Sleeping with Our Enemy: Russia Sells Weapons to Azerbaijan

Sleeping with Our Enemy: Russia Sells Weapons to Azerbaijan

HETQ Armenia: Investigative Journalists
13:08, February 21, 2015
By David Boyajian

Russia has sold some $4 billion worth of modern weapons to Azerbaijan
in the past few years, with perhaps more to come.
These include S-300 air defense missiles, Mi-35Mcombat helicopters,
T-90 tanks, Kornetanti-tank missiles, MSTA-S 152mm self-propelled
artillery, and the highly destructive Smerch Multiple Launch Rocket
System.

Since Azerbaijan’s 1994 defeat in the Karabagh/Artsakh war, its
leaders have declared their intention to seize Artsakh by force.
Azeris regularly shoot across, and try to penetrate, Artsakh’s
ceasefire line. They have made territorial claims on Armenia and are
even shelling villages in Armenia itself.

Armenia and Russia are allies and have a mutual defense pact. Russian
troops help guard Armenia’s border with Turkey. Armenia is Russia’s
only ally in the Caucasus. Why then is Russia supplying sophisticated
weapons to a country that is not just Armenians’ enemy but also
hostile to Russian interests?

Selling to the Enemy

Arms sales generate immediate profit for Russia plus continuing income
from spare parts and future upgrades. The Russian military may also
reason that it knows best how to counter its own weapons should it go
to war with Azerbaijan. Perhaps Russia is embedding secret hardware
and software vulnerabilities into Azeri weapons to disable them should
the need arise.

Russia argues that if it won’t sell weapons to Azerbaijan, other
countries will. Yet Baku has bought arms elsewhere; $1.6 billion worth
from Israel, including Hermes drones and Spike anti-tank missiles, and
significant amounts from Belarus, Turkey, and Ukraine.

By having Azerbaijan partly dependent on Russian weaponry, Moscow
presumes it is co-opting Azeris and making them less likely to join
NATO and supply gas and oil to the West. Are Azeris really that
gullible? Baku could just be buying time until, with Turkey and NATO;
it can strike back at Russia’s vulnerable underbelly.

Is Russia selling arms to Azerbaijan because it is unhappy that
Armenia has cordial relations with the U.S., EU, and NATO? Probably
not. Russia has always found less drastic ways to express its
displeasure, such as increasing its natural gas prices.

But Armenians need not worry, says Russia, because it sells defensive
weapons to Yerevan, reportedly at reduced prices, which neutralize the
offensive ones that Baku buys.

Though Armenians currently hold the military advantage in Artsakh, can
defensive weapons really match Azerbaijan’s offensive ones? And can
Armenia, whose economy is only 13 to 20% of Azerbaijan’s, afford them?
Yerevan may be paying not in cash but rather in factories,
infrastructure, real estate, minerals, and debt. That increases
Russian’s already considerable control over Armenia. And notice that
Russia profits from selling weapons to both sides.

Russian Betrayals

Russia does not, of course, want Azerbaijan (or Turkey) to overrun
Armenia. That would create a pan-Turkic corridor from Turkey to
Azerbaijan. The U.S. and NATO would use it to dominate the Caucasus,
Caspian Sea, and probably Turkic Central Asia.

Artsakh is a different matter. It has no military agreements with
Russia. Indeed, Moscow might not care if Azerbaijan overran Artsakh
since that by itself would not create a pan-Turkic corridor.

Russia might even want a new Artsakh war if it crippled Azerbaijan’s
energy infrastructure and destroyed its gas and oil pipelines that lie
just north of Artsakh’s borders. Or, depending on what Baku gives
Moscow in return, Russia could even help Azerbaijan defeat Artsakh.

After all, post-WW I, Soviet Russia gave Artsakh and Nakhichevan to
Azerbaijan, handed Armenian territory to Turkey, and delivered weapons
to Turkish forces under Kemal Ataturk.

Turkey later turned against Russia and eventually joined NATO, while
Azeris remained hostile to Moscow. Azeris and Turks outsmarted the
Russians.

Some Armenians say that Jewish Bolsheviks, unlike the Russian Orthodox
nationalists who allegedly control Russia now, were mainly responsible
for those disasters.

Nevertheless, arms sales to Azerbaijan and Moscow’s massive trade and
natural gas deals with Turkey remind Armenians of past Russian
betrayals.

