Elle Shoots Fashion Spread In Ruined Armenian City

Jezebel
January 21, 2011 Friday 5:07 PM EST

Elle Shoots Fashion Spread In Ruined Armenian City [In/fashion]

Jan. 21, 2011 (Gawker Media delivered by Newstex) —

In 1064, Turkish armies laid siege to Ani, a bustling, largely
Armenian city of 200,000. They were ordered to destroy Ani, and kill
everyone they found. In 2011, Elle Turkey used the ruins left behind
for a fashion story.

Sensitive! Especially considering the modern-day Turkish state’s
highly contentious relationship with its neighbor, Armenia. The
Ottoman genocide against Armenians is still a fraught subject in
Turkey, which doesn’t accept that the deportations, forced marches,
and massacres that together killed around 1-1.5 million Armenians
during World War I were in fact a genocide. (Hitler later said that he
expected his attempt to exterminate the Jews would go unremarked,
arguing, “Who now remembers the Armenians?”) Today, Ani lies within
Turkish territory, very near the Armenian border.

Ani was famous for its ecclesiastical architecture, including its
cathedral, which was completed in 1001. The Turkish dynasty
responsible for the city’s destruction, the Seljuks, spent the 11th
Century expanding across what are now Turkey, Afghanistan, Iran, Iraq,
Georgia, Syria, and Armenia; taking Ani, which had been under
Byzantine control, was part of those plans. For more on Ani’s
fascinating and complex history, Kuriositas has a detailed photo
essay:

In its heyday it was a metropolis which rivaled Constantinople, Cairo
or Baghdad as a center of culture and enterprise…The city is the
victim of a colossal and centuries old struggle for power between
various factions in the region. Founded in the fourth or fifth century
AD the following millennium saw Armenians, Kurds, Georgians, Mongols
and Turks struggle for and ascend to power in the city-state.

To summarize: As it turns out, after the Seljuk Turks overran Ani,
they didn’t quite kill all of the civilians ‘ many had escaped to the
countryside before the siege began. The Seljuks eventually sold Ani to
the (predominantly Muslim) Kurds, who tolerated the (predominantly
Christian) Armenians. Eventually, neighboring (predominantly
Christian) Georgia forced the Kurds out and the city was returned to
Armenian control. Then, in the 13th Century, the Mongols invaded.
Later, it was another Turkish dynasty. Finally, Ani came under Ottoman
control.

All the war and unrest, together with institutional neglect on the
part of the Ottomans, meant that Ani never recovered its position of
power within the region. By the mid-18th Century, the last inhabitants
abandoned the city.

The siege and the destruction of the city in 1064, however, stands out
in the minds of many Armenians as a particularly poignant example from
the long history of Turkish attempts to suppress their culture. Just
the place for photographer Senol Altun and stylist Melis Agazat to
show off this season’s bag, then.

The setting, ruined as it is, is very beautiful. Ani is on the Global
Heritage Fund’s list of world monuments most in danger of irreparable
loss and destruction. Armenia accuses Turkey of hastening Ani’s demise
as a historical and archaeological site through neglect. Turkey says
Ani has been destabilized by earth-moving activity at a nearby
Armenian quarry.

Armenian newspapers and blogs have picked up the story ‘ and so have
some Turkish ones. Mostly, this is just sad: A threatened heritage
site is no place for a fashion spread like this. Given Ani’s history,
and given the fact that the city stands on ground that is still in
dispute, what did Elle Turkey think was going to happen?

From: A. Papazian

‘Army of Crime’ and predecessor ‘Army of Shadows’ out on DVD

The Philadelphia Inquirer
January 21, 2011 Friday
JERSEY-C Edition

‘Army of Crime’ and predecessor ‘Army of Shadows’ out on DVD

BYLINE: By Tirdad Derakhshani; Inquirer Staff Writer

It’s famously known that French filmmakers don’t conform to any
subject matter or genre – they’d rather flout the rules.

