Armenian political parties discuss situation in Lebanon

Armenian political parties discuss situation in Lebanon

03.03.2005 12:30

YEREVAN (YERKIR) – Representatives of the three Armenian political
parties operating in Lebanon met on March 2 in Beirut to discuss the
current situation in Lebanon.

The representatives of the Armenian Revolutionary Federation (ARF),
Socialist Democratic Hnchak Party (SDHP), and Democratic Liberal
(Ramkavar) Party (DLP) first of all focused on the preparation efforts
of commemorating the 90th anniversary of the Armenian Genocide,
underscoring the importance of sticking to the schedule of
events. Then the latest political developments in Lebanon were
discussed.

Assessing the developments in the wake of the assassination of former
Lebanese Prime Minister Rafik Hariri, the participants of the meeting
stated:

1. The three Armenian political parties firmly condemn the
assassination of former Prime Minister Rafik Hariri and consider the
terrorist act a move against Lebanon and the Lebanese people;

2. The parties demand that the details of this appalling crime be
completely revealed and those behind it brought to justice;

3. Discussing the causes of Prime Minister Karame’s resignation and
the reactions that followed, the representatives of the parties hope
that the government’s resignation would lead the Lebanese political
parties to a consensus and formation of a national unity government;

4. Realizing that the situation constitutes a turning point, the
Armenian political parties, adhering to the principles of
inter-community peaceful coexistence and settling the issues through
dialogues, see it necessary to do their best to unite all the Lebanese
forces;

5. The Armenian political parties realize that the Armenian community
of Lebanon will not engage in any way in the polarized environment and
would emerge united from the Lebanese crisis.

SDHP Lebanon District Board
ARF Central Committee of Lebanon
DLP Lebanon District Board

March 2, 2005

From: Emil Lazarian | Ararat NewsPress

OSCE reps in Armenia to discuss election law

OSCE reps in Armenia to discuss election law

Public Television of Armenia, Yerevan
3 Mar 05

Representatives of the OSCE Office for Democratic Institutions and
Human Rights have arrived in Armenia on a two-day visit. They met
National Assembly Chairman Artur Bagdasaryan today.

The goal of the visit is to discuss the progress of reforms in
Armenia’s Electoral Code conducted on the basis of mutual
recommendations and presented by this structure and to draw the
attention of the Armenian authorities and experts to Armenia’s
Electoral Code and practical work carried out to meet Council of
Europe standards and Armenia’s commitment to the OSCE to ensure the
conduct of democratic elections.

From: Emil Lazarian | Ararat NewsPress

Turk Opp: EU Trying to Make ‘genocide’ Recognition Precondition

LEADER OF TURKISH OPPOSITION: “THE EU IS TRYING TO MAKE ‘GENOCIDE’
RECOGNITION A PRECONDITION FOR OUR ACCESSION TALKS”

YEREVAN, MARCH 2. ARMINFO. Addressing his party’s parliamentary group
meeting yesterday, opposition Republican People’s Party (CHP) leader
Deniz Baykal evaluated recent domestic and foreign developments.

Touching on the so-called Armenian genocide issue, Baykal said that
the European Union was trying to make recognizing the “genocide” a
precondition for Turkey’s EU membership, “The EU is trying to make it
a condition for Ankara to recognize the ‘genocide’ before we can begin
our accession talks,” he said. Baykal criticized what he called the
government’s inaction on the issue. “We’ll soon bring up the issue in
Parliament,” he stressed.

From: Emil Lazarian | Ararat NewsPress

Ukrainian interior minister cancels visit to Belarus

Ukrainian interior minister cancels visit to Belarus

ITAR-TASS news agency, Moscow
3 Mar 05

Minsk, 3 March: The signature of a Belarusian-Ukrainian statement on
improving cooperation in combating crime that was scheduled for today
has been postponed. An ITAR-TASS correspondent learnt this at the
Belarusian Interior Ministry’s press service.

Ukrainian Interior Minister Yuriy Lutsenko has not arrived in Minsk
with a delegation of the Ukrainian Interior Ministry. “We have not
found out the reason for the visit’s cancellation so far,” the press
service said, adding that on the evening of the previous day there was
full confidence that Yuriy Lutsenko would lead the delegation of
Ukrainian law-enforcement officers. The two countries’ interior
ministers were expected to have a meeting and sign the joint
statement.

The delegation of the Ukrainian Interior Ministry was invited to Minsk
for participation in the festivities dedicated to the 88th anniversary
of the Belarusian police. Invitations to attend the festivities had
been sent to the leadership of the interior ministries of Latvia,
Lithuania, Russia, and police chiefs of Armenia and Poland.

