We will make an announcement within half an hour – Pashinyan

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 20:20,

YEREVAN, MARCH 12, ARMENPRESS. Following the session of the Civil Cointract Party held a while ago, PM Pashinyan informed that there will be an announcement within half an hour. “Dear reporters, we will make an announcement within half an hour”, ARMENPRESS reports Pashinyan as saying.

The situation over coronavirus was also discussed at the session.

Edited and translated by Tigran Sirekanyan

Gülen-linked organization recognizes Armenian Genocide

PanArmenian, Armenia

PanARMENIAN.Net – The Multicultural Mosaic Foundation (MMF), a Colorado-based NGO that derives its inspiration from the Turkish Muslim religious leader Fethullah Gülen, has recognized the Armenian Genocide.

In a statement disseminated on Sunday, March 8, the Foundation said they established a committee three years ago, tasked with learning what happened in 1915 to the Armenian citizens of the Ottoman Empire.

“For the last three years, the members of this committee have been attending lectures and dialog sessions with scholars of Ottoman history, Armenian history and genocides,” the MMF said.

“Committee members engaged in meetings with family members of those who survived the Armenian Genocide.

“The study of academic articles, watching documentaries, panel discussions, private discussions were also part of the three-year journey.”

After three years, the committee of about 20 members voted unanimously in favor of recognizing the Armenian Genocide.

April 24, 1915 is the day when a group of Armenian intellectuals were rounded up and assassinated in Constantinople by the Ottoman government. On April 24, Armenians worldwide will be commemorating the 105th anniversary of the Genocide which continued until 1923. Some three dozen countries, hundreds of local government bodies and international organizations have so far recognized the killings of 1.5 million Armenians as Genocide. Turkey denies to this day.

The California Courier Online, March 12, 2020

1 –        Turkish President Orders Minority
            Leaders to Sign a Propaganda Letter
            By Harut Sassounian
            Publisher, The California Courier
            www.TheCaliforniaCourier.com
2-         Kim Kardashian visits Trump at White House
3 –        Zorayan Museum to Host Nikol Aghababyan Exhibit
4-         Paul Kalemkiarian Has Seen 100,000 Wines and He’s Tasted Them All
5-         Anto Keshgegian Manages His Way Through Temple MBB Career

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1 –        Turkish President Orders Minority

            Leaders to Sign a Propaganda Letter

            By Harut Sassounian

            Publisher, The California Courier

            www.TheCaliforniaCourier.com

It has been the long-standing practice of the Turkish government to
pressure the leaders of minority religious groups in Turkey to issue
public statements in defense of Turkish policies and war efforts or to
condemn Armenian Genocide resolutions adopted by various foreign
countries.

The leaders of the Armenian, Assyrian, Greek and Jewish communities
are used to this practice and have willingly complied with the Turkish
demands knowing that not doing so can only spell trouble for them
personally and for their respective communities.

In the past, such orders were given to the minority leaders in a more
delicate manner. For example, a Turkish official would either call or
visit the Armenian Patriarch in Istanbul and discreetly suggest that
it may be a good idea for him to issue a public announcement on some
political issue. Naturally, the previous Patriarchs have never refused
such suggestions which are more like orders from the Turkish
government. The only difference between the reactions of different
Patriarchs has been to somewhat soften or harden the language of their
announcements.

What we are experiencing now is completely different. The autocratic
government of Pres. Recep Tayyip Erdogan has become so tyrannical that
last week it sent a letter to the four minority religious leaders in
Turkey asking that they sign it and send it back to the President’s
Communication Office. All four immediately complied.

The minor surprise was that a week before Pres. Erdogan sent a letter
to the minority religious leaders, the Armenian Patriarchate of Turkey
issued an announcement basically supporting the sentiments expressed
in Erdogan’s subsequent letter. The Patriarch should not be blamed
neither for writing his own propaganda letter in advance nor signing
the government’s dictated letter. After all, the Patriarch knows what
is expected of him and made his announcement without waiting for
official orders.