But beginning with René Clément’s La Bataille du Rail (The Battle of
the Rails) in 1946, they have continually revisited one theme: life in
France under Nazi occupation.

This tradition has been enhanced by a recent wave of revisionist films
that look beyond the official story to the contribution forgotten
individuals and minority groups made to the war effort.

One of the most notable entries is Robert Guédiguian’s intense,
poetic, real-life story from 2009, Army of Crime, available from Kino
Lorber Films ( or ; $29.95 DVD; $34.95
Blu-ray; not rated). It stars Simon Abkarian as Missak Manouchian, a
French Armenian poet who organized a band of 22 fellow immigrants,
mostly Jews and communists, for clandestine operations for the
Resistance.

The title of Guédiguian’s film was inspired by Jean-Pierre Melville’s
magisterial 1969 Resistance thriller, Army of Shadows, which is
finally available on DVD from the Criterion Collection
(; $39.95 DVD and Blu-ray; not rated).

The third in Melville’s Occupation trilogy (after 1949’s La Silence de
la Mer and 1961’s Leon Morin, Priest), it draws on Melville’s wartime
experiences with the Free French forces. Set in 1942, the episodic
tale follows a year in the life of ranking Resistance officer Philippe
Gerbier (Lino Ventura) and his deputy (Simone Signoret) as they lead
their cell in dangerous military missions. The drama reaches a fever
pitch when they discover they may have a mole on their team.

Other DVDs of note Famed fraternal filmmakers Joel and Ethan Coen get
a Chinese makeover in the irreverent and exciting thriller A Woman, a
Gun and a Noodle Shop, due Feb. 1 from Sony
(; $28.95 DVD; $38.96 Blu-ray; rated
R). Director Zhang Yimou (Raise the Red Lantern) reworks the Coens’
tale of infidelity, jealousy, theft, and murder, Blood Simple, by
setting it in feudal China. The result is startling.

Hammer Films ditched its tried and true – and, by 1970, very tired –
formula for the 1972 oddball cult classic Vampire Circus, released by
Synapse Films in a DVD/Blu-ray combo pack (;
$29.95; not rated). A revenge tale set in 19th-century Austria, it’s
about a circus of vampires and werecats who plan to destroy a small
village whose inhabitants had slain one of their kind. The acrobatic
tricks, psychedelic visuals, and intense sexual tension make this a
far-out treat.

Franz Kafka is given the anime treatment in Franz Kafka’s A Country
Doctor and other Fantastic Films by Koji Yamamura, from Zeitgeist
Films (; $29.95; not rated). The 124-minute
disc collects some of the Oscar-nominated Yamamura’s most breathtaking
shorts, which mix traditional animation with painting, modeling clay,
and photography.

Tony Jaa, whose high-impact, rapid form of muay thai has revitalized
the martial-arts film, may have met his match in Iko Uwais. The
Indonesian martial-arts master and soccer star showcases his native
form of combat, silat, in the action spectacular Merantau, from
Magnolia (; $26.98 DVD; $29.98 Blu-ray; rated R).
Like Jaa, Uwais does all of his own stunts – including a few that seem
to defy gravity.

No single film or TV show has captured novelist Elmore Leonard’s
mordant, crime-and-irony-riddled view of life quite like Timothy
Olyphant’s amazing, hilarious, and yet totally creepy crime drama,
Justified: The Complete First Season, out from Sony
(; $39.95 DVD; $49.95 Blu-ray; not
rated).

Few fictional thrillers can evoke as many thrills as documentarian
Alex Gibney’s deconstruction of disgraced former New York Gov. Eliot
Spitzer, Client 9: Rise and Fall of Eliot Spitzer, due Tuesday from
Magnolia (; $26.98 DVD; $29.98 Blu-ray; not
rated).