From: Emil Lazarian | Ararat NewsPress

NKR: Solution Is Possible Through Direct Talks Only

SOLUTION IS POSSIBLE THROUGH DIRECT TALKS ONLY

Azat Artsakh – Nagorno Karabakh Republic (NKR)
03 March 05

The press conference of the NKR foreign minister Arman Melikian in
Yerevan evoked lively reaction in Armenian press. Several foreign mass
media and news agencies also responded to the press conference. Here
are certain details of the press conference. `Reuter’ The NKR National
Assembly informed that they are going to make a statement on
recognition of independence of NKR. Do you think it is real or not?
What concessions is NK willing to make? `First of all, the NKR NA
addressed the Republic of Azerbaijan, as well as the parliaments of
other countries of the world appealing to them to recognize the
independence of NKR. As to the possible compromises on the part of
Karabakh, these can be made only through negotiations. Today we do not
negotiate directly with the Republic of Azerbaijan and it is early to
speak about any compromises.’ Newspaper ` Azg’ In your opinion is
Karabakh party in the talks and if yes, howis the participation of
Karabakh expressed? During your press conference in Stepanakert you
said that the Karabakh party was actually left out of the talks. Was
itby the fault of the Republic of Armenia? `I see no need to look for
the guilty. There is a certain situation. At on time the present
format of talks used to contain certain logic. I cannot tell either
that NKR was left out of the talks. We are informed on how the talks
are carried out between Armenia and Azerbaijan. And during the press
conference in Stepanakert I said that the settlement of the problem
can be achieved only by direct talks between NKR and Azerbaijan and I
can confirm this once again.’ `De Facto’ Whatpositive points do you
see in the PACE resolution on Nagorni Karabakh? `This interesting
question is raised often. Of course, there are negative points for us
in the resolutionbut there is a new approach: the Azerbaijani
authorities are called upon to start a direct dialogue with the NKR
authorities. In certain sense this testifiesto the rightness of the
viewpoint that bilateral negotiations between Azerbaijan and NKR may,
in fact, be effective.’ `Mediamax’ Yousaid you are informed on the
negotiations going on between Armenia and Azerbaijan. To what extent
is the Karabakh party satisfied with the content of the `Prague
process’, to what extent is it acceptable for NK? `On the whole, today
technical problems are concerned. I repeat that the settlement of the
issue is, in our opinion, inthe direct negotiations between Azerbaijan
and NKR. It is NKR that can assume responsibility for both the
problems of territories and refugees, and theseare the primary
problems that interest Azerbaijan.’ `BBC Azerbaijani’ A dangerous
tendency for the Armenian party is arising: the world is gradually
forgetting about the cause of the conflict and speaking about its
consequences. What steps are taken in this direction? Azerbaijan is
carrying on a powerful campaign propagating the consequences. We
announce that we are going to do excavations in the vicinity of
Shushi, and Azerbaijan is going to lodge complaint with different
international organizations. `I do not know anything about the
excavations. As to the problem of causes and consequences of the
conflict, we have our approach to this question. We start from the
fact that there was Soviet Azerbaijan which was divided into two
states after the collapse of the Soviet Union; one of these was
NKR. Then the war began, which was also the consequence of
Azerbaijan’s not recognizing the independence of NKR, that is to say,
we have the cause of the war. Then Azerbaijan lost the war, and we, as
the result of the war, have today’s picture. We may make a clear
distinction; theprimary problem is that of the status which was not
recognized by Azerbaijan at thetime and resulted in the war, and we
have the problem of consequences of the war which is a real topic for
negotiations to be discussed by the parties for achieving a mutual
understanding.’ `H1′ What obstructs direct negotiations between NK and
Azerbaijan? Why definitely was this press conference organized? `NKR –
Azerbaijan negotiations will begin when Azerbaijan wishes to
participate in them and realizes their necessity. So far Azerbaijan
has been trying to accuse Armenia of aggression. Those people who took
part in or witnessed the military actions are well aware of what heavy
burden is laid over the shoulders of the people of NKR. As to the
problem of today’s press conference, it isjust the first acquaintance
with you the journalists. `Francepress’ What definite steps are made
in the direction of international recognition of NKR? `Thefirst step
was made inside the Ministry of Foreign Affairs. The ministry works
onthe legislation on foreign policy. We have already drafted several
bills, such as the bills on NKR international contracts, diplomatic
and consular services,as well as we are going to join several
international conventions, which are also directed at the solution of
the conflict. The bill on NKR citizenship was drafted and soon will be
offered for discussion, which we consider important for several
reasons. From the ideological point of view we emphasize the article
which refers to all the Armenians of the Republic of Azerbaijan. We
think that in certain sense and directly NKR is responsible for all
the Armenians who became refugees. The law provides for the right of
these Armenians to become citizens of NKR. As a recognized or not
recognized country NKR has all the legal and moral bases for defending
the rights of these people when solving their problems with
Azerbaijan. The bill is ready, details of technical characterare
discussed presently. In the upcoming month the bill will be offered
for discussion’ `Noyan Tapan’ Recently minister V. Oskanian said that
NK and not Armenia is to make a request for sending a fact-finding
group to the regions of Getashen and Shahumian, because Armenia has no
relation to this. Is NKR going to make such a step, and won’t this be
the first step in involvement of NK in the negotiations? `I consider
the mentioned problem in a larger context, which does not exclude the
possibility of such a step. Now we are only discussing this
step. After coming to a decision we shall decide on whether to act in
this or in a larger context. Thus, the adoption of the problem of NKR
citizenship in this case is a larger context than the question of
Getashen and Shahumian, which includes your question as well.’ `Noyan
Tapan’ You spoke about the prospects of NKR to join international
conventions. In what way can NK join those conventions? Which
conventions are concerned? `The fact of not being recognized does not
prevent us from joining international conventions. A convention isan
international law, and if we make that law an internal one, it means
we have already joined the law. We shall also inform the international
community onthis. Whether accepted or not is not our problem in this
sense. Two of the conventions, the Vienna conventions on diplomatic
and consular relationships, will be offered to the National Assembly
for discussion next week.’ `Arminfo’ How would you comment on the news
about forming a coalition of not recognized countries? `I cannot
comment on it because we do not have such a point on the agenda.’
`Liberty’ What developments may take place in the process of
regulation of the NK conflict? `Let us start with the report of David
Atkinson, what consequences it may give rise to. Indeed, it has both
positive and negativepoints. I emphasized one: I tend to think that
the international community is coming to the idea that bilateral
negotiations may prove effective. It is a problem that cannot be
settled in a single day. In our turn we must show that we are willing
to participate in the talks, we are able to express opinions on the
problems discussed, which may be powerful enough to maintain
peace. This isalso a process, and we must view everything in the
framework of the process.’ A1+ In your opinion, how will the upcoming
elections in NKR pass? Will they be as democratic as or even more
democratic than the elections in Armenia in 2003? `We want the
elections to be democratic. We shall do our best for them to be
transparent and fair. As fair as we want them to be. You know that
recently elections to the local authorities took place in NKR, and
both the government and the opposition were satisfied with their
transparency and results. This is a vivid fact. We shall try to
conduct the next elections on a higher level.