Armenia and Artsakh’s Security

To hedge against more Russian betrayals, and for economic, scientific,
educational, and religious-cultural reasons, Armenia understandably
maintains friendly relations with the U.S. and Europe.

Armenia cannot, however, look to the U.S. and NATO for military
security. The latter regard Turkey as not only weightier than Armenia,
but also as the horse on which to gallop into the Caucasus, Caspian,
and beyond. Therefore, Armenia allies itself with Russia. Without
Armenia, of course, Russia will lose the Caucasus and much more to
NATO.

As Moscow aspires to someday be the leader of all Eurasian countries,
it is attempting – in vain, undoubtedly – to lure Turkey and
Azerbaijan away from a Western orientation. Failing that, Russia hopes
such relations will produce short- to medium-term economic and
political gains. For Russia’s own sake, it should examine its past
pro-Turkic missteps.

Armenia and Russia will probably remain in a cycle of mutual need and
suspicion for some time.

As Armenia and Artsakh face the future, therefore, deeper insight into
Russian strategy and intentions is essential.

# # #

David Boyajian is a freelance Armenian American journalist. Many of
his articles are archived at Armeniapedia.org.

http://hetq.am/eng/news/58661/sleeping-with-our-enemy-russia-sells-weapons-to-azerbaijan.html

La pauvreté des enfants en Arménie atteint 37,3% en 2013

ARMENIE
La pauvreté des enfants en Arménie atteint 37,3% en 2013

Le taux de pauvreté était de 37,3% chez les enfants en Arménie en
2013, a déclaré Diana Martirosova, responsable des études des ménages
au Service national de la statistique national dans une présentation
du rapport sur les tendances sociales et la pauvreté en Arménie.

Dans le même temps, 3,3% des enfants de moins de 18 ans vivent dans
une extrême pauvreté a-t-elle dit. Les indicateurs respectifs pour
l’ensemble de la population sont de 32% et 2,7% a-t-elle précisé.

La pauvreté des enfants est de 2,4% dans les zones rurales et 3,8%
dans les villes, a-t-elle rapporté.

dimanche 22 février 2015,
Stéphane (c)armenews.com

http://www.armenews.com/article.php3?id_article=105453

2 Arméniens tués et plusieurs autres blessés hier à Alep (Syrie)

ARMENIENS-SYRIE
2 Arméniens tués et plusieurs autres blessés hier à Alep (Syrie)

Hier samedi 21 février, suite aux bombardements de plusieurs quartiers
d’Alep, deux Arméniens ont trouvé la mort. Selon le journal >, ces deux victimes arméniennes sont Sako Karkélian er
Harout Aghsanian. Par ailleurs plusieurs autres Arméniens furent
blessés. Il s’agit de Jack Aslanian, Hovsep Tchaloghian, Avo
Zarminian, Levon Barseghian et Nazo Aghsanian. Avant les évènements de
2011 la communauté arménienne était estimée à près de 70 000 membres
habitant principalement dans les villes d’Alep, Damas, Latakia, Homs,
Ghamishli, Rakka et Kessab.

Krikor Amirzayan

dimanche 22 février 2015,
Krikor Amirzayan (c)armenews.com

http://www.armenews.com/article.php3?id_article=108377

"Orphans" film documents centennial of 1915 Armenian genocide

The Oakland Press
Feb 22 2015

“Orphans” film documents centennial of 1915 Armenian genocide

By Stephanie Preweda, Special to The Oakland Press

One of the world’s largest orphanages housed 22,000 children in one
complex during the Armenian Genocide of 1915. One hundred years later,
the horror stories live on through survivors and family members of
survivors.

This April marks the centennial of the Armenian genocide in 1915.

To recognize its importance, the Maple Theatre in Bloomfield Hills
showed the documentary “Orphans of the Genocide.”

The film was directed and produced by four-time Emmy Award winning
filmmaker, Bared Maronian and his award winning documentary filmmaking
team, Armenoid Productions. ()

Maronian was inspired to create the film after reading the 2010
article, “Living proof of the Armenian Genocide”
()_by Robert Fisk in The Independent newspaper in
London, England.

The film was completed in three and a half years and has been
nominated for a regional Emmy twice, he said.

“When I read that article I was amazed with what I found,” he said.
“This story happened 100 years ago and I was surprised something like
that would happen.”

