CSTO member states launch three-day military drills in Armenia

PanARMENIAN.Net, Armenia



PanARMENIAN.Net – The CSTO member states' special forces have launched three-day military drills in Armenia, the CSTO press service said in a statement on Tuesday, July 11.

“Training with the heads of CSTO member states’ interior ministries (police) special units, allocated to the organization’s Collective Rapid Reaction Force, was launched on July 11 under the supervision of CSTO Deputy Secretary General Valery Semerikov,” Spuntik reports.

According to the statement, police officers from Russia, Armenia, Belarus and Kyrgyzstan, as well as national guard officers from Russia and Kazakhstan, are taking part.

The drills, providing the participants with the opportunity to work on special operations scenarios and exchange experience in training methods, are set to last for three days on the base of the Police Educational Complex of the Republic of Armenia.

The CSTO was established on the basis of the Collective Security Treaty, signed by the Commonwealth of Independent States (CIS) member states on May 15, 1992. Armenia, Belarus, Kazakhstan, Kyrgyzstan, Russia and Tajikistan are the current CSTO members. Former member state Uzbekistan announced the suspension of its CSTO membership in 2012.

BAKU: MP: Iranian FM ignores Armenia’s crimes

news.az, Azerbaijan
July 9 2017

Sun 17:16 GMT | 13:16 Local Time

    
"No reaction to these crimes casts shadow on the spotless reputation of the Foreign Ministry of Iran and Mr.Zarif."

Urmian MP in the Iranian parliament Ruhulla Hazretpur has accussed the Foreign Ministry of having no principled position on the crimes committed by Armenia against the Muslims of Nagorno-Karabakh.

According to Anadolu Agency, the due message addressed to Iranian Foreign Minister Mohammad Javad Zarif has been read out at the open session in the Iranian parliament.

"No reaction to these crimes casts shadow on the spotless reputation of the Foreign Ministry of Iran and Mr.Zarif," the message says.

The MP believes that the Iranian Foreign Ministry did not demonstrate a principled position on the crimes against Muslims of Nagorno-Karabakh.

News.Az

RFE/RL Armenian Report – 07/05/2017

                                        Wednesday, July 5, 2017

Mediators Concerned Over Fresh Fighting In Karabakh (UPDATED)


Nagorno-Karabakh -- Ethnic Armenian soldiers walk in a trench at an
artillery positions near the Nagorno-Karabakh's town of Martuni, April
7, 2016


A team of U.S., Russian and French negotiators on Wednesday urged the
parties to the Nagorno-Karabakh conflict to observe the ceasefire
following fresh skirmishes that reportedly left two Azerbaijani
civilians dead.

"The Minsk Group Co-Chairs urgently call upon the sides to cease
military action," the mediators said in a joint statement. "Violence
only begets further violence and accomplishes nothing."

"The only responsible and humane way to resolve this long-standing
conflict is for the sides to return to the negotiation table in good
faith," they added.

Azerbaijan's Defense Ministry said a 50-year-old woman and her
2-year-old granddaughter were killed on Tuesday evening by Armenian
shelling of their village of Alkhanli just southeast of
Karabakh. Another local resident, also a woman, was seriously wounded,
the ministry said, adding that the Azerbaijani side fired back at
Armenian forces stationed across the nearby section of "the line of
contact."


Azerbaijan -- An Azeri man points at a house damaged during clashes
between Armenian and Azeri forces in the settlement of Gapanli,
outside the frontline Azeri town of Terter, April 5, 2016
Karabakh's Armenian-backed Defense Army came up with a different
version of events, saying that Azerbaijani forces fired five rockets
towards one of its command points from an artillery position located
within Alkhanli.It said its frontline troops retaliated by targeting
that position.

In a separate statement, the Defense Army accused the Azerbaijani
military of using Alkhanli residents as a "human shield." It also
released a short video that purportedly shows two Azerbaijan rockets
landing near Karabakh Armenian trenches overlooking the Azerbaijani
village. It said it was the first time that the Azerbaijanis used
Turkish-made TR-107 multiple-launch rocket systems since the April
2016 hostilities in and around Karabakh.

