Denkmal zu 1600. =?UNKNOWN?Q?Jubil=E4um?= von armenischem Alphabete

Denkmal zu 1600. Jubiläum von armenischem Alphabet eingeweiht

Agence France Presse — Deutsch
Samstag, 21. Mai 2005

Eriwan, 21. Mai — Zur Feier des 1600-jährigen Jubiläums seines
Alphabets hat Armenien nahe der Hauptstadt Eriwan ein großes begehbares
Denkmal eingeweiht.

Die “Allee der antiken Buchstaben” zeigt dort mit 36 anderthalb
Meter hohen steinernen Skulpturen die im Jahr 405 vom armenischen
Priester Mesrop Machtoz erfundenen Lettern. Im Laufe der Jahrhunderte
wurden drei weitere Schriftzeichen hinzugefugt. Den Armeniern gilt
ihr Alphabet als ein wichtiges Symbol ihrer Identität, unter anderem
als sie sich unter der Herrschaft von Persern und Turken befanden.

–Boundary_(ID_igTcEY/2Kn/EBzPArnF6zg)–

Meeting of Azerbaijani & Armenian presidents took place in Warsaw

THE MEETING OF AZERBAIJANI AND ARMENIAN PRESIDENTS TOOK PLACE IN WARSAW

Agency WPS
DEFENSE and SECURITY (Russia)
May 18, 2005, Wednesday

The meeting of Azerbaijani and Armenian presidents, who arrived in
the capital of Poland to take part in the summit of heads of the
European Council member nations, took place in Warsaw. Involved
in the meeting were co-chairmen of the Minsk OSCE Group on Nagorny
Karabakh. The co-chairmen left the hall some time later, while Aliyev
and Kocharyan continued their conversation in private. The meeting
lasted 3 hours. The media agencies received no comments after the
talks ended.

Iraq property claims commission: no restitution of looted Jewishprop

IRAQ PROPERTY CLAIMS COMMISSION: NO RESTITUTION OF LOOTED JEWISH PROPERTY
by Itamar Levin

Israel Business Arena
May 16, 2005

Iraq Property Claims Commission head Sohail al-Hashmi today denied
reports that his country would restore property looted from Jews who
immigrated to Israel.

In an interview in “Asharq Al-Awsat”, al-Hashmi said that the
reports were unfounded. He said that a reports concerning recent
case involving such a claim were inaccurate, since the claimant was
an Armenian Christian, not a Jew.

Following the fall of Saddam Hussein’s regime, rumors circulated that
the new regime would compensate Iraqi emigrants for their property in
order to establish closer relations with the West, especially the US.

To date, however, the reports have not been officially confirmed,
and have now been officially denied.

130,000 Jews lived in Iraq before the state of Israel declared its
independence. Most of them worked in commerce, industry, handicrafts,
and services. A “Globes” investigation found that the real value
of Jewish-owned private property was $ 4 billion, and that Jewish
communal property was worth several billions of dollars more.

The property of Iraqi Jews was looted when 120,000 of them immigrated
to Israel in the early 1950s. The Iraqi authorities gave exit permits
only to Jews who abandoned most of their property. Those who sold
their property received only 5-10% of its value. In addition, large
amounts of property were stolen from the immigrants’ baggage during
customs inspections at Baghdad Airport.

Among other things, part of the Saddam Hussein’s palace in Baghdad
was built on land stolen from one of the wealthiest Jewish families
in Iraq. The remaining Jews in Iraq left after the Six-Day War,
mostly illegally, leaving all their property behind.

COE Secretary General new representative

COE SECRETARY GENERAL NEW REPRESENTATIVE

A1plus
| 18:40:26 | 18-05-2005 | Official |

Today Foreign Minister Vardan Oskanyan received Boyana Urumova, the
newly-appointed special representative of the COE Secretary General.

