Canadian Professor Delivers Lecture On Genocide In Yerevan

CANADIAN PROFESSOR DELIVERS LECTURE ON GENOCIDE IN YEREVAN

PanARMENIAN.Net
December 2, 2011 – 16:25 AMT

PanARMENIAN.Net – The Armenian Assembly of America’s Yerevan Office,
as part of its ongoing Youth Club lecture series, hosted a special
presentation by Dr. Alan Whitehorn on the Armenian Genocide and the
challenges facing Armenian society.

Professor Whitehorn of the Royal Military College of Canada is an
expert on human rights and genocide. He is also a specialist on
Canadian politics. Whitehorn, also a poet, has published numerous
books and articles.

During his presentation, Whitehorn stressed the importance of proper
human rights and genocide education, and focused on key methods
to develop and improve genocide education in Armenia. In order to
better understand the magnitude of the crime, Whitehorn underscored
the importance of addressing the multifaceted dimensions of genocide
and the consequences of its denial. He also explained that when
discussing the subject matter with non-Armenians, the emphasis should
not just be on the numbers killed, but also on the lasting impact it
has throughout society. He went on to speak about the importance of
genocide recognition and compensation.

Dr. Whitehorn shared that he started studying the Armenian Genocide
when he was a college student. His grandmother greatly inspired him
with the stories of her trying journey of deportation and survival. He
visited the Republic of Armenia for the first time in 2005. Ever
since, he has been a regular guest at many Armenian universities,
public and private institutions, as well as government ministries.

Bako Sahakyan Thanks Uruguay Continuous Assistance To NKR

BAKO SAHAKYAN THANKS URUGUAY CONTINUOUS ASSISTANCE TO NKR

PanARMENIAN.Net
December 2, 2011 – 16:53 AMT

PanARMENIAN.Net – On December 1, the President of the Artsakh Republic
Bako Sahakyan visited the parliament of the Oriental Republic of
Uruguay to meet the speaker of Uruguay’s House of Deputies Luis
Lacalle, the President of the Commission of International Affairs
of the House of Representatives of the Parliament of Uruguay Maria
Elena Laurnaga and a group of the House of Representatives and
Senate members.

Issues related to life in the NKR, its foreign policy, strengthening
of Artsakh-Uruguay ties and regional developments were discussed
during the meeting.

President Sahakyan noted Uruguay’s continuous assistance to Armenian
people, sincerely thanking the country for being the first to have
recognized the Armenian Genocide.

NKR leader pointed out Artsakh and Uruguay as countries which have
passed similar paths towards independence, which further approximates
the two countries.

Dwelling on Karabakh issue, President Sahakyan stressed NKR adherence
to peaceful settlement of the conflict which does not mean that
Artsakh is unable to defend itself or accepts a possibility of a
return to the past.

Both sides expressed their interest in developing bilateral relations.

President Sahakyan noted that cementing ties with Uruguay will have
a positive effect on the maintenance of peace and stability in the
region as well as international recognition of the Artsakh Republic.

After the meeting, NKR leader, accompanied by the Uruguayan
parliamentarians visited the tomb of Uruguay national hero Jose
Gervasio Artigas.

Primate of the Artsakh Diocese of the Armenian Apostolic Church
Archbishop Pargev Martirosyan, ambassador extraordinary and
plenipotentiary of the Republic of Armenia in Argentina, Uruguay
and Chile Vladimir Karmirshalyan, head of the central information
department of the office of the Artsakh Republic President David
Babayan partook in the meeting.

NKR delegation returned to Buenos Aires on the same day, Central
Information Department at Artsakh President’s office reported.

NKR President: Baku’s Destructive Position Main Reason For Karabakh

NKR PRESIDENT: BAKU’S DESTRUCTIVE POSITION MAIN REASON FOR KARABAKH ISSUE STANDSTILL

PanARMENIAN.Net
December 2, 2011 – 17:05 AMT

PanARMENIAN.Net – On December 1, the President of the Artsakh Republic
Bako Sahakyan visited the Argentinean parliament to meet the First
Vice President of the Chamber of Deputies Oscar Aguad, the President
of the Commission for Foreign Affairs of the Chamber of Deputies
Alfredo Atanasof and a group of deputies.

A wide range of issues on internal and foreign policy of Artsakh,
development of bilateral relations and Karabakh conflict settlement
were discussed during the meeting.

As Artsakh President stated, Artsakh is interested in strengthening
cooperation with a friendly state of Argentina. President Sahakyan
expressed gratitude to Argentina for Armenian Genocide recognition,
noting it as a serious political and moral victory for the civilized
world.