"If the enemy really suffered casualties among civilians, then we have
to express regret," said the Karabakh army commander,
Lieutenant-General Levon Mnatsakanian. "At the same time I want to
make clear that the armed forces of Artsakh (Karabakh) # will continue
to fully exercise their right to defend themselves and, if need be,
respond to the enemy's offensive actions in a targeted and
disproportionate manner."

Mnatsakanian also warned Baku against resorting to "further military
adventures," saying that they would have "unpredictable consequences."

The Azerbaijani Foreign Ministry claimed on Wednesday, however, that
the Armenians are deliberately targeting Azerbaijani civilians living
near the Karabakh frontlines. It said the deaths of the two villagers
"confirmed the terrorist nature" of Armenia. The ministry also said
the American, French and Russian mediators must now demand "the
immediate withdrawal of Armenia's armed forces from the occupied
territories of Azerbaijan and a change of the status quo."


Nagorno-Karabakh -- An Armenian man walks inside a destroyed building
in the village of Talish, some 80km north of Karabakh's capital
Stepanakert, April 6, 2016

Official Yerevan blamed the Azerbaijani side for the deadly
incident. Foreign Minister Edward Nalbandian discussed it in phone
conversations with the Minsk Group co-chairs. Nalbandian's press
office said he briefed them on "the situation after the Azerbaijani
provocation."

The Armenian Foreign Ministry spokesman, Tigran Balayan, said that in
order to prevent further bloodshed Baku should comply with
confidence-building agreements that were reached by Armenia's and
Azerbaijan's presidents last year.

Presidents Serzh Sarkisian and Ilham Aliyev specifically agreed to
allow the OSCE to deploy more field observers in the conflict zone and
investigate truce violations occurring there. The Azerbaijani
leadership has since been reluctant to implement these safeguards,
saying that they would cement the status quo in the absence of
progress in Armenian-Azerbaijani peace talks.

The latest escalation comes ahead of a meeting of the Armenian and
Azerbaijani foreign ministers expected later this month. The Minsk
Group co-chairs hope that they will help to prepare for a fresh
Armenian-Azerbaijani summit. The mediating troika said after visiting
Baku, Yerevan and Stepanakert last month that Aliyev and Sarkisian
"expressed their intention to resume political dialogue in an attempt
to find a compromise solution for the most controversial issues of the
settlement."

The Interfax news agency quoted the Azerbaijani Foreign Ministry
spokesman, Hikmet Hajiyev, as saying later in the day that Baku does
not plan to cancel the ministerial meeting that could take place as
early as next week. "We want substantive negotiations," he said.



Moscow Slams Azeri Travel Ban For Russian Armenians


Russia -- Aaerial view of central Moscow, with the headquarters of
Russian Foreign Ministry, one of the so-called Stalin high rises, in
the foreground, April 06, 2012

Russia publicly demanded on Wednesday Azerbaijan stop barring Russian
citizens of Armenian descent from visiting the South Caucasus country,
saying that the "blatant discriminatory practice" could hurt
Russian-Azerbaijani ties.

The Azerbaijani government has long maintained a travel ban for not
only Armenia's citizens but also ethnic Armenians from other countries
because of the unresolved Nagorno-Karabakh conflict.It considers any
Armenian presence on Azerbaijani soil a security risk and an affront
to the country's honor and territorial integrity.

The TASS agency quoted an unnamed official at the Russian Foreign
Ministry as saying that 25 Russian nationals with Armenian surnames
have been detained and deported after attempting to enter Azerbaijan
so far this year. The official said Azerbaijani immigration officers
have also interrogated individuals with traditional Russian names
suspected of having Armenian ancestors.

"We have to conclude that Russian citizens arriving in Azerbaijan are
really discriminated against on ethnic grounds," said the official.

"We are continuing to demand an end to the blatant discriminatory
practice which is not compatible with friendly relations between the
two countries. We will certainly be drawing conclusions from the
existing situation."