Finding the mission of the COE Secretary General representative
extremely important in the context of the RA-COE cooperation, the
Minister underlined the present phase of meeting the commitments taken
upon before the COE, in particular – the importance of realizing the
constitutional amendments. The Minister has claimed that the Armenian
side is decisive to finish the process of meeting the commitments
till the end of the year.

During the meeting issues about the settlement of the Karabakh conflict
and Armenian-Turkish relations have also been discussed.

Ivan Koejikov, Head of the Southern Caucasian Department of the COE
Main Political Directory, was also present at the meeting.

BAKU: Azerbaijan will not concede territorial integrity – President

Azerbaijan will not concede territorial integrity – President

Baku, May 16, AssA-Irada

Azerbaijan will never make concessions on its territorial integrity,
President Ilham Aliyev said addressing the third summit of the Council
of Europe states in Warsaw on Monday.

Aliyev said that development in the region is impossible without
peace and stability. The dire aftermath of Armenia’s occupation
has not been eliminated yet and this country blatantly violates CE
principles. The resolution passed by the Parliamentary Assembly of
the Council of Europe on Upper Garabagh in January will assist in
settling the Upper Garabagh conflict, he said.

“We are ready to grant a high status to Upper Garabagh Armenians
but will never make concessions on our sovereignty and territorial
integrity”, the President said.

Aliyev further demanded all international organizations to pay more
attention to the problem and make efforts to end Armenian occupation.

Armenian Foreign Minister Vardan Oskanian speaking afterwards said
that terming Armenia as aggressor is inappropriate.

“In reality, Armenia did not occupy Azerbaijan’s land.

Armenia is taking part in the talks because Azerbaijan refuses
to negotiate with Upper Garabagh as a party.” Oskanian added that
‘Upper Garabagh cannot be an autonomous republic within Azerbaijan
and should be a separate state’.*

Arshile Gorky’s letters pub lished in Armenia

ARSHILE GORKY’S LETTERS PUBLISHED IN ARMENIAN

Armenpress

YEREVAN, MAY 18, ARMENPRESS: A collection of letters written by Arshile
Gorky in Armenian was released in Yerevan. The book contains some 40
letters in Armenian and their English translations.

Gorky was born Vosdanik Adoian in 1904 in Khorkom, Western Armenia (now
in Turkey). The artist’s childhood was marked by poignant suffering
and tragedy caused by the massacres of Armenians at the order of then
Turkish government. Gorky’s father fled to America in search of a new
life for his family. During this difficult time Gorky witnessed the
death of his mother by starvation. In 1915, Gorky escaped Turkish
massacres with thousands of others refugees. After his mother died
of famine, he headed for the US.

His whole life in the new country, which ended in suicide, consisted
of years of hard work and bitter struggle. Tragically enough, the
years in which his art was ascending to its greatest heights were
also the darkest in his life. His marriage was disintegrating;
he was operated on for colon cancer, and he lost many works in a
studio fire. The letters, full of nostalgia for his native home,
sufferings he experienced on his road to the USA are addressed to
his sister Varduhi. They were first published by Varduhi’s son-
Karlen Muradian-in English. They were also published in Portuguese
by Gyulbenkian Foundation.

Ceremony Of Newly-Appointed Judges’ Oath Takes Place At RA JusticeCo

CEREMONY OF NEWLY-APPOINTED JUDGES’ OATH TAKES PLACE AT RA JUSTICE
COUNCIL’S SITTING

YEREVAN, MAY 16, NOYAN TAPAN. The ceremony of oath of judges appointed
by RA President’s May 5 decree took place at the May 12 sitting of
RA Council of Justice. Noyan Tapan was informed about this from RA
President’s Press Service. RA President Robert Kocharian, Chairman
of RA Council of Justice, congratulated the newly-appointed judges
of Achapniak and Davidashen Yerevan communities. The President said
that the judges should be guided by the principle of strengthening
the respect and trust towards judges in their activity.

