Armenian carpets to be presented in Vienna and Budapest

Armenian carpets to be presented in Vienna and Budapest

17:37, 8 September, 2014

YEREVAN, SEPTEMBER 8, ARMENPRESS: The next Carpet Tour program and the
conference of the International Conference on Oriental Carpets will
launch on September 15-21 in Vienna and Budapest, devoted to the
carpets and textile. The Department for Public Relations of the
Ministry of Culture of the Republic of Armenia told Armenpress that
for the first time this event will be attended by the Armenian and
Karabakh delegations, assisted by the Ministry of Culture of Armenia,
the culturologist-technologist Vienna University Arthur Telfeyan and
other individuals.
The event will also be attended by the Armenian Carpets Association
from USA, Berj Ashjian with his own collection from Paris and Peter
Gmur from Switzerland, the Mekhitarist Congregation of Vienna and
Georg and Azniv Gallery from Vienna.

http://armenpress.am/eng/news/775407/armenian-carpets-to-be-presented-in-vienna-and-budapest.html

Renowned fine artist and photographer David Robesson to be hosted in

Renowned fine artist and photographer David Robesson to be hosted in
Yerevan in September

17:20 / 08.09.2014

Renowned fine artist and photographer David Robesson is planning an
art tour to all-human origins, to the heart of humanity’s cradle – to
Armenia.

To reach the memories and depths of ancient territories, to reach the
ancient writs, borders and peoples separated by caprises of history…

“I imagine Armenia as an archipelago of another life dream, as
ultramundane, intoxication of imaginary existence in the glow of
mysterious fest of the sunrise. The pureness is the flame that spreads
from Daryl’s gorges till Armenia’s mountains,” David Robesson says.

So many arts figures, people of heart and devotion influenced our
culture. Let’s remember the well-known French “Red Poster” and
Aragon’s poem. Let’s remember William Saroyan’s works, Hovannes
Ayvazovski’s canvases, ballets of Khachaturyan, the unrecognizable,
everlasting breath of duduk.

The Armenian art lovers are looking forward to meet the famous atrist.

http://nyut.am/archives/240862?lang=en

Roaming in Russia is now easier with Orange

Roaming in Russia is now easier with Orange

YEREVAN, September 8. / ARKA /. Roaming in Russia with Orange has
become even more convenient, Orange Armenia, a subsidiary of France
Telecom, said today adding that its customers can easily recharge
their accounts, using more than 90’000 RAPIDA payment collection
points, operating on the whole territory of Russia.

Recharges, in the amount of 10 to 15 000 rubles, can be performed
using ATMs, self-service terminals and mobile phones. Orange customers
can top-up their accounts as well through web by registering RAPIDA
Wallet on website.

Availability to the Rapida payment system enlarges possibilities of
Orange customers to recharge their accounts abroad, supplementing
QiWi, Orange Top-up, Ezetop and INTEREXPRESS payment systems already
available for Orange customers.

“Very recently we have announced new favorable conditions for roaming
services in Russia, allowing our customers to communicate with their
close ones in Orange and MegaFon networks paying only 29 AMD/min.
Today we are pleased to announce that recharge of accounts has become
easier for roamers in Russia and now our customers among other systems
can use Rapida payment collection points”, said Francis Gelibter, the
General Director of Orange Armenia.

To be noted that in the frames of Orange and MegaFon partnership
Orange customers while roaming in Russia, pay only 29 dram/min for all
outgoing calls to Orange Armenia and Megafon customers, as well as 29
dram/MB for data services. The same rate applies to incoming calls
from these destinations.

Details about Rapida and other partners for recharging Orange accounts
abroad can be found at
-0-

http://orangearmenia.am/en/help_centre/balance-recharging/
http://telecom.arka.am/en/news/telecom/roaming_in_russia_is_now_easier_with_orange/#sthash.yprnqFpU.dpuf
www.rapida.ru

Karabakh cannot be obstacle to Armenia’s accession to EaEU – Nalband

Karabakh cannot be obstacle to Armenia’s accession to EaEU – Nalbandian

16:21 08/09/2014 >> POLITICS

I assess as positive the negotiations on Armenia’s entry into the
Eurasian Economic Union (EaEU) and the results will become visible
soon, Armenian Foreign Minister Edward Nalbandian said at his joint
press conference with visiting Austrian Minister for Europe,
Integration and Foreign Affairs Sebastian Kurz.