AA.
03-03-2005

From: Emil Lazarian | Ararat NewsPress

Council of Europe’s Venice Commission and OSCE/ODIHR visit Armenia

Council of Europe’s Venice Commission and OSCE/ODIHR visit Armenia to
discuss progress of electoral legislation reform

Strasbourg, 03.03.2005 – Representatives of the Council of Europe’s
Venice Commission and the Organisation for Security and Cooperation in
Europe’s Office for Democratic Institutions and Human Rights
(OSCE/ODIHR) will pay a joint visit to Yerevan on 3-4 March 2005, in
order to discuss progress in the revision of Armenia’s electoral
legislation, based on the Joint Recommendations issued by the two
organisations in relation to the ongoing electoral reform in Armenia.

The visit is part of the co-operation programme between the Council of
Europe and the Armenian authorities, in the framework of Armenia’s
monitoring procedure by the Committee of Ministers established after its
accession to the Council of Europe, and the follow-up of the OSCE-ODIHR
recommendations following the 2003 elections in Armenia.

The aim of the visit is to raise with the Armenian authorities and
experts on electoral matters the main points on which Armenia’s
electoral legislation and practice have yet to meet Council of Europe
standards and OSCE Commitments on democratic elections.

For more information, see

La Commission de Venise du Conseil de l’Europe et le OSCE/BIDDH visitent
l’Arménie pour discuter de l’évolution de la réforme électorale

Strasbourg, 03.03.2005 – Des représentants de la Commission de Venise
du Conseil de l’Europe et du Bureau des institutions démocratiques et
des droits de l’homme de l’Organisation pour la sécurité et la
coopération en Europe (OSCE/BIDDH) se rendent à Erevan les 3 et 4
mars 2005 afin de discuter de l’évolution de la révision du Code
électoral d’Arménie, fondée sur les recommandations conjointes
établies par les deux organisations eu égard à la réforme
électorale en cours en Arménie.

La visite fait partie du programme de coopération entre le Conseil de
l’Europe et les autorités arméniennes et s’inscrit d’une part dans
le cadre de la procédure de suivi établie par le Comité des
Ministres lors de l’adhésion de l’Arménie au Conseil de l’Europe,
d’autre part dans le cadre du suivi des recommandations de l’OSCE/BIDDH
qui suivirent les élections de 2003 en Arménie.

