Citibank Is Sued Days After ‘Armenian Mafia’ Discrimination Allegations Surface

The Messenger
Nov 13 2023

Bruce Gil

nearly $26 million for allegedly discriminating against Armenian credit card applicants.

A lawsuit filed Friday in a California federal court seeks class-action status for applicants and customers of the bank who may have been affected.

The suit alleges that Citibank illegally denied or revoked certain credit cards for eight years because of an unfounded suspicion that people of Armenian descent were more likely to commit fraud. According to the suit, the bank even tried to hide the fact that it was assuming people with last names ending in -ian or -yan in or around Glendale, California — an area known as Little Armenia — were Armenian.

"Redlining is a disgusting form of racial and ethnic discrimination by banks that the law has prohibited for decades, yet we find it is still being practiced by Citibank, one of the largest financial institutions in America," Ara Jabagchourian, the attorney for the plaintiffs, said in a statement. "Labelling credit applicants as 'bad guys' on the basis of having Armenian last names is reprehensible, immoral and illegal."

The Consumer Financial Protection Bureau fined Citibank last Wednesday, saying it was discriminating against Armenians who had applied for store credit cards. The regulator said from at least 2015 to 2021 the bank “treated Armenian Americans as criminals who were likely to commit fraud" and referred to them internally as the “Southern California Armenian Mafia” or "Armenian bad guys."

Marine Grigorian, the lead plaintiff in the case, is of Armenian descent. She alleges that in March, the bank denied her request to raise her credit limit on a Costco-branded credit card, giving her no legitimate reason. Grigorian only made the connection with her ethnicity once she read press reports about the CFPB’s investigation and fine, according to the suit. 

A Citibank spokesperson didn’t immediately respond to a request for comment from The Messenger, but last week responded to the CFPB allegations. The bank apologized to applicants who were unfairly evaluated “by the small number of employees who circumvented our fraud detection protocols," the spokesperson wrote in an email at the time.

“Regrettably, in trying to thwart a well-documented Armenian fraud ring operating in certain parts of California, a few employees took impermissible actions,” the spokesperson said last week. “While we prioritize protecting our bank and our customers from fraud, it is unacceptable to base credit decisions on national origin.”

The bank also said it had taken action against those directly involved and put preventive measures in place following an internal investigation.

https://themessenger.com/business/citibank-is-sued-days-after-armenian-mafia-discrimination-allegations-surface

AW: His Holiness Aram I raises ethnic cleansing of Artsakh’s Armenian Christians with US House Speaker Mike Johnson

His Holiness Aram I led Armenian clergy and lay leaders from thePrelacies of Eastern U.S., Western U.S. and Canada in meetings on Capitol Hill

WASHINGTON, D.C.—His Holiness Aram I, Catholicos of the Holy See of Cilicia of the Armenian Apostolic Church, today called for American leadership in aiding Artsakh’s 100,000 Armenian Christian refugees, during discussions with U.S. House Speaker Mike Johnson (R-LA), Speaker Emerita Nancy Pelosi (D-CA), and a dozen U.S. Representatives, reported the Armenian National Committee of America (ANCA).

His Holiness Aram I, Catholicos of the Great House of Cilicia of the Armenian Apostolic Church meeting with U.S. House Speaker Mike Johnson, Rep. Adam Schiff and U.S. House Chaplain Rev. Dr. Margaret Grun Kibben, prior to offering the Nov. 9 opening prayer

“We warmly welcome His Holiness Aram I’s constructive consultations with Congressional leaders – among them Speaker Johnson and former Speaker Pelosi,” said ANCA Executive Director Aram Hamparian. “A global ambassador for Armenian aspirations and inter-faith understanding, His Holiness represents a powerful voice for justice in Washington and in capitals around the world.”

The Armenian pontiff was on Capitol Hill at the invitation of Rep. Adam Schiff (D-CA) and served as Guest Chaplain of the U.S. House of Representatives.

Speaker Mike Johnson gaveled in the November 9 session of the U.S. House of Representatives, where His Holiness Aram I offered the opening prayer at the invitation of Rep. Adam Schiff

After a meeting in the Capitol with Speaker Johnson, Rep. Schiff, and U.S. House Chaplain Rev. Dr. Margaret Grun Kibben, His Holiness Aram I offered the opening prayer at today’s U.S. House of Representatives session.  In his prayer, he noted, “Help us, God of Mercy, remember in our prayers more than one hundred thousand Armenian refugees who were recently forced to leave Nagorno Karabakh, their centuries old homeland…” The prayer was televised on CSPAN and streamed live on the ANCA’s social media channels, available here.

In remarks on the U.S. House floor, Rep. Schiff welcomed His Holiness Aram I to Congress, noting that “his unwavering commitment to the values of faith, community, and compassion embodies the spirit of our vibrant Armenian community.”  Rep. Schiff went on to stress that His Holiness Aram I’s “support for humanitarian issues, advocacy for human rights, engagement in several educational and cultural initiatives, and promotion of interfaith understanding have left an indelible mark making the world a better place for all.”

Following the prayer, His Holiness Aram I met with Speaker Pelosi, House Democratic Whip Representative Katherine Clark (D-MA), and Representatives Jim Costa (D-CA), Anna Eshoo (D-CA), Young Kim (R-CA), Barbara Lee (D-CA), Brad Sherman (D-CA), Rashida Tlaib (D-MI), Dina Titus (D-NV), at a reception hosted by the ANCA. His Holiness also met separately with Rep. Jerry Carl (R-AL).  The Armenian pontiff praised members of the Congressional Armenian Staff Association in attendance, for their efforts to educate elected officials on Armenian American concerns.