While researching, Maronian dug through Scandinavian, German and
Armenian archives for facts, statistics or even film footage that he
could use.

He came across rare footage from the National German Archives showing
22,000 orphans in a field and was able to incorporate it into his
film.

“You can visualize their pain and what was going through their mind
and make connection to the stories you heard growing up,” said John
Zadikian, member of the Armenian Genocide Centennial Committee of
Greater Detroit.

Zadikian grew up listening to stories of the genocide from his
grandmother who was a genocide survivor.

“To me it’s sort of bring the experience full circle,” he said.
“Hearing the sorties first hand are one thing but film brings in the
visual element for those who continue to live on.”

During the research and filming process, Maronian and his team visited
four countries — Armenia, Lebanon, The United States and Canada.

Speaking with scholars and hearing stories from survivors or families
of survivors, the film started to shape.

While researching Maronian was shocked with some of the information he
uncovered.

“One of the most shocking –a positive shock –was the fact that the
Americans during post World War I during 1915-16, embarked on this
huge humanitarian effort to save thousands of Armenian orphans –
32,000 orphans, as its documented,” he said.

“As far as a negative shock, it was the largest ever orphanage in the
world,” he said. “During the war, 20,000 orphans were housed under one
complex and 75 barracks were converted into orphans houses,” he said.

In addition to “Orphans of the Genocide,” Maronian is currently
filming “The Women of 1915,” which focuses on women during that time.

As a fundraiser, donations will be accepted at the showing.

A trailer for “The Women of 1915” will be shown after the viewing
along with a speech by Maronian about his film making process.

“My own grandmother was put in orphanage,” said Zadikian. “The Women
of 1915 tells stories of how women survived.”

Maronian’s original goal was to have the film ready for the centennial
this April but due to funding issues, the deadline has been pushed
back and he hopes to have it complete within 2015.

“I would like to say the Detroit community has been very supportive of
my first film and we hope to have a successful fundraiser for The
Women of 1915,” he said.

For more information about the Armenian Genocide Centennial Committee
of Greater Detroit visit,

http://armenoidteam.com/who-we-are/
http://ind.pn/17lAKM2
http://on.fb.me/1L79yOx
http://www.theoaklandpress.com/arts-and-entertainment/20150222/orphans-film-documents-centennial-of-1915-armenian-genocide

Armenian Genocide website launched at USC

Armenian Genocide website launched at USC

February 21, 2015 10:10

The University of Southern California Institute of Armenian Studies
has launched Year100.org, which is devoted to the centennial of the
Armenian Genocide.

STEPANAKERT, FEBRUARY 21, ARTSAKHPRESS: “Year100.org does more that
just shed light on the past and its place in memory and scholarship
today; it is, in its broadest sense, a centralized indicator of
directions that scholarship and community can take,” said Salpi
Ghazarian, Director of the Institute of Armenian Studies. The site is
in three languages: English, Armenian and Turkish.

The purpose is to reach a broad range of scholars, students and anyone
wanting more information about the Genocide itself, or trying still to
understand its causes and consequences, and the ways in which it is
remembered, studied and discussed. The content on Year100.org is
significantly enhanced by the presentation of images by Armenian
photographers. “The variety of types of events – readings, concerts,
books, conferences, exhibitions, lectures – and the variety of
locations from South America to Southeast Asia — will also spur
further sharing by communities, institutions, organizations thus
broadening the reach and impact of each activity, and supporting
deeper inquiry into the subject,” concluded Ghazarian.

Artsakhpress.am

Sari Gelin: A love song of nowhere

Sari Gelin: A love song of nowhere
Tehran Times Heritage List

On Line: 21 February 2015 21:53
In Print: Sunday 22 February 2015

Celebrated Azerbaijani musician Alim Gasimov performs the Azerbaijani
version of “Sari Gelin” at Eurovision 2012 Baku (Photo by: Vugar
Ibadov)
Sari Gelin is a familiar love song for most people who live in Iran
and neighbor countries. The song is the words of a boy complaining
to/about a girl he loves but cannot achieve.

Sari Gelin is preformed in different versions with different lyric but
with the same melody written in Bayati, the most popular genre for
folk poetry in Azeri.

There are many different lyrical interpretations of Sari Gelin among
Armenians, Azerbaijanis, Georgians, Persians, and Turks.