Dwelling on Karabakh settlement, Artsakh leader noted Azerbaijan’s
destructive policy as the main reason for the standstill.

The Argentinean parliamentarians, in turn, stressed the importance of
the meeting, underlining their awareness of the state building process
in Artsakh and giving high assessment to the republic’s achievements
in promotion of democratic civil society.

Primate of the Artsakh Diocese of the Armenian Apostolic Church
Archbishop Pargev Martirosyan, ambassador extraordinary and
plenipotentiary of the Republic of Armenia in Argentina, Uruguay
and Chile Vladimir Karmirshalyan, head of the central information
department of the office of the Artsakh Republic President David
Babayan partook in the meetings, Central Information Department at
Artsakh President’s office reported.

Cuisine And Culture: UNESCO Puts Armenian Harisa On List Of Turkish

CUISINE AND CULTURE: UNESCO PUTS ARMENIAN HARISA ON LIST OF TURKISH NATIONAL DISHES
By Gayane Lazarian

ArmeniaNow
02.12.11

One of the most popular dishes of the Armenian ethnic cuisine –
harisa – has appeared this week on the UNESCO list of world heritage
as a Turkish national dish called Keshkesk. The news has outraged
many in Armenia.

Sedrak Mamulyan, heading Development and Preservation of the Armenian
Culinary Traditions NGO, says harisa can absolutely not be Turkish.

“We have had two kinds of harisa: the harisa itself and kashika,
which has been transformed by the Turks into keshkesh. Kashika is
cooked in a tonir (cylindrical clay oven), and the fact that only
Armenians have had in-ground tonirs excludes the possibility of this
dish being Turkish. Turks never had tonirs,” he says.

Kashika is mutton (or chicken) and wheat cooked together in a jar in
a tonir semi-buried or built in the ground (the heat is traditionally
generated by charcoal or wood fire, burning within the tonir itself,
thus exposing the food to live-fire giving a peculiar taste), whereas
harisa is cooked in above-ground ovens, and have to be stirred
constantly (for hours) until it’s cooked. The name “harisa” derives
from the Armenian word for stir – “harel” .

Mamulyan says pagan Armenians made tonirs in resemblance with the
setting sun “going into the ground” (Sun being the main deity) and
Armenian women even bowed to the tonir before starting to bake bread
or cook something in it.

“Tonir Fest” will be held next summer, on August 11, for the Navasard
holiday (the old Armenian “New Year”, which was dedicated to 7
Armenian pagan gods), featuring dishes cooked in this forefather of
the modern oven.

Eurovision As A Perfect Chance To Make Friends From Other Countries

EUROVISION AS A PERFECT CHANCE TO MAKE FRIENDS FROM OTHER COUNTRIES
Anna Balyan

“Radiolur”
02.12.2011 14:17

More than 30 journalists from European countries are constantly working
at the Eurovision press center in Yerevan. The center in the Sport and
Concert Complex is supplied with computers, monitors and everything
else for the comfortable work of the reporters.

Moshe Melman from Israel has been a Eurovision fun from 1970s. He has
been covering the Eurovision Song Contest for many years for his own
website and the Greek oikotimes.com. He says he would like Israel to
joint the Junior Eurovision Song Contest.

Moshe Melman has not yet left the press room to walk in the city,
while Juergen Boernig from the Dutch Radio International has managed
to see not only Yerevan, but also Etchmiadzin – “the Armenian Vatican.”

There is one thing that surprised Boernig upon his arrival at the
Zvartnots airport. Unlike other ex-Soviet countries, people in Armenia
are smiling.

“People here are smiling, which is very nice, I was not expecting
that. People in other ex-Soviet countries are not smiling, going to
Russia, for instance,” he said.

“It’s very nice at the venue of the Junior Eurovision,” the journalist
said, adding, however, that “it’s cold, and that’s the bad part of it.”

“I don’t know much about the Armenian people. The Eurovision is a
chance to meet people from this country and know something more about
their traditions. Eurovision is the perfect thing for that. There
is no other event, where you can meet other nations and make friends
from other countries,” Jacob Neon of Serbia said.

Rafael Vaganian At Snowdrops – Oldhands Match

RAFAEL VAGANIAN AT SNOWDROPS – OLDHANDS MATCH

Panorama
Dec 1 2011
Armenia

Rafael Vaganian will take part in the “Snowdrops” – “Oldhands” match
to be held in Marianske Lazne, Czech Republic on December 3-11.

Besides Vaganian, Robert Hubner, Vlastimil Hort, Boris Gulko are also
in the team “Oldhands.”

