False Friend, Tiresome Threats

False Friend, Tiresome Threats

Arpiar Petrossian, Tehran, 30 August 2014

The below article was submitted to Keghart.com by Arpiar Petrossian as
comment (Caviar Diplomacy vs. Dedication). Because of its
comprehensive look at a disturbing phenomenon, we’ve decided to
publish it as an article.–Editor.

You are so right! Especially about the politicians’ difference of view
with that of boy scouts.

Hardly would anyone doubt it. Yet for a whole century (99.25 years,to
be precise) we have kept preaching the politicians on our rightfulness
and the answer -if any – has been: “Yes of course, my dear; but after
all, the Turks are our allies; Turkey is the only steady regime in
Near/Middle East [usually: ‘a sea of turmoil’], a west leaning secular
democracy among Islamist dictatorships and a major trade partner of
the west, especially of the U.S. Do you expect us to offend and
alienate them?”

The whole argument is another misinformation provided by Turkish (and
lately Azeri) lobbies – not to politicians, mind you, (they are
usually convinced through more persuasive means) but to the general
public who stomach it as a justification. While keeping up our
informative campaign on both the Genocide and Gharabagh, we should
underline the fact that neither Turkey nor Azerbaijan is much of a
prize for the west; they are more of a burden.

Let us have a look at the major points of the arguments usually put forward:

Ally of the west (?):

Turkey is the only NATO member in open and manifest enmity with
another member. It hopes to become an EU member while occupying half
of another member’s land. Its foreign policy has not always been in
line with the interest of the west, as demonstrated by Mr. Erdogan’s
lexicon reserved for Israel. Yes, there are some (rented) American
military bases in Turkey. But then, Guantanamo does not make Cuba an
American ally. Azerbaijan – despite its caviar diplomacy – buys its
armament from Russia.

A steady regime (?):

Since 1960 there have been four military coups in Turkey, plus a civil
war that lasted from 1978 to (the cease fire in) 2013. Of course the
government calls it “pacification acts against terrorists”! Azerbaijan
also had its share of military coups: one that brought the Aliev
dynasty to power in 1993 and two that failed to topple it.

Secular (?):

Turkey started out as an Islamic Caliphate. After Ataturk got things
his way in 1922, it became an anti religious (especially anti Islamic)
state, as a means of modernization. “Anti” not in the sense of being
basically against, more as a prefix, like anti-pope, anti-hero,
anti-matter etc. meaning “of the same nature though in the opposite
direction”. Now it is fast becoming an anti-anti-religious place,
where the president says publicly that women should not laugh in
public and where there are plans for building mosques on land
confiscated from Armenians – like the days of Ottoman caliphs. Despite
caviar’s dubious status at being halal (sturgeons, you know, have no
scales), Azerbaijan has been a proud member of OIC since its
independence.

Democracy (?):

Up to 1950 Turkey was officially a one party system. afterwards, each
of the four military coups were followed by a period (1.5-3 years) of
military rule. Even under “civilian” rule, the military has been
bombing their own villages. Just a few months ago when scandal broke
out about Erdogan’s financial activities, quite a number of judges and
prosecution authorities were summarily arrested and fired. Later
Erdogan was elected president, in elections judged by OSCE as not all
that transparent and fair. Only one of Azerbaijan’s presidents,
Ilcibey, is sometimes referred to as “democratically elected”.

Major trade partner (?):

It’s supposed to be an irresistibly convincing argument. Neither
Turkey nor Azerbaijan is included in Wikipedia’s list of 16 major
trade partners of the US. Nor are they mentioned among the 58 whose
topmost partner is the US. They are not included in Canada’s top 10
partners. Turkey ranks 16th at trade with Germany. Neither are
anywhere to be seen as importers of Australian goods and services and
Turkey is only 22nd as an exporter to Australia. EU is somewhat
different: Turkey ranks 6th among its customers, but with a balance of
only 25 billion Euros for 28 nations. The list can go on and on. In
short, it indicates that Turkey and Azerbaijan desperately need the
west whereas the west can well do without them (caviar and all).

