been selected for the official competition program of CINANIMA Animated Film Festival of Espinho (Portugal) – the world’s third oldest animated film festival, which will take place in early November, the Armenian National Cinema Center informs.

The film is a co-production between Armenia and France, and has been produced with financial support of the National Cinema Center.

The film had its world premiere on October 15 in Animest (Romania). The Asian premiere is expected at the Bucheon International Animation Festival (BIAF) in South Korea later this month.

Production company: Hoshkee FILM
Co-production: Folimage, France
Director: Lilit Altunyan
Scriptwriters Lilit Altumyan, Armine Anda
Producer: Armine Anda, Coproducer Reginald de Guillebon
Composer: Mikayel Voskanyan
Starring Armine Anda (Armenian Voice), Nairi Khatchadourian (French Voice), Victoria Aleksanyan (English Voice).

CINANIMA has the approval of the International Film Association – ASIFA – and is officially considered by the Academy of Motion Pictures Arts and Sciences as one of the qualifying festivals for the Oscar nomination for the Best Animation Short Film.

Azerbaijan conceals actual number of captured Armenians and places of their detention, FM says

Panorama, Armenia
Oct 22 2021

Armenian FM Ararat Mirzoyan stated on Friday that the immediate repatriation of Armenian prisoners of war and captured civilians held in Azerbaijan remains a priority. In the words of Mirzoyan, Azerbaijan continues violating the provisions of the Geneva Conventions and the trilateral statement from November 9, 2020, creating artificial barriers for returning the captives. As the press department at the foreign ministry reported, Mirzoyan’s remarks came at a meeting on Friday with Gilles Carbonnier, the Vice President of the International Committee of the Red Cross (ICRC). 

Mirzoyan attached importance to the ICRC mission in Artsakh as the only international organisation at present operating in the region and providing assistance to the population suffered as a result of the Azerbaijani aggression. According to the minister, despite proofs presented by the Armenian side, Azerbaijan still conceals the actual number of captured Armenians and places of their detention which is an indication of cases of forced disappearances. 

During the meeting, the ICRC delegation expressed readiness to continue their support to the RA authorities in overcoming the post-war humanitarian issues. 

The formation of national resistance should be at the centre of the opposition activity – Seyran Ohanyan

Panorama, Armenia
Oct 22 2021

“Armenia and Artsakh are in a situation where the interests of global powers are continuously clashing in the region,” the head of opposition “Armenia” faction Seyran Ohanyan said at a discussion on Friday about challenges Armenia and Artsakh face. 

Ohanyan remarked that as a result of Turkish-Azerbaijani provocation, some new players appeared in the region of South Caucasus, putting the Armenian states in a difficult situation. Ohanyan stressed the true assessment of the past year and the current situation has not been given.

“The failure to analyze and assess the current situation generates uncertainty for Armenia and Artsakh’s future, and we are here to identify these challenges and adopt decisions based on them,” said Ohanyan. 

In the words of the speaker, the causes and consequences of the war are clear for the opposition. He admitted with regret that losses and the series of failures continue for the two Armenian states this time on the borders of Armenia.  

“Apparently, some hidden processes are underway, and our joint work should be aimed at preventing them,” said Ohanyan, adding one idea that can be at the centre of all actions of the opposition is the formation of the national resistance. In his words, the opposition will act under the slogan “No to Turkification of Armenia and no to stripping Artsakh of Armenians.”

Restrictions against journalists are regressive and concerning – Ashot Melikyan

Panorama, Armenia
Oct 22 2021

“The third quarter of 2021 brought serious challenges for the media which had to operate in extremely difficult conditions, especially due to number of restrictions adopted by the legislative body,” Ashot Melikyan, the Chairman of the Committee to Protect Freedom of _expression_ (CPFE), told at a press conference, presenting the findings of the Quarterly report of CPFE on “Situation with Freedom of _expression_ and Violations of Rights of Journalists and Media in Armenia.”  

In Melikyan’s words, most of the restrictions were adopted through legislative initiatives and adoption of various normative acts which obstructed the free operation of the media. 

“We consider those restrictions and legislative initiatives regressive and concerning, which further worsen the situations,” stressed Melikyan. The CPFE Chairman specifically referred to the decision of the National Assembly leadership on the freedom of movement of accredited journalists inside the parliament building. 

“That was an unprecedented decision in the history of that representative body. We record that the decision significantly limits the opportunity of reporters to take interviews and comments from NA deputies and cover the work of the NA Standing Committees. Another concerning issue was the reporters and cameramen accredited to the pArliament were not notified about expected changes and they were informed about it on the same they when the decision was published,” said Melikyan. 