His Holiness Aram I led Armenian clergy in singing a moving rendition of The Lord’s Prayer in Armenian at the Capitol Prayer Room, adjacent to the rotunda

Prior to leaving the Capitol, His Holiness Aram I led fellow clergy in a moving rendition of The Lord’s Prayer, sung in Armenian in the Congressional Prayer Room near the rotunda in the United States Capitol.

During his visit to the U.S. Capitol, Catholicos Aram I was accompanied by His Eminence Archbishop Anoushavan Tanielian, Prelate of the Eastern U.S. Prelacy of the Armenian Apostolic Church of America; His Eminence Archbishop Papken Tcharian, Prelate of the Canadian Prelacy; His Grace Bishop Torkom Donoyan, Prelate of the Western U.S. Prelacy; Very Rev. Fr. Sahag Yemishian, Vicar General of the Eastern U.S. Prelacy; Very Rev. Fr. Hovagim Panjarjian, head of the Catholicosate Media Department; Very Rev. Fr. Sarkis Aprahamian, head of the Middle East and Christian-Islam dialogue section of the Ecumenical Department of the Catholicosate; Mr. Stepan Der Bedrosian, co-chair of the Central Executive Council of the Catholicosate; Leaders of the Executive Councils of the Eastern U.S. Prelacy, Western U.S. Prelacy, and Canadian Prelacy; as well ANCA Executive Director Aram Hamparian and members of the ANCA Washington DC Staff.

His Holiness Aram I with members of Congress, Armenian clergy and lay leaders from the Prelacies of Eastern U.S., Western U.S. and Canada and ANCA advocates

His Holiness Aram I arrived in Washington, DC earlier this week, the first stop in his visit to the Eastern Prelacy, continuing his mission to revitalize Diasporan life through the various fields of activity of the Cilician Catholicosate prelacies.

The Armenian National Committee of America (ANCA) is the largest and most influential Armenian-American grassroots organization. Working in coordination with a network of offices, chapters and supporters throughout the United States and affiliated organizations around the world, the ANCA actively advances the concerns of the Armenian American community on a broad range of issues.


German foreign minister to visit Armenia

 17:38, 1 November 2023

YEREVAN, NOVEMBER 1, ARMENPRESS.  German Foreign Minister Annalena Baerbock will visit Yerevan and Baku this week.

''Baerbock will head to the Armenian capital Yerevan on Friday for talks with her counterpart Ararat Mirzoyan,'' said German foreign ministry spokesman Sebastian Fischer.

Fischer told journalists that her visit will also include a visit to the European Union's monitoring mission in Armenia and camps hosting Armenian refugees from Nagorno-Karabakh.

''Baerbock will subsequently travel to Baku on Saturday for talks with Azerbaijani foreign minister Jeyhun Bayramov.

Germany is committed to sustainable peace… building trust and reconciliation in the region are crucial," Fischer said.

Launching applicable mechanisms can contribute to overcoming atmosphere of impunity in region, says Armenian FM

 14:59,

YEREVAN, OCTOBER 25, ARMENPRESS. All messages by Armenia’s international partners and the binding rulings of the International Court of Justice failed to have an effective impact on the situation in Nagorno-Karabakh and as a result Azerbaijan perpetrated ethnic cleansing there, Armenian Foreign Minister Ararat Mirzoyan said at a joint press conference with Canadian Foreign Minister Melanie Joly in Yerevan.

“I have to add that we are sure that applicable mechanisms exist and their effective implementation can contribute to overcoming the atmosphere of impunity in the region and addressing the rights of the people deprived of their homeland,” Mirzoyan said.

The Armenian FM thanked the Canadian government for providing humanitarian assistance through the ICRC to meet the needs of the forcibly displaced persons of Nagorno-Karabakh.

Film: 100 Years of Making Films: The Centenary of Armenian Cinema

Filmmaker Magazine
Oct 23 2023
by Sona Karapoghosyan
in Filmmaking

When thinking of Armenian cinema, the names of Sergei Parajanov and Artavazd Peleshyan come to mind. These two titans are influential not only for Armenian or Soviet cinema but world film heritage. Both introduced unique storytelling methods—one infusing the screen with poetry and collaged images, the second conceiving of the “Distance Montage” technique. But Armenian cinema, which marks its 100th anniversary this year, has other notable filmmakers whose work deserves no less recognition. 

ArmenFilm (HayFilm), the first and main film production body of Armenia, was established in 1923 as a separate department within the People’s Commissariat of the Soviet Armenia. As in the Soviet Union as a whole, cinema was considered a tool for propaganda, so Daniel Dznuni, former head of propaganda in the People’s Commissariat for Education, was appointed its director. Young, ambitious and imbued with forbidden nationalist ideas, he planned to build his own little Hollywood in Yerevan. As the government had allocated very little funding for the department (60 rubles [30 USD, equivalent to 460 USD today]), the first step for the newly-appointed director was to raise money to start production. In a country eaten up by continuous wars against Turkey and the Red Army, with streets full of homeless orphans and survivors of the genocide, Dznuni managed to collect 5 million rubles for ArmenFilm and started producing. 

Dznuni had outlined four main roles for the company: production, “cinefication,” distribution and construction. With two cinemas were functioning in Armenia—in Yerevan and Gyumri, the country’s second major city—they first needed to build new cinemas (construction). While the production department was busy fighting censorship by rewriting, changing and adapting scripts to please Moscow, the “cinefication” section was responsible for bringing cinema closer to people. Hundreds of film clubs were established in cities and villages, and mobile screens and “cinemas on wheels” traveled around the country to make films accessible for everyone. 