Alienation(?):

This is a blackmail Turkey has often used – especially since the cold
war: “If you do this or that, especially if you recognize the Genocide
or befriend the Armenians, you won’t be seeing anymore of me; and
then… woe and shudder!” This has been repeated so much and so often –
both by Turks and their beneficiaries — that everyone, even many
Armenians, believe they mean business. In actual fact it is a bluff.
Experience shows there is a clear cut and repeating pattern: first the
ambassador is summoned to Ankara and the Turkish government makes all
kinds of noise, at the top of their lungs. Then, in about no time at
all, they are back–hat in hand. Then they(and their younger brothers)
start spending huge amounts on their Armenophobic lobby (good for the
host!). Just look at Argentina, Canada, France, you name it. And let
us not forget that the majority of EU members recognize the Genocide,
yet Turkey is trying so hard to join it.

Won’t somebody, please, tell these to Americans and those nations that
are wary of hurting the Turks’ feelings?

http://www.keghart.com/Petrossian-False-Friend

Armenia’s foreign trade grows to about $3, 289.5 million in January-

Armenia’s foreign trade grows to about $3, 289.5 million in January-July

YEREVAN, September 1. /ARKA/. Armenia’s foreign trade turnover grew
3.5% in Jan-July 2014, compared with the same period a year before, to
$3,289.5 million, the National Statistical Service reports.

According to the statistical report, the country’s exports totaled
$847.5 million in Jan-July 2014 showing 2.8% year-on-year growth, and
imports hiked by 3.7% to about $2,442 million. As a result, the
foreign trade adverse balance amounted to $1,594.5 million.

Negative balance in FOB prices amounted to $1,218.5 million in
January-July. (FOB or Free On Board is a trade term requiring the
seller to deliver goods on board a vessel designated by the buyer. The
seller fulfills its obligations to deliver when the goods have passed
over the ship’s rail.)

According to the statistical report, the most substantial export items
in the period were as follows: mineral products – about $218.2mln
(7.3% reduction against January-July 2013), ready foods – about
$178.8mln (15.1% increase), non precious metals and products – around
$178mln (5.6% reduction), precious and semi-precious stones and
precious metals and jewelry – $136.9mln (28.2% increase).

According to official statistics, the following items prevailed in the
country’s imports in January-July: mineral products – about $461.9mln
(4.6% year-on-year decrease), machinery and equipment – $320.9mln
(11.3% increase), ground vehicles, air transport and water crafts –
$221.6mln (9.3% increase), chemical and related industries – about
$201.1mln (0.1% reduction), ready foods – about $197mln (5.1%
decrease). ($1- AMD 411.23). -0–

http://arka.am/en/news/economy/armenia_s_foreign_trade_grows_to_about_3_289_5_million_in_january_july/#sthash.QwJ6ESKb.dpuf

Turkish director’s film on Armenian Genocide premieres at Venice Fil

Turkish director’s film on Armenian Genocide premieres at Venice Film Festival

14:29 01.09.2014

German-born Turkish director Fatih Akin’s film on the Armenian
Genocide – The Cut – premiered at Venice Film Festival Sunday, Reuters
reports.

Akin acknowledged at a news conference that he’d received hate mail
about the film and even a death threat on Twitter, but said “please
don’t make too much out of that”.

“The film that Fatih made is the film that the Armenians have been
waiting for. Everybody always says,’ When are we making a film, a film
about the Armenian genocide?’,” Simon Abkarian, one of the actors in
the film, said at a press conference.

“It took time. The first generation had to survive, the second
generation had to live and the third generation had to react and claim
what we had to claim, which is the recognition of the genocide, most
of it. And I think that one film is never enough to tell such a story,
we have to make more.”

“The Cut” is the last in what the director calls his “Love, Death and
the Devil” trilogy and focuses on the plight of Armenians who are
uprooted from their villages and sent on death marches into the
desert, conscripted into forced labor gangs or killed outright.