According to TASS, the Russian Foreign Ministry has repeatedly
demanded explanations from the authorities in Baku and has been told
by them that the travel ban is needed for averting "undesirable
incidents." The ministry official dismissed the explanation as
unsatisfactory.

Commenting on the unusually strong Russian criticism later in the day,
a spokesman for Azerbaijan's Foreign Ministry cited continuing
"Armenian occupation" of Azerbaijani territory. "Unfortunately, some
ethnic Armenian individuals display ethnically motivated hostility,
and that is why we take certain measures," the official said,
according to the Turan news agency.

Incidentally, Russia's longtime Foreign Minister Sergey Lavrov was
born to an ethnic Armenian father. Lavrov has visited Baku on a
regular basis.

The Azerbaijan ban also applies to presumed or actual ethnic Armenians
from Turkey, Azerbaijan's closest ally. In 2014, a Turkish
arm-wrestler called Zafer Noyan was reportedly barred from entering
Azerbaijan and participating in a major competition there because of
his last name which officials at the Baku airport felt is
Armenian. Noyan was forced to flow back to Istanbul despite his
assurances that he is not of Armenian origin.



Polish Envoy Expects New EU-Armenia Deal With `Fingers Crossed'

        
 . Sargis Harutyunyan


Belgium - Armenia's President Serzh Sargsyan (L) walks next to
European Council President Donald Tusk after a joint news statement in
Brussels, Belgium February 27, 2017

Poland's ambassador in Yerevan expressed hope on Wednesday that a new
agreement to deepen Armenia's political and economic ties with the
European Union will be signed as planned this autumn.

"We are waiting for the signing of the document," Jerzy Nowakowski
told reporters. "And as [EU] Ambassador Piotr Switalski has pointed
out, we are waiting not for promises but for concrete steps from our
Armenian partners."

The Comprehensive and Enhanced Partnership Agreement (CEPA) is a less
ambitious alternative to an Association Agreement negotiated by
Armenian and EU officials in the summer of 2013. President Serzh
Sarkisian precluded the signing of that deal with his unexpected
decision in September 2013 to make Armenia part of the Russian-led
Eurasian Economic Union (EEU). The U-turn was widely attributed to
strong Russian pressure.

The alternative deal apparently contains the main political provisions
of the cancelled Association Agreement. It was finalized in Yerevan in
March and is expected to be signed in Brussels in November.


Armenia - Polish Ambassador to Armenia Jerzy Nowakowski gives a press
conference in Yerevan, 4May2015.

Asked whether he thinks the CEPA could be scuttled like the
Association Agreement was, Nowakowski said: "I cross my fingers and
say no [there is no such risk.] But I cross my fingers."

Speaking in the Armenian parliament last week, Deputy Foreign Minister
Shavarsh Kocharian insisted that the CEPA is "due to be signed this
autumn." "We'll talk about the results next year," he added with a
grin.

Naira Zohrabian, the chairwoman of an Armenian parliament committee on
European integration, said on June 21 that Armenia has "discussed" the
key CEPA provisions with Russia and that the latter does not object to
them. "Therefore, right now I see no risk that the Comprehensive and
Enhanced Partnership Agreement will not be signed in Brussels on
November 24," she told RFE/RL's Armenian service (Azatutyun.am).



Press Review


Armenia -- Newspapers for press review illustration, Yerevan,
12Jul2016

"Aravot" pays tribute to Armenia's post-Soviet constitution on the
22nd anniversary of its adoption in a disputed referendum held in July
1995. The paper says that the constitution is one of the key state
symbols that should be respected by Armenians even if it has not been
enforced by successive governments in Yerevan. "Wrong things may be
written in the constitution," editorializes the paper. "Constitutional
provisions are not necessarily enforced, which is certainly the
case. Courts may be dependent [on the government] and corrupt. This
also happens often times. But to extend our cynicism and nihilism to
state institutions means to contribute to their being weak and
underdeveloped."

