Members Of Armenian Opposition Bloc Do Not Argue For MP Seats

MEMBERS OF ARMENIAN OPPOSITION BLOC DO NOT ARGUE FOR MP SEATS

news.am
March 14, 2012 | 14:30

YEREVAN.- The proportional list of the opposition Armenian National
Congress (ANC) will not include only those who have ambitions to
become an MP, ANC member Hrant Bagratyan said.

“Top place in the list is not important for me. Being elected to the
parliament we will be able to hold heated economic debates with the
authorities which is not done by the present parliamentary opposition,”
he added.

The discussions on ANC proportional list are being held but the final
decision had not been made so far.

“There are definitely certain people who demand top places in the list,
it is their right,” he concluded.

Diaspora Ministry’s Affront To The Diaspora

DIASPORA MINISTRY’S AFFRONT TO THE DIASPORA
BY ARA KHACHATOURIAN

asbarez

13 March 2012

The homepage of the Virtual Armenian Diaspora Museum

Armenia’s Diaspora Ministry on Tuesday unveiled a Virtual
Armenian Diaspora Museum, which contains so many factual errors,
inconsistencies and inaccuracies that if it were meant to bolster
the image of the Diaspora, it does the exact opposite.

According to Armenia’s State Radio, “The aim of the Virtual Museum
of Armenian Diaspora is to introduce the history of the Armenian
people, the present and the future. The project will make the history,
cultural heritage and achievements of the Armenian people available
to the public, will develop and instill among young people of the
Diaspora the idea of Armenian national identity, the feeling of pride
for belonging to the Armenian nation, will make Armenian communities
of Diaspora recognizable to each other. It also aims to strengthen
ties between Homeland and Diaspora, as well as between Armenian
communities of Diaspora.”

If this is the stated aim of the Virtual Museum it does more to
highlight two very relevant problems plaguing the Diaspora Ministry
and its minister, Hranush Hakopyan.

1. The inability to draw a distinction between the Diaspora as a
political entity that was borne as a result of being forced to settle
in foreign lands due to deportation, massacres and Genocide and the
communities that have popped up as a result of individuals choosing-of
their own volition-to leave the homeland and settle elsewhere.

2.Not fully comprehending the Diaspora as an entity that has kept the
national ideals and aspirations of the Armenian people alive-in some
instances, for centuries.

The content of the Web site is nothing more than an aggregation
of information that can be culled from a quick Google search or a
reworking of Wikipedia entries. It is apparent that there was no
substantive research done to accumulate the information and build
content for what could have been an extremely worthwhile effort.

Instead, the Web site is a depository of facts and figures, most of
them inaccurate and diminishes our Diasporan reality to nothing more
than pockets of Armenians living in different worlds.

If, 20 years after Armenia’s independence, the Diaspora is being viewed
in such a light, then a critical component of our nation-building
process has failed.

In unveiling the Web site, Minister Hakopyan explained that “Armenians
are one nation regardless of their residence, and Armenia is the
Homeland of all Armenians. This was the idea that became the slogan
of the museum.”

Let’s look at the Western US community as an example. Today, this
community, which numbers above a million, is a vibrant and diverse
entity that has grown through the institutions that were established
by those who first settled in the Western United States as survivors
of either the Sultan Hamid Massacres or the Armenian Genocide. Even
the newest of newcomers should realize that the church, in which they
worship or the school they attend was a result of blood, sweat and
tears of dedicated individuals who toiled to not only survive and
provide for their immediate families, but to harness our national
aspirations to build and create communities, in which Armenians can
flourish as Armenians.

So, to Mrs. Hakopyan I say that the Diaspora is not a slogan to
propel the creation of a haphazard Web site whose content is more an
embarrassment than a showcase of our rich Armenian national heritage.

The Diaspora is a political entity that has played a critical role in
the national liberation struggle and in state-building. Without it,
perhaps many of the achievements of the last 20 years would not have
been possible. (In fact, the Web site does not contain a definition
of the term “Diaspora”).

The minister, in her message on the Web site, says: “We shall do
everything to make the web-site interesting and cognitive, to reflect
the phenomenon of Armenian Diaspora with its rich palette and deep
essence. I am confident that Armenian specialists creating web-sites
in different parts of the world will contribute to the process to
make the web-site more interesting [sic.].”