Le but de cette visite est de mettre l’accent avec les autorités
arméniennes et les experts électoraux sur les principaux
éléments de la législation et de la pratique électorales en
Arménie qui doivent coïncider avec les normes du Conseil de l’Europe
et les engagements de l’Arménie auprès de l’OSCE en matière
d’élections démocratiques.

Pour plus d’information, voir

Ref. 104b05
1

1

Venice Commission /
Commission de Venise

From: Emil Lazarian | Ararat NewsPress

http://venice.coe.int
http://venice.coe.int

Andrea Martin

Bangor Daily News, ME
March 3 2005

Andrea Martin
Thursday, March 03, 2005 – Bangor Daily News

You’ve probably seen Andrea Martin play Edith Prickley in the 1970s
TV comedy show “Second City TV.” Maybe you’ve seen her portray Aunt
Voula in “My Big Fat Greek Wedding.” And you may have heard her as
the voice of Miss Winifred Fowl in the animated film “Jimmy Neutron:
Boy Genius.”

But let’s be very clear about where you will not see Martin. She will
not star in the touring production of “Fiddler on the Roof” being
performed at 3 and 8 p.m. Saturday, March 12, at the Maine Center for
the Arts in Orono.

If you do want to see Martin, a Maine native, in the hit musical
about Jewish life in a small village in Czarist Russia, you can go to
the Minskoff Theatre on West 45th Street near Times Square in
Manhattan.

In other words, Broadway.

Martin, who grew up in Portland, joined the New York cast in January
to play Golde, the lead female role opposite Harvey Fierstein as the
milkman and narrator Tevye. Think “If I Were a Rich Man” and
“Tradition” and “Sunrise, Sunset.” Then think: the Mama, the Mama!
And you’ll have Martin.

At the announcement last November that Martin and Fierstein, both
Tony Award winners, were taking over the roles, daily ticket sales
went up nearly 40 percent, according to a recent report in the New
York Post. At a performance last week, the theater was packed, and
the audience showed special affection for Martin, who won long, loud
applause for her portrayal of the witty, worried matriarch.

Ninety minutes before the show, Martin arrived at the theater bundled
up against the raw chill of the city in winter. In front of the door
to her private dressing room, she had draped a long orange scarf in
homage to the outdoor sculpture “The Gates” in Central Park. She has
a star dressing room, which is ample, awash in ambient light and
quiet despite the traffic beyond the window. On a small coffee table
are magazines, inspirational books, a tin of chocolates. On the wall
next to her mirror hangs the headscarf she wears as Golde.

“Everything I did in Maine prepared me for what I am doing now,” said
Martin, who kicked off her boots and folded her legs beneath her on
the couch before pulling a pillow close to her chest. At 58, she is
limber, fit, glowing.

Many of her fellow actors and fans popularly believe Martin is
Canadian because of her association with “SCTV,” but she’s Maine born
and bred, with a strong work ethic and an unjaded sense of the world.
She was even wearing a thermal shirt from L.L. Bean.

In Portland, Martin’s family ran grocery stores – her brother still
runs a restaurant in Waterville – and even though she was expected to
work at a young age, her parents supported her interest in theater.
She started acting on Maine stages at 9, eventually attended Emerson
College in Boston and then made her way to Toronto to work on the
Canadian show “SCTV” in the 1970s. It was also broadcast in the
United States, and was a hit in both places, launching the careers of
John Candy, Rick Moranis and Martin Short, Martin’s brother-in-law.

“Because I grew up in an Armenian community in Portland, I wasn’t so
aware of being isolated or remote,” said Martin, who recently sold
her home in Los Angeles and moved to New York City. “When you have
nothing to compare it to, the world around you is everything. But I
think acting was in my blood. It was like breathing for me. There was
no time when I was thinking: I want to be an actress. It was more: I
am an actress.”

In addition to her acting, however, Martin has received praise for
her writing, including two Emmy Awards for “SCTV.” (She has another
Emmy for her work on “Sesame Street.”) She also wrote her own
one-woman show “Nude Nude Totally Nude,” which played in New York
City and Los Angeles in 1996 – propelled by the Tony she won in 1992
for her performance in the short-lived musical “My Favorite Year.”
The work in live theater, she said, marked a turning point for her.
She began to think of herself more as a dramatic actor than as only a
comedian.

To make that transition, she hired L.A. acting coach Larry Moss, who
led Hilary Swank and Leonardo DiCaprio to roles in award-winning
films. He told her: turn down work, face rejection, work hard.
Against the advice of her agent, she returned to general casting
calls. She had to, she said.