Killings From 90 Years Ago Haunt Turkey in its EU Bid

Wall Street Journal
May 15 2005

Killings From 90 Years Ago Haunt Turkey in its EU Bid

By CARL BIALIK
May 16, 2005

The Ottoman empire’s deportation and mass killing of Armenians 90
years ago has become a tense issue for modern-day Turkey, which is
being pressured by the European Union and some of its member nations
to acknowledge the actions as genocide and open up its archives. And
questionable numbers are a central part of the controversy.

Armenia argues that as many as 1.5 million Armenians were massacred.
But Turkey says the number of dead was no more than 600,000 and
possibly far fewer, and says the killings were justified as the
product of armed conflicts that swept the region at the time.
Scholars disagree on the number, and politics have obstructed honest
statistical debate.

Some background: In the final years of the Ottoman empire — which
stretched from modern-day Turkey to much of Europe, northern Africa
and the Middle East for more than 600 years — a Turkish nationalist
government led mass deportations and killings of Armenians. The
violence lasted from 1915 until the early 1920s. Modern-day Turkey
says the targeted Armenians, an ethnic minority present throughout
the empire, had conspired with Russians in military operations
against the empire, and that Armenians’ revolutionary actions against
the state spurred the mass deportations. Neither Turkey nor Armenia
existed as nations during the violence, yet many Turks and Armenians
line up today to defend their ethnic groups’ historical records.

Immigration, trade issues and Turkey’s Muslim majority — which would
be unique in the EU — all are playing a large role in the run up to
negotiations over membership, scheduled to begin in October. Against
this backdrop, Turkey’s historical dispute with Armenia has emerged
as a potential stumbling block to membership. Heiki Talvitie, the
EU’s special representative to the South Caucasus, said recently at a
press conference that Turkey’s membership chances hinged in part on
its relations with Armenia, according to Agence France Presse.
Currently the countries have no diplomatic relations, and a major
reason is the dispute over whether the Ottomans committed genocide.
In the past decade, national legislatures of several EU members,
including France, Italy and the Netherlands, have called the killings
genocide. The U.S. and Turkey have not.

Disputed death tolls often follow genocide, according to Richard
Garfield, a professor of nursing at Columbia University who has
extensively studied mass killings. “The politicization of mortality
data means that controversy and wide variations in estimates is the
norm,” Dr. Garfield says. He has worked in Liberia, Yugoslavia and
Haiti, helping to improve death counts from modern-day conflicts.

Of course, I can’t conclusively determine how many Armenians died.
But I’ll explain how scholars arrived at their estimates and why
counting the dead is such a complex business.

Even in a political vacuum, counting the dead from nearly a century
ago would be difficult. The killers had no reason to tally their
victims, nor were international organizations in place to monitor the
killing. So researchers have employed a brute tool: subtraction. They
compare the number of Armenians before World War I with the number of
survivors, who were spread across many surrounding countries. The
difference in population becomes the number of victims. Of course,
that doesn’t account for newborns. It also includes deaths from
disease and starvation, and while those deaths may be related to the
killings, it’s debatable whether they should be included in the
overall count. “There really isn’t the information to make an
evidence-based consensus about how many people died,” Dr. Garfield
says.

As I noted in a previous column, even today in some parts of the
world population counts are unreliable. All the more so, then, in
rural areas of the Ottoman empire. Before the killings there were two
parallel efforts to count the living — one by the Ottomans, and one
by the Armenian church — but there are suggestions both groups’
motivations may have affected their accuracy (more on that in a
moment). So researchers trying to arrive at a death count adjust the
population numbers, and those adjustments can have a big impact on
end results. For example, count more prewar Armenians, and you’ll get
a higher death toll.

ABOUT THIS COLUMN
The Numbers Guy examines numbers and statistics in the news,
business, politics and health. Some numbers are flat-out wrong,
misleading or biased. Others are valid and useful, helping us to make
informed decisions. As the Numbers Guy, I will try to sort through
which numbers to trust, question or discard altogether. And I’d like
to hear from you at [email protected]. I’ll post and respond to your
letters. WSJ.com subscribers can sign up to receive e-mail when new
columns are published (nonsubscribers click here to sign up), and you
can read more columns at WSJ.com/NumbersGuy.