Tania Sachdev, Natalia Pogonina, Eva Kulovana and Maria Muzychuk play
in the team “Snowdrops.”

Book About History, Culture Of Artsakh Published In Paris

BOOK ABOUT HISTORY, CULTURE OF ARTSAKH PUBLISHED IN PARIS

Panorama
Dec 1 2011
Armenia

On the occasion of the 20th anniversary of the independence of the
Nagorno-Karabakh Republic, an illustrated book – Artsakh: a Garden of
Armenian Traditions and Art – was published in Paris in the French and
English languages, under the aegis of the NKR Ministry of Culture and
Youth Affairs and with the assistance of Support to Nagorno-Karabakh
organization operating in France, NKR MFA press service said.

The book gives its readers an exceptional chance to get
acquainted with the history of Artsakh, its archeological heritage,
historical-architectural monuments, manuscripts, and carpet-weaving
school.

The book’s authors are prominent scientists and academics – history
and culture experts of Artsakh.

Jerusalem: A Souvenir From The Armenian Quarter

JERUSALEM: A SOUVENIR FROM THE ARMENIAN QUARTER
By: Gayane Khechoomian

Haytoug Magazine

Dec 1 2011

In Memoriam: Vahik Aroustamian, Beloved Uncle (1955-2007)

Last summer I woke up on the rooftop of a hostel in the Jewish
quarter of Jerusalem’s Old City. Before the sun had a chance to let
me know I had been sleeping outside, the Islamic ‘call to prayer’
sounding from the mosque speakers reminded me that even at 5 a.m.,
God is Great (“Allahu Akbar” in Arabic). Three hours later, the church
bells commanded my attention. I was wide-awake, living a dream.

This ancient part of the world, where the four corners of the earth
meet, is the sight holiest to the three Abrahamic religions. The
Jewish, Christian, Muslim and Armenian Quarters make up this 0.35
square mile fortress-like city. Here, the cobblestones of narrow
streets are a time machine to a time long ago and every road has its
own idea of the elevation and direction that humans should walk. The
daytime bazaar is like a scene out of Disney’s Aladdin where everybody
is “my friend” and everybody has something pretty to sell to a
pretty girl.

The smell of herbs and pastries fill the Muslim Quarter, where a
non-Muslim cannot venture too far without being stopped and told to
return. The sounds of people gathering at the Western Wall on Shabbat
(the Seventh Day of rest in Judaism) fill the Jewish Quarter every
Friday. The sight of the Church of the Holy Sepulchre in the Christian
Quarter, which was once that of Jesus’ crucifixion, is headquarters
to the Greek Orthodox Patriarch of Jerusalem.

The story of how I ended up in the Old City doesn’t go back quite
as far as the presence of Armenians in Jerusalem, which predates
Christianity. It was five years ago in my Armenian history class
at UCLA that Professor Richard Hovannisian described the age-old
tradition of Armenian pilgrims in the Armenian Quarter. It was then
I started dreaming about the day I would embark on a solitary journey
to the historical city.

Out of the four quarters, the Armenian is the smallest and the most
walled off. Home to roughly 500 Armenians, it makes up one-sixth of
the city. Armenian cafes, taverns, restaurants and souvenir shops
selling famous ceramics are found on streets with Armenian names
written in Arabic and Hebrew scripts.

For hundreds of years, Christian pilgrims have made journeys to the
Holy Land, taking with them one souvenir:

“What kind of tattoo do you want?” Wassim Razzouk, my Harley-riding
tattoo-artist asked.

“Give me what you give Armenian pilgrims,” I said hoping he’d know
what I was talking about.

Turns out he knew exactly what I was talking about. The year before,
he had tattooed seven Armenians from New York, all around my age. In
fact, one of the first tattoos done by Wassim’s ancestors was one of
Armenian letters dating back to 1749. That was around the time his
Coptic Christian family moved from Egypt to Jerusalem, where they
have tattooed Christian pilgrims for the past 250 years.

My uncle hoped to be one of those pilgrims. As the ink settled into
my arm, I thought about how he dreamed to one day be at the very spot
I was. And it dawned on me that it had been exactly four years to the
day since his passing. But if there were ever a time and place where
surrealism reigns, it would be the Old City. Because here, there is
no sense of time, no separation of modern and ancient. The religious
air has pervaded throughout the centuries and permeates every corner
of the old town.