By 1933, there were 110 screens available; the mission of the distribution section was to provide them with films. Besides distributing what was produced at ArmenFilm, the department was also purchasing theatrical rights for Russian and American films, screening them not only in Armenia but Iran. In cooperation with the Armenian church in Tehran, ArmenFilm was organizing screenings for the big Iranian-Armenian community and also for Iranians. Unsurprisingly, the government in Moscow was not fond of having such an independent body within its structure—soon, Dznuni was accused of promotion of nationalist ideas and waste of funds. He was put in jail, and although after several-year-lasting trials he was released was never allowed him to come back to ArmenFilm.

The first film produced by ArmenFilm was Soviet Armenia, a six-episode documentary series about quickly-developing Soviet Armenia. Propaganda praising communist norms, the film traveled around the world, including France, Lebanon, Egypt and other countries with dense Armenian populations. Currently, the film is considered to be lost. 

Namus

Dznuni was not only involved in executive arrangements but reading and commissioning scripts from famous Armenian playwrights and writers for new stories to be adapted for the screen. In 1925 he invited Hamo Bek-Nazaryan, who would become the founder of Armenian cinema, to work in ArmenFilm. An emerging filmmaker and celebrated silent-era actor of pre-revolutionary Russian cinema, in 1925 Bek-Nazaryan directed the first Armenian fiction film, Namus (Honor), followed by Zare (Zare) in 1926. Both challenged the patriarchal norms of Armenian society by telling stories of female characters who become victims of these norms, and both were shown widely internationally, even reaching New York. In Namus, Susan, the main character, is murdered by her husband who suspects her of unfaithfulness. In Zare, a Kurdish girl is forced to marry the influential governor of the region. Angry with her for refusing him, the governor announces that Zare is not “clean” and the villagers decide to kill her. Fortunately, the girl’s lover saves her life.

The thematic interests of Bek-Nazaryan were diverse and strategically well-planned. Mostly getting inspiration from the Armenian literature, along with Dznuni he was looking for narratives that would not bother the censorship authorities while, at the same time, addressing Armenian society and reshaping traditional perceptions. In addition to Armenian narratives, Bek-Nazaryan also collaborated with other Soviet countries, co-producing films with Azerbaijan (House on the Volcano, 1928) and Uzbekistan (Nasreddin in Khojent)making films about the ethnic minorities of Siberia (Igdendu, 1930), an Iranian villagers’ uprising (Khaspush, 1928). (The latter is included in the “Iranian Cinema before the Revolution, 1925- 1979” program currently at MoMA.) Some of his films were killed by Soviet censorship before or even during production. One of the most important ones, The Second Caravan, depicted the American-Armenian repatriates who decided to move to the Soviet Union to escape the “terror of capitalism” but, for unknown reasons, the production was halted on the last week of the filming. Until recently considered lost, the almost complete materials of the film were recently found in the film archive of Moscow. 

In general, confirmation and financing of film projects within the Soviet Union was a complicated and long process, requiring lots of dedication and energy. Filmmakers were supposed to submit their scripts to the Artistic Committee of ArmenFilm. With their green light, the project would be sent to Moscow for consideration. If confirmed, funds would be transferred and directors could start production. The filming stages were strictly outlined as well: pre-production in spring, production in summer, post-production in autumn, dubbing in winter. Usually, approvals and confirmations were received through good connections in the committees and the famous Armenian cognac. 

Along with Hamo Bek-Nazaryan, other directors producing silent cinema included Patvakan Barkhudaryan (Evil Soul, 1927; Kikos, 1931) and Amasi Martirosyan, whose Giqor (1934) is the last work of silent Armenian cinema. Most of the films were inspired or adapted from Armenian literature and were either comedies or dealing with social injustice, describing clashes between rich and poor, good and evil. The first sound film, Pepo (1936) was directed by Hamo Bek-Nazaryan and very much in line with the thematic interests of Armenian cinema, telling the story of a fisherman who fights against a greedy merchant. 

During the Second World War and years following it, film production went down. Lack of funding, loss of human resources on the front and the overall depressive mood left almost no space for creativity. One of the few directors to create on those years was still Bek-Nazaryan who chose to tell the epic stories from the past to raise the spirit of the nation (David Bek, 1943). But in the following ten years, only four films were produced by ArmenFilm.

The situation changed in the second half of the 1950s, when new and young voices started to appear on the cinema landscape making mostly comedies, documentaries or musical dramas. These were not masterpieces but prepared the ground for the cinematic breakthroughs of the 1960s, a period that is arguably the New Wave of Armenian Cinema during a decade that was fruitful for the country’s overall cultural life. Mostly connected to the death of Stalin and subsequently eased censorship, previously banned topics, such as the Genocide, started to be actively discussed and presented in various art forms. 

Nahapet

Hello, It’s Me (1965) by Frunze Dovlatyan officially launched the New Wave. The first Armenian feature to premiere at the Cannes Film Festival, Hello, It’s Me explored fast technological developments and post-war trauma that force an individual to reassess their lives. With both Russian and Armenian actors in the cast, the film masterfully played with languages, indicating the social and linguistic differences influencing everyday life within Soviet Armenia and the Soviet Union. Henrik Malyan, another beloved director, also started his filmmaking career in the 1960s and made some of the most important Armenian classic films in the following years (Triangle, 1967; We and Our Mountains, 1970). Malyan’s Nahapet (Life Triumphs, 1977) had its premiere in the Certain Regard section of Cannes and told the story of a man who lost his home and family during the Genocide in 1915 and is trying to start his life anew in an Eastern (Soviet) Armenian village. 