“I’ve never thought of myself as a star, but I think it’s important
to think of yourself as a star, believe in yourself, own the talent
you have and have humility about it,” said Martin. “I knew no one was
going to believe in me until I believed in myself. I did my one-woman
show to be myself onstage instead of someone else. But then I
couldn’t get any dramatic roles. I could get broad comedy, sketch
comedy or sitcoms.”

But an important role did come along: Aunt Eller in the 2002 Broadway
revival of “Oklahoma!”

“It wasn’t glamorous or show stopping, but I knew I had to do it,”
said Martin, who won rave reviews in the part.

It also led to an offer to play the Cat in the Hat in the Broadway
musical “Seussical,” which Martin eventually turned down to stay at
home with her youngest son during his last year of high school. (She
was a single parent to her two sons, now in their early 20s.)

When the call came to play Golde in “Fiddler,” the role wasn’t any
more glamorous than Aunt Eller, but Martin jumped at the chance to
return to Broadway.

“I know I can do the other type of performing – the comedy,” she
said. “That’s in my bones. But you can only be a great actress if you
have great parts. It was important to me to be great at a great part.
It doesn’t necessarily have to be a career of great roles. Plenty of
actors make great careers without any great roles. But this is what I
needed. I’m grateful. I’m energized. I’m curious every day about how
I can make it more alive. I’m enormously appreciative and have great
respect for the role.”

And it shows onstage, where her humor and her depth work together to
create a character who keeps her husband and five daughters, as well
as their village friends, within her maternal reach. Coincidentally,
one of her stage daughters marries the character Motel, played by the
Tony-nominated John Cariani, a native of Presque Isle.

Martin is scheduled to be in the Broadway “Fiddler” through the
beginning of August. In the meantime, she’s considering buying a
house in Maine.

“You can’t take Maine out of the person. You just can’t do that,” she
said.

Outside of Martin’s dressing room, Harvey Fierstein was arriving for
the night’s performance. He hugged a couple of backstage crew members
before retreating to his own dressing room to get into costume. What
did he have to say about his cast mate Martin: “She’s from Canada,
you know.”

For ticket information for “Fiddler on the Roof,” starring Andrea
Martin through August, at the Minskoff Theatre in New York City, call
(212) 307-4100 or visit

From: Emil Lazarian | Ararat NewsPress

www.ticketmaster.com.

The Media: Conversation with David Barsamian

The Media

Conversation with David Barsamian

ElectronicIraq.net
24 February 2005

Interviewed by Omar Khan, Electronic Iraq

Journalist, author, and lecturer, David Barsamian is perhaps best
known as the founder and director of Alternative Radio, a weekly
one-hour public affairs program that began in 1986 and today reaches
millions of listeners from on top of an alleyway garage in Boulder,
Colorado. Like Dahr’s Dispatches, Alternative Radio is a news medium
sustained solely by the support of individuals.

Omar Khan: You’ve said of the media that “most of the censorship
occurs by omission, not commission.” Can you illustrate this in the
case of US news coverage of Iraq?

David Barsamian: There is a structural relationship between media and
state power. They are closely linked. Who are the media? Not just in
the United States, but around the world, they’re a handful of
corporations that dominate what people see, hear, and read. They have
been able to manufacture consent, particularly in the United States,
for imperialist wars of aggression. That’s exactly what I call Iraq –
an illegal, immoral war. I’ll just give you one example: the New York
Times, this great liberal newspaper, had 70 editorials between
September 11, 2001 and the attack on Iraq, March 20, 2003. In not one
of those editorials was the UN Charter, the Nuremberg Tribunal, or any
aspect of international law ever mentioned. Now, those guys know that
these things exist, and that’s a perfect example of censorship by
omission. And so if you were reading the New York Times over that
period, during the buildup to the war, you would not have had the
sense that the United States was planning on doing something that was
a gross violation of international law, and national law for that
matter.

The reporting on Iraq has been so atrocious: people talk about how the
bar has been lowered in journalism. I don’t think it’s been
lowered. I think it’s disappeared. It’s not visible anymore. The
servility and sycophancy of journalism has reached appalling levels,
and the catastrophe that’s unfolding in Iraq is a direct result of
this. There are huge consequences for not reporting accurately. And,
sadly, it’s the Iraqi people that are paying in huge numbers, and
Americans to a lesser extent.

OK: You’ve called the media “a conveyer belt.” This departs from a
view of such omissions to be the result of delinquency on the part of
media professionals. Your metaphor instead seems to suggest a mode of
production, rather than any kind of conspiracy.

