ARF and European Socialists Delegations Meet in Yerevan

ARF and European Socialists Delegations Meet in Yerevan

asbarez
Friday, October 19th, 2012

A scene from the meeting

YEREVAN (ARF Press Office) – Representatives of the Party of European
Socialists (PES) and Members of the Group of the Progressive Alliance
of Socialists and Democrats in the European Parliament (S&D), are
participating in the delegation which is on a fact-finding mission for
the European Forum for Democracy and Solidarity, in Yerevan.

The aim of the delegation is to form an opinion of the
post-parliamentary election situation in Armenia, through meetings
with political parties and civil society. The delegation is headed by
the member of the Bulgarian Socialist party, Member of the European
Parliament and Co-Chairman of Euronest’s Parliamentary Assembly
Kristian Vigenin and European Forum’s Vice-President Jan Marinus
Wiersma. The delegation also included María Muñiz de Urquiza, member
of the Spanish Socialist and Labor Party, and of the European
Parliament’s Committee on Foreign Affairs, Edit Herczog, member of the
Hungarian Socialist Party and of the European Parliament’s EU-Armenia
Parliamentary Cooperation Committee as well as André Gerrits,
President of the Alfred Mozer Stichting.

The delegation was received by, the Armenian Revolutionary Federation
Supreme Council Chairman, Armen Rustamyan and Director of the
International Secretariat, Giro Manoyan.

The delegation was interested in ARF’s assessments concerning the
current situation in Armenia as well as the past parliamentary and the
upcoming presidential elections. They were also keen to know ARF’s
approach on Armenia’s foreign affairs with her neighboring countries,
especially the bilateral relation between Armenia and Turkey and the
Nagorno-Karabakh conflict.

The interlocutors also discussed about the relations between ARF and
PES and issues of joint cooperation.

In the morning, the European delegation had held a round table meeting
with four representatives from the civil society among which was the
Director of the Hrayr Maroukhian Foundation, Maria Titizian.

Armenian People’s Artist Sos Sargsyan’s health condition stable

Armenian People’s Artist Sos Sargsyan’s health condition stable

October 20, 2012 – 19:58 AMT

PanARMENIAN.Net – Armenian People’s Artist Sos Sargsyan’s health
condition is assessed as stable, Hamazgayin State Theatre director
said.

`Sos Sargsyan is currently getting a course of treatment at hospital.
He will soon be discharged from hospital,’ Vardan Lazarian told a
PanARMENIAN.Net reporter, denying rumors on the actor’s serious
condition.

Rumors circulated earlier that Armenian People’s Artist Sos Sargsyan
was in extremely bad condition.

Armenia Joins World Tourism Organization

ARMENIA JOINS WORLD TOURISM ORGANIZATION

news.am
October 19, 2012 | 12:50

YEREVAN.- Armenia has joined the World Tourism Organization (UNWTO)
signing Global Code of Ethics for Tourism during a solemn ceremony
held in Yerevan.

Armenia’s Economy Minister Tigran Davtyan, UNWTO Director General
Taleb Rifai and representatives of tourism sector participated in
the signing ceremony.

The emphasis is on organization of responsible and sustainable
tourism. The agreement focuses on the protection of human rights,
social-oriented policies, environmental responsibility, and
preservation of cultural values. The parties are obliged to use the
Code provisions in their work and report on implementation of its
provisions to the national government.

Global Code of Ethics for Tourism was adopted by UNWTO in 1999.

Government Policy To Subsidize The Print Media Is Wasteful And Point

GOVERNMENT POLICY TO SUBSIDIZE THE PRINT MEDIA IS WASTEFUL AND POINTLESS
Sara Petrosyan

hetq
17:51, October 18, 2012

The annual cost to run one daily newspaper in Armenia is more than
the 48 million AMD government 2012 subsidy to over 80 non-governmental
news outlets.