Lyudmila Sahakyants’s The Congregation of Mice

While there were other successful male directors (Yuri Yerznkyan, Armen Manaryan, Grigor Melik-Avagyan, Laert Vagharshyan), the Armenian film industry was not the most favorable place for female artists. The patriarchal mood of ArmenFilm was much looser in the Department of Animation. Inhabited by free-spirited rock music fans, it had a creative and empowering environment for female directors. The department was led by Rob Sahakyants, whose rebellious films reshaped the history of Armenian animation history and brought him fame not only inside the Soviet Union but also in the West. Female animators of the department— Gayane Martirosyan, Lyudmila Sahakyants, Elvira Avagyan, Narara Muradyan—were also widely known and beloved within Soviet Armenia, creating unique, sometimes dark worlds of animation inspired by the folk and lyric literature of Armenia. Almost forgotten, their animations were recently restored and a special program of the films will be playing at the Film Restored-The Film Heritage Festival in Berlin, Germany at the end of this month.

During the period leading to the collapse of the Soviet Union and after the establishment of the Republic of Armenia in 1992, the general themes and style of Armenian cinema drastically metamorphosed. Dark and pessimistic, infused with eroticism, violence and anger, these films were inspired by the European classics of Antonioni and Bergman, following highly politicized and lonely urban characters stuck in never-ending depression. Suren Babayan, Dmitri Kesayants, Don Askarian and Vigen Chaldranyan were the new names of cinema, with their films were travelling to international festivals in Rotterdam, Trieste and Berlin. Displacement, migration and identity crisis were the central theme for the cinema of Harutyun Khachatryan, whose Kond (1987), The Wind of Emptiness (1989) and Documentarist (2003) were shown and awarded in Karlovy Vary, Visions du Reél and  Cairo IFF, among others. 

The catastrophic economic situation that followed the first war in Nagorno-Karabagh (1991-1992)—collapse of infrastructures, blockage, hunger, cold winters without electricity—made many directors quit their filmmaking careers and look for jobs to survive. The film industry almost stopped functioning for several years. The revival started to take place in 2000s, but a corrupted funding system brought only frustration and amateur films. 

The establishment of the Golden Apricot International Film Festival in 2004 played a crucial role in the development of the Armenian film industry. Through its 20 years of existence, the festival became the only alternative source for distribution introducing Armenian audience to independent cinema. Various workshops, trainings and the co-production market within the festival have brought up a generation of aspiring filmmakers and opened a path for alternative film funding opportunities. The Velvet Revolution of 2018 became another turning point for the film industry development. Shushanik Mirzakhanyan, the newly-appointed head of the National Cinema Center of Armenia, NCCA (the successor of ArmenFilm and main film funding body of Armenia) and her team considerably improved the transparency and funding regulations of the organization, thus providing many young filmmakers with a chance to make films. As a result, more Armenian films are produced and presented at the international film festivals: Cannes (Should the Wind Drop, Nora Martirosyan, 2020), Busan (Chnchik, Aram Shahbazyan, 2020), DOK Leipzig (Village of Woman, Tamara Stepanyan, 2019 and Nothing to Be Afraid Of, Silva Khnkanosyan, 2019), Visions du Reél (5 Dreams and a Horse, Vahagn Khachatryan, Aren Malakyan, 2022), Annecy (Aurora’s Sunrise, Inna Sahakyan, 2022). Besides auteur cinema, NCCA also finances entertaining films that get wider distribution in the country.

Currently, Armenia has a small but relatively stable rate of film production with around 15 films a year. Mostly funded by NCCA, many of these films are co-produced with Europe. The number of female directors has considerably increased in the recent years, bringing more female stories to the screen, thus making it one of the current topics of Armenian cinema. Other prevailing themes of the contemporary cinema are the wars in Nagorno- Karabagh and the Velvet Revolution.

The industry still has many problems to solve but hopefully, the first hundred years of the experience will make the second hundred easier to pass.

A cohort of the Critics Academy of the Film at Lincoln Center, Sona Karapoghosyan is an Armenian film critic and curator. Since 2018, she has curated the Regional Competition program of the Golden Apricot International Film Festival focusing on films from Western Asia. A member of The International Federation of Film Critics (FIPRESCI), Karapoghosyan contributes to several local and international publications.



Turkey to host next meeting of foreign ministers in ‘3+3’ format

 21:20,

YEREVAN, OCTOBER 23, ARMENPRESS. The next meeting of foreign ministers in the "3+3" format will take place in Turkey in the first half of 2024, Russian Foreign Minister Sergey Lavrov said.

"All these will be coordinated by our Turkish partners, who will host the second meeting of the ministers, which is scheduled for approximately the first half of next year," he told reporters.




A Freelance War Correspondent Covers Ethnic Cleansing of Her Indigenous Nation

Oct 22 2023

For nearly three years, Siranush Sargsyan has documented Azerbaijan’s siege of the 120,000 indigenous Armenians in her disputed homeland of Artsakh (Nagorno-Karabakh). The former history teacher and state worker turned wartime freelance journalist is now among the over 100,700 forcibly displaced taking refuge in neighboring Armenia.

“I’m the protagonist of the photos and articles I produce because I want to tell these stories. This is history. This is the reality we must show,” said Sargsyan, an Artsakh native, now living in the neighboring Republic of Armenia. “This is also my story, my family story. I’m also the victim of the war that I report on. This is also my reality and I show it with hopes to end the atrocities we endured.”