Tuluy Tanc, minister counselor of the Turkish embassy in Washington,
cited death counts to me as low as 8,000 to 9,000, based on records
Ottomans kept. But those doing the killing are hardly credible
sources for a death toll. Mr. Tanc said he wouldn’t insist on any
particular set of numbers, saying his government has also recognized
estimates up to 600,000. “There are many, many different sources,” he
says. The embassy’s Web site cites figures between 500,000 and
600,000.

Justin McCarthy, a professor at the University of Louisville, arrived
at a count of 600,000 dead by using official Ottoman population
registrations. He adjusted for an assumed undercounting of women and
children, a common problem in unsophisticated population counts, and
arrived at a prewar population of 1.5 million for Armenians living in
the eastern part of the Ottoman empire, known as Anatolia. Then he
counted 900,000 survivors, based on official data from Russia and
other countries where they settled. Dr. McCarthy published his
findings in 1983; they were double many earlier estimates.

In 1991, Levon Marashlian, a professor of history at Glendale
Community College in Glendale, Calif., published a critique accusing
Dr. McCarthy of undercounting. Among his arguments: Armenians were
likely undercounted because they hid from officials during the
conflict. “If you hide, you’re not taxed, you’re not conscripted,”
Dr. Marashlian told me. And he says the Ottomans had their own
reasons to undercount: “The Ottoman government had the motivation to
show as few Armenians as possible, because the Europeans were
pressuring Ottomans to institute reforms.” He cites contemporary
accounts that indicate the Ottomans were suppressing the numbers. Dr.
Marashlian thus adjusts Dr. McCarthy’s prewar estimates higher, and
notes that the new results are closer to the Armenian church’s own
numbers. He concludes there were two million Armenians before the
war, and he counts only 800,000 survivors, yielding an estimated
total of 1.2 million dead.

Dr. McCarthy, in turn, says the Ottomans’ adult male records were
accurate, and disputes the Armenian church’s numbers.

“The Ottomans in general were good counters,” says Columbia’s Dr.
Garfield, but he adds that the Ottomans’ population figures — 1.5
million for the eastern part of the empire, after Dr. McCarthy’s
adjustments — are suspect because a harbinger of genocide is the
undercounting of the targeted group. “It’s a step toward their
nonpersonhood,” he says.

George Aghjayan, an actuary who sits on the eastern region board of
the Armenian National Committee of America, has also studied Dr.
McCarthy’s numbers in detail. He sent me a lengthy critique by
e-mail. Among his arguments: Many Armenian men traveled outside the
empire for work, which would contribute to undercounting of prewar
adult males; and that Dr. McCarthy’s technique for estimating
Armenian survivors who ended up in Russia could lead to overcounting.
The bottom line, according to Mr. Aghjayan: By undercounting prewar
Armenians and overcounting survivors, Dr. McCarthy would undercount
the dead.

An estimate of 1.5 million deaths has become the standard number in
op-ed articles and news accounts of Armenian versions. That’s the
number on the Armenian National Institute’s Web site. Rouben Adalian,
director of the institute, concedes the number is an estimate that
includes additional Armenian deaths related to the fallout of the
original killings. He says he is confident that an estimate of more
than one million “is very secure.”

In the academic ideal, researchers could come together at conferences
and meetings and work toward a consensus figure. But there is too
much venom in the air. Armenian advocacy groups and some scientists I
spoke to labeled Dr. McCarthy a Turkish apologist. He, in turn,
speaks dismissively of some of his critics. “It’s hard to say this is
scholarly debate,” he told me. “It’s two sides presenting their
position and not talking to each other.” Meanwhile, Armenian scholars
charge the Turkish government with limiting access to the Ottoman
archives to some favored researchers, preventing new information from
emerging and possibly helping to clarify the debate.

“I think 100 years from now, our debate about Armenian events will
not be that different than it is today, because we have limited,
conflicting information,” Dr. Garfield says.