The issue in this case is the Turkish military’s recent invasion of
Northern Syria which resulted in the deaths of scores of Turkish
soldiers. The Armenian Patriarchate issued the following statement:

“The attack in Idlib [Syria], resulting in the martyrdom of 33 heroic
Turkish soldiers, caused a great shock in our country. Wholeheartedly
sharing the pain of our nation, we seek God’s mercy for the martyrs.
Our heroic army is the guarantor of our state’s existence. To all the
members of the army who have lost their comrades-in-arms we urge
endurance. We also continue to pray that peace may reign in the world
and particularly in our region. In the name of the Armenian
Patriarchate of Turkey, the Religious Council, and all members of the
community, we would like to share with the public our belief that it
will be possible to overcome this difficult process in an atmosphere
of unity and solidarity.”

The Patriarchate subsequently signed the more propagandistic letter
drafted by the office of Pres. Erdogan. Here are excerpts from that
two-page letter:

“Our country has always been a pioneer of the steps that serve peace
in its region and in the world, inspired by its ancient history and
deep-rooted civilization. Since our War of Independence, very
important struggles have been carried out for our independence,
security and welfare.

“In each of these struggles, the spirit of mobilization revealed by
our cherished nation constitutes a unique example for the whole world.
As non-governmental organizations, we fully support the steps of our
state, which are based on the country’s security and interests, and
that also protect the establishment and maintenance of peace in our
region….

“We argue that this struggle to dry terrorism at its source should be
continued with the same determination. We know that to question
Turkey’s presence in Syria means to ignore our border security.

“Various countries’ approach in favor of terrorist groups and in
support of regional instability has shown that we often fight this
alone.

 “However, our nation, which has a foresight, has always been and will
continue to be with its state. As non-governmental organizations, we
take pride in being part of this cherished nation. In line with the
developments in our region, we state that we are behind every decision
taken by our state against these cruel murderers and monsters for the
peace and security of our country and we support every step taken. No
one should doubt that we will overcome all difficulties in unity and
solidarity, as it has been until today.

“Turkey is a country of peace. Turkey is the key to peace in the
region and the world.

“Despite all the obstacles and attacks on our way, we would like to
announce to the world that we are ready to support our state and army,
and struggle with them when necessary, in order to protect our
national security, prevent new humanitarian crises and establish peace
in our region.

“We are once again shouting to the world that we will protect this
homeland, under all circumstances, and struggle with the integration
of the state-nation, hand in hand, shoulder to shoulder.”

However, not all Turkish citizens support their government’s invasion
of Syria. Cumhuriyet newspaper wrote a scathing article accusing Pres.
Erdogan of pressuring the minorities.

Toma Chelik, a member of the Turkish Parliament representing HDP,
Kurdish-affiliated party, sent a letter to the Vice President of
Turkey, asking the following questions:

Who prepared the text of the President’s letter to the minorities?

Who decided to send the letter to the minorities?

To what other groups was this letter sent?

Will those refusing to sign the letter be punished?

At a time when thousands of innocent citizens of Turkey and dozens of
journalists have been thrown in jail by the Erdogan regime, anyone who
does not obey the diktats of Erdogan risks incarceration. While Pres.
Erdogan is unable to come to an agreement with Western Europe, the
United States and Russia on the conflict with Syria, it is much easier
for him to take his frustration and revenge on innocent people within
Turkey.

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2-         Kim Kardashian visits Trump at White House

Kim Kardashian West has visited the White House along with three women
who had their sentences commuted by US President Donald Trump last
month, allowing them early release from federal prison.

The three women — Tynice Nichole Hall, Crystal Munoz and Judith Negron
— were nonviolent federal offenders serving long sentences.

All had their cases championed by Alice Johnson, a Tennessee
grandmother convicted on felony drug and money laundering charges in
1996.

Kardashian West tweeted that she and the women planned to “discuss
more change that our justice system desperately needs”.

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3 –        Zorayan Museum to Host Nikol Aghababyan Exhibit

BURBANK—The members of the Zorayan Museum Committee of the Western
Diocese are pleased to present an exclusive exhibit of the paintings
of Armenian artist Nikol Aghababyan.

The exhibit will be held with an official opening and reception on
Tuesday, March 17 at 7:00 p.m, and will remain on display on March 18
from 10:00 a.m. to 9:00 p.m. The Zorayan Museum is located in the
Western Diocesan Complex of the Armenian Church of North America, 3325
North Glenoaks Boulevard in Burbank.