"Hraparak" quotes Mane Tandilian, a parliament deputy from the
opposition Yelk alliance, as criticizing the Armenian government's
decision to use more water from Lake Sevan for irrigation and power
generation. "We see serious corruption risks here," she says. "When we
speak of [the extra] 100 million cubic meters of water we are told
that only 40 million cubic meters will reach farmers for irrigation
purposes and that the remaining 60 percent will be lost. How did they
calculate that? There are concerns that those 60 million cubic meters
will benefit hydroelectric plants, resulting in extra profits that
will not be taxed."

"We really have a problem with serious oversight in the area of use of
water," Gagik Melikian, a senior lawmaker representing the ruling
Republican Party of Armenia (HHK), tells "Hayots Ashkhar," commenting
on an opposition argument that water losses have not decreased despite
substantial government sums spent on refurbishing Armenia's irrigation
networks. "On the other hand, I don't think that the losses are that
big," Melikian goes on. "I don't exclude that we may have losses in
the canals, but they are not large-scale. I am inclined to think that
water reaches villages but its entire volume is not recorded because
of a lack of necessary equipment. A lot needs to be done in that
area."

In an interview with "Past," political commentator Manvel Sargsian
says that popular demand for political changes in Armenia is not
strong enough. "Unlike previous elections, these latest
[parliamentary] elections were not followed by a wave of protests," he
says. "This is a very important fact. There may be different reasons
for that." The election outcome is viewed as natural by many
Armenians, he adds.

(Tigran Avetisian)


Reprinted on ANN/Armenian News with permission from RFE/RL
Copyright (c) 2017 Radio Free Europe / Radio Liberty, Inc.
1201 Connecticut Ave., N.W. Washington DC 20036.
www.rferl.org

Book: Choose to Rise: The Victory Within by Mekaelian, M.N.

Kirkus Reviews (Print)
July 1, 2017, Saturday


CHOOSE TO RISE;
The Victory Within

FICTION; Historical


At the dawn of World War I, two brothers fight for survival in the
midst of the Armenian genocide in Mekaelian's debut novel. In 1971,
the Hagopian family gathers at a Chicago hospital after one of its
elders has a stroke. Vartan Hagopian is a professor in his 70s who
began his life in Armenia and now may end it in a hospital bed.

A doctor tells the family that Vartan called out for a girl named
Nadia during the attack that felled him. The name brings up painful
memories for his slightly younger brother, Armen, who decides to tell
the assembled family members the story of what he and his sibling
lived through years ago. The sweeping tale begins in 1913 on the
Hagopian family farm, located in the shadow of the Taurus Mountains
along the Euphrates River. With the sultan of the Ottoman Empire
deposed and the Young Turks in power, Armenians have been promised
more equality under the law. Armen's close-knit Armenian community
lives alongside Turks and Kurds in relative peace. The future looks
bright to teenage Armen and Vartan, who spend their evenings gazing at
constellations. Slowly, though, it becomes clear that the government
is overtaxing Armenians and brutally enforcing the practice with
violence. Vartan and Armen's father vows to stay, but as World War I
breaks out, circumstances deteriorate, and Armen must find bravery far
beyond his years. The most impressive aspect of Mekaelian's historical
tale is how it weaves together so many aspects of Armenian oppression
into one family's story without seeming implausible. The author
carefully depicts Kharpert as a pastoral place that also becomes the
setting of the worst things that humanity can offer, including forced
assimilation, deportation, and outright slaughter. The sensible,
memorable characters have an understandable dedication to their
territory, and although the subject matter becomes quite bleak, the
writing never does. The author shows Armen as a bright, humorous,
hardworking teenager faced with unthinkable realities, and the
wellsprings of courage that he draws from are seemingly limitless.

A tragic and beautiful story that manages to retain a wise and hopeful tone.

Publication Date: 2017-04-03
Publisher: Self
Stage: Indie
ISBN: 978-0-692-38516-6
Price: $19.99
Author: Mekaelian, M.N.