This “humanitarian” government program was launched in 1998, when
struggling news outlet representatives petitioned the government to
lift the burdensome VAT. The government decided to subsidize the media
instead; including the regional, literary, children’s and national
minority media.

Years later the list was expanded further to include everything but
the periodic press. The subsidy list included professional magazines
with a very restricted target audience, whose publishers were NGOs or
state agencies, the organs of regional and compatriotic organizations,
literary-cultural papers, etc.

You can only reach one conclusion by looking at the list – whoever
has a contact at the Ministry of Culture has been able to get their
publication included in the subsidy list. The allocated amount wasn’t
increased but was split amongst the registered names.

Directors of news outlets imagined the state assistance differently.

The decades old argument between publishers and media distributors
was never resolved and the government offered no help in this regard.

Locations of the print media were not freely privatized and handed
over to the publishers.

Furthermore, locations and print houses were seized, and today, we
have not one periodical approaching 100 years of operation that can
celebrate that anniversary in appropriate style. In a word, the policy
of state assistance is a policy of cajoling and gaining favour. The
government wants to create the impression that, on the one hand,
it is guaranteeing media diversity and diversity of opinion and,
on the other, whilst they haven’t solved an essential issue, with
that list we can achieve the reputation of being a nation of lovers
of reading within a circle of the uninformed.

Due to this policy, the print media is free today but it has sacrificed
its influence in return. National papers have regressed to becoming
regional ones due to their limited circulation, mostly being sold
in the capital. Regional papers, in turn, have become community
papers. People’s worldview has been restricted to the confines of
the community and neighbourhood.

You can’t retain the media by spending 300-500,000 AMD annually,
even though the majority receiving subsidies state that they survive
because of the financial assistance. They just don’t want to lose
that assistance. The assistance allocated by the government works out
to just one month’s expenses for those papers. Most of them confess
that they have no readers and that they distribute the papers and
magazines for free. They have no sales or subscribers, except in
cases when they force pensioners to buy papers with their pensions
or when they are able to force a few community leaders to buy them.

“To maintain papers in the regions, an administrative method is
applied. There’s no other way possible. In other words, the regional
governor must contact the village mayor and say that he or she must
subscribe to such and such a paper; for example 5-10 copies. If a paper
has 5-6 subscribers in each village it can survive. But there are 6
papers. Which one should a regional governor put in a good word for?”

The above is a portion of an interview given to Hetq two years ago
by Kanteghn Aragatzi Editor Artavazd Nazaryan (April 23, 2010). What
issues can a newspaper, kept afloat by administrative methods and sold
via the intercession of a regional governor, raise in its pages without
meeting with the disapproval of said regional governor. In fact, given
such self-censored content, can such papers and magazines be in demand?

Given this manner of publishing the print media, we are also, perhaps,
unique in the world – a subsidized press is published so that it can
be distributed free of charge. There are well-known foreign papers
that are distributed free of charge. They are unique to countries
with a strong economy. They attract a great amount of advertising
and their sales revenues aren’t all that decisive. But what issues
can be resolved with papers that are published a few times a year or
quarterly magazines. What is their social-political significance? It’s
incomprehensible.

Many news outlets included in the government subsidy list are one
man/woman operations. The editor is also the reporter, proof reader,
and computer operator and delivery person. There are newspapers that
have no office or are family operations. (I won’t call them businesses
because a paper that costs 135 AMD to produce has been selling at
100 AMD for the past 18 years). These are produced in someone’s home,
like lavash or some other household item. Here, we should the words of
one of our talented reporters Valerie Aydinyan – “Beer bottle labels
are also printed in the millions, but it isn’t the press”

A newspaper is the creation of collective work, where each contributes
his/her small part. The editorial office is a defined environment
which, especially in the regions, must bring together a certain
intellectual and political potential. An editor and the staff must
enjoy a respect and gravitas in the public sphere so that citizens
can entrust them with their problems and concerns.