The main figure is Nazaret Manoogian, played by Tahar Rahim, an
Armenian blacksmith who is separated from his wife and young twin
daughters in the middle of the night by Turkish soldiers, who take him
to a work camp, after which his town is cleared of Armenians.

He survives the forced labor in the desert and avoids having his
throat slit when his would-be executioner takes pity and only pretends
to kill him.

After Turkey’s defeat in the war, he begins a quest that takes him to
Cuba and America in search of his missing daughters who have fled
there, after their mother and the rest of their family were killed.

Nazaret ends up in North Dakota working on a railroad construction
crew and is brutally beaten with a shovel when he intervenes to stop
one of the workers raping a native American woman. Her plight recalls
the rape of an Armenian woman by Turks that Nazaret saw in Turkey but
could do nothing to stop.

“I had to create an empathy, an empathy for the hero, an empathy for
the story,” Akin said.

“One trick I used was I took the genocide on the native Americans and
used it just as a snap of an idea, you know, so that even people who
deny the fact of the genocide to the Armenians can identify themselves
with the hero in that moment, to reflect about it later.”

http://www.armradio.am/en/2014/09/01/turkish-directors-film-on-armenian-genocide-premieres-at-venice-film-festival/
https://www.youtube.com/watch?v=sC6dXBUGkh8

Independence is key chapter of our history, says Karabakh official

Independence is key chapter of our history, says Karabakh official

13:02 * 01.09.14

Independence marks a key turning point in the history of Artsakh
(Nagorno-Karabakh), as September 2 opened a new chapter in our history, an
official has said, commenting on the agenda of the events set to mark the
23rd anniversary of the country’s independence.

“We should consider this an integral part of the Armeniam statehood instead
of separating Artsakh and the Armenian history. This is an important part
of our common history,” David Babayan, a spokesperson for
Nagorno-Karabakh’s president, told Tert.am.

The Declaration on Nagorno-Karabakh’s independence was adopted on September
2, 1991 in a joint session attended by parliamentarians and members of the
regional council of Shahumyan. In a referendum on December 10, the
population of the then autonomous region voted overwhelmingly for
independence (99%).

Asked to comment on the developments over the past period, Babayan said
they managed to proclaim the Nagorno-Karabakh Republic, investing long and
painstaking efforts in state-building activities.

“Having been an autonomous region for 70 years [in the Soviet period], we
are now embarking on a period that implies a higher degree [of freedom].
And we have created a new state which has, of course, brought new
challenges, new problems, and opportunities. Those 70 years were years of
struggle, as our nation accumulated a very powerful potential and developed
a kind of immune system to all sorts of difficulties,” Babayan added.

He said the Armenians’ joint efforts helped overcome the challenges to the
entire nation in the face of Azerbaijan’s blatant threats to destroy
Artsakh and Armenia. “Azerbaijan’s calculations fell flat, and we, the two
Armenian states, are integrated and full of hope for the future today,” he
added.

Commenting on the California Senate’s decision to recognize Artsakh,
Babayan described it as their latest achievement that became a kind of gift
for all Armenians in the run-up to the independence anniversary. He said
the move was a really significant landmark, noting that California is a big
and powerful state with a powerful economy.

“It is due to joint efforts – by Armenia, the Diaspora and Artsakh. It is
also the valuation of the past path, as no one is likely to recognize a
fascist and extremist state. Hence what California – I mean the civilized
world – has said is that Artsakh is a democratic and civilized state. That
is why we earned California’s recognition,” he noted.

Babayan said they are now preparing for the holiday, adding that a special
commission has been set up to deal with organizational issues. “Though this
is not Á jubilee – as the anniversary is the twenty-third – there will be
the traditional events. The president will host honoring ceremonies; we
will conduct visits to different places and lay flowers on the monument of
freedom-fighters [veterans of the Artsakh liberation war]. There will also
be a festive concert and a display of fireworks,” he added.

http://www.tert.am/en/news/2014/09/01/Davit-babayan/

Mostra : Algérie et Arménie, deux tragédies en résonance avec le fra

cinéma-Italie-festival-Mostra
Mostra : Algérie et Arménie, deux tragédies en résonance avec le fracas du monde

Venise, 31 août 2014 (AFP) – La guerre d’Algérie et le génocide
arménien sont au coeur de deux films touchants et réalistes, entrés en
compétition dimanche à la Mostra de Venise, et qui sont étrangement en
résonance avec le fracas du monde actuel.