 

Chess: Armenia’s Tigran Petrosian wins National Open

Panorama, Armenia

National Open International Chess Festival was held at Las Vegas, with the participation of 54 chess players, including 10 GMs.

As Panorama.am was informed from the Chess Federation of Armenia, Armenian GM Tigran L. Petrosian became the sole winner of the tournament, with a score of 5/6. Ilya Nizhnik took the second place with 4.5 points, with Dmitry Gordievsky concluding the top three.

David Babayan: Co-Chairs’ visit important, final settlement far away

Public Radio of Armenia
17:03, 12 Jun 2017

Visits of the OSCE Minsk Group Co-Chairs are important, Spokesman for the Artsakh president David Babayan said.

He said “the visits help ensure the continuity of the peace process and allows to discuss different issues.”

“We have a long way to pass before e can reach a final resolution, especially considering the conflicting approaches of the parties,” Babayan said.

“Azerbaijan’s non-constructive approach does not inspire hope for a soonest settlement of the Karabakh conflict. Therefore, we lay the emphasis on the maintenance of peace and stability.

The Minsk Group Co-Chairs had a meeting with Artsakh president Bako Sahakyan this morning.

Armenia’s ruling party official raises Azerbaijan’s destructive policy issue in EPP Political Assembly

Armenpress News Agency , Armenia
June 9, 2017 Friday


Armenia's ruling party official raises Azerbaijan's destructive policy
issue in EPP Political Assembly



YEREVAN, JUNE 9, ARMENPRESS. Armenia attaches importance to the
signing of the new comprehensive and expanded partnership agreement
with the European Union, assuring that it will continue its reforms in
the political and human rights arenas, Armen Ashotyan – vice president
of Armenia’s Republican Party said at the Political Assembly of the
European People’s Party (EPP).

“We fully realize that reforms will contribute to Armenia’s progress
towards a large-scale democracy and will enable to maximally benefit
from positive changes”, Ashotyan said.

He touched upon the closure of the OSCE Yerevan Office – as result of
Azerbaijan’s veto – mentioning that although Armenia and OSCE will
continue further constructive cooperation, this occurrence is yet
another proof of Azerbaijan’s destructive policy.

As a new example of Azerbaijan’s human rights violations, Ashotyan
mentioned the kidnapping of an Azerbaijani journalist from Tbilisi to
Baku, where he has been arrested and is awaiting criminal punishment.

“I would also like to emphasize the role and significance of the OSCE
Minsk Group – as the only effective tool of maintaining stability and
settlement of the conflict. In this context, I would like to
underscore that for the first time the OSCE MG Co-Chairs made a
targeted statement on May 18 in the Nagorno Karabakh conflict
settlement negotiation process – regarding the escalation in the line
of contact during May 15-17”, Ashotyan said.

Zartonk Daily 06.06.2017

Սիրելի ընթերցող


Կցուած կրնաք գտնել «Զարթօնք»ի այսօրուայ թիւը ՝

Շնորհակալ ենք, որ ընտրած էք «Զարթօնք»
կարդալ: 


Սիրով՝

«ԶԱՐԹՕՆՔ»ի
Խմբագրութիւն



Musique: Tigran MANSURIAN (né en 1939)***

 Classica, France
Juin 2017


Tigran MANSURIAN (né en 1939)***

par  Sarah Léon



RequiemAnja Petersen (soprano), Andrew Redmond (baryton), Choeur de
chambre du RIAS, Orchestre de chambre de Münich, dir. Alexander
Liebreich ECM New Series 481 4101. 2017. 45' Nouveauté 1re

Depuis le War Requiemde Britten jusqu'à la Symphonie n° 3 de Górecki
en passant par le Thrène à la mémoire des victimes d'Hiroshima de
Penderecki, la composition de pièces funèbres commémorant les
événements tragiques du XXe siècle semble être devenu un genre à part
entière. C'est dans cette récente tradition que s'inscrit Tigran
Mansurian avec son Requiem dédié à la mémoire des victimes du génocide
arménien. Si le compositeur a choisi de conserver les textes latins,
il explique aussi s'être détourné volontairement de toute la tradition
rhétorique et théâtrale liée au genre de la « messe des morts » dans
la musique occidentale, pour retourner aux sources de la liturgie
arménienne - tant du point de vue de l' inspiration musicale que de la
conception religieuse qui la sous-tend.