His Eminence Archbishop Hovnan Derderian, Primate of the Western
Diocese states that this exhibition of the paintings of Nikol
Aghababyan are in keeping with the mission of the Zorayan Museum to
promote understanding and appreciation of Armenian ethnic, religious
and cultural diversity by exposing the beauty of our Heritage and
preserving and sharing the experiences with the people of the world.

Hayk Madoyan, Chair of the Zorayan Museum Committee, reports that this
is an awe-inspiring collection from the Master of Colors and the
committee anticipate an eager response.

Nikol Aghababyan’s works of art are inspiring on showing the beautiful
seasons of Armenia and the rich landscapes, flowers, meadows, streams,
lakes, trees, waterfalls, village life and Mt. Ararat.

Nikol Aghababyan was born in Koghb, a village of the Tavoush region of
Armenia; graduating from the Yerevan Pedagogical Institute , Faculty
of Art Painting, in 1986, He is a member of the Armenian Painters
Union since 1992. He has had many exhibitions in Koghb, Nayembergen,
Ijevan, Yerevan, Nogorno-Karabakh, Syria, Moscow, St. Petersburg,
Germany, Italy, France and the United States (Los Angeles, Fresno, New
York). He has stated “A painting should bring out the best in people.
Yes, there is evil in the world, but it has no place in my world of
painting.”

The exhibition is open to the public and admission is free. For
information, call (818) 558-7474.

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4-         Paul Kalemkiarian Has Seen 100,000 Wines and He’s Tasted Them All

            By Megan Martin

These days, wine clubs are all the rage. Comedians, sommeliers,
winemakers, and even two MIT grads with a proprietary
palate-identifying algorithm have all tried their hand at pulling
together crowd-pleasing cases for monthly subscribers, with varying
success. Then there is Paul Kalemkiarian, aka Paul K., the lone taster
for and heir to the world’s first monthly wine club, called, aptly,
Wine of the Month Club. He has a simple yet time-tested formula for
shipping his members exactly what they want: He tastes everything that
crosses his path.

Wine of the Month Club started in Palos Verdes in 1968 when
Kalemkiarian’s father, Paul Sr., bought a pharmacy attached to a
liquor store. This was before California was put on the wine world
map, and long before wine clubs were ever a thing.

“The club started because [my dad] just got tired of walking from the
pharmacy to the liquor store to help people out,” Kalemkiarian tells
L.A. Weekly over tacos and Arnold Palmers at Jake’s Roadhouse, a
barbecue restaurant in Monrovia. “But the key part of that was to help
people out; it wasn’t just to sell more wine.”

As a teenager, Kalemkiarian worked in his father’s shop, dropping off
deliveries at people’s houses and shelving bottles. After college and
a stint in corporate America, he came back to help his father run Wine
of the Month Club in 1988.

A few months into the reinstated father-son partnership, the two went
to a Bordeaux wine tasting and were seated separately. On the drive
home, they found that they’d rated every wine — except two — the exact
same.

“My dad said, I think you’re ready to start choosing wines, and I kind
of never saw him again,” Kalemkiarian remembers. “He took off on me!”

Kalemkiarian maintains the same integrity as his dad did when it comes
to choosing wines. He indiscriminately tastes everything. In the past
32 years, Kalemkiarian estimates he’s tried around 100,000 wines —
good, bad and downright terrible. He dedicates every Tuesday to
tastings, where he goes through about 75 wines. He can identify within
seconds if the grape and district are accurately represented. If it’s
a blend, he looks for balance — in character and fruit. Then, there’s
his most important criteria: Does the wine have good value?

In the tasting room, an enclosed cement-floored space with high tables
and bar stools attached to a bustling warehouse, Kalemkiarian holds
court in front of a computer and two sinks. Wine reps wheel their
bottles in for him to try. They’re all vying for a spot in a future
month’s shipment. Kalemkiarian swirls and smells, takes a swig and
spits the juice into the sink, then enters his rating into the
computer. Every wine is scored on a three-point scale. One means no
good, two means he can use it, and three means he can use it if the
value (or price per bottle) were better. The entire judging process
takes about 15 seconds.