Some advocates and scholars I contacted for this article said pinning
down exact numbers isn’t necessary. Dennis R. Papazian writes on the
Web site of the Armenian Research Center at University of
Michigan-Dearborn, where he serves as director: “Does it really make
the actions of Turkey better if they succeeded in killing only
600,000 Armenians and not 1.5 million? …In any case, it was
genocide.”

Are death tolls from today’s conflicts bound to be disputed a century
hence? It’s a question worth asking in light of the continued
Armenian controversy. Les Roberts, a research associate at Johns
Hopkins University who has worked on counting the dead in Congo,
Rwanda and Sierra Leone, painted a dismaying picture of current
efforts. In an e-mail from Afghanistan, he mentioned two key
challenges. First, “No one can agree on how to define the death toll
from a conflict, just the deaths from intentional violence or all
those that died because the violence occurred.” (The Armenian numbers
include both.) And, secondly, “No one is charged or expected to count
the deaths from conflict. The [International Committee of the Red
Cross] avoids the topic so that they can work with all sides. The
press is bad at it. The public health crowd is very adverse to being
killed so they rarely estimate deaths until conflicts are over.”

But Columbia’s Dr. Garfield was more hopeful, saying that methods
have improved markedly; researchers, for instance, survey refugees in
camps during ongoing conflicts about mortality among friends and
neighbors. “I am optimistic about our ability to provide people with
a better base,” Dr. Garfield says. “It makes it harder to lie.”

,,SB111591282698931833,00.html?mod=todays_free_feature

http://online.wsj.com/public/article/0

Abstraction anchored by the human form

Abstraction anchored by the human form
By Jackie Wullschlager

FT
May 11 2005 03:00

Licence my roving hands, and let them go

Before, behind, between, above, below.

O my America, my new found land.

John Donne, Elegies

Willem de Kooning painted luscious young women who ended up looking
like terrifying harridans. “I find I can paint pretty young girls, yet
when it is finished I always find they are not there, only their
mothers,” he explained. After Picasso’s “Les Demoiselles d’Avignon”,
de Kooning’s “Woman” series is the most famous depiction – distortion
– of the female form in 20th-century art. A group of them gather like
hags on the heath at the centre of Rotterdam’s new de Kooning show:
some singles – “Woman (Blue Eyes)”, the Hirshhorn’s 1953 yellow
“Woman”, her body sliced through with a giant suggestive red triangle
– and some in couples, such as the raspberry- and strawberry-coloured
pair in “Two Women in the Country”.

Toothy, domineering, with mask-like faces and enormously enlarged
eyes, breasts, hips, how insolently they glare back at us when we
stare at their savage full-frontal portrayals, composed of
brushstrokes that seem to slash into their flesh, deforming it even as
de Kooning creates them with the sweeping force of his abstracting,
whiplash line. “I wanted them to be funny, so I made them look satiric
and monstrous, like sibyls,” he said. You don’t need to be Freud to
suspect that, as de Kooning’s wife Elaine protested, “that ferocious
woman he painted didn’t come from living with me. It began when he was
three years old.”

De Kooning was born a century ago in the rough, colourful,
unpretentious, open-minded port city of Rotterdam, where his father
was a liquor merchant and his tough mother ran a sailors’ bar by the
docks. In 1926 he fled Holland glamorously by working his passage on a
steamer, then jumped ship to live illegally in Manhattan, where in
time he became King of Canvas, America’s most celebrated artist. This
first retrospective in his native city, however, makes immediately
clear both that his rumbustious, unsquashable, vivid quality owes a
primary debt to Rotterdam, and – seen from the rare perspective of a
showing of his work on this side of the Atlantic – that he was a
strongly European as wellas a quintessentially American painter. The
two elements coalesce: like many immigrants tracing hope and
possibility in the new world, the flying Dutchman’s template of memory
and ideals was European.