You’ve seen British actress Gemma Arterton’s sexy side in the Bond
flick Quantum of Solace and the fantasy adventure Prince of Persia.
Now discover her – equally sexy – dramatic and comedic talents in two
new British comedies. Stephen Frears’ graphic-novel adaptation, Tamara
Drewe, due Feb. 8 from Sony (; $28.95
DVD; $38.96 Blu-ray; rated R), features Arterton as a successful,
beautiful, plastic-surgery-enhanced novelist who returns to her
hometown, where she was taunted and teased as a child for her big
nose.

In Three and Out, from Entertainment One
(; $24.98; rated R), Arterton plays the
estranged daughter of Tommy Cassidy (Colm Meaney), who has decided to
commit suicide with the help of an oddball train conductor.

From: A. Papazian

www.kino.com
www.lorberfilms.com
www.criterion.com/
www.sonypictures.com/homevideo/
www.synapse-films.com/
www.zeitgeistfilms.com/
www.magpictures.com/
www.sonypictures.com/homevideo/
www.magpictures.com/
www.sonypictures.com/homevideo/
www.entertainmentonegroup.com/

Passion weaves through resistance tale

The Toronto Star
January 21, 2011 Friday

Passion weaves through resistance tale

Army of Crime: Presented in this month’s edition of the Toronto Jewish
Film Festival’s Chai Tea and a Movie series, Army of Crime is the
latest in a wave of movies that explore the murky and
still-controversial history of resistance movements in German-occupied
Europe in World War II.

Filmmakers having already told the stories of Nazi fighters in the
Netherlands (Black Book), Denmark (Flame and Citron) and Norway (Max
Manus), it’s time for Vichy-era France to come under scrutiny.

Based on the true story of a network of fighters in Paris – most of
whom were executed mere weeks before the city was liberated – Robert
Guédiguian’s film is one of the most detailed cinematic accounts of
daily life under occupation and of the inner workings of the French
Resistance.

In fact, there may be too much detail – the overabundance of
characters and incidents can make Army of Crime hard to follow and
dulls the overall impact. Jean-Pierre Melville’s similarly titled 1969
thriller Army of Shadows is likely to remain the most revered movie on
the subject.

Nevertheless, Army of Crime has great vigour thanks to the impassioned
lead performances: Simon Abkarian as an Armenian poet and reluctant
leader, Virginie Ledoyen as his French wife and Robinson Stévenin as a
Jewish youngster who becomes a brazen Nazi killer.

Guédiguian also succeeds in emphasizing the under-heralded
contributions of Jews and displaced leftists from throughout Europe in
the French Resistance. Nor does he pull any punches when it comes to
depicting the French authorities’ eagerness to impress the Nazi brass.

Returning to Toronto for the first time since its appearance at TIFF
in 2009, Army of Crime plays SilverCity Richmond Hill (8725 Yonge St.)
on Jan.23 at 4 p.m.

An Evening With Spike Lee: The always-provocative American filmmaker
had his own go at a WW II-period drama with 2008’s underrated Miracle
at St. Anna.

Though Lee’s been slow to follow up with a new feature, he’s still
been plenty busy – his second documentary on post-Katrina New Orleans,
If God Is Willing and da Creek Don’t Rise debuted on HBO last summer.

He’s also making time to visit Toronto for an onstage interview by
fellow filmmaker Clement Virgo.

Presented by the TD Bank Financial Group and the Canadian Film Centre
in celebration of Black History Month, the discussion will focus on
the role of music in Lee’s films. Expect anecdotes about working with
Stevie Wonder on Jungle Fever and Prince on Girl 6 on Jan. 25 at the
Varsity (55 Bloor St. W.).

Culloden: One of the most groundbreaking movies of the 1960s screens
at the latest edition of Early Monthly Segments.

First aired on the BBC in 1964, Culloden is an ingenious recreation of
the decisive battle that ended the Jacobite uprisings which rocked
Britain in the 18th century.