Nalbandian’s comment came in response to a question about his
assessment of the process of Armenia’s accession to EaEU and
Karabakh’s role in those negotiations.

According to the Minister, Armenia and Russia have made statements at
the highest level, saying that Armenia is not joining EaEU together
with NKR.

“Karabakh cannot be an obstacle to Armenia’s accession to the Eurasian
Economic Union,” Nalbandian stressed.

Source: Panorama.am

Armenia, Azerbaijan not likely to simultaneously join EEU – opinion

Armenia, Azerbaijan not likely to simultaneously join EEU – opinion

12:27 * 08.09.14

The chances that Armenia and Azerbaijan will simultaneously join the
Eurasian Economic Union (EEU) are almost equal to zero, according to a
Russian historian and political analyst.

Speaking to Tert.am, Alexander Krylov said he doesn’t think that such
a scenario would offer any advantages to Russia at all. According to
him, the country is keen on making the project viable and successful
for future member states.

“Russia is eager to prevent the Eurasian Economic Union from turning
into an unviable CIS [Commonwealth of Independent States] model; it
seeks it to make it a successful project to ensure sustainable life
and welfare for the members. Hence, maximalist expansion plans with
the inclusion of states that have conflicts with one another do not
offer any prospects at all. Hence, I do not think that Armenia and
Azerbaijan’s simultaneous membership in the EEU is possible in the
foreseeable future,” the expert said, commenting on Russia’s possible
interests.

Armenian News – Tert.am

Arthur Baghdasaryan publishes his newspaper

Hraparak: Arthur Baghdasaryan publishes his newspaper

12:39 06/09/2014 >> DAILY PRESS

Orinats Yerkir Party leader Arthur Baghdasaryan tries to create means
for propaganda to make his voice heard by opposition electorate and
not to fall behind others. The party has been working without cease
over the past several months to establish its own TV channel – to turn
Yerevan TV Channel into H3 (Third Armenian TV Channel), Hraparak
writes.

“The presentation of the first issue of Hartak newspaper sponsored by
Arthur Baghdasaryan took place yesterday. According to the newspaper’s
editor, the idea to create the newspaper arose a week ago and the
first issue was already published a week later,” Hraparak says.

Source: Panorama.am

Bruno Le Roux s’est déclaré a Erévan favorable à la Loi de pénalisat

ARMENIE-FRANCE
Bruno Le Roux s’est déclaré a Erévan favorable à la Loi de
pénalisation du négationnisme du génocide arménien

La forte délégation de députés et de militants de la Cause arménienne
conduite par Bruno Le Roux (député PS de la première circonscription
de la Seine-Saint-Denis et président du groupe socialiste à
l’Assemblée nationale), à l’invitation de la FRA Dachnaktsoutioun et
du CDCA est en Arménie. La délégation prend part à l’occasion du
100ème anniversaire de la disparition de Jean Jaurès, à la conférence
> à l’Université française d’Erévan. La
délégation qui comprend outre Bruno Le Roux, Françoise Dumas, Luc
Carvounas, René Rouquet, Pascal Popelin, Erwan Binet, Nathalie Nieson,
Serge Franceschi, Mourad Papazian (responsable de la FRA Europe),
Harout Mardirossian (CDCA), Alexis Govciyan (CCAF), Richard Ananian,
Jirig Gharapetian, Dikran Tchertchian, Vartan Kaprielian, participe
également au vernissage de l’exposition consacrée à Jean Jaurès et la
cause arménienne. Lors d’une conférence de presse vendredi 5 septembre
à Erévan, Bruno Le Roux a souligné l’importance des manifestations
liées à la commémoration du 100 ème anniversaire du génocide arménien.
Il s’est également déclaré favorable à une Loi française de
pénalisation du négationnisme du génocide arménien.

Krikor Amirzayan

samedi 6 septembre 2014,
Krikor Amirzayan (c)armenews.com

http://www.armenews.com/article.php3?id_article=103068

Nagorno-Karabakh conflict discussed in Andorra

Vestnik Kavkaza, Russia
Sept 5 2014

Nagorno-Karabakh conflict discussed in Andorra

5 September 2014 – 8:30pm

Today an international conference dedicated to the topic “Restoring
confidence in Europe” began in the capital of Andorra. The conference
is organized by the International Centre of Nizami Ganjavi and the
Club of Madrid, with the support of the State Committee for Relations
with the Diaspora of Azerbaijan and the Government of Andorra.