“It’s meatball surgery,” he says, “You kind of just get through it and
determine right away if it’s got value compared to the one next to
it.”

One rep pulls out a black bottle with an Old Hollywood-style
illustration of a buxom woman on it. The wine is Killibinbin Seduction
Cabernet Sauvignon from Australia.

“It reeks of Australia,” Paul says after sipping and spitting. “I
don’t mean it negatively.” Australia’s wine has evolved, what used to
be more rich and overwhelming, almost like Port, has tempered a bit —
become more “real wine” that’s less over-the-top, more drinkable.
Within seconds, Kalemkiarian calls it: decent value.

“The chewing on it and the descriptions, that’s all fun and I love
doing it, but I really want to educate the consumer on the value of
its variety, the value of its ethereal nature.”

To him, value is not only about cost, but also about imparting wine
wisdom: This is a true representation of a Napa cab or an Italian Nero
d’Avola. Subscribers can learn what they like and don’t by region,
grape and vintner. It’s what a wine club, essentially, should do, give
people enough knowledge to navigate a daunting wine list or sea of
bottles in a shop. It’s also notable that he never sends the same wine
out twice, and rarely the same winemaker.

I ask him about the more intimidating aspects of wine, the
insurmountable wall of knowledge that separates the connoisseur from,
say, someone who just wants to drink rosé all day.

“I have a position on that,” he says, crushing a peanut shell between
his fingers, “Wine is not to be unintimidating; and it’s not meant to
be intimidating. It’s a study. You never run out of things to learn
and if you’re interested in the subject, you can never exhaust it…if
you know what you like and just want to experience different flavors
and grapes, that’s fine too.”

After lunch, he has more to drink (he’ll sip 72 in total today). He
tries them all, gives each a fair shake, because he knows better than
anyone — the only way to truly judge a wine is to taste it.

This article appeared in LA Weekly on March 2, 2020.

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5-         Anto Keshgegian Manages His Way Through Temple MBB Career

Anto Keshgegian didn’t plan on playing varsity basketball at Temple originally.

 He had played varsity basketball at one of the top programs in the
country at St. Joseph’s Prep. He had received offers to play
basketball at NCAA Division III schools and eventually committed to
play basketball at Eastern University, a Division III institution just
outside Philadelphia. But once he decided to transfer, Keshgegian
didn’t cite basketball as one of his main reasons.

“I transferred from Eastern because I was looking for a better
business school and the chance to be in the city,” Keshgegian said. “I
had played basketball at the Prep with Mark Hueber (currently the
team’s Video Coordinator) and he hooked me up with a team manager
position. He told me to ‘show up and do your job,’ and I took that to
heart.”

 Even as a team manager, Keshgegian didn’t take much of an interest in
playing on the varsity team. He was more concentrated on being able to
balance his time out between being a manager and his Advertising major
and General Business minor, Keshgegian added.

“I never thought that I would play,” he said. “I just wanted to manage
and get involved in the program. I would make sure that I was at every
practice and worked hard. The coaches would throw me in randomly to
play during drills.”

Keshgegian fondly remembered the practice that “put the coaches on
notice” and inspired him to sign up for the team.

 “I was at a practice that was at like 6:30 in the morning,” he said.
“I was barely awake and hadn’t stretched at all. One of the coaches
told me to step into a drill. I was able to play well against the guys
and hit a few shots. That impressed the coaches a bit and they knew
that I could play. A few months later, they encouraged me to try out.”

So, the kid who had grown up near Philadelphia was finally able to see
and even play in Big 5 basketball up close. Keshgegian saw a few
minutes of action this season against St. Joe’s in a lopsided Temple
win.

“It means a lot to play here because I had basically grown up watching
all the Big 5 schools play,” Keshgegian said. “I think about it all
the time—I used to watch Temple all the time in the tournament. I used
to meet the players who played for those teams and were like heroes to
me. It also made it more special to play for Coach Dunphy, who I saw
coach at Penn and then at Temple when I was growing up.”

 Dunphy, who played for one Big 5 team (La Salle) and coached two
others (Penn and Temple), taught him basketball skills, but also how
to be a better person, Keshgegian added.