Filmmaker Peter Watkins’s innovation was to imagine there was a
documentary crew capturing events as they happened, lending a rare
authenticity and immediacy to the recreation. What sets Culloden apart
from the countless imitators that followed was its fiercely political
nature. Rarely has the futility of armed conflict been portrayed with
such force.

Culloden screens with Brian Frye’s Across the Rappahannock (about a
group of Civil War re-enactors) on Jan. 24 at 7:30 p.m. at the
Gladstone Hotel’s Art Bar (1214 Queen St. W.).

From: A. Papazian

Saakashvili: Armenia, Georgia should work much for good of two state

news.am, Armenia
Jan 22 2011

Saakashvili: Armenia, Georgia should work much for good of two states

January 22, 2011 | 16:50

Armenia and Georgia should work for the good of two countries. Yerevan
and Tbilisi should do their utmost to further strengthen bilateral
relations, Georgian leader Mikheil Saakashvili said in the course of a
working visit to Armenia.

President Saakashvili participated in the closing ceremony of
Armenian-Georgian mathematics, physics and informatics competitions.
The Georgian leader awarded participants advising Armenian and
Georgian schoolchildren to learn foreign languages. `English is a
priority foreign language in Georgia. I am sure there is such a
tendency in Armenia as well,’ he added.

He also promised to establish 10 presidential scholarships for the
Armenian students to get education in the Georgian institutes.

From: A. Papazian

Nothing special in Georgian President’s visit to Armenia

news.am, Armenia
Jan 22 2011

Nothing special in Georgian President’s visit to Armenia

January 22, 2011 | 21:45

It is now difficult to ascertain the issues discussed by the Armenia
and Georgian Presidents, as very little information is available, the
Georgian political expert Zurab Abashidze told NEWS.am, commenting on
Georgian President Mikhail Saakashvili`s official visit to Armenia.

`It is quite an ordinary thing, as we are old regional neighbors. The
only thing that can be said is that such high-level meetings must be
welcomed. They help resolve topical issues and maintain high-level
relations,’ the expert said.

Georgian President Mikhail Saakashvili arrived fort an official visit
to Armenia on January 22.

From: A. Papazian

Sundance Review: Here

Hollywood Reporter
Jan 22 2011

SUNDANCE REVIEW: HERE
11:44 AM 1/22/2011 by David Rooney

The Bottom Line
If a road trip through the rugged Armenian hinterlands sounds like it
might generate only intermittent pleasures, it does.

Venue:
Sundance Film Festival, U.S. Dramatic Competition

Cast:
Ben Foster, Lubna Azabal, Narek Nersisyan, Yuri Kostanyan, Sophik Sarkisyan

Director:
Braden King

PARK CITY – (U.S. Dramatic Competition) The subtle calibrations of Ben
Foster’s performance give “HERE” an intriguing center. But Braden
King’s meandering semi-experimental road movie about two travelers
whose paths briefly converge is too enraptured by its own dusty
exoticism.
Hatched out of a non-narrative multimedia piece that screened in
Sundance’s 2008 New Frontier section and was subsequently developed
through the festival’s feature lab, the film bumps into some
interesting ideas. It explores the process by which experience becomes
memory, how the physical becomes intangible, how land – be it home or
terra incognita – can yield both truth and deception. Ultimately,
however, these reflections never acquire the weight to be much more
than artsy embellishment on a two-dimensional story of fleeting
romance between underwritten characters.

Those protagonists are Will (Foster), an American satellite-mapping
engineer under contract in Armenia, and Gadarine (Lubna Azabal), an
expatriate photographer back in her homeland on an arts grant and
faced with her family’s ambivalence toward her fledgling success
abroad.

After parallel glimpses of these solitary outsiders, they meet in a
restaurant. A second chance encounter cements the bond, and Gadarine
suggests she accompany Will to the remote borders and to a disputed
territory within Azerbaijan where she has always wanted to shoot.