The main objective of the two-day event is to discuss preparations for
the 3rd Forum of Shared Societies, which will be held in Baku in 2015,
Trend reports.

Many politicians and public figures will take part in the conference.

The majority of papers will be dedicated to security in the region,
frozen conflicts, the crisis in Ukraine and the Nagorno-Karabakh
conflict.

Film: Atkin’s ‘Cut’ puts Armenian massacre on screen

Arab Times Kuwait English Daily
Sept 5 2014

Atkin’s ‘Cut’ puts Armenian massacre on screen Stateless ‘Villa’
brings strong message

The idea of a film without a country makes an excellent statement
about the Israeli-Palestinian disaster — it’s a pity the concept is
considerably more powerful than the movie at hand. Given Suha Arraf’s
record as scripter on “The Syrian Bride” and “Lemon Tree,” one expects
more than ham-fisted dialogue from her helming debut, “Villa Touma,” .
Stolid, stilted and lensed with little understanding of modulation,
the pic has sparked controversy, yet once that dies down, “Villa” will
be subsumed by far superior Palestinian product.
Arraf originally submitted the film as a Palestinian production, but
when Israeli politicos realized that all the coin came from Israel,
they demanded the money back. The compromise, sending the pic to fests
as a stateless feature, is such a clever idea it’s surprising it’s not
done more often; if only “Villa Touma” on its own could make such a
potent declaration. The Palestinian haute bourgeoisie, pre- and
post-Israeli statehood, has been frustratingly neglected in cinema,
making the missed opportunity here truly unfortunate.

Orphanage
In 2000, when Badia (Maria Zreik) ages out of the Christian orphanage
where she grew up, she has nowhere to go but to the aunts she’s never
met. The three sisters exist in semi-isolated stasis in their villa,
living as if nothing has changed since the Six-Day War, when Israel
took the city. The eldest, Juliette (Nisreen Faour, “Amreeka”) greets
her niece even less warmly than Mrs Danvers greeted the second Mrs de
Winter: Clearly, Badia is not a welcome addition to this unhappy home.
Juliette rules the roost, middle sister Violette (Ula Tabari) is the
neurotic one, and younger Antoinette (Cherien Dabis, director-star of
“May in the Summer”) remains perpetually under her siblings’ viselike
control. Their home is one of unbending routine, their fashions
unchanged since the early 1960s (though most would have been outdated
even then). Violette was briefly hitched to an elderly man who keeled
over shortly after their wedding; her fleeting marriage makes her feel
superior, yet the self-torment of what could have been has made her a
pinched, bitter mess.

Into this hothouse comes timid Badia, underage and unschooled in the
proprieties of “society.” In anticipation of marrying her off to one
of the few eligible bachelors among Ramallah’s remaining upper caste,
the sisters impose a strict program of piano lessons, posture and
deportment, but when they try launching the blossoming young woman via
church encounters and tea socials, they’re largely rebuffed by people
who view the family as oddities.
“Villa Touma” has one good moment, when the sisters, with Badia in
tow, exit their home and walk to church. Auds forget the modern world
exists after the antediluvian world inside the house, so the sight of
these four, dressed in kid gloves and hat veils, walking down the
streets of present-day Ramallah with its cacophony of noise, traffic
and wolf whistles, becomes a cleverly constructed shock.
Unfortunately, nothing else matches that moment.
Concept
The concept isn’t the problem, as the idea of Palestinians trapped in
the past, refusing to acknowledge the painful changes around them,
could be an interesting one if well pursued. The Toumas’ internal
exile gives them no consolation, and their perpetual mourning of the
past is purely social rather than political (of course, the political
rendered the social obsolete). Not that politics are completely
absent: Badia falls for Khalil (Nicholas Jacob), a wedding singer from
the Kalandia refugee camp, and despite the sisters’ hermetic
existence, they can’t close out the sound of shelling during the
Second Intifada.
These subtleties are drowned out by the film’s mannered melodrama.
There’s the didactic screenplay, ensuring viewers understand the
situation via phony explanatory dialogue (don’t look for any
similarities between this and Chekhov’s “Three Sisters.”). Then
there’s Arraf’s handling of her performers, especially the actors
playing the sisters, all of whom have fortunately proven their talents
elsewhere. Juliette behaves as if she’s got an onion perpetually under
her nose, while Violette seems to have something more pungent under
hers, and Antoinette is short on personality, even a one-dimensional
one like those of her sisters.
Camerawork is meant to emphasize the characters’ fixed lives via
static lensing and establishing shots, yet the stiff visuals are
rendered distressingly flat by unmodulated lighting that deadens every
image within the house. Music is poorly inserted, lacking consistency
and cohesion. At least the production design is praiseworthy.