DB: To describe objective reality is not to conjure a conspiracy
theory. “Conspiracy theory” has become a term of derision that is used
against people that engage in analysis of the official story. One way
to dismiss anyone who challenges the official interpretation of events
is to say that you’re a conspiracy theorist. In other words, you’re a
jerk, you’re a moron, you believe in UFOs, aliens, flying saucers. Of
course there are clearly sectors of the military-industrial complex
that benefit from war. This is not a conspiracy theory. This is a
fact. We know who they are: Honeywell, General Dynamics, General
Electric, Northrop Grumman, Lockheed Martin, Boeing, Raytheon. These
are the major military contractors that have raked in hundreds of
millions of dollars in contracts for weapons. They are major weapons
traffickers. They don’t meet on a rollercoaster, on a ferris wheel, or
on a carousel. They meet in offices. They sit down at tables. They
drink coffee, they eat donuts. It’s clear, it’s out in the open.

The United States makes 50% of all the weapons that are being exported
around the world. The US spends more money on the military than the 15
largest countries combined. And that spending is increasing
exponentially. The military budget is approaching half a trillion
dollars. So there’re clearly winners and losers. And if you have
stocks in those corporations I just mentioned, you’re raking it in,
man. It’s a picnic for you.

OK: How has the increase in media concentration affected this?

DB: In Ben Bagdikian’s “Media Monopoly” in 1983, he said there were 50
corporations that control most of the media. Then it became 28, then
23, then 14. Then 10. Then, in his latest book, it’s down to 5. 5
corporations control the media. And by the media, I don’t just mean
TV. I mean Hollywood movies, radio, DVDs, magazines, newspapers,
books, books on tapes, CDs. 5 corporations.

>From 1983 to today, 2005, increase in concentration in the media has
paralleled that of state and corporate power, and also of the
increasing tendency of the United States to become even more
aggressive and militaristic: witness the invasion of Grenada, the
invasion of Panama, the first Gulf War, the bombing of Yugoslavia, the
invasion and ongoing occupations of Afghanistan and Iraq.

And I am convinced that if Iraq had gone the way the neo-cons
predicted – that they would be greeted with sweets and flowers, and
that the war would be a cakewalk, as they said – they would have
turned their gun sights on Syria and Iran. But right now, because of
the level of resistance in Iraq – and don’t forget about Afghanistan,
as well – they’ve had to slow down.

OK: So what fundamentally distinguishes commercial news from
advertising?

DB: The distinction has become increasingly blurred. There are
instances we know of where the Pentagon generated video news reports
and then gave them to various TV stations. This is spoon-fed
propaganda coming straight from the Pentagon and being broadcast as
news. Yes, there’s supposed to be a difference, but that difference is
increasingly blurred. There’s a dependency relationship between
corporate media journalists and state power. They depend on government
for news, for information, for favors, for all kinds of perks. Thomas
Friedman boasted that he used to play golf with the Secretary of State
James Baker. Brit Hume said he played tennis with Colin Powell. If, on
the other hand, you’re a working journalist, and let’s say, you’re
assigned to the White House – and you ask challenging
questions. Pretty soon, you’re not going to get called on at these
press conferences. Pretty soon when you request a meeting with the
Deputy Secretary of State for Middle East Affairs, your phone calls
aren’t returned. In other words, you’re being blacklisted. Your editor
is flummoxed because he needs stories from people in power – they
depend on people in power for information. That’s the kind of
incestuous relationship, that the dynamic that’s going on there. You
risk your career when you go up against power. I remember Erwin Knoll
used to be the editor of the Progressive Magazine. He died a few years
ago. He told me once that, when he was a reporter in Washington – he
asked Lyndon Johnson a very challenging question. Johnson kind of
brushed him off, and after that, Knoll got the cold shoulder from the
White House.

OK: I hate that.

DB: After that, he was transferred. That’s the way they can control
the game. It’s not a conspiracy theory, it’s the way power
works. Look, if you’re a powerful person and I’m a journalist,
wouldn’t you want me to write flattering things about you –

OK: Definitely

DB: –to praise your accomplishments to a wider, national audience? Of
course you would. But there’s also a structural relationship. The
electronic media is actually licensed by the federal government, by
the Federal Communications Commission. So here’s another area where
there’s this relationship. The airwaves belong to the people of the
United States; they constitute – probably, it’s hard to measure – the
most valuable physical resource in the United States.

You can’t grab the airwaves. You can’t put up your finger right now
and touch them. But the airways are part of the patrimony of the
people of the United States. And what has the FCC done over many
years? It has given away this valuable resource, and we don’t even get
anything for it. They don’t even pay for the right to propagandize-we
pay for the right to receive propaganda. All this despite that the
Federal Communications Commission enabling legislation specifically
says that the airways belong to the people.

OK: What about telecommunications reform in 96-97?