Turkish, Azerbaijani and Armenian versions narrate the laments of a
Muslim Turkish boy, about a Christian Armenian blond maiden from a
mountain or valley that he loves, although they are kept apart, and
the “unkind” girl is taken away, causing the boy to lament and curse
frequently.

Turkish version: love story in Erzurum

In Turkish language “sari” means yellow, golden, blonde or fair-skinned.

The word Gelin in Azerbaijani and Turkish means someone who comes to
the family (bride), with its root in the Turkish verb “Gel”, which
means “come”.

Thus Sari Gelin can mean “golden”, “blonde” or “fair-skinned” bride.

In Turkey, Sari Gelin is a popular folk story about an impossible love
between a Turkish boy and an Armenian girl from Erzurum.

Turkish singers Yavuz Bingöl and Kiraç performed the Turkish version
of the song.

Azerbaijani version: Love happens in Karabakh

In Azerbaijani language, “sari” means yellow or blonde but it may also
refer to a person’s soul as well.

In Azerbaijan, Sari Gelin (Blond Maiden) is a legend that symbolizes
the love between a Muslim Azerbaijani boy and a Christian Kipchak girl
who are kept apart.

The story sets in Karabakh, a controversial region disputed between
Armenia and Azerbaijan. An Azeri boy falls in love with an Armenian
girl, which is futile.

Vocalists Alim Qasimov and Abbas Bagirov performed the Azerbaijani
version of the song.

Armenian version: Sari Aghjik

In some Armenian versions of the song, the Armenian word Aghjik (Girl)
is used instead.

Sari may also be derived from the Armenian word saro, meaning “of the
mountain”, which is the meaning used in the Armenian versions of the
song (“Girl/Bride from the mountains”).

There are two Armenian versions of “Sari Gelin”. According to one
version, Sari Gelin was an Armenian girl, and a young man from Erzurum
fell in love with her.

Another version is about a Turkish Muslim who sees a very pretty
Armenian girl and he falls in love with her and starts to follow her
around.

But he is Muslim and she is Christian. Hence their families don’t want
them to marry each other. The lovers end up running away together but
the girl’s father, a powerful man, come after them with his men and
kill the Turkish man.

Singers Ruben Matevosyan and Gevorg Chakmanyan are amongst the
Armenian vocalists who performed “Sari Gelin”.

Iranian version: Persian Saray

In Iran, there is a famous Azeri fable about a girl named Saray. Some
people relate it to Sari Gelin song.

The Persian version happened in Mugan plain, located in northwestern
Iran and the southern part of the Republic of Azerbaijan.

A girl with blonde hair was born in a village near Aras River. Her
parents named her Saray, which is a combination of sari and ay (moon),
which means golden moon.

Saray was engaged to a shepherd however the khan falls in love with
her. Despite her reluctance, she is doomed to a forced marriage with
khan. Before the marriage, she commits suicide in Aras River.

The Iranian celebrated tar virtuoso Hossein Alizadeh accompanied by
Grammy nominated Armenian musician Djivan Gasparyan performed the
Armenian version of Sari Gelin.

However they use the Turkish line “Sari Gelin aman!” in their performance.

Love has border!

The song depicts an unfulfilled love between lovers of different
nations. They cannot marry because of their lands, beliefs and
traditions.

Hence, it comes as no surprise that there is no consensus about the
song’s country of origin as well. The song is still a subject of
contention and accusations of plagiarism among the countries where it
is popular.

http://tehrantimes.com/arts-and-culture/122026-sari-gelin-a-love-song-of-nowhere-

Tigran, l’Arménie en filigrane

REVUE DE PRESSE
Tigran, l’Arménie en filigrane

JAZZ Désormais en trio, le pianiste sort >, qu’il dévoilera
en concert parisien début mars.

Préserver son identité, tant sur le plan culturel que confessionnel,
envers et contre les dominations extérieures et les attaques
successives en provenance de l’Est comme de l’Ouest, est un élément
constitutif majeur de l’histoire de l’Arménie. Ce profond attachement
à ses racines, le pianiste virtuose Tigran Hamasyan le sublime à
nouveau dans son sixième album, Mockroot, témoin de ses premiers pas
discographiques sur le label Nonesuch, rejoignant ainsi la liste de la
prestigieuse écurie new-yorkaise qui abrite Joshua Redman, Pat Metheny
ou encore Brad Mehldau, autre sommité du piano de la sphère
jazzistique – avec lequel il sera en duo à la Philharmonie de Paris,
au printemps.

