Simply Dvin: Is the food really as good and fresh …?

Riverfront Times (St. Louis, Missouri)
August 24, 2005 Wednesday

Simply Dvin
Is the food really as good and fresh behind the old Iron Curtain as
it is here?

By Rose Martelli

I wonder what the two women who work there — the sole employees of
this Armenian-Greek-Russian restaurant located in the Old Orchard
section of Webster Groves — are doing right now. I’m pretty sure
they’re not scrambling to turn over tables, fire up orders from the
elevator-size galley or haul ever-more stock out of the walk-ins and
lowboys. It’s not a particularly busy restaurant. In all the times
I’ve eaten at Dvin, whether stopping in for a quick solo lunch,
enjoying catch-up dinners with old pals or bringing in bunches of
friends in the hope of turning them on to my favorite
hole-in-the-wall foodie find, I have seen, in total, exactly two
other diners. Perhaps the women are instead tending to the jungle of
houseplants (cacti, dracaenas, ivy) that cram the storefront’s
entranceway and bay window. Or maybe they’re rearranging the
artificial flowers, with their shellacked-on dewdrops, that rest in
stem vases atop each of Dvin’s nine tables. There are straight lace
curtains to wash, fruit-and-floral-patterned plastic placemats to
wipe down. There are rainbow-colored ceiling fans (which remind me of
those rainbow-colored caps with the propellers on top) to dust, and
rows of framed landscape paintings on the walls and Russian nesting
dolls in the unrefrigerated deli case to keep orderly. So it’s no
wonder that when I arrive, the restaurant’s front door is often
locked, neon-lit “Open” sign be damned. When I knock, one of the
women answers in a housekeeping smock.

As I take my pick of tables, the younger woman will ditch her smock
and dutifully fetch me a plastic-sheathed menu, creased and tattered,
and a paper-napkin roll-up. She’ll also turn on some music, something
Europoppy or this one blowzy chanteuse who must be the Edith Piaf of
Greece, while the older woman retreats to the kitchen.

The waitress will jot down my order and take it to the kitchen. I
like to pretend that the back of the house is the setting for an
Eastern European sitcom/reality/cooking show. Occasionally I’ll hear
them bicker back there in their thick native tongues, and I’ll think
it’s like Sanford and Son meets It’s a Living, or the episode of
Seinfeld where Elaine couldn’t tell if the Korean ladies in the nail
salon were making fun of her. But I also dream of watching the
cook-woman work, with lots of close-up shots of her adroit, expert
hands chopping garlic and eggplant, stirring a cauldron of borscht,
rolling meat. I wish I could be a great meat-roller, but I don’t
trust my spastic knife skills to carve a pocket inside a breast or
filet without splitting the thing wide open.

And when my food arrives and I dig in, I entertain myself by
thinking: Do they realize how great their food is? Was an everyday
meal behind the old Iron Curtain really this good and fresh, this
imbued with homemade goodness?

Meat blintzes: four mounds of ground chicken — which gives the meat
an airiness and a delicacy that could never be achieved in plain old
breast meat — wrapped in crepe-thin pancakes that carry a seductive
honey flavor. Chicken Kiev: more chicken, two fist-size portions of
it rolled around a center of fresh herbs, lightly breaded like
they’ve been sprinkled with pixie dust and oh-so-lightly fried, sided
with a nimble, couscous-y rice and a dollop of cold tomato compote.
Armenian dip, a twist on standard hummus: kidney beans, fried white
onion, olive oil and sesame seeds, something like refried-bean dip
but more special, with more integrity and texture.

Roasted red peppers: delectable slices of sweet bells, marinated in
olive oil and garlic until they drip and ooze Mediterranean
sensuousness, topped with sliced black olives and crumbled feta.
Vareniky: a signature of Ukranian cuisine better known stateside by
their Polish name, pirogies — delightful and almost silly, doughy
dumplings that resemble half-cooked ravioli, coagulating into a
single mass of starch around their mashed-potato-and-cheese stuffing.
And goulash — who knew goulash could ever be this sprightly and
earthy? Another Ukranian interpretation on Dvin’s menu, it foregoes
Hungary’s sour cream and buttered noodles, allowing its watery beef
broth, assailed with herbs like cilantro, paprika and rosemary, to
take center stage.