“From Coach Dunphy—I learned a lot as a player, but I also learned a
lot as a person,” Keshgegian said. “I think he definitely made me
understand that I need to be the best I can possibly be at my position
or a certain skill. He just always reminded me to be the best person I
can be. He wanted everyone to make sure that they were making
someone’s life better. He had a huge impact on us.”

“I really enjoyed being there every day as a manager and having the
opportunity to learn from Dunphy every day as a coach,” he added.

Keshgegian was able to make a significant impact on his teammates
during his time with the team, especially on junior guard Nate
Pierre-Louis.

“It was especially rewarding to see Nate improve so much because I
especially helped him develop with rebounding and working with him
after practice every day,” Keshgegian said. “There’s a lot of trust
between us now. I try to approach our friendship as if I’m an older
brother, with maturity and trying to help him with any problem he may
have. But, I also look at him as an older brother. We look out for
each other, push each other, and help each other learn.”

Keshgegian’s actual older brother was the one who pushed him to try
basketball in the first place. All of his siblings played basketball
before him and his uncle was a basketball coach, so there was
significant pressure for him to play, Keshgegian added.

“My oldest brother Avi was the most influential for me because he is
four years older than I am,” Keshgegian said. “I had watched him play
sports growing up and learned from him developing as an athlete.
Watching him made me want to get better and he used his experience to
teach me.”

He still talks with his family every day, with each of his siblings
exchanging messages about how proud they are of him and how much they
love him and love watching him play. But his brother was the one who
taught him to love basketball, and he “wouldn’t trade it for any other
sport.”

“In high school, I played a lot of different sports: basketball, crew,
lacrosse, and football,” Keshgegian said. “If I didn’t play
basketball, I probably would have played football, because I was a
promising quarterback. But I never thought about it because I love
basketball so much.”

But even though he loved basketball so much, he still never considered
playing at Temple once he had transferred from Eastern University.

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California Courier Online provides viewers of the Armenian News News Service
with a few of the articles in this week’s issue of The California
Courier.  Letters to the editor are encouraged through our e-mail
address, However, authors are
requested to provide their names, addresses, and/or telephone numbers
to verify identity, if any question arises. California Courier
subscribers are requested not to use this service to change, or modify
mailing addresses. Those changes can be made through our e-mail,
, or by phone, (818) 409-0949.

9 military personnel to receive compensation from Armenian defense ministry

News.am, Armenia
March 3 2020

14:38, 03.03.2020
                  

Military personnel who are injured and the families of those killed during opponent’s sabotage operations will receive financial compensation from the state, defense minister Gabriel Balayan said at the Armenian parliament on Tuesday.

According to him, there were cases when the opponent caused harm to the life or health of the military personnel when direct military operations were not conducted or the military personnel were not on combat duty or did not carry out special tasks. Such incidents occurred as a result of artillery shelling of the Armenian territory by the enemy or sabotage and reconnaissance operations. As a result of such actions, nine military personnel have been injured since 2008.

Proceeding from the draft law, these cases should be compensated and funds are planned to be allocated from a special fund of the country’s defense ministry of.

Azerbaijani press: Economy minister appointed co-chair of Azerbaijan-Israel Joint Commission

Mon 02 Mar 2020 15:47 GMT | 19:47 Local Time

Text size:   
President Ilham Aliyev has signed an order on Amendments to the Presidential Decree No. 2999 dated June 16, 2017 “On Approval of the composition of representatives from the Republic of Azerbaijan at the Joint Commission between the Government of the Republic of Azerbaijan and the Government of Israel”, APA reports.

According to the Order, the co-chair of the Joint Commission between the Government of the Republic of Azerbaijan and the Government of Israel has been changed.

Based on the change, the Minister of Economy has been appointed co-chair of the commission.

So far, the Minister of Taxes has acted as co-chair of the commission.