The situation of many papers today reminds one of the private
commercial banks of 15 years ago in which there were those with
permission to expand the activities of the bank; those for whom the
“bank” was their hand bag. The banker would meet with clients in a
park somewhere, jot down numbers on a slip of paper about the thousands
of dollars the client had deposited, and leave. The citizens, who had
just entrusted the bank with thousands of dollars, wouldn’t ask about
the bank’s capital reserves or if the deposit was insured. Later,
when the bank “went under”, thousands of scammed depositors would
create a civic movement of “defrauded depositors”.

They would protest but get back nothing financially.

In these days of crisis for the print media, when the print runs of
the most influential and widely read papers are being cut, must we
prolong the lives of papers, whose links with readers have long been
cut, by providing artificial intravenous nourishment? Must government
assistance to the press be restricted to such a method?

In each province of Armenia, in each sector, there are 5-6 media that
are being subsidized. Based on the amount of the allocated amount,
500,000 AMD annually, we can state that this isn’t being done to make
information accessible to the populace.

Most of these papers play no role in public life. They have no editors
or editorial staff and residents have long forgotten about their
existence. It’s worthwhile to develop the regional media but based
on a well drafted set of standards in order to at least transform
one into a truly regional paper and not solely on a community level.

Naturally, nothing can be accomplished with the paltry amounts now
being allocated.

In Europe they wanted to preserve the impact of the media through
subsidies, given that their newspapers play a role in social and
political life and they assisted with the business plans of established
papers in order not to decrease the role of the media.

In Armenia, there are only two factors necessary for government
subsidies – that a paper be published once a month and that it print
at least 500 copies.

Such a policy is wasteful and pointless.

Armenian Pm’s Instructions Not Carried Out – Newspaper

ARMENIAN PM’S INSTRUCTIONS NOT CARRIED OUT – NEWSPAPER

news.am
October 19, 2012 | 07:14

YEREVAN. – Two Cabinet sessions ago, Armenia’s Premier Tigran Sargsyan
had instructed the ministers to oversee the implementation of the tax
liabilities of the organizations functioning under the ministries and
to submit reports to the next session in terms of carrying out the
tax obligations and with respect to the economic growth potential in
the given domain, Hraparak daily reports.

“He even stated that the first rapporteur will be [Education and
Science] ES Minister Armen Ashotyan, second, the Transport and
Communication Minister, third, the Energy and Natural Resources
Minister, etc. Yesterday [Thursday] was already the third session,
but utter silence in terms of reports.

This came to prove yet again as to whether or not the PM’s instructions
are taken seriously,” Hraparak writes.

"Are We Accusing Huntsman That They Speak?"

“ARE WE ACCUSING HUNTSMAN THAT THEY SPEAK?”

Story from Lragir.am News:

Published: 12:44:47 – 19/10/2012

The statement by the U.S. Ambassador to Armenia John Heffern on
Vartan Oskanian’s case deepened the suspicions, said the Republican
vice-chairman Galust Sahakyan. He noted that it was the first case
when the U.S. ambassador issued such a statement.

Galust Sahakyan wonders why the ambassador was asked to issue the
opinion of the U.S. but issued his personal stance. Sahakyan described
the U.S. official’s statements as very cunning.

Galust Sahakyan noted that it is incomprehensible why the ambassador
issues his stance in case it is not about Huntsman but Oskanian. “Are
we accusing Huntsman that they speak?” says Sahakyan.

At the same time, the Republican vice-chairman says that they just
want to understand how a person can give 2 million to someone and tell
him or her to spend as they want. Any philanthropist, when giving the
money, provides also the program. He said that he does not want to
believe that Oskanian is guilty otherwise it will be found out they
have worked with a criminal for 10 years.