Conventional wisdom would dictate that the aforementioned specialists
would have been brought together prior to the launch of the Web site,
in order to shed light that the Diaspora is not merely a “rich palette”
but rather a critical force in our national identity.

A glaring omission from the Virtual Museum is the Armenian press in
the Diaspora. In my humble opinion as the editor of this 104-year-old
publication, leaving out the press is a virtual crime for this
Virtual Museum.

The Virtual Armenian Diaspora Museum is an insult to the Diaspora. It
is the Diaspora Ministry’s responsibility to rectify this situation
by immediately taking it down and, if the ministry is truly committed
to creating this important repository, bring together experts to work
on creating a Web site worthy of our national aspirations.

http://asbarez.com/101597/diaspora-ministrys-affront-to-the-diaspora/

Armenia’s Ex-President Perfectly Healthy

ARMENIA’S EX-PRESIDENT PERFECTLY HEALTHY

Tert.am
14.03.12

Armenia’s ex-president Robert Kocharyan has no health problems,
the ex-president’s Spokesman Victor Soghomonyan told Tert.am.

Ealier, Armenia’s press reported that the ex-president had health
problems and had even gone to Germany for medical examination.

Asked to confrim or refute the reports, Soghomonyan said “it is not
anyone’s business.”

No Deal: Armenian Airline Armavia Again Accuses Zvartnots Airport

NO DEAL: ARMENIAN AIRLINE ARMAVIA AGAIN ACCUSES ZVARTNOTS AIRPORT

epress.am
03.14.2012

The dispute between Armenian national air carrier Armavia and Armenia
International Airports (which owns Yerevan’s Zvartnots International
Airport) was resolved on Tuesday – the companies reached a mutual
agreement, General Department of Civil Aviation of Armenia press
secretary Nelly Cherchinyan told Epress.am.

“As a result of negotiations between the two companies which lasted
till today, it was decided to develop such a policy of debt repayment
that in the given schedule Armavia will be able to both pay its debt
and work simultaneously. The conditions for both parties are mutually
beneficial,” said Cherchinyan.

A statement issued by Armavia, however, states that though the
company made concessions and the parties reached some agreements,
the airport again changed its decision. The airline considers the
matter unresolved and has signed no document.

Zvartnots Airport declined to comment on the Armavia statement, saying
that there was agreement at the end of their meeting and at this time
they are unaware of any dissatisfaction on the part of Armavia.

Recall, on Mar. 6, Armavia, citing increasing airport tariffs, went
on strike, suspending Yerevan-Moscow and Yerevan-Rostov flights
that morning.

In response, Armenia International Airports (AIA) said that Armavia,
being a national carrier, unlike other airlines, enjoys special rates
provided by AIA.

“Moreover, according to a telegram from RosNavigatsiya, due to
accumulated debts, Armavia arilines is prohibited from flying to
Russia and entering Russian airspace.

“Apparently, rates in not only Armenia, but also Russia are expensive
for the air carrier,” AIA said in its statement.

Earlier, Armavia owner Mikhail Baghdasarov informed reporters that
the company would file for bankruptcy if Zvartnots didn’t reduce its
rates by 25%. An Armavia spokesperson also said that the Zvartnots’
airport services are three times higher than Moscow airports and
on average two times more expensive than in Europe (1.5 times more
expensive than Paris airports; 2.5 times more than in Rome).

Armenian Businesswoman In International Field – Newspaper

ARMENIAN BUSINESSWOMAN IN INTERNATIONAL FIELD – NEWSPAPER

news.am
March 14, 2012 | 09:10

YEREVAN. – Armenian businesswoman Silva Hambardzumyan had announced
that if Governor Surik Khachatryan of the Syunik Region were to run in
the upcoming National Assembly elections, she would run against him,
Haykakan Zhamanak daily writes.

“We asked whether Silva Hambardzumyan was preparing her document
for being nominated with the majority election system. ‘Surik has
not yet done so. If he doesn’t, I won’t. I’ve no desire to become
an MP. My business is outside. I don’t need to become a deputy. If
I become a deputy here and leave my business, I’ll die of hunger,’
the businesswoman responded.