Sur cet album, enregistré en trio avec le bassiste américain Sam
Minaie et le batteur suisse Arthur Hnatek, la voix – la sienne comme
celle d’Areni Agbabian ou de la nouvelle venue, Gayanée Movsisyan –
occupe une place de choix. Plus homogène et introspectif que Shadow
Theater, son précédent CD en quintet qui lui a valu une reconnaissance
internationale (lire Libération du 26 août 2013), Mockroot, toujours
ancré dans la tradition populaire (littéraire et musicale) arménienne,
agrège, sur des territoires electro, la verve mélodique du pianiste et
son sens débridé des rythmiques complexes, entre brisures et cascades.

Séisme. Guidé par cette inspiration intérieure, Tigran propulse le
passé dans le XXIe siècle, joignant l’intime et l’universel. > Métaphore soulignée notamment par la pochette avec la photo prise
par Karén Mirzoyan – qui avait signé l’artwork de Shadow Theater – où
l’on voit un arbre, isolé au beau milieu du lac Sevan, qui a continué
de pousser malgré une succession d’interventions humaines frôlant la
catastrophe écologique.

Né en 1987 à Gyumri, ville qui fut dévastée par le terrible séisme de
1988, le jeune musicien poursuit sa quête de soi en sondant en
profondeur la culture de ce pays qu’il avait quitté en 2006, pour
s’installer avec ses parents en Californie, et dont il s’est rapproché
depuis 2013 pour y élire domicile. Et même y trouver l’me soeur : > Le traditionnel Kars, qu’il a
arrangé, en témoigne : > Rappelons que Kars fut une capitale de l’ancienne
Arménie, perdue en 1920 au profit de la Turquie. ), caché avec la pudeur
d’un secret – de son propre aveu le thème qu’il préfère :

Khojali : Pretext to Incite Ethnic Hate Against Armenians in Turkey

Khojali : Pretext to Incite Ethnic Hate Against Armenians in Turkey

By Contributor on February 22, 2015

On Feb. 20, the Human Rights Association of Turkey issued a statement
in response to a planned anti-Armenian demonstration in Istanbul,
under the banner, `Demonstrations Condemning the Khojali Genocide and
Armenian Terror.’ The Human Rights Association states that it has
petitioned the Istanbul Governorate ahead of the Feb. 22 protest,
which has already given rise to anti-Armenian sentiments.

The full text of the statement is printed below:

Khojali : Pretext to Incite Ethnic Hate Against Armenians in Turkey

On 19 February 2015, the Human Rights Association presented the
Governorate of Istanbul with a petition warning the officials that the
`Demonstrations Condemning the Khojali Genocide and Armenian Terror,’
to be held in Kadıköy, Istanbul on Feb. 22, have incited ethnic hatred
from the moment they were preannounced.

The demonstrations are organized by the Association of Reformist Youth
in Azerbaijan, with support from the Turkish Hearths Youth Branches
and the Turanist Movement Platform.

As our petition to the Governorate reports, militants from the
Turanist Movement Platform photograph and publish their public
displays including graffiti, banners, and posters in central locations
in Istanbul. In the declaration that they distribute in shops and that
we enclose with this petition, they incite violence by labeling
activists against racism as `terrorists.’ Persons who somehow
perpetually remain `unidentified’ write racist graffiti, such as
`You’re Either Turkish or Bastards’ or `You Are All Armenian, All
Bastards,’ on church walls in Kadıköy, in addition to hanging flags
depicting the ultra-nationalist symbol (mythical wolf).

Protesters chanted `You are all Armenians, you are all bastards’
during the Khojali demonstrations on Taksim Square on Feb. 26, 2012.

Khojali is but a pretext for the real purpose of inciting ethnic hate
and hostility against the Armenians of Turkey, as globally observed in
the course of the Khojali demonstrations on Taksim Square on Feb. 26,
2012. Right before the eyes of the Minister of the Interior, on the
same square where he was making a speech, the demonstrators displayed
banners saying `You Are All Armenians, You are All Bastards,’ while
shouting hate-filled slogans against Armenians.