“Loin des hommes”, deuxième long-métrage du Français David Oelhoffen,
est l’un des films les plus attendus de la Mostra, et pas seulement
pour la présence à l’écran du charismatique Viggo Mortensen, à la
célébrité planétaire depuis son rôle d’Aragorn dans le “Seigneur des
Anneaux”.

Le film, qui s’inspire de la nouvelle d’Albert Camus “L’hôte”, issu du
recueil “L’exil et le royaume”, se déroule dans les montagnes de
l’Atlas en 1954, au début de ce qui deviendra la guerre d’Algérie.

La rébellion grondant dans la vallée, deux hommes, que tout oppose,
sont contraints de fuir à travers les crêtes du massif algérien.

Le premier, Daru (Viggo Mortensen), est un instituteur venu d’Espagne,
qui parle français et arabe, et qui apprend le français à des enfants
algériens. Le second, Mohamed (Reda Kateb), est un villageois accusé
de meurtre.

Leur destin bascule quand Daru est chargé d’escorter Mohamed jusqu’au
village voisin pour y être jugé et à coup sûr exécuté. Poursuivis par
des cavaliers algériens réclamant vengeance et par des colons français
revanchards, les deux hommes se révoltent.

“Le texte de Camus est très court et d’une beauté extraordinaire. Il y
a un désert, un prisonnier, quelqu’un qui doit escorter un prisonnier.
Il parle aussi de l’engagement politique et de la difficulté d’y voir
clair dans un monde où la violence éclate et emporte tout”, a expliqué
David Oelhoffen en conférence de presse.

De fait, la violence est partout dans ce film, et dans les deux camps.

L’armée française en prend pour son grade, notamment dans une scène
qui montre des Algériens se faire tuer par des soldats français alors
même qu’ils se rendent. “C’est un crime de guerre”, leur dit Daru.

Cela peut-il raviver certaines plaies de part et d’autre de la
Méditerranée ? “Il n’y a pas de volonté de controverse et si c’était
le cas, ce serait bien malgré moi”, s’est défendu le réalisateur.
“C’est facile, 60 ans plus tard, de juger la colonisation, qui est une
impasse historique. Il se trouve que dans cette région de l’Atlas, en
1954, l’armée française a abattu une cinquantaine d’Algériens, c’est
un fait historique. Il faut montrer les choses comme elles se sont
passées”, a-t-il ajouté.

– “Les Arméniens l’attendaient” –

Autre film, autre période, mais thématique similaire. “The Cut”, signé
Fatih Akin, est le troisième volet d’une trilogie “l’amour, la mort et
le diable” du réalisateur allemand d’origine turque. Il nous plonge
cette fois en 1915, en plein génocide arménien.

Une nuit, le jeune Nazareth Manoogian est enlevé à sa famille par des
gendarmes turcs. Après avoir survécu à l’horreur du génocide des
années plus tard, il apprend que ses deux filles jumelles sont
vivantes.

Il décide de partir à leur recherche et rencontre pendant son périple
des personnes diverses, bienveillantes ou maléfiques.

Tahar Rahim, César du meilleur acteur en 2010 pour “Un Prophète” de
Jacques Audiard, incarne ce père qui ne capitule jamais. Sa prestation
a été particulièrement remarquée sur le Lido, le plaçant parmi les
favoris pour une place au palmarès de la Mostra qui sera révélé
samedi.

“C’est le film que les Arméniens attendaient. Cela a pris du temps, la
première génération a dû survivre, la deuxième a dû vivre et la
troisième réagir et clamer ce qu’elle devait clamer”, a déclaré
l’acteur français d’origine arménienne Simon Abkarian, qui figure au
générique.