Sahakyan says that if Oskanian is found out not guilty the relevant
bodies will apologize or will bear consequences.

http://www.lragir.am/engsrc/country27778.html

Istituto Francese: Festival D’Armenia

ISTITUTO FRANCESE: FESTIVAL D’ARMENIA

inToscana
18 ottobre 2012
Italia

Venerdì 19 ottobre ore 20.30 nell’ambito del Festival d’Armenia a
Firenze l’Institut francais Firenze ospita (ore 20.30/INGRESSO LIBERO)
lo spettacolo ” UN C~LUR S’ANIMERA…IL PARLERA “. Tratto dal testo
omonimo di Ada Kagramanian, per la regia di Nicolas Musin, che cura
anche le immagini, e con l’interpretazione di Fernanda Diniz, la pièce
riprende il tema letterario di Galatea e Pigmalione.

Il Festival d’Armenia a Firenze è organizzato dall’Associazione Delta
Culture e dall’Universita di Stato d’Architettura e di Costruzione di
Erevan, in collaborazione con Fondazione Romualdo Del Bianco-Life
Beyond Tourism, Facolta d’Architettura dell’Universita di Firenze e
Institut francais Firenze, col Patrocinio di Ministero dell’educazione
e delle scienze d’Armenia, Ambasciata d’Armenia in Italia e Ambasciata
d’Italia in Armenia. Il festival ha lo scopo di presentare la
tradizione e la cultura armene alla comunita di Firenze.

Tra gli eventi previsti, una mostra di storia dell’architettura e di
arte contemporanea, un concerto di musica armena ed uno spettacolo
teatrale. Il programma accademico includera tavole rotonde e di
discussione che apportino una riflessione sui problemi attuali nel
sistema dell’educazione.

18/10/2012

http://www.intoscana.it/intoscana2/opencms/intoscana/sito-intoscana/Contenuti_intoscana/Canali/Eventi/visualizza_asset.html?id=1166254&pagename=704617

Russian Foreign Ministry: Planning The Meeting Of Azerbaijani And Ar

RUSSIAN FOREIGN MINISTRY: PLANNING THE MEETING OF AZERBAIJANI AND ARMENIAN FOREIGN MINISTERS IS NOT ONLY FRANCE’S INITIATIVE

APA
Oct 18 2012
Azerbaijan

“OSCE Minsk Group co-chairs are equally showing initiative in the
process of settlement of Nagorno Karabakh conflict”

Moscow. Farid Æ~OkbE~Yrov – APA. Planning the meeting of Azerbaijani
and Armenian foreign ministers is not only France’s initiative,
special representative of the Russian Foreign Ministry Alexander
Lukashevich told APA’s Moscow correspondent.

Commenting on views that France has taken the initiative in the
negotiations on the resolution of Nagorno Karabakh conflict, special
representative of the Russian Foreign Ministry said OSCE Minsk Group
(US, France and Russia) co-chairs are working on the solution to
the problem.

“All the three countries are equally showing initiative in the process
of settlement of Nagorno Karabakh conflict. The meeting between
Azerbaijani and Armenian foreign ministers has been agreed with the
OSCE Minsk Group co-chairs. The initiative to hold the meeting in
France may have been put forward by them. The continuation of the
negotiations is the result of the joint activity of the co-chairing
countries,” he said.

Alexander Lukashevich said the meeting of Azerbaijani and Armenian
foreign ministers will be held at the end of this month.

“The place of the meeting has not been determined yet. Depending on
the results of this meeting, OSCE Minsk Group co-chairs will visit
the region. Moscow supports dialogue between Azerbaijan and Armenia
towards the resolution of Nagorno Karabakh conflict. It is important
that the sides continue the process of negotiations”, he said.

ANKARA: Zirve Massacre Suspect: Ergenekon’s Armed Wing Still Active

ZIRVE MASSACRE SUSPECT: ERGENEKON’S ARMED WING STILL ACTIVE

Today’s Zaman
Oct 18 2012
Turkey

A suspect standing trial in the Zirve Publishing House massacre
case has told the court that the National Strategies and Operations
Department of Turkey (TUSHAD), the armed wing of the Ergenekon
crime network, is still active and continues to plot attacks against
non-Muslims.