Crucially, this kept him on the tightrope between abstraction and
figuration – the tension that gives his work energy and interest and
has ensured its long, sustaining influence on contemporary
painting. You see it as soon as you enter the ample, bright Kunsthal,
where his canvases are spread generously over spacious galleries that
open up into one another, affording long vistas and comparisons of
early and late periods. Unlike his American contemporaries, de Kooning
had a rigorous Dutch training as a figure painter and this show begins
with the waif-like, ethereal, depression-era portraits from the early
1940s, such as “The Glazier” and “The Acrobat”, in subdued brown and
blue tones. They announce a debt to Picasso and to Arshile Gorky –
Gorky’s melancholy “The Artist and His Mother”, painted from a
photograph after her death in the Armenian genocide, is the most
striking model – that lasted all de Kooning’s life.

Monochrome works, abstractions indebted to cubism, followed: the
tautly structured, dancing forms in “Zot” (1949), painted with subtle
gradations of thick and thin paint, and an exquisite harmony between
black and white, neither dominating the other, is a fine example here,
lent by the Metropolitan Museum. But only when de Kooning fleshed out
cubism’s bare bones with the sensuous layering of lush paint in the
1950s “Woman” series did he find his own truly authentic style.

Veering towards abstraction, the “Woman” series transforms the figure
while retaining classical elements within a vortex of paint – paint
that is sexy and physical, built up like a material substance,
transfiguring and fleshy at the same time. “I get the paint right on
the surface. Nobody else can do that,”de Kooning boasted, but his
women caused uproar in avant-garde New York, where abstract
expressionism was the house style of the free world and to draw the
human figure seemed an act of political betrayal. De Kooning was
laconic: it was as ridiculous not to paint the human figure as to
paint it, he observed. Later he added that to use flesh tones was as
daring as it had once been topaint a body blue or red. In this
context, two works from the 1960s, the Metropolitan Museum’s “Woman”
and another New York loan, “Woman on a Sign”,radiant with candy-pink
and sweet cream splashed in the merest suggestion of bodies across
colour-saturated canvases, are masterpieces, and de Kooning’s “flesh
was the reason why oil painting was invented” as good a summing-up of
the erotic impulse of art as any.

Fifty years on, de Kooning’s harpies sit squarely in the continuum of
modernism. He said as much himself: “I began with Woman because it’s
like a tradition, like Venus, like the Olympia, like Manet made
Olympia.” His women inherit the bold look and aggressive posture of
both Olympia and the ladies of Avignon (“Picasso is the guy to beat”);
their other European debts are to the majestic gleaming bodies of his
Netherlandish ancestor Rubens, and to the tortured expressiveness of
Chaim Soutine, painter of bloody animal carcasses. They are not really
innovative works at all, but classics of adaptation and assimilation:
a crazy, high-voltage mixture of primitive goddess, Marilyn Monroe,
comic cartoon and 1950s suburban American frump.

It is impossible, as you move from these creatures to the rapturous
landscapes and figures in landscapes not to see de Kooning’s
freewheeling gestural marks and gorgeously liberated colour in clichéd
terms as a response to the space and sense of possibility in
mid-century America. Highlights include “Man Accabonac” (1971), one of
many pieces here from private collections worldwide, the Stedelijk’s
lovely cool-hued seascape “North Atlantic Light” (1976), with its
sketchy sailing boat serene amid chaotic waves of peach, crimson,
brilliant deep blue and yellow, and the Whitney Museum’s “Door to the
River” (1960), evocative of the eternal flow of river and road, of
people arriving and leaving. “Detour” (1958) is an abstract, melting,
yellow-green road map of America’s endless highways that makes me
think not only of Jack Kerouac’s On the Road, but also of another
1950s classic, by the Russian émigré Vladimir Nabokov. In Lolita,
Humbert Humbert and his charge race from motel to motel on a journey
of sex and death that is also the co-opting of innocent, free America
into decadent, history-laden European art.