[Also,] She did not rule out [the possibility] that she could become a
member in any political party. [And] Hambardzumyan promised she will
hold a press conference soon and distribute the video that shows how
the [aforesaid] Regional Governor had slapped her. ‘I’ve no time. I’m
constantly in flights. I came today and will leave the country on
Friday. If I find the time, I’ll hold a [press] conference. I want for
us to enter the international [press] conference field,’ she said,”
Haykakan Zhamanak writes.

How Armenia and Azerbaijan Wage War Through Eurovision

TIME Magazine
March 11 2012

How Armenia and Azerbaijan Wage War Through Eurovision

By William Lee Adams

Critics deride the Eurovision Song Contest as a cultural Chernobyl
where sex appeal has more value than musical ability. There’s some
truth in that. In recent years contestants have danced salaciously in
giant hamster wheels (Ukraine) and stood on wind machines while
wearing pink tutus (Albania). But look past the froth and sequins and
it becomes impossible to deny that the annual contest, which is
watched by more than 100 million people, also serves as a barometer of
contemporary Europe – and the internal conflicts the continent faces.

That truth was made rather salient on March 7 when Armenia withdrew
from the 2012 contest, which takes place May 22-26 in Baku,
Azerbaijan, citing escalating tensions with its neighbor. Azerbaijani
and Armenian forces fought a bloody war over the disputed
Nagorno-Karabakh region in the 1990s, leaving at least 25,000 people
dead. Although the two nations signed a ceasefire in 1994, they have
never brokered a final peace deal.
Azerbaijan, which has invested millions into hosting the event, sees
Eurovision as an opportunity to boost its profile in the West and to
prove it can offer the world more than just oil. After its
little-known singers Ell & Nikki won last year’s contest – thereby
giving Azerbaijan the right to host this year’s contest – members of the
Eurovision press corps dreamed of a glorious rapprochement. The
Armenian contestant would take to the stage in Baku, audiences would
clap, and euro-pop love would wash away all the hostility. Other
countries would get in on the action, too. A member of the French
delegation – which includes the officials who choose France’s song and
artist – confided to me that he would push for France to send a French
singer of Armenian descent, someone like ye-ye artist Sylvie Vartan or
chanson entertainer Charles Aznavour. This spring Azerbaijan agreed to
simplify visa restrictions for foreigners – allowing Armenians, who are
normally barred from entering the country, to do so. And as Armenians
voiced concerns about their participant’s security, Azerbaijan
declared that everyone – including the Armenians – would be safe during
the two weeks of dress rehearsals, and the televised semifinals and
grand finale.

(MORE: Top 10 Most Outrageous Eurovision Acts)

But tensions began to escalate in February when Armenia blamed the
death of one of its soldiers on Azeri sniper fire. On Feb. 24, a group
of 22 prominent Armenian musicians – including three former Eurovision
contestants – signed a letter calling on Armenia to boycott the contest.
`We refuse to appear in a country that is well-known for the mass
killings and massacres of Armenians, in a country where anti-Armenian
sentiments have been elevated to the level of state policy,’ it said.
The final straw appears to have come in late February, when around
50,000 Azeris gathered in Baku to commemorate an alleged massacre
carried out by Armenians 20 years earlier. Shortly afterwards,
Azerbaijan President Ilham Aliyev posted the following remarks on his
website: `Our main enemies are Armenians of the world and the
hypocritical and corrupt politicians that they control.’

(MORE: Ukraine’s Eurovision Selection Marred by Right-Wing Racism)

Following Armenia’s March 7 withdrawal, the European Broadcasting
Union (EBU), which runs Eurovision, described the move as an
`unfortunate decision.’ And Azeri politicians accused Armenia of a
propaganda war. Ali Ahmedov, a senior member of Azerbaijan’s governing
party, told reporters that Armenia had drummed up an excuse to
withdraw – and that they would likely regret it. As he said: `The
Armenian refusal to take part in such a respected contest will cause
even further damage to the already damaged image of Armenia.’

Of course, this isn’t the first time Armenia and Azerbaijan have used
Eurovision as a proxy for their ongoing conflict. In 2010, Armenia’s
Eva Rivas – who bares an uncanny resemblance to Angelina Jolie – sang
`Apricot Stone,’ an ode to the national fruit of Armenia, which she
said gave her strength to overcome life’s travails. Conspiracy
theories suggested its lyrics, which included the word `motherland’
five times, invoked the 1915 Armenian Genocide, which neither Turkey
nor Azerbaijan recognize. `Many, many years ago/ When I was a little
child/ Mama told me you should know/ Our world is cruel and wild/ But
to make your way through cold and heat/ Love is all that you need.’
She and her team denied the claim.