King and his co-writer Dani Valent appear to be aiming for a dreamy
Lost in Translation vibe, but they neglect to anchor the mood piece by
giving substance or depth to their central characters.

Despite the humor and heart Foster breathes into the role, Will’s
function is too heavyhandedly symbolic – a mapmaking wanderer in
search of definition. Azabal has a nice naturalistic ease in front of
the camera, and some lovely interludes with Gadarine’s parents. But
the character is more or less Will’s schematic opposite – a woman who
has distanced herself from her roots and is now rediscovering them.

The film captures some impressive landscapes and layers an eclectic
mix of original and traditional Armenian music over its unhurried
travel time. But unless you count doing a lot of vodka shots, this is
a dramatically uneventful two hours. No significant conflict surfaces
until roughly 90 minutes in, when an unpleasant brush with border
military officials, a nasty hangover and a minor road accident sour
the romance.

The chief carryovers from the project’s trans-media evolution are
experimental interludes by various filmmakers, accompanied by
ponderous voiceovers from Foster on the poetics of scientists and
explorers. Some of these are quite beautiful, notably a fast-moving
collage of film frames that suggests Gadarine dreaming back through
the generations. Elsewhere they feel inorganic to the film.

Like the all-upper case title (which is almost as irritating as
all-lower case), the abstract imagery adds little and smacks of
affectation.

Screenwriters: Braden King, Dani Valent
Producers: Braden King, Lars Knudsen, Jay Van Hoy
Executive producer: Julia King
Director of photography: Lol Crawley
Production designer: Richard A. Wright
Music: Michael Krassner, Boxhead Ensemble
Editors: David Barker, Andrew Hafitz, Paul Zucker
Interlude filmmakers: Daichi Saito, Garine Torossian, Paul Clipson, Julie Murray
Sales: Preferred Content, K5 International
No rating, 121 minutes

From: A. Papazian

http://www.hollywoodreporter.com/review/sundance-review-74627

Military blackmail the only tool of Azerbaijan, expert says

news.am, Armenia
Jan 22 2011

Military blackmail the only tool of Azerbaijan, expert says

January 22, 2011 | 14:04

Azerbaijan will not unlash war in the near future taking into account
military equipment in the line of contact and military-political
balance, Sergey Minasyan, deputy director of the Caucasus Institute,
told the journalists today.

`Ceasefire violation cases by Azerbaijani side are not indicatives of
approaching war but an instrument, a military blackmail, which Baku
uses to influence both Armenia and the world community to win
concessions in the peace process. A military blackmail is the only
tool Azerbaijan has. Warlike statements prove that Azerbaijan has no
other sources of influence,’ the expert said, adding that Baku fully
realizes what price it will pay for war. Consequently, the final
decision is not made. According to Minasyan, the world community is
inclined to maintaining the status quo in Nagorno-Karabakh.

In his turn political expert Manvel Sargsyan noted that Azerbaijan’s
policy is aimed at creating situation when resumption of hostilities
is approved by the world community.

`We should draw conclusions and take necessary steps to turn legal
balance in favor of Armenia. We must persuade world countries to
protect our position on the Karabakh conflict. For this purpose
Armenia should cooperate with countries having similar problems, for
instance Cyprus. Yerevan should also make it clear whether to
recognize Karabakh’s independence or no,’ Sargsyan stressed.

From: A. Papazian

BAKU: Official Baku regrets for distortion of Barroso’s speech

Trend, Azerbaijan
Jan 22 2011

Official Baku regrets for distortion of Barroso’s speech on official
website of European Commission

22.01.2011 14:46 Azerbaijan, Baku, Jan. 22 /Trend, E.Tariverdiyeva/

Azerbaijan regrets for distortion of European Commission President
Jose Manuel Barroso’s speech on the official website of the
Commission, the head of the Foreign Relations Department of
Azerbaijani Presidential Administration Novruz Mammadov said on
Saturday.

According to him, the position on this issue was voiced by the Foreign
Ministry of Azerbaijan.