Sargsyan, 39, has survived two major wars (1992-94 and 2020) while documenting Azerbaijan’s systematic ethnic cleansing of the disputed enclave. She has witnessed indiscriminate atrocities upon her people, and lost countless family members, acquaintances, classmates and teachers. She lived through the Azerbaijan-imposed starvation campaign for nearly 10 months—which sealed off Artsakh from the outside world, cutting off electricity, food, gas and medical supplies.

Azerbaijan’s final offensive, under the guise of “anti-terrorist activities” on Sept. 19 brought further bombing to the besieged civilians across Artsakh. Sargsyan’s social media posts showed weary residents sheltering in basements, scenes of barraged apartment buildings, and a haunting image of a mother and child clinging together (distributed via AP). In her BBC article on a traumatized mother whose 8- and 10-year-old sons were victims of the bombing, she detailed a mother’s insistence to transport her children’s remains to Armenia for burial.

“When the Sept. 19 bombardment started, I first rushed into a basement shelter, then soon walked out and started to video the distant smoke from the bomb blasts, the silence and the voices. The neighborhood’s bombed buildings haunted me the most—I walked the backyards under the sky-high laundry lines the women proudly hung.” said Sargsyan. Her footage of backyard laundry lines flapping in mid-air between high-rise buildings was among her last from Artsakh.

Delaying her departure, Sargsyan couldn’t reconcile the emotional trauma of leaving behind her generational home, her life of 39 years—unable to physically disconnect from her homeland.

“Azerbaijan didn’t provide a realistic option of co-existence. Its military took over our lands letting us know that we should leave,” Sargsyan’s posted on X, formerly known as Twitter, captured her state of mind:

In like one day, you lose everything. I lost myself. I wanted to stay more, to remember every corner of my city.

Siranush Sargsyan

When she finally packed, she chose a few precious earrings and books from her collection. She left behind most of her clothing with memories of a happier life in Artsakh, and her special rug, too heavy to carry. She met others in the crowded town square of the capital city Stepanakert to join the snaking queue of overpacked cars and buses spilling out of Artsakh through the mountainous road toward Armenia—an exodus visible through satellite images from space. The heavens watched the trail of tears and memories of the horrors of an exodus from the ancient land while world powers remained largely immobile to calls for action.

Sargsyan compares the “physically, emotionally and psychologically unbearable” 30-hour grueling exodus, to the forced march of her ancestors 108 years ago during the Armenian genocide. The Ottoman Turks forced hundreds of thousands of Armenian refugees into death marches through the scorching heat of the Deir ez Zor desert in modern-day Syria.

“Maybe it’s not comparable, but the pain and trauma we lived through over the past years, and the nearly 10 months of blockade, felt like we were bleeding daily, drop by drop. Then Azerbaijan completed its mission by bombing us—and the final assault of the gas depot explosion was indescribable. Azerbaijan turned our heavenly country and our lives into a hellish existence. People just wanted to run away from that hell.”

At each stop on the journey toward Armenia, she conversed with the dazed and traumatized residents—some displaced multiple times—but all aspiring to return to Artsakh. After some 30 hours, arriving at the central-eastern border village of Kornidzor in Armenia, in the early morning hours, she was welcomed to her “homeland” of Armenia by volunteers offering food and water. 

Feeling “limbless,” she walked through the large crowds of her countrymen hovering and lined up around humanitarian aid tents.

“It was unbearable. We didn’t realize at that time that this was our last journey out of our homeland. For the first time, I realized I was a refugee who didn’t have a home,” Sargsyan said.  

“I’m surprised when journalists ask me ‘Why didn’t you stay in Artsakh?’ It’s really frustrating—they don’t know or pretend they don’t know that we didn’t have any other choice—and wouldn’t be alive if we stayed. We want the rest of the world and everyone to know that we had no other choice but to leave our homeland. We were victimized and not offered any other alternatives.”

Sargsyan said many families lost loved ones days before their departure. “This is not a normal thing for people, to bury relatives and the next day flee their homeland.”

Sargsyan is a native of Sos, a grape farming community in eastern Artsakh of just over 1,000 inhabitants—home to the Fourth-Century Christian Armenian Amaras Monastery, where Armenian alphabet creator, Mesrop Mashtots, established the first Armenian school. Armenia adopted Christianity as its state religion in 301 AD, which is reflected in the centuries-old Christian Armenian cathedrals and monasteries dotting Artsakh and Armenia’s rugged mountain terrain and valleys. 

In her quest to “change the world,” Sargsyan entrenched herself in politics. She taught herself English and was employed in the Artsakh parliament, where she enrolled in the Public Administration Academy to study political science.

“I wanted to see more women in politics who could improve decision-making and create a better living environment in Artsakh,” Sargsyan said. She even campaigned, unsuccessfully, for the 15-member all-male Stepanakert City Council.

In September 2020, Azerbaijan, with NATO member Turkey’s backing, unleashed an unprovoked 44-day war on Artsakh. Amnesty International’s Crisis Response experts “identified Israeli-made M095 DPICM cluster munitions” used by Azerbaijan. Over 5,000 died and thousands were displaced by the time Azerbaijan and the Republic of Armenia signed a tripartite Russian-brokered ceasefire agreement on Nov. 9, 2020, ending the war in strong favor of Azerbaijan. Russia installed 1,960 peacekeeping forces in Artsakh, which failed to secure the Armenian population’s safety through the last hours of the exodus. 

“After the 2020 war, we lived under an information blockade. So, I decided I should speak up. The bloody war and the stories of all our suffering had to be told and published,” Sargsyan said.