DB: The Clinton Telecommunications Reform of 1996 unleashed a tsunami
of mergers and takeovers. It has produced the greatest concentration
of media in the history of the world. That’s when clear channel went
from a few dozen stations, out of its base in San Antonio, to today
where it’s over 1200 radio stations. It’s become /the/ dominant radio
monopoly. And that was under the liberal Clinton, Gore – and I
remember very specifically, the liberal New York Times editorialized
at the time, when the legislation was enacted, that this legislation
would produce a bonanza for the American public. They’ll get more
variety, they’ll get more diversity. They’re the real winners.

Bruce Springsteen had that song about ten or fifteen years ago, “57
Channels and Nothing on.” And now, if he were rerecording that, he’d
have to put a zero at the end. Now there are 570 channels and nothing
on. There is so little information of value that is available to
American consumers of commercial TV.

OK: Thank God for PBS and NPR.

DB: They were created to be genuine alternatives to commercial
media. But they themselves have become largely commercialized. They
have what is now called “enhanced underwriting.” What does that mean?
That means commercials. They have moved way to the right, in terms of
their programming. PBS, for instance, which I call the Petroleum
Broadcasting Service. So much of its revenue comes Exxon Mobil, and
Chevron-Texaco. NPR has become a mere shadow of its former self. I
mean – and I don’t want to overstate it, since it was never
spectacular – in its early days, it still had some cojones, it still
had some sense of rebelliousness. It’s been largely tamed now. You
hear the commentaries, the discussions on Iraq…it’s not that
different from commercial media. It’s different in a key area of
sophistication and civility. They’re very sophisticated. They’re very
polite. People speak in complete sentences. You’re not interrupted. No
one’s yelling at you. (These are the characteristics of “Hardball,”
and the shout shows of commercial TV.) And so it’s seductive in that
way, particularly to the kind of ruling class. They like that. People
who’ve gone to Ivy League colleges, you know, they like to have to
have their news, sip a glass of port, and listen to some “reasonable
discourse.” I listen, particularly to National Public Radio; their
range of opinion – maybe it’s A to D. Whereas the commercial media,
maybe it’s A to B. That’s not a big difference. They both pick from
the same golden rolodex of pundits and experts from the Washington and
New York think tanks: the American Enterprise Institute, the Cato
Institute, the Heritage Foundation, the Georgetown Center for
Strategic Studies, the Council on Foreign Relations in New York.

There’s one woman in particular that I listen to, on NPR. She hosts
“Sunday Edition” in the morning, her name is Lianne Hanson. She
constantly has people like Walter Russell Meade, from the Council on
Foreign Relations, or Kenneth Pollack from the Brookings Institution
in D.C. These guests come on, and they make the most outrageous
comments. Those comments simply go unchallenged. And they come back
time and time again. They’re part of the golden rolodex, this list of
these names that circulates. And people like Michael Parenti, Noam
Chomsky, Howard Zinn, and many others who are critical – they don’t
get airtime. But they’re saying the wrong things. They’re not saying
the things that are acceptable; they’re saying things that are outside
the spectrum of legitimate opinion.

Any kid with a basic education can figure this out. If you watch the
programs, or listen to the programs, or you read Newsweek, Time, the
New York Times, the San Francisco Chronicle, the Washington Post, and
the other newspapers and magazines, and whose name appears? How often
does it appear? How are the pundits that are on talk shows on Sunday
morning? Who gets on “Meet the Press”? “Face the Nation”? It’s not
complicated.

OK: All of this talk of expertise sort of reminds me of a reason given
for all sorts of problems that the US military encounters abroad: “bad
intelligence.” This reason is cited across party lines by folks who
know full well the repressive role the CIA and FBI have played
throughout the last century.

DB: And keep in the mind the utter condescension for international law
that this implies. If we have a smarter CIA, we can fight aggressive,
illegal wars more effectively.

OK: Contrast this voice in both commercial and public media with the
one that you’ve been putting on radio stations every week for almost
20 years.

DB: I started Alternative Radio very much with the mission of public
broadcasting in mind – to provide a voice for groups that may
otherwise be unheard. I took on this mission because public
broadcasting had abandoned it. We don’t chase money from corporations
and foundations, so actually have the means to pursue it. We need to
build coalitions with marginalized groups here and in the Third
World. Today, on the radio and in my other projects, I’m trying to
bring more voices from the Third World. Two of the books I’m working
on right now, for example, are with Arundhati Roy and Tariq Ali. I
think it’s important to reach out to other groups who are also
struggling for justice.

OK: On behalf of Dahr Jamail, Abu Talat, and Webmaster Jeff Pflueger,
thank you for your time.