The members of the commission have been approved in the following composition:

Deputy Minister of Foreign Affairs of Azerbaijan Republic

Deputy Minister of Defense Industry of Azerbaijan Republic

Deputy Minister of Energy of Azerbaijan Republic

Deputy Minister of Transport, Communication and High Technologies of Azerbaijan Republic

Deputy Minister of Agriculture of Azerbaijan Republic

Deputy Minister of Ecology and Natural Resources of Azerbaijan Republic

Deputy Minister of Health of Azerbaijan Republic

Deputy Minister of Education of Azerbaijan Republic

Deputy Minister of Culture of Azerbaijan Republic

Chairman of State Tourism Agency of Azerbaijan Republic

Deputy chairman of State Customs Committee of Azerbaijan Republic

Deputy chairman of State Committee on Work with Diaspora of Azerbaijan Republic

General director of Central Bank of Azerbaijan Republic

Vice President of Azerbaijan National Academy of Sciences

Putin- Erdoğan talks continue for 5 hours

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 20:36, 5 March, 2020

YEREVAN, MARCH 5, ARMENPRESS. The talks between Russian President Vladimir Putin and Turkish President Recep Tayyip Erdoğan continue for already 5 hours. ARMENPRESS reports, citing “Ria Novosti”, first the two leaders had a private conversation, later members of the delegations joined them.

The main topic of the talks is the escalation of situation in Syria’s Idlib.

Edited and translated by Tigran Sirekanyan

Armenia’s CEC warns constitutional referendum ‘Yes’ campaign head to strictly observe law

Panorama, Armenia
March 5 2020

The Central Electoral Commission (CEC) said it studied the speech of Armenia’s Minister of Territorial Administration and Infrastructure Suren Papikyan, who is also heading the “Yes” campaign for the constitutional referendum, at a parliament session on Wednesday.

According to the CEC, pursuant to Article 49.8 the Electoral Code, as an issue requiring an immediate solution, they immediately contacted a representative of the “Yes” campaign and Suren Papikyan to draw their attention to Article 17 (14) of the constitutional law “On Referendum”, warning them to strictly observe the law during the referendum campaign.

In his speech, the minister said that Armenian citizens have the opportunity to vote according to their conscience during the April 5 referendum, and that all citizens are the beneficiaries of the proposed changes in the Constitutional Court.

Earlier lawyer Ruben Melikyan, who is leading the campaign for a “No” vote in the constitutional referendum, stated immediately after Suren Papikyan’s speech that he had grossly violated the referendum law. 

Lydian presents false information to Canadian court, Armenian environmentalists say

News.am, Armenia
Feb 22 2020

12:31, 22.02.2020
                   

Armenian Environmental Front revealed Lydian mining company provided false information to the Canadian court about Amulsar project.

“In January 2020, a number of documents and information about Lydian International became accessible to the public. The reason why this was possible is that in December 2019 Lydian applied for and was granted protection under the Companies’ Creditors Arrangement Act (CCAA) which provided that no proceedings may be commenced or continued against or in respect of Lydian International and its subsidiaries (now extended till March 2, 2020). This basically means that during this period, Lydian’s creditors are not able to take the assets of the company in return to its unpaid loans,” the statement issued by environmentalists reads.

“The court protection period also give Lydian time for selling the Amulsar gold project or for raising money to sue Armenia in the corporate arbitration tribunals. Alvarez & Marsal Canada Inc. was appointed monitor of the Lydian in the CCAA proceedings, and so a large number of documents became available on their website, including the Motion Report and affidavit of Lydian’s chief executive.

Armenian Environmental Front read those documents and found out that particularly the affidavit is full of false factual information and distorted or manipulative presentation of facts, which we would like to present to the public part by part. This first part concerns the Police and the Government of Armenia.

Edward Sellers, the Interim President and Chief Executive Officer of Lydian International Limited writes in his affidavit to the Ontario Superior Court of Justice:

“Police forces in Armenia have not acted on orders made by Armenian courts requiring the removal of blockaders and the commencement of criminal proceedings against them, and the GOA [Government of Armenia] has failed to cause the police to enforce court orders, further extending the illegal blockades.” (Affidavit of Edward Sellers, sworn December 22, 2019, para. 9.b; similar statements available in para. 44, 74-78)

We were, certainly, following the court proceedings against the Police of Armenia and the results of the court orders, but in order to confirm the information we had, we filed an official request for information to the Police or Armenia asking them to clarify the situation. Their response, basically, confirmed what we already knew:

Lydian Armenia’s court complaint was not about removal of blockades but about removal of the protestors’ house-trailers from the territory of the real estate in the ownership of the company. The company had also clarified the geographical location details which were in its ownership.