How strange that while their food possesses a sense of sweetness and
light, the Dvin women’s own demeanors can read — at least here, in
the relatively affable land of the Midwest — as stern and humorless.
There’s a firmness to the waitress’ reply when we ask her what herbs
are in the goulash: “I don’t know. She cooks.” Later that evening,
when we inquire about dessert (baklava and napoleons are listed on
the menu), she tells us they’re all out. We suspect she just wants us
to leave.

Usually small, family-style establishments like Dvin make up for what
they can’t provide in hip cuisine and expensive flatware with
just-plain-folk personality and charm. If Dvin has a certain charm,
its cut-and-dried charmlessness is its charm.

I didn’t want to peel back the curtain (iron, lace, whatever) and
find out the true story of Dvin, partially because I’d be robbing
myself of my little fairy tales, and partially because I was worried
they’d hang up the phone on me when I put on my reporter’s hat and
called. In fact, I was instructed to show up in person if I wanted to
ask questions, so I did.

Dvin is owned by chef and Russian native Lidiya Skilioti, who bought
the place from its existing Armenian owners nine years ago. She never
cooked professionally back home, but since moving to the U.S. around
1990 she’s worked at a Bob Evans and at Brandt’s in the Loop. Her
daughter, Natalya, has been waitressing for her at Dvin for the past
seven years. They told me that their head count at the restaurant
varies widely, even on a Saturday night.

I asked Lidiya why she decided to take the plunge and buy her own
restaurant. She answered, “I love making food and everything. Here,
we do only homemade and hand-cooked. Only natural and fresh.”

A few minutes later, I thanked them for their time and got up to
leave. Lidiya headed into the kitchen once more, but Natalya
instructed me to sit tight a moment. We chatted about the weather. It
was kinda nice.

Lidiya came out from the kitchen. She passed me a to-go box. Inside
was a piece of crumb cake with a thick, creamy slab of cheese
filling.

I took it home and ate it that night. It was delicious, just as I
imagined it would be.

Montreal: Turkish diplomat remembered

The Gazette (Montreal)
August 28, 2005 Sunday

Turkish diplomat remembered

CP; CanWest News Service

Turkish Canadians gathered yesterday at the spot in Ottawa where a
diplomat from their homeland was murdered 23 years ago. Atilla
Altikat’s killers are still free, although a group called the Justice
Commandos of the Armenian Genocide claimed responsibility. Dozens of
people from Ottawa, Montreal and Toronto gathered for Muslim prayers
and speeches and handed out leaflets showing Altikat’s bloodied body.

Grandmaster Anastasian clinches Master’s Crown in Abu Dhabi

Gulf News, United Arab Emirates
August 25, 2005

GRANDMASTER ANASTASIAN CLINCHES MASTER’S CROWN IN ABU DHABI

Grandmaster Ashot Anastasian of Armenia won the Master’s title at the
15th Abu Dhabi International Chess Festival that concluded late on
Tuesday.

Anastasian played a quick draw with GM Alexei Federov of Belarus to
finish with a tally of seven points out of a possible nine and
pocketed the first prize of $ 4,000 (Dh14,680).

Grandmaster Dmitry Bocharov of Russia and Uzbekistan’s International
Master Sergey Kayumov tied for the second spot scoring 6.5 points
each.

Bocharov defeated Ukrainian GM Alexander Goloshachapov. Indian
Grandmaster Surya Shekhar Ganguly scored a comprehensive victory over
Russian GM Mikhail Ulibin in the ninth round to finish 13th.

Ganguly yet again showcased his superior end-game technique to
outplay Ulibin who played the black side of a French defence game.

Playing the Winawer variation, Ganguly got an advantage in the
opening itself and nurtured it well to win a pawn. Ulibin found some
solace in an exchange sacrifice for some optical attack but Ganguly
was on his guard and timely trading of queens led to a difficult
end-game for black.

Ganguly wrapped up the issue in 55 moves after tying Black pieces to
passive defence. The final round of the women’s category saw another
spurt from Eesha Karavade who beat Grandmaster Vladimir Dobrov of
Russia.

With this victory, Karavade secured another Woman Grandmaster norm,
scoring 5.5 points in the event.