Le résultat est une oeuvre austère, tour à tour dépouillée et
tourmentée, chant de déploration plus que de révolte : les tempos sont
majoritairement lents, le rythme égal, et seules quelques
interventions véhémentes de l'orchestre à cordes, quelques sursauts du
choeur lors des passages les plus tragiques (« Dies Irae », fin du «
Tuba mirum ») viennent rompre ce recueillement. Ça et là, les
anciennes liturgies orthodoxes se rappellent à l'auditeur : monodie
des solistes, mélismes, chant responsorial impriment leur marque à
l'ensemble de l'oeuvre, sans jamais tomber dans l'archaïsme ou le
pastiche. Le choeur est le plus souvent traité de façon homorythmique,
comme un seul bloc, voire à l'unisson dans les passages les plus
épurés, tandis que l'orchestre se fait discret durant de longues
plages chorales pour laisser la résonance des voix se déployer. Point
de place ici pour la séduction sonore ou l'épanchement lyrique :
l'émotion naît tout entière de la retenue et de l'extrême
concentration des moyens mis en oeuvre.

Musique: Macha Gharibian : "Trans Extended", un double exil en héritage

France TV Info
2 juin 2017


Par Annie Yanbékian @annieyanbekian Journaliste, responsable de la rubrique Jazz-Musiques du Monde de Culturebox

Publié le 02/06/2017 à 08H51

La chanteuse et pianiste Macha Gharibian

© Richard Schroeder

                 

CULTMacha Gharibian, pianiste et chanteuse aux origines cosmopolites, porte depuis toujours l'héritage d'une double histoire familiale tourmentée. Dans l'album "Trans Extended", elle développe les thématiques, intimement liées dans son cas, du voyage, du déracinement et de la transmission. Elle se produit ce vendredi soir à Paris, avant d'autres dates comme Marseille. Rencontre.

En 2013, le premier album de Macha Gharibian, "Mars", avait reçu un très bel accueil. Trois ans et demi plus tard, le 14 octobre 2016, elle a fait son retour discographique avec "Trans Extended", sorti sur le label Jazz Village et enregistré avec une belle formation. Il y a les fidèles : Théo Girard (contrebasse), Tosha Vukmirovic (clarinette, saxophone, kaval), David Potaux-Razel (guitare) et Fabrice Moreau (batterie). Et il y a des invités de marque : le batteur belge Dré Pallemaerts, la saxophoniste Alexandra Grimal et le tromboniste Matthias Mahler.

Macha Gharibian defend ce projet très personnel, composé de morceaux chantés et instrumentaux, sur scène où sa voix grave et profonde, son jeu raffiné au piano et un échange chaleureux avec le public, en plus de la créativité des musiciens qui l'entourent, séduisent et emportent l'adhésion. Elle se produit ce vendredi soir à Paris au Centre culturel Alex Manoogian, avant des concerts à Saint-Claude, Wolfisheim ou Marseille.

Macha Gharibian : "M Train" (Gharibian) au Café de la Danse (14 novembre 2016), avec Alexandra Grimal (voix, saxophone), Théo Girard (contrebasse), Matthias Mahler (trombone), Dré Pallemaerts (batterie), David Potaux-Razel (guitare), Tosha Vukmirovic (clarinette)

Culturebox : Le titre de votre album "Trans Extended" évoque l'idée du voyage…
– Macha Gharibian : À l'origine, je suis tombée sur des images du Transsibérien qui traverse plein de paysages sur des milliers de kilomètres… Je sentais que ce voyage était proche de mon propre voyage musical où je n'hésite pas à traverser les frontières pour entendre une flûte bulgare, ou partir à New York… Donc il y a cette idée des grandes étendues, des paysages, et il y a aussi le préfixe "trans"… Je suis issue d'une famille dans laquelle on m'a "transmis" tellement de choses à travers mes parents, mes grands-parents… De par ces histoires familiales, je me sens "trans extended", traversée par plein de choses, d'envies, de désirs, de rencontres qui m'ont transformée.