I escaped into the Armenian Quarter where the St. James monastery
has stood since the 14th century. The church that provided refuge to
Armenians during the Genocide, now provided refuge to me from a world
where the struggle for cultural survival follows each generation. The
familiarity of the Priest’s voice echoing within the church walls
resonated with my soul. I walked out of the ornate room and rounded
the corner to a courtyard surrounded by Armenian dwellings. That’s
where I saw the majestic cross-stone statue standing in front of me
like an epiphany.

“I have no idea what it is like to be an Armenian,” William Saroyan
wrote in his short story Seventy Thousand Assyrians. “I have a faint
idea of what it is like to be alive.”

And looking down on the ink on my right forearm, I smiled to myself.

http://www.haytoug.org/3246/jerusalem-a-souvenir-from-the-armenian-quarter

Yerevan. The Carousel City.

Yerevan. The Carousel City.
By: Vrej Haroutounian

Haytoug Magazine

Dec 1 2011

A few months ago when I was in Yerevan, a friend and I found ourselves
leisurely strolling down Abovyan Street whilst talking about our
immediate experiences of the last few weeks. She turned around to
me and said, “This city is kind of like a never-ending carousel, you
get on at one place and you get off at another but during the whole
time you are just going around and around the city.” Yerevan was a
carousel and we were traversing its circuitous path as it presented
us our life’s surroundings by what history had built.

Every city is mirror for and reflection of society. The city creates
a backdrop to a theatrical performance, which is the life of the
people interacting in it. We build the city to reflect what we
would like to have as the backdrop to the story of our lives, and
after the city ages she reminds us of our thoughts at the time and
what scenes from our life’s play we were performing then. Even if we
might forget the details, the city-in all that it is and isn’t in that
moment-will forever remind us. Through its buildings, parks, streets,
and movements, the city becomes the physical execution of all of our
intellectual and physical expressions, as we build our ideals into
our cities. We build our dreams into our city, we build our souls
into the city, and then the city reflects back to us the spirit with
which we created all that we did during that particular moment in time.

When we look at some of the streets and buildings in Yerevan they take
us back to the 1940’s era of Yerevan and we start imagining how people
lived then, and what clothing they wore and what books they read,
how they greeted each other. When we look at the taller buildings
built around the 60’s – 70’s we think about why the shift took place,
we notice the change in the building design. If we look carefully
enough, we can see the details in the quality of construction, we can
understand why a shift happened in the material quality, why buildings
went from 4 stories to 16. We start to think about why these changes
took place, if the quality of construction went up that means the city
was prospering if it went down, then the economy was not doing well,
or maybe there was corruption, or a shift in construction material,
or ideology. The city starts becoming a record of the people that
built her and why they built her the way they did, as the backdrop
to the theatrical performance of their lives at the time.

Then the fun begins because you are the main actor of a theatrical
performance of your life story, and the backdrop is Yerevan. The
year is 2012 for example. The season, summer. The scene starts with
you waking up and walking down the street. Where do you get a cup
of coffee? At a cafe in the corner of a small street? At a cafe that
surrounds Opera that is covering what used to be a large park? Or at a
friend’s house? The decision you make in the theatrical performance of
your life will, over time, mirror in the urban landscape of Yerevan,
because if you want that park to reappear from below that cafe,
then you should have your coffee on the corner of a street or at
a friend’s house and not deprive nature of her natural greenery by
increasing the need for more cafes.

Then the question becomes, do we favor Cafes over Parks, do we favor
street vendors over Super Markets, do we favor public transportation or
the dream of each having a Range Rover? What do we want the backdrop
of life to look like? The city will reflect in physical form, each
and every choice we make in how we choose to live. When we choose
the Range Rover, the streets will get wider over time and the public
transportation suffers as congestion increases. By choosing to shop
at commercialized supermarkets, street vending will become obsolete,
barring access to more natural, non-synthetic food, and yet goods
will be conveniently and easily accessible in wholesale at these
markets, ready to be purchased and placed inside those very Range
Rovers we drive.

We are the architects of our surroundings. Architecture is a democratic
process that we all engage in everyday. If we want to live in a
pedestrian-friendly Yerevan then we have to incorporate walking
into our everyday lives. If we want to have street vendors, then we
need to support them with that extra effort of walking to where they
are. Walking twenty more minutes to get our groceries would in turn
be great exercise as well.