Her mission to amplify the stories of those “still alive and struggling” brought her to a six-day training initiated by the AGBU Young Professionals of Madrid (Spain) and Ronak Press non-profit from Spain’s Basque Country, which convenes local journalists to cover war stories. Her first article covered the opening of a French cultural center in Artsakh, followed by “Female Faces of the Artsakh War” published in the Boston-based English language publication, The Armenian Weekly.

“I wanted to show the female face of the Artsakh war. Men are always portrayed as heroes. Surely many of our men lost their lives, but women suffered too. They took care of the children while enduring unbearable struggles. It’s no coincidence that most of my heroes happen to be women,” Sargsyan said.

Months after the 2020 war, walking the streets she imagined seeing the faces of those who had died. She remembers in tears the loss of her beloved uncle but gets most emotional detailing the death of her brother-in-law, a special forces soldier. His death dramatically impacted her “smart university graduate” sister, who had chosen to be a stay-at-home mom to “pamper her son and husband.” Their 20-year marriage ended on Nov. 7, 2020, two days before the ceasefire agreement, when Azerbaijani forces launched devastating attacks on the strategic Armenian fortress stronghold of Shushi—crowned atop mountains and home to the iconic Ghazanchetsots Cathedral which was damaged by two targeted missiles. 

“My sister refused to cross the border into Armenia from Shushi, because that’s the road where her husband’s blood spilled.”

Sargsyan says her 3-year-old nephew never questioned his father’s absence but obsessively watched the TV program that profiled martyred soldiers. “I wondered whether he understood that his father wasn’t coming back because we didn’t tell him he had died. He never asked for toys, but one day he asked me, ‘Can you ask them to show my father on TV?’”

Sargsyan said she felt most protected (despite Azerbaijan’s siege), and psychologically stronger while living in Artsakh. 

“Since my childhood, I’ve considered living in Artsakh as a special privilege because we have sacrificed a lot,” she said. “This is the high price we paid for living in our homeland. This is our choice. Our mountains, our culture, are part of our being. I exist within my land and soil. We sacrificed our blood to remain in our ancestral land where our spirits lie. Even to the last moments before our exodus—we hoped for a chance to live in our country. We won’t ever find another place as beautiful as Artsakh.

While she’s come to terms that Armenia is now her home, she feels weakened—she said she has “lost almost everything,” but is grateful for “the beautiful homeland which still exists and must be preserved.”

Sargsyan recalled seeing one of the village teachers at the border. The young, hardworking teacher had a large vineyard and had built a beautiful house she frequented. She was saddened to see all that he had now, was a tightly packed, small car—carrying his children, wife and elderly parents. 

“Their stories, every house, every person, every plot of land and mountain that made up our homeland of Artsakh is now strewn.” Sargsyan said the blockade felt like being imprisoned and the prospects of its lifting felt as impossible “as reaching another Galaxy”. 

Azerbaijan’s siege over Artsakh continued to the end, despite a February 2023 order by the International Court of Justice ordering Azerbaijan to end the blockade, echoed by countless international and humanitarian organizations.

In her dreams, Sargsyan said she sees herself “back in Artsakh.” Her compatriots share her sentiments—reliving in their minds their previous lives spent baking bread, harvesting their vineyards and gardens into wine and pickled vegetables, building their homes, and surviving Azerbaijan’s “agricultural terror” sharpshooters targeting farmers in their fields. Talking about the memories and the trauma, she said, has healing powers for her and the others, “as painful as it is.”

“With each day passing, I feel as though the anesthesia is wearing out and the pain is harder to bear.”

For Sargsyan and over 100,000 forcibly displaced Artsakh Armenians, the personal trauma of ethnic cleansing and war atrocities remains constant and the post-conflict psycho-social needs will only deepen in the future.

For now, the fertile, bomb-strewed vineyards and orchards, overshadowed by the Kirs peak nestled within the Artsakh mountain range, remain unharvested. The ancient monasteries’ bell towers are silenced for the first time as the winds of despair swirl through the mountain ranges and valleys and across ghost towns and villages empty of their indigenous residents who for centuries cultivated the land and endured harsh mountainous winters through wars. For the first time since 1967, the Tatik-Papik We Are Our Mountains monument, symbolizing Artsakh’s resilience, is endangered.

https://msmagazine.com/2023/10/22/war-siranush-sargsyan-azerbaijan-armenia/

Canadian Senator calls for sanctions against Azerbaijan, int’l peacekeeping force to ensure return of Armenians to NK

 16:17,

YEREVAN, OCTOBER 21, ARMENPRESS. Canadian Senator Leo Housakos has called on the Canadian government to impose sanctions against Azerbaijani government officials and enhance coordination with like-minded states.

During his October 19 speech in the Canadian Senate, Housakos said that the indigenous Armenian people of Nagorno-Karabakh “inherently possess the right to self-determination and remedial secession.”

The Senator said that Canada must participate in an international peacekeeping force in Nagorno-Karabakh to ensure the safety of Armenians as they return to their ancestral homes; provide substantial humanitarian assistance to alleviate the suffering of innocent populations; and recognize the right to self-determination of Nagorno-Karabakh’s Armenian population.

On October 21, the Senator posted his speech on X and said: “Around the world today, we are seeing the consequences of forgetting our past. We are repeating the darkest parts of our history, not just in Israel, but also in places like #Artsakh. PLEASE WATCH as I plead for the Armenian people not to be forsaken.”

Below is the transcript of Senator Housakos’ speech.