In 2009, the ongoing dispute over Nagorno-Karabakh exerted a visual
impact. An introductory video clip – a so-called `postcard’ – was shown
before each contestant took to the stage, and included notable
landmarks of their country, so Big Ben for Britain, and the Eiffel
Tower for France. During the semifinals, the Armenian clip included
`We Are Our Mountains` – a statue in Nagorno-Karabakh, which is
internationally recognized as a part of Azerbaijan. Azeris complained,
and the EBU removed the statue from the clip for the grand finale.

However, Armenians wouldn’t let the issue go. After all of the
performances, a presenter in each participating country announced how
his respective country had voted. In an act of revenge, the Armenian
presenter Sirusho Harutyunyan repeatedly flashed a clipboard
containing an image of `We Are Our Mountains.’ And she stood before
another image of the statue. (Subtlety has never been a strength of
Eurovision performers).

That upped the tension inside Azerbaijan, too. After the 2009 contest,
Azerbaijan’s National Security Committee reportedly seized tele-voting
records and summoned Azeri citizens who had voted for Armenia to
police stations. Officials then interrogated them over their loyalty
to the nation.

Not even the Junior Eurovision Song Contest – which is held annually for
10 to 15 year olds – is immune to the conflict. In 2010, during the
Junior Eurovision contest in Minsk, Belarus, officials in Azerbaijan
reportedly cut off the live broadcast of the show when it became clear
that Armenia’s Vladimir Arzumanyan, 12, had won the contest with his
song `Mama.’

Adults in Armenia quickly seized on the geopolitical dimensions of his
victory. `Vladimir has not yet realized what a significant event took
place for our country,’ Diana Mnatsakanyan, the head of Armenia’s
Junior Eurovision delegation, told reporters the day after his win.
But that much was already clear the night before at his press
conference, which TIME attended. Young Vladimir was more concerned
with scoring a victory against his parents than with political
rivalries. `I want a brother,’ he said. `My mother promised me that if
I’d win.’

If the Armenian-Azerbaijani controversies at Eurovision are any
indicator, then that indifference to the bigger picture will pass soon
enough.

William Lee Adams is a staff writer at the London bureau of TIME

http://globalspin.blogs.time.com/2012/03/11/how-armenia-and-azerbaijan-wage-war-through-eurovision/

Deux arméniens élus députés en Iran

IRAN
Deux arméniens élus députés en Iran

Karen Khanlarian a été élue au Parlement iranien le 2 mars. Environ 90
% des électeurs arméniens, c’est-à-dire 10857 personnes ont voté pour
Karen Khanlaryan, selon les données officieuses. Robert Beglarian a
été élu député à Jugha.

dimanche 11 mars 2012,
Stéphane ©armenews.com

L’Arménien Arthur Alexanian (96 kg) champion d’Europe

CHAMPIONNATS D’EUROPE DE LUTTE GRECO-ROMAINE
L’Arménien Arthur Alexanian (96 kg) champion d’Europe
Youri Patrikeev (120 kg) médaille de bronze pour l’Arménie

Enfin ! L’Arménie détient sa première médaille d’or européenne en
lutte gréco-romaine à Belgrade (Serbie). Après la déception de la
défaite du champion d’Europe en titre Roman Amoyan (55 kg), l’Arménie
a un nouveau champion d’Europe. Arthur Alexanian (96 kg) a fait
flotter le drapeau de l’Arménie à Belgrade. En demi-finale, l’Arménien
s’était imposé sur l’Allemand Oliver Hasler. En finale, il a battu le
Lituanien Mindaoukas Ezerskis pour s’emparer de la médaille d’or
européenne. Un véritable exploit qui a ravi les supporters Arméniens.
Dans la catégorie des 120 kg, le représentant de l’Arménie, Youri
Patrikeev a quant à lui conquis la médaille de bronze. Pour son
premier combat, Youri Patrikeev -quadruple champion d’Europe- s’est
incliné face au champion du monde, le Turc Riza Kayalp. Ce dernier
étant parvenu en finale, Youri Patrikeev fut autorisé à lutter pour la
médaille de bronze. Y. Patrikeev s’est alors imposé face au Hongrois
Mihali Deag Bardos offrant une médaille de bronze à l’Arménie.