Music: Caucasus’ orchestra for peace

Music: Caucasus’ orchestra for peace
By Meline Toumani The New York Times

International Herald Tribune, France
Aug 26 2005

BATUMI, Georgia Two years ago, Uwe Berkemer, a German conductor
working in the Georgian capital, Tbilisi, had an idea that seemed
simple, even sweet: Create a chamber orchestra with musicians from
all over the Caucasus, a region between the Black and Caspian Seas
that separates Europe from Asia and is home to ethnic groups that
speak more than 40 languages.

The orchestra, he imagined, would demonstrate that music is a unifying
force. And it would symbolize the potential for peace among groups
engaged in intractable conflicts over land and sovereignty: Russians
and Chechens, Georgians and Abkhazians, Armenians and Azerbaijanis,
to name a few.

Inspired by the momentum for change in Georgia following the 2003
bloodless revolution that ousted the former Soviet republic’s longtime
leader, Eduard Shevardnadze, Berkemer set out on a mission that
mixed music and politics: His Caucasian Chamber Orchestra would be
a permanent, full-time performing group, based in Tbilisi, bringing
together the best musicians from Georgia, Armenia, Azerbaijan and
the North Caucasus areas of Russia. But when Berkemer sought the
support of cultural ministries in each country, he discovered that
not everyone agreed that music should transcend ethnic disputes.

Georgia was quick to sign on. Armenia soon followed, despite rising
tensions between Georgians and ethnic Armenians living in Georgia’s
Javakheti region. But there was no word from Azerbaijan.

After five months and many earnest overtures from Berkemer, European
Union delegates and diplomats throughout the region, a letter
arrived. Azerbaijan’s minister of culture, Polad Bulbuloglu, who had
been a Soviet-era pop star, wrote that Azerbaijani musicians would
not participate. It would be inconceivable to place them alongside
Armenian musicians, he wrote, as long as Armenian forces occupied
the disputed enclave of Nagorno-Karabakh.

Berkemer eventually hired 5 musicians from Armenia, 10 from Georgia
and 1 from Dagestan, a Muslim-populated region of Russia bordering
Chechnya. A chamber orchestra should have 16 to 19 musicians, “so we
are saving three seats” for the Azerbaijanis, he said, “whenever they
are ready to join us.”

The next problem for the orchestra was how to make a proper debut.

Berkemer and his staff decided to organize a festival in Batumi,
the capital of the Ajaria region, on the Black Sea.

Batumi looks peculiar even before an onlooker learns of its history.
Thanks to its seaside location, tall palms line the streets, and
a mild, wet climate creates a relaxed, tropical feeling. But large
blocks of shabby Soviet-style apartment buildings loom over the beach
cafes, reminding visitors that this quiet resort town has been through
tumultuous changes in the last century, the last decade and even in
the last year.

Until a year ago, Aslan Abashidze, who ruled Ajaria for 13 years,
ran the region as though it were his private kingdom. When Georgia’s
new president, Mikhail Saakashvili, took power early last year, one
of his first moves was to assert national sovereignty over the region,
forcing Abashidze to flee the country.

According to Ajaria’s newly reinstated minister of culture, Alexandre
Gegenava, local cultural life was transformed. “For 13 years,
Abashidze controlled all performances to suit his own interests,”
Gegenava said. “Normal people could not attend concerts. It was
always just the same people: his ministers, his bodyguards and his
slaves. Everybody knew whose seat was whose.”

Gegenava, who also worked in cultural administration during the
Soviet era, said that he himself would not have been able to enter
the theater during the Abashidze years.

Learning of this detail late in the planning process, Berkemer wondered
whether his orchestra’s debut, and the Batumi Music Festival overall,
were doomed to echo in empty halls.

Opening night on Aug. 11 was encouraging. The Batumi Theater, which
seats about 500, was two-thirds full, and the diversity of the audience
would have been notable anywhere in the world: a mix of children and
adults; dignitaries from Tbilisi, Germany and Britain; a local priest,
and tanned tourists.

Berkemer led the orchestra through Vivaldi’s “Four Seasons” and
Tchaikovsky’s Serenade for Strings. Marina Iashvili, a prominent
violin soloist of the Soviet era, performed with the group. The young
orchestra members – many of them fresh from conservatories in Tbilisi
and Yerevan, Armenia – beamed as the audience demanded four encores.