Suspect İlker Cınar, who was heard by the Malatya 3rd High Criminal
Court on Wednesday, told the court that TUSHAD, a clandestine
organization within the Turkish Armed Forces (TSK), is behind the
attacks against non-Muslim minorities and Christians and that it is
the armed wing of Ergenekon.

Ergenekon is a shadowy crime network which has alleged links within
the state and is suspected of plotting to topple the government.

The Zirve Publishing House massacre concerns the brutal killing of
three Christian publishers based in Malatya in 2007, which led to an
outrage in the country.

Cınar was heard by the court after he sent a petition to the court
saying that there are things he would like to tell.

He said he testified to former İstanbul Specially Authorized Chief
Prosecutor Zekeriya Oz on Dec. 24 and Dec. 28, 2010 and March 14, 2011
as a secret witness in the case with the codename “Deniz Uygar.” He
said his statements to the prosecutor led to the discovery of TUSHAD
and individuals against whom he filed criminal complaints being put
in jail.

According to the indictment in the Zirve massacre, TUSHAD was
established in 1993 by former four-star Gen. HurÅ~_it Tolon on
instructions from the illegal Ergenekon organization while Tolon
was serving as secretary-general of the General Staff. The 761-page
indictment lists 19 suspects and was accepted by the Malatya 3rd
High Criminal Court earlier this year. In the additional indictment,
Tolon — also a key suspect in the Ergenekon investigation together
with retired Col. Mehmet Ulger, a former Malatya gendarmerie regiment
commander, and Maj. Haydar YeÅ~_il — stands among the accused.

According to the prosecutors, the Zirve massacre was carried out by
the Malatya cell of TUSHAD.

Indicating that TUSHAD is a clandestine organization nested in
state institutions, Cınar said: “There is this structure behind the
reprehensible attacks against non-Muslims and Christians and it is
never the state. TUSHAD is the armed wing of Ergenekon.”

Cınar also noted that he joined the White Forces Command, which
is linked to TUSHAD, in late 1993 and was briefed on missionary
activities.

“My instructor was Levent Ersöz [a general who is a prime suspect
in the Ergenekon case]. I received orders from this person. I met
missionaries and socialized with them. I am a Muslim. I did not adopt
Christianity. I conveyed all the intelligence I gathered to TUSHAD
through couriers who came to me,” he said.

Cınar also told the court that he learned from retired Col. Mehmet
Ulger, the former commander of the Malatya Provincial Gendarmerie
Command, during a workshop that an attack would be carried out against
the Zirve Publishing House in Malatya, but he did not know that it
would include the killing of the publishers.

“If I had understood that murder [of the publishers] was intended
in this attack, I would have done what was necessary to prevent it,”
he added.

Cınar said he was invited to Malatya following the murder, but
that when he criticized the attack, Ulger threatened him, saying:
“The Zirve, Hrant and Santoro [killings] are operations. The Zirve
incident will be attributed to the AKP [Justice and Development Party
government] and the Gulen movement with fake intelligence documents.”

The Zirve massacre was preceded by other attacks against non-Muslim
figures in the country. Catholic priest Andrea Santoro was killed in
Trabzon in February 2006, while Turkish Armenian journalist Hrant Dink
was killed in January 2007, both incidents that horrified the country,
sparking debate about the safety of non-Muslims in Turkey.

Art: Kevork Khatcherian Weaves Bold Statements

KEVORK KHATCHERIAN WEAVES BOLD STATEMENTS
by: Beckie Strum

The Daily Star (Lebanon)
October 18, 2012 Thursday

Jewelery sculptor best describes Kevork Khatcherian, whose intricate
metal work weaves tangled webs of sparkling bracelets, necklaces and
novelty items.