“Honourable senators, today we find ourselves facing a grave and urgent situation that demands our immediate attention and action. The Indigenous Armenian population living in the Republic of Artsakh, known by some as Nagorno-Karabakh, is currently enduring a crisis of unimaginable proportions. It is our moral duty to respond to their plight — not just with words but with meaningful action. What we cannot do is continue to look away or bury our heads in the sand.

“Since the end of the 44-day war in September 2020, and particularly since December 12, 2022, when Azerbaijani government violated international agreements by blocking the Lachin corridor, a humanitarian catastrophe has been unfolding. This act severed Artsakh’s only connection to Armenia and the outside world, cutting off vital supplies of food, medicine, natural gas, electricity and the internet. The consequences have been dire, leading to cases of famine, malnutrition and death.

“On September 19, 2023, Azerbaijan escalated this crisis with brutal military force by shelling civilians and civilian infrastructure. This resulted in more than 200 casualties in just 24 hours, including children, women and elderly. Villages have been cut off, roads taken under Azerbaijani control, and the gruesome acts of violence have shocked those of us who are actually taking the time to watch.

“In just one week, more than 120,000 innocent civilians have been forced to flee their homes, creating a humanitarian catastrophe not only in Artsakh but also in Armenia, which has had to absorb these refugees almost overnight.

“Genocide Watch and the Lemkin Institute have classified this situation as genocide. Legal expert Luis Moreno Ocampo, former International Criminal Court chief prosecutor, asserts that what happened in Artsakh amounts to genocide.

“Our own ambassador to the United Nations, the Honourable Bob Rae, called it a total failure of global diplomacy, forcible deportation and a potential crime against humanity. The Honourable Bob Rae was absolutely right, and one of the few who had the courage to stand up and call this out.

“Canada, guided by its commitment to the United Nations’ Responsibility to Protect, or R2P, has a moral obligation to intervene and protect populations from ethnic cleansing and genocide. This is a defining moment for Canada and, for that matter, democracies around the world. It is a test of our dedication to upholding the UN R2P commitment and supporting democracies like Armenia, Artsakh and so many that are under siege right now around the world.

“Our response must extend beyond mere words and expressions of concern. It requires concrete and meaningful action. It also sometimes requires sacrifice, such as diplomatic and economic sanctions against the Azerbaijani government officials; legal action against President Aliyev at the International Criminal Court; humanitarian assistance for genocide survivors in Armenia; and the recognition of the self-determination of the Indigenous Artsakh population.

“We must not repeat the mistakes of history. The Indigenous Armenian community of Artsakh, with a heritage spanning over 4,000 years, inherently possesses the right to self-determination and remedial secession.

“Canada must impose sanctions against Azerbaijan government officials and enhance coordination with like-minded states. Canada must participate in an international peacekeeping force in Artsakh to ensure the safety of Artsakh Armenians as they return to their ancestral homes; provide substantial humanitarian assistance to alleviate the suffering of innocent populations; and recognize the right to self-determination of Artsakh’s Armenian population.

“These actions require political courage and a commitment to establish procedures to get it done, and a real commitment if we believe in the international rule of law and human rights and democracy.

“Canada has an opportunity to lead on the global stage, to be a beacon of hope and justice, as we once were a few decades ago. We must regain our status as leaders — not followers — and leave a lasting legacy that reflects our commitment to democracy, freedom and human rights.

“Colleagues, democracy has never lived such difficult and precarious moments as we’re going through right now. I don’t need to remind anyone in this institution that there are more countries that are not democratic than countries which respect democracy, international rule of law and human rights.

“Today, we are seeing tragedy unfolding in so many parts of the world. We see tyrant regimes like China putting the boot to the throat of the people of Hong Kong, threatening a vibrant democracy — a beautiful democracy just over the Taiwan Strait — just because they want to for their own political and economic ambitions.

“We see the treachery going on against the Ukrainian people by a brutal dictator called Russia. The truth of the matter is we have waited too long to call out Mr. Putin and to hold him to account. That’s why we’re suffering the consequences that we are today, and the people of Ukraine are suffering those consequences. Sanctions should have been placed on that brutal regime years ago before they went to Ukraine.

“The Indigenous people in Artsakh are being exterminated and thrown out of their homes just because they are Armenian. This is the second tragedy in a century. We stood up and gave gallant speeches in the House of Commons and in this chamber when we recognized the Armenian genocide. We said we’ll stand steadfast so these tragedies never occur again. They are happening right now as we speak, but everyone has forgotten about them because there are so many crises to pick from; the media entertains us with them.

“There will be other crises that pile on because there never seems to be a resolve on the part of democracies to fight back against these tyrants with tangible actions, not just press releases of concern or “We’re monitoring the situation.” Perhaps, after this tragedy, we can send a few million dollars in humanitarian aid — it’s too late. These people are suffering those consequences, and a few million dollars announced by the Minister of Foreign Affairs to help these displaced people — it is shameful to be honest with you; it’s embarrassing.

“What is happening in Israel today? We have a terrorist organization going against an Indigenous people and trying to brutally remove them from their homeland just because they are Jews.

“It amazes me how this movie replays itself over and over again. We never seem to learn from history that if you don’t push back on dictators and tyrants, punch them in the nose and tell them we’re not going to accept this, they will continue to be emboldened and move the yardsticks forward.

“I want to draw attention to just one more crisis going on in the world and call on our government and those of western democracies to show some resolve. Just because the people of Artsakh and the people of Armenia don’t have oil and gas, they shouldn’t be less important to us than other regimes.