Krikor Amirzayan

dimanche 11 mars 2012,
Krikor Amirzayan ©armenews.com

Génocide arménien : la faute du Conseil constitutionnel

Le Point, France
8 mars 2012

Génocide arménien : la faute du Conseil constitutionnel

Par Bernard-Henri Lévy

Force est à la loi.

Et aux institutions de la République.

En sorte que l’invalidation par le Conseil constitutionnel de la loi
votée par les deux Chambres et visant à pénaliser la négation des
génocides est, en droit, et jusqu’à réexamen par les mêmes deux
Chambres, le dernier mot de l’affaire.

N’empêche.

Le respect de l’État de droit et l’égard dû à ses règles n’ont pas non
plus vocation à aveugler les citoyens sur un certain nombre de faits,
en l’espèce, préoccupants.

Les pressions exercées, par exemple, avant la saisine du Conseil, par
les représentants de la Turquie.

Les cars de manifestants nationalistes amenés, sous les fenêtres des
sénateurs, exiger le droit d’attenter, en toute liberté, à la mémoire
des morts et à l’honneur des survivants.

L’incroyable lettre signée, le 30 janvier, par un patron du CAC 40
devenu, pour l’occasion, “coprésident du comité scientifique” du
principal groupe de pression franco-turc, l’Institut du Bosphore : M.
de Castries, par ailleurs patron d’Axa, y adjurait les parlementaires,
au nom de l’avenir des relations entre les deux pays, de résister à la
demande de droit des Français d’origine arménienne.

Et puis la composition même du Conseil dont l’impartialité, la
sagesse, la hauteur de vues requises face à une délibération de cette
nature ont été sérieusement mises à mal par une série de prises de
position opportunément rappelées par Le Canard enchaîné.

Tel “sage”, l’ancien sénateur Haenel, dont l’affiliation à l’Institut
du Bosphore n’a jamais été un secret ; qui fut, pour cette raison,
empêché de prendre part au vote ; mais qui eut le temps, avant cela,
de produire un rapport déplorant que la première loi, celle d’octobre
2001 reconnaissant le génocide, “porte atteinte aux échanges
économiques bilatéraux” entre la France et la Turquie.

Telle avocate, Jacqueline de Guillenchmidt, empêchée de voter, elle
aussi, parce que signataire, en 2008, du fameux appel de Blois “pour
la liberté de l’Histoire” (dont l’amour de la liberté n’est, soit dit
en passant, pas encore allé jusqu’à exiger d’Ankara la libération de
Ragip Zarakolu, cet éditeur turc incarcéré pour avoir publié des
ouvrages d’historiens dénonçant l’extermination programmée des
Arméniens).

L’ineffable Michel Charasse, dont la réputation de “sagesse” n’est
plus à faire, et dont l’hostilité au texte était de notoriété publique
au moment où le lobby négationniste a entamé sa campagne.

Le président du Conseil, le non moins inénarrable Jean-Louis Debré
qui, en 2006, maire d’Évreux, est allé jusqu’à faire scier, sur une
plaque à l’honneur de l’amitié franco-arménienne, une inscription
évoquant les victimes du génocide.

Et je ne parle pas des conditions de la saisine qui, à en croire
plusieurs juristes, pourraient relever du détournement de procédure.

Il ne s’agit pas, je le répète, de mettre en cause le principe d’un
arrêt qui est, comme toute décision de toute assemblée républicaine,
réputé sans auteur et transcendant les motifs, les vertus ou, hélas,
l’absence de vertu de ceux qui l’ont inspiré.

Mais le confusionnisme est tel qu’il n’est pas interdit de rappeler
que cette haute assemblée n’est pas si haute qu’on nous le dit ;
qu’elle n’est, en tout cas, pas cette Cour suprême à la française que
l’on vante ici et là ; et qu’elle a pris bien des libertés avec cet
article 3 de l’ordonnance du 7 novembre 1958 qui définissait ses
règles de fonctionnement et exigeait de ses membres qu’ils “jurent” de
“remplir leurs fonctions” en toute “impartialité”, de “garder le
secret des délibérations et des votes”, de “ne prendre aucune position
publique” et de “ne donner aucune consultation sur les questions
relevant de la compétence du Conseil”.