And in a move that won him many fans, Berkemer – standing out with
pale skin and white-blond hair in a room full of black-haired,
dark-eyed locals – sang an unofficial Georgian anthem, “Suliko.”

For a Saturday night “Concert for Peace,” Berkemer chose Britten’s
“Lachrymae” and Hindemith’s “Trauermusik” (Funeral Music). He wanted
to play Hindemith, he said, because the composer had been exiled from
Nazi Germany after Goebbels denounced him as an “atonal noisemaker.”
The composer’s experience as a refugee and the melancholy quality of
his composition, Berkemer said, lent respect to Caucasian war victims,
to whom the concert was dedicated.

Other festival events included late-night serenades in the
candle-lighted art museum by a vocal ensemble, Largo, which presented
songs from Chechnya, Ossetia and regions in Georgia; and by the Batumi
State Vocal Ensemble, which performed in the characteristic Georgian
male a cappella tradition.

Batumi residents seemed enthusiastic about the Caucasian Chamber
Orchestra but retained mixed expectations for solutions to the ethnic
conflicts in the region.

Giorgi Masalkin, a deputy in the Ajaria Supreme Council and a professor
of philosophy at Batumi State University, had taken his young daughter
to see the orchestra perform. “I want her to see the similarities
between people,” he said. “Acknowledging what’s common between you
and your neighbors is 50 percent of good relations.”

Ara Abrahamian to Participate in Release of Russian Sailors in Niger

HEAD OF UNION OF ARMENIANS OF RUSSIA TO PARTICIPATE IN PROCESS OF
RELEASE OF RUSSIAN SAILORS ARRESTED IN NIGERIA

MOSCOW, AUGUST 24. ARMINFO. Head of the Union of Armenians of Russia,
UN Good Will Ambassador Ara Abrahamyan will participate in the process
of release of Russian sailors arrested in Nigeria. According to
Gazeta.ru, today Ara Abrahamyan leaves for Nigeria on a special
mission.

According to the source, it is expected that his personal ties and the
previous experience of dealing with African governments will help
achieving release of 11 Russian sailors from custody. The sailors of
African Pride vessel have been kept at an African prison for two years
already charged with contraband. On August 5 the Nigerian court made a
decision that the Russians can be released under pledge and warranty
of the Russian Embassy. The source does not rule out that the tactics
used when releasing the Armenian pilots from the prison in Equatorial
Guinea will be used.

The Armenian pilots working in that country on AH12 plane registered
in Armenia were imprisoned charged with attempted state coup and
espionage. Malabo Court sentenced the crew commander to 24 and the
pilots to 14 years of imprisonment. They were kept in the prison one
year and then were granted amnesty by the president of that
country. Before release of the pilots Ara Abrahamyan visited
Equatorial Guinea. According to some data, he was empowered by the
Armenian Government to undertake some social and economic and
financial commitments to that country. After the commitments were
fulfilled, the Armenian pilots were released. What was the cost of
their released remained unknown, Gazeta.ru writes.

Belarus air defence unit placed on duty status during CIS exercises

Belarusian air defence unit placed on duty status during CIS exercise
in Russia

Belapan news agency
23 Aug 05

Minsk, 23 August: Missile crews of the 15th Anti-aircraft Missile
Brigade of the Belarusian air force and air defence forces’
Northwestern Operational and Tactical Command have been placed on duty
status at a Russian training ground as the third stage of a CIS air
defence exercise unfolds.

In the framework of the drill, the Belarusian crews together with
Russian, Armenian and Tajik units are to guard airspace over the
Commonwealth’s southern border, according to the Belarusian Defence
Ministry’s press office.

Live-fire practice involving Russia’s missile systems is scheduled for
25 August.

On 30 August, the Belarusian air defence unit is to take part in the
final phase of the drill, which will be observed by the Belarusian,
Armenian, Russian and Tajik defence ministers.

Monument For Admiral Hovhanness Isakov Opens in Yerevan

MONUMENT FOR ADMIRAL HOVHANNESS ISAKOV OPENS IN YEREVAN

YEREVAN, AUGUST 22. ARMINFO. A monument for Hero of the great
Patriotic War Admiral Hovhanness Isakov has opened in Yerevan today on
the occasion of the 111th anniversary of the admiral.