“The action we can take is obviously going to be a sacrifice on our side because a lot of these rogue countries — if it’s China, Russia, Iran, Cuba or Turkey — we do business with them. We’re facing a crisis right now in Israel. Hamas didn’t occur last week. Hamas has been supported by nations like Qatar from where we are importing hundreds of millions of dollars of their oil and gas. We’re buying it in Quebec when I go to the gas pump. What do you think they are doing with the proceeds of that revenue? They are funnelling it to organizations like Hamas.

“Hamas has no food, water and medication for the Palestinian people in Gaza, but they have tons of rockets. They are not running out of rockets, are they? Why? We are contributing to that process.

“The people of Cuba are suffering, but we are still doing business in Cuba because it’s helping a few of our investors and a few of our companies are profiting from it.

“Right now, we’re still dealing with nations like Turkey, which has more journalists in prison than any other country on earth, but we close a blind eye to all this.

“Colleagues, if I’m a little bit passionate about it, it’s because I really believe that we need to be consistent. If we do genuinely care about democracy, freedom, human rights and the cause of humanity, we have to stand up and fight for these values. It doesn’t matter if it’s in Ukraine, in Hong Kong or in defending Taiwan or Israel, legitimately, we have to also defend the people of Artsakh who are being displaced.

“I remind every single person that when Adolf Hitler was sitting around the table with his final brutal solution, they asked him, “If we carry on with this extermination of innocent people just because they are Jews, what is going to happen?” Hitler said, “Who remembers the Armenians?” Right? That genocide happened only 25 years earlier.

“This is what is going on again. We are repeating history. We are forgetting these people again. I repeat: Why? Because they are surrounded by bullies and it’s a too much of an effort? I think we have to stand up as parliamentarians. We have to draw attention to this human tragedy. We have to take action and call on our governments.

“This cannot be resolved only by the Government of Canada. Every single western democracy that genuinely believes in democracy — not just navel-gazing — has to take action. It is called economic action, diplomatic action and even more if required to protect these innocent people in Artsakh. Today, they have been moved out of their homes, and no one around the world is talking about it. Thank you for listening to me on this Thursday afternoon. I thought these people needed to have a voice. Thank you so much.”

Film: Armenian Haunting (2018) Reviews and free to watch on YouTube

Movies and Mania
Oct 19 2023

‘Denial is a hundred-year-old curse.’
Armenian Haunting is a 2018 horror film about a journalist who turns into an unwilling ghost hunter while researching the sudden deaths in her family and their connection to a paranormal mystery…

Written, produced and directed by Art Arutyunyan (director of Alpha Delta Zatan; producer of Dead by ChristmasBayou Ghost StoryReel Nightmare).

The Reel Nightmare Films production stars Vaneh Assadourian, Paul Mariskanish and Aneela Qureshi.

Reviews:
“The paranormal elements are brief and show up on just a handful of occasions, and elements like recorded footage getting glitches on it seemed pointless and unrelated to the haunting aspect, in general, the pacing all seemed a bit off. While it was interesting to find out a genocide of the Armenian people occurred, as a horror this just didn’t work.” 4 out of 10, The Rotting Zombie

“As events play out the genocide looms larger, given that the curse stems back to a perceived betrayal that occurred in its wake, but it’s difficult to remain engaged in the proceedings, even as they accrue real-life import, simply because a series of poorly-realized scenes (especially a couple of the purportedly “scary” ones) are so unintentionally comical that they literally take you out of the flow of events and turn your attention to shortcomings in the production’s execution.” Trash Film Guru

Armenian Haunting is available to Prime Video subscribers in the US, UK and Germany.

Cast and characters:
Vaneh Assadourian … Maro
Jay Dersahagian … David
Kyle Patrick Darling … Garo
Chris Green … Eva
Tamara Grigorian … Grandma/Tatik
Andrew DeVitre … Sevan
Aneela Qureshi …Aida
Paul Mariskanish … Arsen
Mona Arkin … Clara
Teneisha Campbell … Doctor Freedman
Carly Alyssa Thorne … Lena
Aida Arutyunyan … Ms Grigorian
Kevin Antonio … Skateboarder

Budget:
$30,000 (estimated)

Technical specs:
1 hour 18 minutes
Aspect ratio: 1.78: 1

Watch the trailer at 

Armenian citizens, their families sent from Israel on a special flight already in Armenia

 20:30,

YEREVAN, 16 OCTOBER, ARMENPRESS. Citizens of the Republic of Armenia and their family members have already arrived in Armenia on a special Tel Aviv-Yerevan flight organized by the RA government.

As the Ministry of Foreign Affairs of the Republic of Armenia informs, in total, 149 citizens of the Republic of Armenia and persons of Armenian origin, including children, were transported from Israel to Armenia.

Priest Tirair Hovakimyan, the spiritual pastor of Israeli city of Haifa and the northern regions of Israel, announced at a briefing with journalists that he had brought his family to the homeland and intended to return to Israel again to continue his spiritual service.
Angelina Baloyan, who arrived in Armenia on a special flight from the Israeli city of Ashdod, presented the situation in the city and noted that the children were very frightened.
“The kids would wake up in the middle of the night and say, 'Mom, did the air raid siren sound again?' It is impossible to convey what a mother experiences at such moments.
Now I am in Armenia with my children, but my husband has stayed there,” she said, in particular.
Naira Arakelyan, who came home from Haifa with her daughter and newborn grandchild, said that she constantly feared for the lives of her children and grandchildren.

“I would like to thank the Armenian government for the support provided and for organizing a special flight from Israel,” Arakelyan added.