At the start of his mad-dash exploration of US motorways, the European
Humbert awakens gradually to “the odd sense of living in a brand new,
mad new dream world, where everything was permissible”, and so it was
with de Kooning. This show ends with the skeletal, pared-down untitled
abstractions of the mid-1980s; their emptiness suggests the dementia
that was to overtake de Kooning in his last decade, the fading forms
images of forgetting, but the swirling still-powerful lines and
biomorphic shapes return also to Gorky, de Kooning’s first mentor, and
something of that mid-century spirit of freedom remains. It allowed de
Kooning, as Barnett Newman said of all the abstract expressionists,
“to start from scratch, to paint as if painting never existed
before”. Yet, unhampered by the puritanism that colours so much
American art, de Kooning was also able to achieve resonance and a
tragic-comic depth by celebrating his European sources. Those myriad
forces animate every canvas in this convincing retrospective, which,
though lacking certain iconic works – “Woman 1”, “Excavation”, “Gotham
News” – makes an immensely satisfying centenary homecoming.

Willem de Kooning, Kunsthal, Rotterdam, to July 3. Tel +31 10 44 00 301

BAKU: FM: “No peace agreement will be signed during Warsaw

Today, Azerbaijan
May 11 2005

Elmar Mammedyarov: “No peace agreement will be signed during Warsaw
meeting of Presidents”

11 May 2005 [19:31] – Today.Az

The information spread on signing of a peace agreement during Warsaw
meeting of Presidents of Azerbaijan and Armenia is groundless.

Azerbaijani Foreign Minister Elmar Mammedyarov said to the
journalists that no document will be signed.

“No agreement was worked on in the last negotiations. Both London
talks and Frankfurt talks were the continuation of Prague process. We
hold meeting with OSCE Minsk Group co-chairmen privately and concrete
frame of the further meetings was defined. Meeting on Presidents
level is due to be next meeting in Warsaw, the direction of the
measures will be known”.

Head of MFA expressed his confidence on the realization of meeting
between the Presidents. “Presidents met last in Astana and we have
done a lot in the level of Foreign Ministers since that meeting. The
work done in the frame of Prague process will be evaluated in Warsaw
meeting. Later on the Presidents are to give instruction on how to
direct our work”.

Elmar Mammedyarov said of the report drown up by Fact- finding
Mission of OSCE to have been delivered to the UNO member countries.
“The report of Fact- finding Mission investigating the illegal
settlement process carried out by Armenia in the occupied territories
of Azerbaijan has been written out in six languages and presented to
the UNO member states. Besides, OSCE Minsk Group co-chairmen’s
suggestions on this matter have been delivered to UNO member states.
The UNO member states need time for getting acquainted with this
document, later on we shall take steps from our side”.

Elmar Mammedyarov said that, the note sent to Foreign Ministry of
Russia on not permitting “Maestro Niyazi” and “Natevan” ships of
Azerbaijan to the Caspian Sea has not been responded yet. “We wait
for the respond to our note sent to Russia. Ministry of Foreign
Affairs didn’t finish its work in sending note only, we go on the
talks concerning letting our ships to the Caspian Sea via Volga-Don
canal. We try to solve this matter as soon as possible. I am sure
this matter will not present any obstacle to the construction of
Baku-Tbilisi-Ceyhan main export oil pipeline. 98% of the pipeline is
ready and opening ceremony of Baku-Tbilisi-Ceyhan main export oil
pipeline will be held on May 25”.

Head of MFA also expressed opinion on Uzbekistan’s decision on
quitting GUUAM. “Uzbekistan’s quitting GUUAM is a step taken relevant
to its foreign policy course. Each country has its own foreign policy
course and makes decisions correspondingly. Uzbekistan joined GUUAM
in 1999 and made decision to quit this organization in 2005.The
matter which Azerbaijan has concern in is GUUAM becoming a strong
organization. As you know, very useful decisions were made in
Kishinev summit. That is Uzbekistan’s own business whether it leaves
GUUAM”.

/APA/

URL:

http://www.today.az/news/politics/19280.html