The corrupt and shady collaboration between Azerbaijan and Turkey thus
comes to fruition: The organizers are able to brandish their schemes
for Feb. 22 because they have no doubt that the officials of the
Republic of Turkey will lavish them with endless tolerance.

In the petition we presented on record, we reminded the Governorate
that the racism displayed both at the identically themed
demonstrations of 2012 and at the preannouncement phase of the Feb. 22
demonstrations for `Condemning Armenian Terror’ constitutes a crime
per article 216 of the Turkish Penal Code on `public humiliation or
incitement to hatred and enmity.’ We also emphasized that incitement
to racist violence violates article 14 of the European Convention on
Human Rights, which prohibits discrimination.

We have requested that the Office of the Governor take preventative
measures against slogans, writings, banners, and threats inciting
ethnic hate or enmity; that, in cases where they occur, all legal
proceedings mechanisms be activated immediately after the
demonstrations, and that the state fulfill all its responsibilities
with utmost efficacy.

We now publicly reiterate our warning: You, officials who refrain from
criminalizing racist slogans on church walls, who officially or
unofficially permit protests and demonstrations preannounced by such
slogans, if you do not enforce the law, you will become partners in
the crime that is being publicly preannounced.

We address the prime minister: You have just paid your tributes to
Hrant Dink, calling him `a venerable Anatolian public intellectual.’
Have you forgotten that banners saying `Damned Be Hrant Dink’ were
displayed right in front of his newspaper headquarters? Do you not
remember that on Feb. 23, 2014, a group, including a number of
Azerbaijanis, and calling itself `The Soldiers of Alpaslan TürkeÃ…?,’
materialized in front of the Agos newspaper at whose doorstep Dink had
been murdered? Their banners read, `Long Live Ogün Samasts, Damned be
Hrant Dinks’We Salute Azerbaijan and Continue the Fight.’ We had filed
a criminal complaint then as well. Your prosecutors did not lift a
finger.

The so-called NGOs of the state of Azerbaijan, where oppositional
journalists are left to rot in prison and honest public intellectuals
are abandoned to lifelong threats of lynching, we ask you: What are
you doing in Turkey? What business brings you to Istanbul? No one
believes that you mourn for those killed in Khojali; it is not in
their memory that you fight. You come to Turkey to support anti-
Armenians and menace the Armenians of Turkey, who have no connection
to Khojali.

A word to hatemongers in Turkey, who join forces with Azerbaijani
anti-Armenians: Save us your lies. It is not Khojali that concerns
you. It never was Khojali that concerned you. Your true intent is to
intimidate the Armenians of Turkey’and all non-Turkish, non-Muslim
peoples’and exacerbate their insecure existence.

The very existence of human rights defenders is warranted by the cause
of resisting and fighting against atrocities and persecution in Turkey
and in the world. However, it falls yet again on human rights
defenders to fight against those who exploit atrocities and victims’
pain for their own purposes of carrying racist violence across
borders.

We, human rights defenders, invite all to unite as one body against
racism, racist violence, discrimination and hate, in order to show
that you are alone in your schemes, to isolate you in society, and to
expose you before public conscience.

We remind the officials, once again, that they will be held
accountable for the public display of ethnic hate, the bloodiest
instances of which are only too fresh in our memory.

Human Rights Association, Istanbul Branch
Committee Against Racism and Discrimination

http://armenianweekly.com/2015/02/22/ethnic-hate-against-armenians/

Child poverty in Armenia reached 37.3% in 2013

ARMENIA
Child poverty in Armenia reached 37.3% in 2013

The poverty rate was 37.3% for children in Armenia in 2013, said Diana
Martirosova, head of household studies at the National National
Statistical Service in a presentation of the report on social trends
and poverty in Armenia.

At the same time, 3.3% of children under 18 living in extreme poverty
she said. The respective indicators for the general population are 32%
and 2.7%, she said.

Child poverty is 2.4% in rural areas and 3.8% in the cities, she reported.