“Je pense qu’un seul film est insuffisant pour raconter une telle
histoire. Le gouvernement turc est toujours très conscient de ce qui
se dit au cinéma sur la question arménienne et il y a des lobbies
turcs qui savent intervenir quand il le faut”, a-t-il affirmé face aux
journalistes.

Par Franck IOVENE

AFP

lundi 1er septembre 2014,
Stéphane (c)armenews.com

http://www.armenews.com/article.php3?id_article=102892

Un soldat arménien libéré par les autorités azerbaïdjanaises

Militaire
Un soldat arménien libéré par les autorités azerbaïdjanaises

Les autorités azerbaïdjanaises ont arrêté un soldat de garde arménien
et l’ont immédiatement expulsé vers un pays tiers inconnu un an après
qu’il a été fait prisonnier près du Haut-Karabagh, a annoncé sa
famille vendredi.

Agé de 23 ans, Hagop Injighulian a franchi la frontière vers
l’Azerbaïdjan dans des circonstances controversées en août 2013/ Peu
après, il a fait le tour des télévisions azerbaïdjanaises, en disant
qu’il s’est rendu aux forces azerbaïdjanaises après avoir été
maltraité par l’un de ses commandants.

L’armée arménienne a déclaré que le soldat a été contraint de
présenter une fausse version des événements. Elle a insisté pour dire
qu’il a franchi la > autour du Karabagh par
accident.

Le ministère de la Défense à Erevan a condamné l’apparition télévisée
ainsi que le fait qu’Injighulian a été contraint de porter un uniforme
de l’armée azerbaïdjanaise, ce qui signifie une violation flagrante
des conventions internationales sur le traitement des prisonniers de
guerre. Il a continué en proposant d’échanger Injighulian contre Firuz
Farajev, un soldat azerbaïdjanais détenu par les troupes arméniennes,
depuis juillet 2012.

Farajev a été expulsé de manière inattendue dans un pays tiers plus
tard en août 2013.

Selon le frère de Injighulian, Harutyun, des nouvelles de la
libération Injighulian a été communiqué à sa famille par le Comité
international de la Croix-Rouge (CICR). “Ils ne nous donnent d’autres
détails”, a t-il dit. “Nous ne savons même pas vers quel pays il a été
transféré le 26 août”.

“On nous a dit d’attendre jusqu’à ce que Hagop se met en contact avec
nous”, a déclaré Harutyun Injighulian.

Un responsable de la Croix-Rouge à Erevan a confirmé la libération du
soldat sur Panorama.am. Mais il a déclaré que le CICR n’est pas au
courant de ses allées et venues actuelles.

lundi 1er septembre 2014,
Claire (c)armenews.com

Venice Review: Fatih Akin’s ‘The Cut’ Starring Tahar Rahim

IndieWire The PlayList
Aug 31 2014

Venice Review: Fatih Akin’s ‘The Cut’ Starring Tahar Rahim

When Turkish-German auteur Fatih Akin pulled “The Cut” from the Cannes
slate citing “personal reasons,” the rumor mill went to work overtime.
Certainly, Cannes would have seemed like the natural home for the
filmmaker’s next opus, so if, as was suggested, he had not been
guaranteed the competition slot that his profile surely demanded, what
could the reason be? Politics? Pique? Some internecine beef we weren’t
aware of? Within all that gossip however, there was one possible
explanation that never really got much play: that the film would not
be very good. Akin’s previous films, including such terrific,
joltingly energetic, critically lauded and awarded titles as “Head-on”
and “The Edge of Heaven” (the first two in a thematic trilogy that
“The Cut” is mooted to complete), seemed to put that beyond the realm
of possibility. And in truth, it’s not not very good. It’s close to a
disaster.