Dès que j'ai commencé à penser cet album, ce titre m'est venu à l'esprit, m'a habitée et il m'était impossible de m'en défaire. Au moment de choisir le titre du disque, il était encore là. Il prenait tout son sens parce qu'il y avait beaucoup de gens sur ce disque, venus eux aussi d'univers très différents. Donc l'idée de transmission concerne aussi les choses que l'on se laisse les uns aux autres, et même aujourd'hui, entre musiciens. Avec Dré Pallemaerts, par exemple, il y a eu une vraie rencontre.

En plus des thématiques du voyage, du multiculturalisme et de la transmission, l'album aborde aussi celle de l'exil et du déracinement…
– Oui, les textes des chansons en parlent. Il est question des traces laissées par l'exil à travers les générations. Je pense évidemment à l'histoire des Arméniens [ndlr : du côté de son père], ainsi qu'à ma mère, née à Tunis et arrivée en France à 8 ans, juste avant l'indépendance de la Tunisie. Toute mon enfance, j'ai entendu plein d'anecdotes : ses premiers hivers, le froid, les copines qui fêtaient Noël alors que sa famille ne l'avait jamais fait… L'adaptation au territoire est inscrite dans mon histoire et dans ma famille depuis des générations. Il y a l'exil, le départ, l'absence, mais aussi ce qu'on va trouver à l'arrivée…

La première chanson du disque, "I who have nothing" ("Moi qui n'ai rien"), parle du fait d'avoir tout laissé derrière soi, tout perdu, et de garder quand même de l'espoir, de la lumière et cette force de continuer à vivre, créer, rencontrer, partager, qui est celle de l'être humain. "There was a child" raconte l'histoire d'un enfant arménien qui cherche la chanson de sa grand-mère qui a dû quitter son village où tout a été détruit. Le village d'où venait mon grand-père a été complètement rasé. Aujourd'hui, il n'y a plus rien, seulement la montagne. Toute la vie a été supprimée. La chanson parle de la colère de cet enfant qui conserve en lui en endroit qui n'est pas réparé. J'ai dédié ce disque à mes grands-mères, et à mon arrière-grand-mère et mon arrière-grand père paternels qui ont quitté leur village de l'Est de la Turquie en 1915 [ndlr : année du début du génocide des Arméniens].

Ce sentiment de déracinement vous accompagne-t-il au quotidien, se rappelle-t-il fréquemment à votre souvenir ?
– C'est une question à laquelle je n'arrive pas à répondre… Je pourrais me sentir chez moi dans plein d'endroits différents. C'était le cas quand je suis allée vivre à New York il y a quelques années, et même récemment lors d'un voyage qui nous a amenés, avec mon groupe, à Bogota, à Hong Kong, en Chine. Finalement, partout, qu'il s'agisse de la culture, la nourriture, l'air, la manière dont les gens se comportent entre eux, il y a quelque chose en moi qui s'adapte naturellement. Ça vient peut-être de là : de ce déracinement qui fait qu'où que l'on soit, on s'adapte sans oublier d'où on vient et qui on est… même si en vérité, ce n'est pas facile.

Certains titres évoquent des destinations lointaines, comme "Saskatchewan", le nom d'une province canadienne, ou "Mount Kurama" qui évoque le Japon. Une partie de l'album a -t-elle été écrite lors d'un voyage ou d'une tournée ?
– J'ai composé la plupart des morceaux instrumentaux à Paris. J'ai écrit "Mount Kurama" en pensant à la saxophoniste Alexandra Grimal, parce qu'on allait le jouer ensemble. C'est une montagne symbolique au Japon. On est toutes les deux fascinées par cette culture, et nous partageons une démarche commune, celle de deux femmes musiciennes en quête de sérénité dans un univers encore très masculin. Il y a des peurs qui résistent en nous, qui sont ancrées dans nos mémoires, depuis des générations. Être une femme, être descendante d'Arméniens de Turquie, et d'autres choses encore, participent à ces mémoires. Le Mount Kurama, c'est l'ascension d'une montagne, une marche lente et spirituelle, une forme de méditation. Et mon espoir c'est d'arriver en haut de la montagne, de contempler la beauté du monde et de trouver la paix.