Police officers have negotiated with the protesters and moved the house-trailers out of the territory in the ownership of the company and placed them at the roadside.

The company filed an objection to the police claiming that the house-trailers have remained in the area of its ownership. However, the Police officers, accompanied by other relevant officials and professionals, conducted relevant land measurement actions and ascertained that the mobile house-trailers were not situated in the territory of the units of the real estate under the ownership of the company as well as there were no natural persons in those land plots, hence there was not any trespassory entry. Requirements under the court order VD/9786/05/18 have been adhered in full.

The above mentioned affidavit and other documents presented to the Ontario Court are full of similar wrongful data, and unfortunately, relevant public bodies of Armenia are undertaking no visible steps to confront or at least to voice out misinformation about their actions.”

Music: Prominent Armenian conductor Yuri Davtyan dies at 90

Panorama, Armenia
Feb 20 2020
Culture 15:21 20/02/2020 Armenia

Renowned Armenian conductor, Professor, People’s Artist of Armenia Yuri Davtyan has passed away at the age of 90, the Armenian National Academic Theatre of Opera and Ballet named after Alexander Spendiaryan reported.

Yuri Davtyan was the chief conductor of the Yerevan Opera Theater for many years. He led a number of famous orchestras and was involved in more than 30 operas and ballets in the theater.

The conductor was born on June 10, 1929 in the Armenian city of Kirovakan (now Vanadzor). He graduated from the Komitas State Conservatory of Yerevan in 1952. From 1953-1964 Davtyan was the conductor of the Yerevan Opera Theater, later becoming its chief conductor.

Yuri Davtyan also served as the chief conductor of Hakob Paronyan State Musical Comedy Theatre. Since 1969 he was a lecturer at the Komitas State Conservatory.

In 1972 Yuri Davtyan was awarded the title of Honored Art Worker of Armenia, in 1984 – the title of People’s Artist of Armenia. 

Film: The Armenian who symbolised France: Behind the scenes of Charles Aznavour

The Sydney Morning Herald, Australia
Feb 20 2020
 
 
 
The Armenian who symbolised France: Behind the scenes of Charles Aznavour
 
By Jake Wilson
 
Aznavour by Charles screens as part of the French Fim Festival in March.

 
“It’s not usual to make a movie where you start with the footage and you don’t have a story,” says French filmmaker Marc di Domenico. “But at the same time, you do have a story, because this guy who did the footage is somebody very important.”
 
The guy di Domenico is talking about is none other than Charles Aznavour —singer, songwriter, actor, the son of Armenian immigrants who came to symbolise French culture to the world.
 
Aznavour was one of the most widely beloved of all 20th-century entertainers, and one of the most enduring: he started performing as a child in the 1930s, and gave his last concert in Japan in 2018, a month before his death.
 
Not so well known is the fact that besides acting for some of the great directors of French cinema — most famously, starring in Francois Truffaut’s 1960 new wave hit Shoot the Piano Player, which helped to launch him in the United States — Aznavour was also a filmmaker in his own right. From the late 1940s onward, he documented his world travels using a Bolex camera given to him by his mentor, the no less legendary singer Edith Piaf.
 
This material forms the substance of di Domenico’s documentary Aznavour by Charles, which paints a picture not just of Aznavour himself, but of the world as seen through Aznavour’s eyes: the steep streets of Montmartre where he lived as a young man, the busy streets of New York on his first visit, the lights of a Japanese TV studio, a trip down the Ubangi river in central Africa with straw huts perched on stilts above the water.
 
Di Domenico came to this project as a long-time friend of Aznavour’s son, Mischa, who is by his side to help promote the film (he looks strikingly like his father, though a little taller — Aznavour stood five foot two, and was sometimes referred to as “le petit Charles”).
 
His love of the French language, I think that’s what makes him French, and that’s what the people liked.
 