The story (co-written by Akin and veteran screenwriter Mardik Martin)
can be briefly summarized as concerning Nazaret, an Armenian husband
and father of twin girls, who is drafted into World War I to perform
slave labor under the authority of brutal, venal Ottoman forces. His
brother is killed in front of him and Nazaret himself only spared
because the man tasked to slit his throat is so reluctant to kill that
he merely inflicts the titular cut, which knocks Nazaret out but
doesn’t kill him, though he wakes up mute. Surviving through instinct
and the odd act of kindness until the war’s end, Nazaret discovers
that his daughters are still alive and sets out on an epic odyssey to
find them. There are some nice shots of deserts, period-accurate
design, interesting locations, excellent costuming –the window
dressing is fine.

But the problems start the first time a character opens his mouth,
which is in the very first scene. The first exchange in the film,
between Nazaret the Armenian blacksmith (Tahar Rahim) and a pompous,
wealthy client, is conducted in English. So it’s one of those films in
which everyone speaks English with a different accent to indicate
their point of origin? Oh wait no, everyone except the Armenians
speaks their own language. It’s not wholly unprecedented, but here
this decision feels like a fundamental misstep from which our
engagement with the film never recovered, for several reasons.

For one, it’s clear that Akin is using this device as a shorthand to
elicit audience sympathy with the Armenians, in contrast to the
“foreign”-language-speaking “others.” This is politically
uncomfortable on a few levels, notably the tacit assumption that the
intended audience for this film is an English-speaking one, even
though a lot of the discourse in advance was about how the film would
be received in modern-day Turkey, where in certain situations, even
referring to the plight of the Armenians as a genocide can be a very
dangerous thing to do. Beyond that, our own self-conscious sensitivity
to issues of Western cultural imperialism created in us an oddly
guilty reaction to watching a film set in the Middle East in which
only the “good guys,” the victims of these atrocities, speak English.

Those are issues outside the film. The issues within go even deeper:
The dialogue is awful — stilted and dry, with the actors trying to to
wrestle naturalism into a non-native tongue rendered into colloquial
speech about as convincingly as Google Translate might. It can be
unintentionally comic, as with the tendency for people to talk in
declarative, impersonal sentences like a schoolteacher saying the
latest news on the war is “Horrible carnage! Many people dying!” Or it
can be over-literal, as when Nazaret is reunited with his brother’s
wife and she addresses him directly as “Brother-in-law” repeatedly. Or
it can be confusing, as when Nazaret comes to America and doesn’t
understand that English, or the fact that he writes in Armenian.
Whatever else, the effect is always distracting.

Furthermore, the story is bloated and episodic (the film’s 2h 18m
length doesn’t help the pacing), and remarkably unengaging for what
should be emotionally epic –at its end, there was hardly a wet eye in
house, and we’re easy criers (to be fair, we did come close during a
scene in which Chaplin’s “The Kid” plays, because… Chaplin’s “The
Kid”). To date, we’ve almost exclusively raved about Rahim, but here,
even when by virtue of being mute he doesn’t have to contend with the
dialogue, he seems lost in a role that mistakes screen time for
characterization (and however gray his hair, he does not look like the
father of 18 year-old twins). Potentially interesting, knotty
subplots, especially about religion, are picked up and dropped without
any real comment being made, and the occasional striking image of
bodies thrown into a well, or a hellish, Hieronymous Bosch-ish
Armenian refugee camp, just becomes so much backdrop for Rahim to
stumble through, anguished, on his way to the next setback.

Akin’s a director whose previous work we’ve admired enormously, and
“The Cut”‘s been high on our Most Anticipated lists since we first
heard about it. But part of his appeal has always been a kind of
rambunctious irreverence, like his iconoclastic use of music, and the
highly individual, raw authenticity he brought crackling to the
screen. But when it’s not awkward, “The Cut” is, of all things, staid,
and with a bland lead and uninspired execution it’s very very far from
the “Sergio Leone meets Charlie Chaplin” vibe that Akin teased.
Alexander Hacke’s score at times threatens to do something
interestingly anachronistic in its use of electric guitar, and Rainer
Klausman’s cinematography is handsome, but all else is folly:
grandiose, self-serious, and dull. But worst of all, it’s an
opportunity squandered: 2002’s “Ararat” aside, the world has waited a
long time for a major film that gets to the heart of one of the
worst-reported atrocities of the 20th Century. Guess we’re going to
have to wait a bit longer. [C-/D+]

http://blogs.indiewire.com/theplaylist/venice-review-fatih-akins-the-cut-starring-tahar-rahim-20140831

Ten days without the Georgian Military Road

Vestnik Kavkaza, Russia
Aug 30 2014

Ten days without the Georgian Military Road

30 August 2014 – 4:32pm

10 days have passed since the landslide in the Darial Gorge. All this
time, the Caucasus had to live without the Georgian Military Road.