Next time you wake up in Yerevan think to yourself, “I am in a unique
city with a great backdrop that was created by a very unique people
over the last hundreds of years as the backdrop for the theatrical
performance of my life that is going to take place today. What is my
performance going to be as an actor walking through that set and how
might my actions and decisions impact the city?” Imagine yourself as
an actor putting on a performance as you walk through this great city,
read her history with your senses, and write her present and future
with your actions.

http://www.haytoug.org/3240/yerevan-the-carousel-city

A Kardashian Offers Vintage Fashion On The East Side

A KARDASHIAN OFFERS VINTAGE FASHION ON THE EAST SIDE
By Mary Johnson

DNAinfo.com

Dec 1 2011

MIDTOWN EAST – There’s a Kardashian living in Midtown East who loves
high-end, designer clothing with low necklines and stylish flairs –
only this beautiful brunette isn’t trailed by paparazzi or plagued
by tabloid rumors.

Her name is Janetta Kardashian, and she runs a tiny but swanky
second-hand store called NY Vintage Club at 1073 First Ave. near
East 59th Street. She’s never met the reality TV-friendly trio of
Armenian sisters who share her name, but she supposes there is a
distant connection.

“All Kardashians are related,” said the storeowner, 40, an Armenian
from Russia who came to the United States in 1993.

Despite the reality TV ups and downs that have befallen her possibly
distant relatives, Kardashian has managed to maintain a drama-free
lifestyle. Over the past decade or so, she has built a business and
a reputation all on her own.

Her store on First Avenue doesn’t stock old prom dresses or
run-of-the-mill Louis Vuitton purses. Instead, her racks are full of
sable fur coats, mink dresses, $1,000 evening gowns and a coat made
of real leopard skin.

Kardashian has helped Yoko Ono, the Olsen twins and Oscar winner
Frances McDormand sift through her stock, which is now overflowing with
Jimmy Choo stilettos and at least one handbag made out of ostrich. The
desktop image on her work computer features a photo of her and fashion
designer Marc Jacobs at one of his infamous soirees.

Hers is really the only vintage shop in the neighborhood, and though
the area lacks the retail prowess of shopping hubs further west,
she makes up for it in spades.

“This place, it’s like a clubhouse,” Kardashian said. “[My customers]
all share their secrets here, their love affairs.”

Her shoppers like to linger inside for hours, she said, trying on a
few things, gossiping over cups of tea and rarely leaving empty-handed.

On her website, Kardashian notes that she will validate parking for
customers who spend more than $800 inside her store. Reaching that
amount is surprisingly easy, she explained, since she rarely prices
any of her items at less than $350.

Kardashian came to New York 18 years ago for love. Her romance didn’t
last, but her affair with New York City did.

“Saw all the lights. Never went back,” she recalled.

Kardashian started her career in finance and technology, but she
always had “a tremendous passion for fashion,” she said.

In Russia, she worked for an Italian oil company. On business trips to
Italy, she would purchase mounds of clothes, stuff them into suitcases
and sell them to her Russian friends.

“I would come [home] with three suitcases – gone in two days,”
she explained.

In New York, her coworkers would solicit Kardashian’s opinion on new
purchases or style choices, often summoning her into the bathroom
for impromptu fashion appraisals, she said.

Eventually, Kardashian decided to leave the corporate world and launch
her own business, NY Vintage Club. She nabbed a little storefront on
First Avenue and East 59th Street, just a few feet from her current
spot. A month later, her shop was written up in Elle magazine.

“I wanted one-of-a-kind pieces. I wanted not to follow fashion. I
wanted to create style,” she explained.

“I have to be honest,” she added, “it worked from day one.”

Over the years, the shop has seen its share of “soap operas” and
customers with odd proclivities, and Kardashian said that nothing
surprises her anymore.

One woman from Brazil shops there just four times a year – and only
at 10 p.m., long after the store’s official close.

Every visit, the customer orders sushi from a restaurant nearby and
sips flutes of champagne, Kardashian said. She never tries anything
on, instead asking her driver, “Do you think I will look good in this?”

Kardashian moved NY Vintage Club to its current location at 1073
First Ave. about three years ago, and by the end of the year she is
hoping to move yet again. She has her heart set on either East 57th
Street and Madison Avenue or East 60th Street and Lexington Avenue –
although on the second floor, not the first.

“Obviously, I cannot pull this off on the first floor,” she said,
gesturing at her small but selective stock of specialty items,
including an ornate jacket she said was once worn by Cher and a sable
fur coat that she claims could easily fetch $50,000 retail.

Kardashian’s sticker price for the item is just $2,500.

Her clientele – a loyal following that often accompanies her on girls’
outings to the opera or the ballet – are sad to see her leave the
stretch of First Avenue. But although Kardashian may be a little
farther west, she will still be in the neighborhood, she explained.

“I live here. I know everyone,” she said. “You need to know the spirit
[of a neighborhood].”

http://www.dnainfo.com/20111201/murray-hill-gramercy/kardashian-offers-vintage-fashion-on-east-side