The Delegation of the European Commission, headed by its President
Jose Manuel Barroso arrived in Baku on Jan. 13. It was Barroso’s first
visit to Azerbaijan during his stay on this post. Barroso was
accompanied by EU Energy Commissioner Günther Oettinger.

During a joint press conference with the Azerbaijani President Ilham
Aliyev, Barroso touched upon Armenian-Azerbaijani Nagorno-Karabakh
conflict and expressed support for the territorial integrity of
Azerbaijan.

From: A. Papazian

Talent for IT development in Armenia’s air, Georgian President says

news.am, Armenia
Jan 22 2011

Talent for IT development in Armenia’s air, Georgian President says

January 22, 2011 | 17:25

A special talent for IT development is in Armenia`s air, Georgian
President Mikhail Saakashvili stated during an awarding ceremony of
the winners of Armenian-Georgian mathematics, physics and informatics
competitions.

`This is Armenia`s unique feature and the Armenians` talent. We not
only admire that, but also want to adopt your experience. It is a
field we should combine our efforts in. This is our future. We are
small countries, and what else can we surprise the world with if not
with our intellect?’ the Georgian leader said.

The Armenian and Georgian Presidents awarded notebooks to the winners
of the Armenian-Georgian competitions.

NEWS.am reminds readers that Georgian President Mikhail Sakashvili has
arrived for am official visit to Armenia today, January 22.

From: A. Papazian

Killing Hrant Dink Twice

Rudaw.net
Jan 22 2011

Killing Hrant Dink Twice

22/01/2011 11:51:00 By ZAFER YÖRÜK

`I don’t know why the Turks can’t admit it, express sorrow and go on.
That’s the worst. You do all these things to the victim and then you
say it never happened. That is killing them twice.’ This was the
commentary of Thomas Burgenthal, an Auschwitz survivor, lawyer and a
member of the United Nations Human Rights Committee, on the Turkish
state’s persistent denial of the Armenian genocide.

On January 19th 2011, we commemorated the fourth anniversary of the
assassination of the prominent Turkish-Armenian journalist Hrant Dink,
and even the metaphor `killing twice’ would be insufficient to
describe what has (not) happened during the four years that have
passed without Dink.

Immediately after the murder, two assassins were arrested by the
police, which inspired some hope among Turkey’s democratic opposition.
However, the Dink trials have continued for four years without
tangible progress and none of the conspirers behind the assassination
have been brought to justice. It is a well-known secret that these
conspirers include high-ranking military and civilian bureaucrats,
whom both the government and the judiciary obviously lack the courage
to touch. In fact, evidence so far indicates that the government,
along with the bureaucracy and the military, has been institutionally
involved in the obstruction and perversion of the course of justice.

The Turkish `defense’

One of these indicators is the government’s defense in the European
Court of Human Rights (ECHR), in regard to the conviction of Dink for
`insulting Turkishness’ prior to his assassination. Dink, founder and
chief editor of the Armenian weekly newspaper, Agos, was prosecuted on
the grounds of his comments about Armenian identity and the
recognition of the Armenian genocide. He was convicted under Article
301 of the Turkish Criminal Code, against which he appealed at the
ECHR. After his assassination, Dink’s family made a further appeal to
the court due to the negligence of authorities in preventing the
murder. The ECHR merged both appeals.

In August 2010, the Turkish state submitted its defense to the ECHR,
referring to the `Kühnen case’ previously tried before the
international court. The ECHR had approved the decision by German
courts to convict Kühnen, a neo-Nazi who had spread anti-Semitic
speeches in various pamphlets. The Turkish state argued in their
analogy that Dink similarly `incited the public to hatred’ through
`hate speech’ and therefore he had deserved the conviction.