Sunday, February 22, 2015,
Stéphane © armenews.com

http://www.armenews.com/article.php3?id_article=105453

Starbucks Enrages U.S. Armenian Community With PR Misfire

STARBUCKS ENRAGES U.S. ARMENIAN COMMUNITY WITH PR MISFIRE

Social media users claim to have seen the poster depicting women
dressed in traditional Armenian garb under the crescent and star of
the Turkish flag in several Starbucks locations in Los Angeles County,
which is home to a large number of people with full or partial Armenian
ancestry. (file photo)

By Carl Schreck

February 19, 2015

WASHINGTON — An attempt by U.S. coffee giant Starbucks to appeal
to Los Angeles’ sizable Armenian population has backfired after its
coffee shops displayed posters depicting women dressed in traditional
Armenian garb under the crescent and star of the Turkish flag.

The posters were spotted this week in Los Angeles-area Starbucks
locations, infuriating activists and social media users who called the
image offensive in light of what Armenians refer to as the “genocide”
of their people by Turkish Ottoman forces in the early 20th century.

“Why is Starbucks selling coffee using an image of women, dressed
in traditional Armenian costumes, celebrating a Turkish state that
systematically victimized Armenian women during the Armenian Genocide,
and that still denies this crime against all humanity?” the Armenian
National Committee Of America (ANCA) wrote in a February 18 post on
its Facebook page.

Profile ANCA Community Organization · 59,582 Likes · Yesterday at
11:59am ·

â~@ª#â~@~NSTARBUCKSâ~@¬ APOLOGIZES; PULLS OFFENSIVE POSTERS: In
response to an online onslaught of concern regarding its posters
depicting women in Armenian dance costumes with under Turkish Crescent
and Stars, #Starbucks has issued an apology and is removing the
offensive ads. In a statement issued to Asbarez News, and posted
to the ANCA Facebook Page, #Starbucks officials noted: “Thank you
to all who raised this concern to us today. Serving as a place for
the community to connect is core to our business and we strive to be
locally relevant in all of our stores. We missed the mark here and
we apologize for upsetting our customers and the community.

We have removed this art in our Mulholland & Calabasas store in
Woodland Hills and are working to make this right.”

Is the offensive poster in your local Starbucks? Call Starbucks
Customer Service 800.792.7282 to advise them – and post the location
to the ANCA Facebook Page.

Social media users claimed to have seen the poster in several Starbucks
locations in Los Angeles County, which is home to 446,000 people with
full or partial Armenian ancestry, according to 2007 U.S.

Census Bureau datacited by California-based scholar Shushan Karapetian.

As outrage swelled online and Starbucks customer service
representatives fielded angry calls, the company posted an apology
on the ANCA’s Facebook page on February 18, promising to remove the
offending photographs.

“Serving as a place for the community to connect is core to our
business and we strive to be locally relevant in all of our stores,”
a Starbucks representative wrote in the post. “We missed the mark
here and we apologize for upsetting our customers and the community.”

The representative added that the artwork would be removed from a
store in the Los Angeles neighborhood of Woodland Hills and that
Starbucks is “working to make this right.”

It was not immediately clear exactly how many shops displayed the
photograph.

A Starbucks spokesperson told RFE/RL in a February 19 email that the
company is “quickly looking into this to ensure this image is not in
any other Starbucks locations.”

‘Flood Of Concern’

ANCA executive director Aram Hamparian said the group became aware of
the posters from social media users in California early in the morning
on February 18 and that his group believes they were displayed in at
least “two or three locations in Southern California.”

“It became very clear very quickly that this was a very serious
issue for the entire community, because we started getting a flood
of concern,” Hamparian told RFE/RL, adding that Starbucks responded
“very appropriately.”

The photograph, in which one of the women dressed in Armenian garb
is holding a paper Starbucks cup while red balloons embossed with the
Turkish star and crescent float overhead, appears to have originated
with California-based designer Tim Rose.

Rose, who has worked on campaigns for Starbucks and other
multinationals, including Coca-Cola and Nike, featured the photograph
on his website as recently as January 28, according to a cached
version of the site.

The image has since been removed from the website. Rose did not
respond to an emailed request for comment.

Preparations are underway worldwide for this year’s commemoration of
the 100th anniversary of the mass killing of Armenians under Ottoman
rule. The tragedy has been recognized as “genocide” by more than 20
countries, including Canada, Russia, and France.

Armenian President Serzh Sarkisian on February 16 recalled from
parliament protocols on normalizing ties and establishing diplomatic
relations with Turkey, accusing Ankara of lacking “political will”
and thwarting the process with “preconditions.”

With reporting by RFE/RL’s Armenian Service

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