Et il n’est pas interdit, surtout, de réconforter ceux qu’a pu
désespérer ce ballet d’intérêts et d’influences autour de cette noble
cause qu’est la cause de la vérité – il n’est pas interdit d’espérer
que le dernier mot ne reste pas aux partisans d’une libre parole qui
s’est déjà trahie en s’empressant, dès le lendemain du vote, de
requalifier en “massacre” le génocide des Arméniens et de s’en
remettre à des “commissions d’historiens” pour (la manoeuvre est
connue !) établir la “réalité des faits” : un Conseil discrédité,
fût-il constitutionnel, n’est pas dépositaire du Vrai ; et la décision
qu’il vient de prendre ne préjuge, heureusement, pas de l’issue d’une
bataille qu’ont gagnée depuis longtemps les historiens des génocides.

Non pas, je l’ai cent fois dit, la bataille pour je ne sais quelles
“lois mémorielles” dont on nous brandit, chaque fois, l’épouvantail.

Mais la bataille pour la reconnaissance de la singularité radicale de
ces événements, propres aux temps modernes, que sont les événements
génocidaires.

Une loi pour l’humanité.

Une loi pour le respect de ces très rares vérités dont la
transgression, parce qu’elle vise l’espèce humaine au coeur, menace
chacun d’entre nous.

Une loi juste, éminemment universaliste, dont on compte bien que le
prochain président, quel qu’il soit, la remettra à l’ordre du jour.

http://www.lepoint.fr/editos-du-point/bernard-henri-levy/genocide-armenien-la-faute-du-conseil-constitutionnel-08-03-2012-1439070_69.php

U.S. to host Armenian abstractionist Arthur Pinajian exhibit

U.S. to host Armenian abstractionist Arthur Pinajian exhibit

March 9, 2012 – 15:29 AMT

PanARMENIAN.Net – On Thursday, March 29, Stephanie’s Gallery in
California U.S. will host a reception for the exhibition, “Pinajian:
Master of Abstraction Discovered.” Collectors will recall last year
when hundreds enjoyed their first opportunity to view this Armenian
American’s paintings at the inaugural exhibition at the Zorayan Museum
in Glendale. This delightful reprise exhibition at Stephanie’s Gallery
features new works not previously seen, and will run through May 12.

The fascinating story surrounding the Arthur Pinajian discovery first
broke in the New York Times in March 2007, in a feature article
titled, “Closing on a House, and a Life’s Story, Told in Art.”

After Pinajian’s death in 1999, five decades of accumulated artwork
was found stacked up in the one-car garage and attic of the Bellport
cottage he shared with his sister. He had left instructions for his
collection to be discarded in the town dump.

Fortunately for American art history, Lawrence E. Joseph, the
best-selling author of Apocalypse 2012, bought the cottage and rescued
the collection just in time. The result is a book and traveling
exhibition that began at the Woodstock Art Association and Museum in
Woodstock in New York in Summer, 2010. It then ran at the Armenian
Library and Museum of America in Watertown, Massachusetts from the
fall through winter of that year before coming to the Zorayan Museum
in Spring, 2011. The 128-page hardcover book contains essays by
eminent art historians, Richard J. Boyle, Peter Hastings Falk, and
William Innes Homer; plus art critic John Perreault.

Dr. Homer concluded that the essays collectively present one of the
most compelling discoveries in the history of twentieth century
American art: “Even though Pinajian was a creative force to be
reckoned with, during his lifetime he rarely exhibited or sold his
paintings. Instead, he pursued his goals in isolation with the
single-minded focus of a Gauguin or Cézanne, refusing to give up in
the face of public indifference. In his later years he could be
compared to a lone researcher in a laboratory pursuing knowledge for
its own sake. His exhaustive diaries and art notes make it clear that
he dedicated all of his days to his art. He was passionate and
unequivocally committed….Ultimately Pinajian’s work reflects the
soul of a flawed, yet brilliant, artistic genius. When he hits the
mark, especially in his abstractions, he can be ranked among the best
artists of his era.”