BEIRUT: Jewelery sculptor best describes Kevork Khatcherian, whose
intricate metal work weaves tangled webs of sparkling bracelets,
necklaces and novelty items. After working for more than 20 years
in Beirut and expanding to markets in Europe and the United States,
Khatcherian has opened a new gallery for his Arvesti brand in Corniche
al-Nahr, just a block away from the humble workshop where he began.

“I was born on this street,” said Khatcherian with the soft-spoken
humility of a self-made man. “The old workshop was getting too small.”

Khatcherian opened the doors of his new shop less than a month ago:
a bright, open gallery furnished from reused materials. Old Ottoman
tiles make up the floor and the decorative wooden ceiling is crafted
from wooden doors and shutters.

“Just like I started my business during the [Lebanese Civil] War,
I believe when one door closes another one opens. It’s a circle –
and this is how I remember,” he said looking up at the chestnut
colored doors above him.

The designer will hold a grand opening for the new gallery before
the end of the year, he said.

Colorful and highly detailed, much of the Arvesti jewelerycollection
turns floral patterns or subtle animal motifs into elaborate statement
pieces.

Twisting vines in the muted, metallic hues of copper and brass allow
gems and semiprecious stones in twinkling sky blues, amethyst and
lapis yellow to pop.

Khatcherian’s grandfather also worked with copper and brass, making
bowls and other practical metal objects. A relic of his grandfather’s
work sits encased at the shop.

One of his necklaces – all of which combine various shapes and natural
motifs – epitomized the complexity of Khatcherian’s designs.

Delicate vines start at the back of the neck, turning to fern-like
leaves that break off into a perfect square of 49 rubies on one side
and abstract gem and metal designs on the other. The necklace comes
together at a double centerpiece: a large teardrop beside a long row
of multi-colored gems.

His work invokes a combination of artistic eras, but none more clearly
than pure Romanticism. The nods to nature, the impressive colored
gems set against dark metals and swirling details unite as if the
jeweleryon display were stained glass windows twisted and reshaped.

The designer cites nature and beautiful women as his primary
inspirations.

“I love nature, but I see that nature has gone from Lebanon,”
Khatcherian lamented. “They construct many new buildings but without
green spaces.”

Khatcherian’s work, however, is not for the minimalist.

He describes his typical customer as strong and unique. His
ostentatious designs likewise attract women with confidence and big
personalities.

Much of Arvesti is set in gold-plated metal. These bright pieces –
such as bracelets of golden wiry detail that trail 15 centimeters up
the arm – are not for a wallflower personality.

But a number of his designs also have a very bohemian feel. For
instance, dark-plated copper circles intersect to make up an armband
set with subtle green gems. Its lightness gives it versatility for
day or night.

A ring of a similar palette comprises a copper leaf for its band that
twists around the finger and set with a green bejeweled orb.

He also creates a variety of copper or brass wrist cuffs set with
gems in every shade.

Khatcherian’s novelty items range from light, wiry flower holders
perfect for a bridal bouquet to dramatic silver collars meant to be
paired with an evening or bridal gown.

Even the chandelier in the gallery comes from his workshop.

Before opening the gallery off Armenia Street, Khatcherian had designed
jeweleryfrom a modest workshop just around the corner. Taking a tour
of his humble beginnings shows just how far Khatcherian had come.

Khatcherian started his craft as an employee at a gold shop in the
1980s. After two years of work, the Civil War forced the shop to
close. Unemployment led the young designer to set up his own workshop.

In 1995, Khatcherian held an exhibit at the French Cultural Center
in Beirut. He marks this as the turning point in his design career,
as it attracted local and international clients and media attention.

Since then, his designs have bejeweled regional celebrities such as
Fayrouz and the casts at Mansour Rahbani’s theaters.

And for now, Khatcherian said he’s looking forward to pushing further
into Western markets and to settling into his new space.