VENICE, Italy: Fatih Akin’s “The Cut” is the first movie by a director
with Turkish roots to tackle an issue long taboo in the country: the
early 20th-century mass killings of Armenians by Ottoman Turks. The
movie caused a stir in Turkey even before its Venice Film Festival
premiere, bringing the German-Turkish director criticism and threats.
But Akin insists he’s not a pioneer, or a provocateur. He’s simply
trying to bring the topic into the open. “There (was) a trauma 100
years ago and — you know this from individual analysis — if you don’t
confront yourself with the trauma you will never get cured,” the
director said during an interview in Venice, where “The Cut” is one of
20 films competing for the Golden Lion prize.

“I think what counts for an individual counts also for society.”
Historians estimate that as many as 1.5 million Armenians were killed
by Ottoman Turks in 1915, an event widely viewed by scholars as the
first 20th-century massacre. Turkey denies that the deaths constituted
massacre, saying the toll has been inflated, and that people died on
both sides as the Ottoman Empire disintegrated during World War I.
The killings remain an inflammatory issue for Turkish nationalists.
Akin and an Armenian-Turkish newspaper received harassment and threats
after he gave an interview recently about the movie.
But Akin said Turkey has begun to debate the issue more openly.
Earlier this year, then-Prime Minister Recep Tayyip Erdogan said the
country was ready to “confront” the ethnic slayings.

“There is a process of analyzing this trauma in Turkey, and I am part
of the process,” Akin said.
“The Cut” confronts the story through the tale of an Armenian
blacksmith — the Biblically named Nazaret, played by “A Prophet” star
Tahar Rahim — who is torn from his family amid the killing and spends
years searching around the world for his daughters. Criticism of the
film in Venice has been more artistic than political. In the
screenplay by Akin and Armenian-American scriptwriter Mardik Martin
(who co-wrote Martin Scorsese’s “Raging Bull”), the Armenian
characters speak in English and the others in their own languages.
Some reviewers found that gave the film a stilted air. (Agencies) And
some felt Rahim’s performance was hampered by the decision to have
Nazaret rendered mute by a knife to the throat early on. Akin was
stung by the negative reviews, but said the most important audiences
for the film will be Turks and Armenians.

Shot on 35-millimeter film stock, rather than digitally, and using
widescreen Cinemascope lenses, it takes visual cues from the likes of
Sergio Leone and Terrence Malik, offering stunning panoramas as the
lonely figure of Nazaret travels from Turkey to Syria, Cuba, Minnesota
and North Dakota. “When I was reading and analyzing about the
massacre, I discovered quite early that the massacre is not just about
killing,” he said. “It’s also about the diaspora, the spread of the
Armenian folk all over the world.” “All my films are about migration,”
said Akin, who was born in Hamburg in 1973 to Turkish parents.

Akin has called “The Cut” the final chapter in a trilogy he’s named
“Love, Death and the Devil.” The two earlier instalments, “Head-On”
and “The Edge of Heaven,” both dealt with tangled identities and moved
between Germany and Turkey. The director said all three films explored
his relationship with his ancestral land. Now he’s ready for a change.
“I am done with Turks,” he said. “I want to work with blonde people
called Hans, eating sausages.” (Agencies)

By Jay Weissberggr

http://www.arabtimesonline.com/NewsDetails/tabid/96/smid/414/ArticleID/209083/reftab/73/Default.aspx

The Russia-Ukraine conflict: lessons for Europeans

Foreign Policy Blogs
Sept 5 2014

The Russia-Ukraine conflict: lessons for Europeans

By Dominik P. Jankowski and Col. Dr. Tomasz K. Kowalik

The current Russian-Ukrainian conflict is a game changer for European
security. The entire European security architecture has trembled as
the eastern flank of the continent has been destabilized. From a
European perspective, four fundamental lessons-learned can already be
drawn.