Head of the General Staff of Armenia’s Armed Forces, Colonel General
Mikael Haroutiunyan and First Rank Captain of the Artyusha Sanoyan
opened the monument. Attending the solemn ceremony were
representatives of the Armenian Defense Ministry, diplomatic missions
accredit in Armenia, pupils. The authors of the monument are sculptors
Gevorg Gevorgyan and Robert Balayan, architect Levon
Lazarian. Creation and erection of the monument were financed by the
Armenian Defense Ministry. The territory nearing the monument was
beautified jointly with Yerevan Municipality.

It should be noted that the monument was to open on May 9 2005, but
the opening was postponed for technical reasons.

“Gohar” Choir Of Gyumri To Come To City Soon

“GOHAR” CHOIR OF GYUMRI TO COME TO CITY SOON

ISTANBUL, AUGUST 18, NOYAN TAPAN – ARMENIANS TODAY. According to
the “Marmara” daily, the “Gohar” choir of Gyumri will have four
performances at the Lutfu Gertare concert hall of Istanbul on October
9-12. The choir will leave for Turkey by the invitation and under
the patronage of the District Council of Samatia and the “Sahakian”
ward union. The head of the choir is Sepuh Abgarian, an Armenian from
Cyprus who has worked at the Melgonian seminary many years. Having
left Cyprus receintly, he devoted himself to the “Gohar” choir of
Gyumri, when brothers Khachatrians, Armenian art-lovers from Lebanon,
decided to found a choir perpetuating the name of their mother,
Gohar, in Armenia. The brothers wanted that the choir acts not in
the capital but in one of other cities of Armenia, and chose Gyumri.
Members of the symphonic orchestra, soloists, dancers, one pantomime
actor and others are in the 150-people staff of the choir.

TBILISI: PACE President to visit Armenia, Azerbaijan and Georgia

PACE President to visit Armenia, Azerbaijan and Georgia

The Messenger, Georgia
Aug 18 2005

The President of the Parliamentary Assembly of the Council of Europe
(PACE), Rene van der Linden, is to visit Armenia, Azerbaijan and
Georgia from August 18 to 23. These will be his first visits to the
south Caucasus since being elected to office last January.

While in Georgia, on August 20 and 21 he will hold talks with Prime
Minister Zurab Noghaideli, Deputy Speaker of Parliament Mikheil
Machavariani as well as representatives of parliamentary opposition
and civil society. A meeting is also scheduled with Patriarch
Ilia II. According to a statement from PACE, the constitutional
situation, the independence of the judiciary, freedom of expression
and association and media pluralism should be the focal points of
discussion.

Linden will give a press conference in Tbilisi on Sunday, August 21
at Parliament.

H2 ECOnomy’s New Products Address Fuel Cell Educational Needs

Fuel Cell Works
Aug 16 2005

H2 ECOnomy’s New Products Address Fuel Cell Educational Needs

Publication Date:16-August-2005
06:30 AM US Eastern Timezone
Source:FuelCellWorks

Yerevan, Armenia — H2 ECCOnomy is introducing their new
FC-StarterSet~Y and FC- EduSet~Y fuel cell educational sets. Daily
references in the news about the rising price of oil, new fuel cell
powered autos speeding along California’s Hydrogen Highway and
concerns over future sources of energy is driving further
developments of fuel cells. As this power generating technology
becomes more and more prevalent, an increasing demand for people
knowledgeable in fuel cells will increase. Therefore teaching the
fundamentals of fuel cells in schools, colleges and universities is
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Designed for middle schools and high schools, the FC-StarterSet~Y is a
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be able to get hydrogen fuel from most school electrolyzers.

The FC-EduSet~Y is a teaching tool that provides educators with a
flexible yet powerful gas control system and load bank for 10 – 100 W
air or oxygen-hydrogen fuel cells. It was designed to fit into the
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CONTACT:Vahe Odabashian
H2 ECOnomy, CJSC2/2 Shrjanayin Street
Yerevan 374068
Armenia
Tel: (+374 1) 774 607
Fax: (+374 1) 777 182
[email protected]

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