The ECHR convicted the Turkish state on both counts, that is, unlawful
conviction and negligence in preventing the murder. The merger of the
appeals and the conviction imply that Turkey’s judiciary, bureaucracy
and government were all involved in the murder of Hrant Dink. The
government’s defense, on the other hand, represents its hegemonic
nationalist mentality and yet another typical act of `killing twice.’

Neurosis and thuggery

Sigmund Freud said: `The neurotic repeats without remembering.’ In
fact, the very compulsion to repeat is a neurotic symptom that emerges
from the urge to maintain the repression of the memory of a certain
event in the unconscious. In other words, for the psychologically
disturbed personality, `killing twice’ is a necessity.

Nationalist discourses that concur with each other over the systematic
denial of the Armenian genocide involve the repetition of the original
act of murder (the Armenian genocide) through degradation of the
Armenian identity. They unite the official and popular versions of
nationalism in a chorus of denial of the historical events, driven by
fantasies of an Armenian `masterplan’ for Turkey’s disintegration.
According to Professor Colin Tatz, an Australian academic, “Turkey has
used a mix of academic sophistication and diplomatic thuggery to put
both memory and history in reverse gear.’

Most of the thuggery has in fact been directed against Turkish
citizens domestically, where any mention of the Armenian genocide is
liable to be punished by the Turkish state, with the possibility of it
then leading to lynch mob action or even political assassination.

However, the events that these symptomatic acts aim to erase from the
memory inevitably keep on coming up in occasional outbursts,
analogical to what Freud called the `slips of the tongue’: `Let us be
clear to the world’s public: in the past we punished all the infamous
half-casts, who, not content with profiting from our lands, attacked
our possessions, the lives and honor of the Turks. We know that our
forefathers were right, and if we were to face such threats again, we
would not hesitate to do what is necessary.’ (Akit, February 12th
2001).

Obstructing the facts

Hrant Dink tried to exist as an Armenian democrat in the aggressive
nationalist environment of this country, where, despite international
guarantees, the Armenian minority have been systematically degraded,
silenced and persecuted. A consequence of these policies has been the
constant decrease in Turkey’s Armenian population since the 1920s,
from 300,000 to around 60,000 in 2006. In fact, Hrant Dink’s
assassination has been perceived by many as a major link in this chain
of sustained harassment.

In Hrant’s radically democratic personality, the Armenian community of
Turkey had found, for the first time, an internationally recognized
representative, who courageously broke a ninety-year-long silence over
the Armenian genocide and addressed the constant denial, degradation
and persecution that have been in effect ever since. Hrant Dink led
the Armenian community to break out of their shell by linking the
cause of his people with the broader democratic movement in Turkey.

The court conviction of `insulting Turkishness’ was certainly an
attempt to silence this courageous voice, and in effect made Dink a
natural target of hardline nationalists. He began to receive death
threats and on one occasion he was threatened by Istanbul’s vice
governor. Eventually, on January 19th 2007, Dink fell victim to a
planned murder, which was committed in the centre of Istanbul.

For the last four years, the obstruction of the course of justice –
the attempts to cover up the institutional involvement of the Turkish
state in this assassination, and to maintain the immunity from justice
of the state officials responsible – seems to have united the Turkish
judiciary and the Justice and Development Party (AKP) government in a
`holy alliance,’ while on other issues they are constantly engaged in
an almost bloody dispute. There are rumors that the two assassins
could also be released from prison next year if the trial continues at
its current snail pace.

Historian Taner Akçam comments that `many of the Turkish efforts aimed
to obscure the facts, rather than dispute a false charge.’ Through
these efforts, Turkish nationalism is `killing twice’ history’s
millions of victims. And the Turkish government and legal system have
similarly been killing Hrant Dink twice through their systematic
obstruction of the facts of this shameful murder.

Zafer Yörük taught political theory at University of London between
1997 and 2006. His research interests range across politics of
identity, discourse analysis and psychoanalysis. He writes a column
for Rudaw every Friday from Izmir.

From: A. Papazian

http://www.rudaw.net/english/science/columnists/3422.html