J'ai écrit "Saskatchewan" en pensant à Tosha Vukmirovic, qui est clarinettiste. Dès le départ, j'ai pensé tout ce projet avec les instruments à vent : Alexandra, Tosha et, à l'origine, Sébastien Llado au trombone, même si c'est finalement Matthias Mahler qui a continué l'aventure. J'avais envie depuis longtemps de concevoir une matière sonore avec des vents, des cuivres. Concernant les textes, j'en ai écrits certains à New York, j'en ai peaufiné d'autres juste avant les sessions d'enregistrement.

On a joué certains morceaux pendant deux ans sur scène avant de les enregistrer, comme "There was a child" et "Let the world re-begin". Du coup, ils ont pris l'empreinte de la scène et de chacun des musiciens. Ensuite, l'apport en studio de Dré Pallemaerts à la batterie sur ces morceaux a été très fort. Il s'est passé quelque chose qui relève de la magie du moment. Dré possède un son très organique et il s'est intégré de manière extrêmement fluide et naturelle à ce que nous faisions avec Théo Girard et David Potaux-Razel depuis des années. Et, lors d'une improvisation vocale sur "There was a child" que je n'avais pas préméditée, il nous a amenés à un endroit qui était génial, lors d'un vrai dialogue avec la batterie et la guitare… C'est fantastique de vivre ça en studio.

"Saskatchewan", que vous avez mis en avant au moment de la sortie de l'album, sonne très arménien. Quelle est l'histoire de ce titre ?
– Oui, à la fois arménien et balkan. Au départ, quand j'ai écrit ce morceau, j'avais cette basse qui tournait dans ma tête comme une transe, quelque chose d'obsessionnel. Je pensais aux Indiens d'Amérique. J'avais rencontré une chanteuse du Manitoba, une région du Canada où on trouve beaucoup d'Indiens. Elle m'a parlé de sa grand-mère, de la langue qu'ils parlaient… Ça faisait complètement écho à mon histoire en tant qu'Arménienne, à cette langue qui me reste mais que je ne parle pas vraiment. J'ai trouvé des similitudes entre les Indiens d'Amérique, leur histoire et tous les peuples qui vivent l'exil forcé. Dans le même temps, le Saskatchewan est une région qui a pour tradition d'accueillir énormément d'étrangers. Symboliquement, j'aimais cette idée de pouvoir réunir des gens de partout dans ce morceau. Enfin, "Saskatchewan", en langue indienne, ça veut dire "Rapide", du nom d'une rivière qui coule dans la région, je ne sais pas exactement où car je n'y suis jamais allée. Ce morceau au tempo rapide est le seul du disque dans lequel jouent les huit musiciens de l'album.

Macha Gharibian "Trans Extended" en concert
Vendredi 2 juin 2017 à Paris, 20H00, à Paris (en quartet)
Centre culturel Alex Manoogian de l'Union générale arménienne de bienfaisance (Ugab)
Macha Gharibbian (piano, voix), Théo Girard (contrebasse), Fabrice Moreau (batterie), David Potaux-Razel (guitare)

Samedi 3 juin à Saint-Claude (Jura), La Fraternelle (en quartet)
Samedi 1er juillet à Wolfisheim (Bas-Rhin), Wolfi Jazz (en quartet)
Vendredi 7 juillet à Marseille, Musique au Jardin (en duo)
Dimanche 13 août à Fay-sur-Lignon (Haute-Loire), Festival sur Lignon (en quartet)
> L'agenda-concert de Macha Gharibian