Mischa Aznavour
 
Through Mischa, di Domenico had known the Aznavour family since the 1990s, but he became closer to Charles when making an interview portrait for French TV.
 
“We spent a lot of time together, all day, every day, for three years. So that was the beginning of a beautiful friendship, as in the end of Casablanca.”
 
It was then that di Domenico gained access to the footage Aznavour had shot over the decades. “I started to watch all this material, silent movies, and I was shocked by the quality,” di Domenico says. “He’s shooting in a little boat in Africa and I was thinking, ‘wow, what is he doing here?’ It’s interesting.”
 
Director Marc di Domenico used film shot by Charles Aznavour over decades to create the documentary Aznavour by Charles. 

Looking at all this, he says, changed his view of Aznavour, and yet confirmed some of the things he had felt all along. “He was telling me, ‘the place where I feel best is the street’, and when I saw this, I said to myself ‘That’s true.’ He was not lying. I can feel, he’s in the street, and it’s a pleasure for him to be there … not to be in places you’re supposed to be when you’re a star.”
 
This is quite different, he adds, from the impression created when today’s celebrities post photos or brief videos online. “When you do Instagram or Facebook, it’s just to say ‘Oh, look at me, I’m eating a pizza, or I’m drinking a Coke.’ This is not the way he’s shooting — he’s shooting the world. It’s outside him. It’s not him.”
 
The ability to be “present in real life,” di Domenico says, was also one of the keys to Aznavour’s success as a songwriter. “He had this intuition, naturally, to capture the way the society is moving.”
 
One example is his celebrated song What Makes A Man A Man, a frank protest against homophobia written from the point of view of a lonely female impersonator — not a subject many stars of his magnitude would have been game to tackle in 1972.
 
Given his long acting career, the pleasure he found in operating a camera and the fact that so many of his songs tell stories, I’m curious if Aznavour was ever tempted to try his hand at directing a film professionally.
 
“If he really wanted to do it, he would have,” di Domenico says. “But he didn’t have the time, because when he would do something, he was very serious. He was writing, then performing on stage, then recording, acting. To direct a movie, it’s three years.”
 
 
Mischa agrees. “He would have loved to be a director, but what he loved more was to interact with the audience.”
 
Di Domenico emphasises that for Aznavour, performing, like filming, was always a dialogue with the public. “He had the universality and the feeling of the people, the real people, the common people. He was not intellectual. All his lyrics could be studied in school today, but he was very simple, he hadn’t done any study in school.”
 
Despite this “universal” quality, Aznavour was often viewed as quintessentially French — which is paradoxical on a couple of levels, given that his parents came from elsewhere.
 
“He’s not French French,” Mischa says. “But his love of the French language, I think that’s what makes him French, and that’s what the people liked. When he came to America, when he came to Spain, he was always being French. Not trying to be…”
 
 
Aznavour by Charles goes deep behind the glitz and glamour, capturing Charles Aznavour as he lived.

 
“Maybe the accent also,” Di Domenico adds. “When he was singing, he had the same accent as Maurice Chevalier.”
 
Something that could also be seen as very French is the bittersweet, even melancholic mood of many of Aznavour’s songs. But was this typical of the man himself, offstage?
 
“Not at all,” di Domenico says. “He was someone who was laughing every day, and joking, he had many, many friends.”
 
“I would say it’s more like a poetic vision of spleen,” Mischa breaks in, “which is not really melancholy. It’s like saudade, for the Brazilians … maybe something a bit sad, but it’s not sad.”
 
“If you look at the songs, they can seem sad, because they talk about sad love stories,” Mischa goes on. “But if you look closer” — he snaps his fingers — “there’s always a little twist at the end. So, OK, it’s over, but there’s always hope. That’s the difference from other beautiful French singers like [Jacques] Brel.”
 
As an example, he mentions another of Aznavour’s famous songs, Bon Anniversaire — in English, Happy Anniversary — in which a couple’s plans for a special evening are ruined by a series of farcical mishaps. “It’s like, everything went wrong, but we still love each other. And that’s what makes him him.”
 
 Aznavour by Charles is screening as part of the Alliance Francaise French Film Festival, running nationally March 10 – April 19. Jake Wilson travelled to France courtesy of the Alliance Francaise.