Firstly, this conflict has confirmed that Eastern Europe remains a
volatile space. In fact, Europe received its first wake-up call in
2008 during the Russian-Georgian war. However, the negative trends
stemming from the Middle East and North Africa – being both direct and
indirect consequences of the Arab Spring – have led many Western
countries to simply forget about Eastern Europe. In reality, the belt
of instability stretching from the Caucasus to Transnistria never
disappeared. The protracted conflicts in Georgia (the Russian
occupation of about one-fifth of Georgian territory), Azerbaijan and
Armenia (the disputed Nagorno-Karabakh region), as well as Moldova –
the illegal stationing of a Russian contingent in Transnistria with
neither a United Nations mandate nor Moldovan consent – render the
current strategic situation even more fragile.

Secondly, Russia has unfortunately confirmed its status of a
revisionist power. Its principal foreign policy goal is to maintain
Eastern Europe in Russia’s sphere of influence by stopping, or at
least hampering, the political aspirations of Georgia, Moldova and
Ukraine to strengthen their ties with both the European Union (EU) and
the North Atlantic Treaty Organization (NATO). The other goal is to
influence or even intimidate some EU and NATO members and to put into
question the Western political system based on democracy and the rule
of law. To reach these ends, Moscow has reached for hybrid warfare. In
fact, the tools thus far applied by Russia in its conflict with
Ukraine come from different centuries: the use of pure military force:
the nineteenth century; breach of international law and the use of
propaganda: the twentieth century; and, finally, political and
economic pressure, combined with new instruments such as
cyber-attacks: twenty-first century.

The Russian hybrid approach to conflicts has become even more
prominent with an extensive use of their special operations forces
(“little green men”), security forces and intelligence agencies, as
well as Russian-speaking minorities, as tools. Furthermore, Russia as
a revisionist power, seeks to secure its military might and signals
its readiness to use conventional forces just as easily as it does
other, softer means. In the past decade its military capability
significantly rose and its defense budget is to grow even further. A
creeping militarization of the Kaliningrad Oblast, the Crimean
Peninsula and areas near the borders of the Baltic states, as well as
forward basing in Belarus, poses a major threat to the stability of
the vicinity of the EU and NATO. Finally, in recent years, Russia has
constantly challenged the West’s global geopolitical interests by
establishing a close cooperation with other authoritarian regimes
(especially Syria and Belarus) and therefore further destabilizing the
world order (e.g., by fueling the war in Syria).

Thirdly, defense still matters. Until very recently, one of the best
deterrents for small- and medium-sized states – provided they could
not join NATO, the EU, or both – was embedded in international law and
diplomatic tools. However, the erosion or even the blatant breach of
international legal commitments (the 1990 Conventional Armed Forces in
Europe (CFE) Treaty, the 1994 Budapest Memorandum, the 1997
NATO-Russia Founding Act, the 1999 adapted CFE Treaty) has severely
undermined their deterrent character. Therefore, military instruments
still remain valid in the twenty-first century and the effective
diplomatic tools that European countries have had at their disposal
need to be strengthened by necessary military potential. Europe should
once-again be able to negotiate out of a position of strength. The
well-known phrase “trust but verify” needs to apply again.

Fourthly, the Russo-Ukrainian conflict created a pivotal moment for
European security. The security conditions in Central and Eastern
Europe have considerably worsened. The European security architecture,
which was inclusive and in fact co-created by Russia, has been
changed. Therefore, a revisionist Russia can hardly be treated as a
“strategic partner” anymore, at least for the foreseeable future. This
privilege should be reserved only for those countries which do not put
at risk the health of the liberal international order based on
democracy, self-determination, the rule of law, market economy, free
trade, respect for human rights and effectively on mutual trust. In
fact, over the next months and years the West’s unity will likely be
tested and undermined by Russia. Only by holding the line in this test
can Europeans protect their vision of world order.