Another notorious incident, per Melikyan, was the arbitrary decision of the Speaker of the Parliament to cease the live broadcast of the parliament session when a brawl started among lawmakers during the  sitting in August. Following the Speaker’s instruction to stop the broadcast, the security officers ordered reporters to leave their designated area, obstructing their activity. 

Melikyan also condemned the physical violence and other pressures against reporters by security officers during the incident. 

Melikyan commented on the legislative changes tripling the maximum penalties for online insult and defamation to 3 and 6 million Armenian drams (approximately $5,700 and $11,400), respectively. In his words, the bill was adopted without taking into account the views the civil society and media organizations that expressed serious concerns about it. 

“In the past 9 months, 13 cases of physical violence against reporters, 83 cases of various pressures against media outlets or individual reporters and 67 violations of the right to receive and disseminate information have been recorded in Armenia. Meanwhile, 48 lawsuits have been filed against media outlets and reporters since the beginning of year most of which submitted former and acting officials which is a high and concerning figure,” Melikyan summed up. 

Ombudsman releases evidence of Azerbaijani military’s reinforcement in Armenia in response to Defense Ministry’s denial

Panorama, Armenia
Oct 22 2021

Armenia’s Human Rights Defender (Ombudsman) Arman Tatoyan has released evidence of increased Azerbaijani activity in Gegharkunik Province in response to the denial of the Defense Ministry.

In a statement on Monday, the ombudsman stated the Azerbaijani troops, that have invaded Gegharkunik, are actively strengthening their positions, conducting other engineering works. Tatoyan stated that they have built large shelters, stocked up on firewood and concreted the roads leading to their positions. In addition, they continue to build new roads, and the number of troops and weapons at their positions has increased, he said.

In response, the Defense Ministry said there were a number of inaccuracies in the statement of the human rights defender, as well as allegations that did not correspond to reality. In particular, it called the claims about the construction of shelters, firewood stockpiles and new roads “clearly exaggerated”.

In a statement late on Thursday, Tatoyan said that after his public post a campaign to discredit the human rights defender launched, adding the secretary of the Security Council also joined it.

He explained that the reason for the ombudsman’s October 18 statement was that the actions of Azerbaijani forces grossly violate the rights of Armenian civilians. The ombudsman’s office continues to receive complaints from border residents. Moreover, he stated, such violations are usually followed by criminal actions of the Azerbaijani servicemen, including those of a terrorist nature, which target civilians and the Armenian military.

“Both this and any other statement of the ombudsman are based on reliable data collected during fact-finding activities,” Tatoyan said, adding the mentioned statement is based on the facts that the ombudsman’s office has consistently collected as a result of the daily monitoring and report studies of recent months.

He stressed that if the ombudsman makes a public statement, he has enough evidence and reliable sources, and not just one, but several.

“We urge the officials of the ministry not to make such ill-advised formulations i when responding to the statements of the human rights defender,” Tatoyan wrote.

He underlined that by denying his statements, the Ministry Defense officials are generating an international Azerbaijani campaign questioning the credibility of the work carried out by the ombudsman.

Tatoyan stated that various Azerbaijani sources have already taken the statement of the Armenian Defense Ministry as a basis and applied to various instances, questioning the reports and statements of the human rights defender.

“Therefore, it should be borne in mind that the ombudsman submits reports and makes statements, even if they may cause political discontent, but at the same time they become a valuable source in protecting the rights of Armenian citizens, which is used in international instances, such as the UN International Court of Justice and the European Court of Human Rights,” Tatoyan noted.

He stressed that throughout the post-war period, the Defense Ministry could somehow support the ombudsman’s call to create a demilitarized zone around Armenia’s borders. He noted that this was dictated by the need to protect the lives of civilians and Armenian soldiers from the criminal actions of Azerbaijan.

“The human rights defender has always supported the Armenian armed forces through his public and non-public activities and will continue to act on this principle in the future,” Tatoyan said.

He also urged the newly appointed Gegharkunik governor to carefully study the principles of the ombudsman’s activities, the results of his work and the situation on the ground not to question the accuracy of the defender’s statements or reports in the future.

Ancient Armenian church in Turkey’s Kars in danger of disappearing

News.am, Armenia
Oct 22 2021

The ancient Armenian church in the Kaleici district of Kars, Turkey, is in danger of disappearing once and for all, Turkish media reported, according to Akunq.net.

This house of Christian worship is known also as the “Russian Church” because it was once used by the Russians, too.

The walls of this church have collapsed, while treasure hunters have dug holes inside.

The local residents stress the need to save this place of Christian worship.