However, over the past few days, thanks to the efforts taken by the
emergency services, the consequences of the disaster have slowly been
eliminated. The movement of vehicles through the Georgian customs
checkpoint Darialy has gradually resumed.

Starting from 12:00 o’clock today the checkpoint is working as usual
and cars are able to freely cross the Georgian-Russian state border.
This checkpoint will work 24 hours per day, the Ministry of Internal
Affairs of Georgia reported today.

Traffic on the Georgian Military Road was interrupted on August 20 by
a massive mudslide in the Darial Gorge caused by the Devdoraksky
glacier’s activity.

As Georgian President George Margvelashvili, who visited the disaster
area, stated the next day after the natural disaster, the restoration
of the road will take about two weeks. “The pipeline that supplies
Armenia will soon be restored … Our Armenian colleagues know exactly
what a priority for us the rehabilitation of the infrastructure is.
Last time we restored this very effective communication with Armenia,”
the head of state said.

La France fait un don de sept véhicules de secours et de lutte contr

ARMENIE
La France fait un don de sept véhicules de secours et de lutte contre
les incendies à l’Arménie

L’Organisation française > a fait don
de sept véhicules incendie et secours au ministère arménien des
Situations d’urgence a déclaré le directeur adjoint du Service de
Sauvetage, le major-général Nikolaï Grigorian aux journaliste.

Le Président de l’ONG le colonel Bernard Zhanen était présent lors de
la cérémonie.

Bernard Zhanen d’abord visité l’Arménie après le tremblement de terre
de Spitak, en tant que bénévole avec ses amis – pompiers-secouristes.
Depuis, il est revenu en Arménie à plusieurs reprises, chaque fois
avec une nouvelle initiative utile. En Septembre 2011, à l’occasion de
la Journée du personnel d’urgence, pour sa grande contribution
personnelle au système Bernard Zhanen a reçu du Président Serge
Sarkissian une Médaille d’Honneur. Il est également conseiller auprès
du ministre des Situations d’urgence d’Arménie.

>, a déclaré Nikolaï
Grigorian.

“Le ministère arménien des Situations d’urgence est le meilleur dans
la Communauté des États indépendants. Nous avons maintenant un centre
de gestion de crise merveilleux ce que tous les pays ne peuvent se
permettre >>, a-t-il ajouté.

L’Arménie et la France prévoient d’établir des équipes de secours volontaires.

Le Ministre des Situations d’urgence Armen Yeritsyan est l’auteur de
l’initiative. Le travail sera volontaire, mais le personnel pourra
jouir de certains privilèges.

dimanche 31 août 2014,
Stéphane (c)armenews.com

http://www.armenews.com/article.php3?id_article=102821

Expo Iran-Caucasus 2014 to receive visitors in Yerevan in September

Expo Iran-Caucasus 2014 to receive visitors in Yerevan in September

YEREVAN, August 29. /ARKA/. Expo Iran-Caucasus 2014 will be open on
September 12, 13 and 14 from 10:00 to 18:00 in the Armenian capital’s
Yerevan Expo exhibition center, New Expo told ARKA News Agency.

Dozens of organizations from Iran, Georgia and Armenia will expose
their products and present their services here.

New Expo Company was established in 2013. Its main activity is to
organize exhibitions. –0—

http://arka.am/en/news/society/expo_iran_caucasus_2014_to_receive_visitors_in_yerevan_in_september_/#sthash.ZK23GIwi.dpuf