At this stage, and in response to the current crisis, four
recommendations for Europeans come to the fore:

1) Europeans must embrace a “Ukraine first” policy. The stabilization
of eastern and southern Ukraine, based on the fifteen-point plan for
the peaceful settlement of the crisis presented by President Petro
Poroshenko, remains a prerequisite for any further steps. Russia must
stop fueling the conflict by withdrawing its forces from Ukraine and
from the Russian-Ukrainian border, as well as by stopping financial
and military support to the separatists. Simultaneously, the EU and
the United States, along with the International Monetary Fund, should
continue to support Ukraine economically, which could constitute the
best incentive for Kyiv to implement the necessary reforms (monetary
and fiscal policy, energy market, financial and security sectors).
Moreover, the importance of the driving force that could change the
long-term fate of Ukraine – its politically conscious and proactive
civil society – should not be overlooked. Finally, Crimea needs to be
returned to Ukraine. Some may argue that this geographic peninsula is
practically gone, but not by international legal standards. If it is
not returned, the Ukrainian government – with the necessary support
from the West – should prepare a detailed account of what property has
been seized and present this case at an international court (e.g. the
International Court of Justice; the International Tribunal for the Law
of the Sea). Individual Ukrainians, who lost their property in Crimea,
should also go to the court. In fact, a creation of a special tribunal
– based on the experiences gathered by the still existing Iran-United
States Claims Tribunal – should also not be excluded.

2) Europeans must understand that there can be “no business as usual”
with Russia. Should this lesson already have not been learnt following
the Russia-Georgia war in 2008? Russia has become an unreliable,
irresponsible and a revisionist power. Therefore, the Western
community should be ready to impose additional sanctions if further
destabilization occurs. Furthermore, the European countries should
stop all transfer of military technology to Russia, including those
ongoing, as well as reduce Russian dominance over European energy
markets. Finally, as in the Ukrainian case, the prime mover of the
necessary transformation of Russia might stem from its civil society.
Therefore, its strength could be reinvigorated by promoting an
independent Russian-speaking media.

3) NATO must be strategically enhanced: This could be reached both by
conducting regular military exercises, which encompass all possible
scenarios, as well as by transforming the NATO Response Force into a
more accessible and agile instrument with a robust delivery
capability. Moreover, a credible allied response to the
Russian-Ukrainian conflict should include a strategic reinforcement of
NATO’s eastern flank. In practice, it should cover both infrastructure
(including a proper high readiness command) as well as “boots on the
ground.” Finally, European should be more responsive to the ongoing
U.S. requests to reverse the negative trends in military spending.
(Two percent of Gross Domestic Product (GDP) needs to remain not only
a rule of thumb, but stricter roadmaps to reach that should be
developed.)

4) Europeans need to consider rearmament. And luckily there seem to be
a few good harbingers on the horizon with Estonia, Lithuania, Poland
or Norway, to name a few, where military expenditures are set to grow.
Particularly Poland, being a responsible ally, has recently given a
constructive example. Based on a solid financial foundation, i.e. a
legal obligation to spend 1.95 percent of GDP on defense, Poland has
paved the way towards a robust modernization program, with particular
emphasis on air and missile defense, naval forces, information
technology and helicopters. Indeed, with an objective to spend at
least twenty percent of its growing budget on procurements, and thanks
to the recent announcement of its military budget increase to at least
two percent of GDP in 2015-16, Poland is fast becoming one of the
frontrunners of European military strength.

In conclusion, the Russian-Ukrainian conflict has proven that most
Europeans have been proven wrong in their assessments as they have
become intellectually and emotionally dependent on wishful thinking,
namely that they no longer had to worry about their own security and
Moscow’s actions, even if Russia fell far short of European democratic
standards. In 2014, Europe received a second wake-up call – a chance
that must not be missed. Anyone who fails to see this is strategically
blind.

This article was originally published by European Geostrategy.

Dominik P. Jankowski is Head of the International Analyses Division at
the National Security Bureau in Poland. Col. Dr. Tomasz K. Kowalik is
Special Assistant to the Chairman of the North Atlantic Treaty
Organisation’s Military Committee.

The opinions, findings and conclusions expressed herein are those of
the authors and do not necessarily reflect those of the National
Security Bureau of the Republic of Poland or NATO.

http://foreignpolicyblogs.com/2014/09/05/the-russia-ukraine-conflict-lessons-for-europeans/