Omar Khan is a writer and editor in Oakland. He is writing regular
analysis, ‘Covering Iraq’, for Dahr Jamail’s website. ‘Covering Iraq’
provides analysis and discussion of US mainstream news in light of
Dahr Jamail’s reports and photographs from Occupied Iraq. Its intent
is to identify unreported news from Iraq and to make a broader
audience aware of events there. ‘Covering Iraq’ encourages your
comments, reactions, and participation.

http://electroniciraq.net/news/1886.shtml

Breakfast of Champions

Breakfast of Champions

A snort with your coffee, Scotch for lunch, and other
Bogosian obsessions at the Sol Theatre

Miami New Times
February 24, 2005

BY RONALD MANGRAVITE ([email protected])

To many, modern art is all about provocation. That was the case with
gonzo journalist and novelist Hunter S. Thompson, whose booze- and
drug-fueled rants were the stuff of popular legend for decades before
he committed suicide last week. Trailing along in Thompson’s wake is
Eric Bogosian, a theatrical provocateur who, for more than twenty
years, has been writing and performing such solo shows as Talk Radio,
Sex, Drugs, Rock & Roll, and the recent Wake Up and Smell the Coffee.

A Bogosian show usually presents a rogue’s gallery of marginal
characters in a string of raucous monologues that critique American
society. One of Bogosian’s early pieces, Drinking in America, is now
in revival at the Sol Theatre Project in Fort Lauderdale. This rant
and rave from the Eighties, which focuses on the addictions and
obsessions of Americans across many social strata, is still funny and
acerbic, but its social observations have lost much of their sting
over the years. As a result, Drinking is now more an exercise in sound
and fury than substance.

Some of the text seems more than a little trite. In one skit, a wired
movie producer in Hollywood keeps putting a caller on hold while he
snorts lines of cocaine for breakfast. In another, a hopped-up
panhandler uses praise and flattery to cajole an audience member to
cough up some money. In still another, a smug, scotch-drinking
professional ticks off the little successes in his life with a
disquieting urgency that suggests all is not well beneath. The
underlying idea, that Americans of all walks of life medicate their
underlying dis-ease, implies an overarching social critique. But
instead of offering some connective argument, Bogosian falls back on
vague references to capitalism and spiritual poverty. The idea,
apparently, is that the audience must connect these scattered dots of
message into some cohesive pattern; despite Bogosian’s gifts with
language and characterization, though, the basis of the idea is
muddled and ill-considered.

If Drinking is more a talent showcase than substantive theater, at
least the talent is engaging. The Sol production takes this solo show
and divides it between two actors, a decision that helps add some
welcome variety. Jim Gibbons and Jim Sweet, who made a fine pair of
tramps in the Sol’s solid production of Waiting for Godot last season,
again bring their gonzo goofball sensibilities to this tag-team
event. Gibbons has a sly, world-weary style and serves a string of
nicely etched cameos. He starts off smartly as a street drunk who
conjures a detailed reverie of luxury, limos, and lovely ladies. He’s
also terrific as a lonely traveling salesman chatting with a hooker in
a hotel room, and a persuasive preacher whose critique of societal
collapse turns into an exhortation to righteous violence. He’s
balanced by the harder-edged, tightly wound Sweet, who’s hilarious in
a wild tale of a New Yorker’s booze- and Quaalude-fueled road trip
that ends in disaster. He also scores as an immigrant restaurateur
who’s obsessed with work. But Sweet, who co-directed the production
with Robert Hooker, often comes across as more calculated than
Gibbons, who provides more character details. All three are credited
with the ominous, bleak set design, a looming, gray stone wall that
suggests both an urban street and a subterranean cavern.

While this production has merit, it’s not nearly as satisfying as many
past Sol projects, and the question arises as to why Hooker and
company opted for this particular script. In a season in which several
theaters seem to be serving decidedly so-so material, it’s fair to ask
what is in store for the Sol troupe and, by extension, South Florida
theaters in general. Over the past several years, a number of new
companies, the Sol included, have moved from mere survival to a
measure of stability. But many of these companies are focused on the
same type of theater, so-called “edgy, contemporary plays,” the
availability of which is in increasingly short supply. At some point
the Sol and other local companies may be forced to expand the scope of
their dramatic sources beyond recent New York hits, making room for
commissioned scripts on specific topics, reinvented classic texts, or
translations of contemporary plays from other countries. This
evolution may well be painful, but is most likely necessary, as the
crowded South Florida theater scene keeps maturing.

**********************
“Drinking in America”

Written by Eric Bogosian.
Directed by Jim Sweet and Robert Hooker.
With Jim Gibbons and Jim Sweet.

Presented through March 13, 2005.
954-525-6555, or

Where: Sol Theatre Project
1140 NE Flagler Dr., Fort Lauderdale.

From: Emil Lazarian | Ararat NewsPress

http://www.miaminewtimes.com/issues/2005-02-24/culture/stage.html
www.soltheatre.com.

It’s a first for AHS wrestling

The Arlington Advocate

It’s a first for AHS wrestling

By Doug Hastings

Thursday, March 3, 2005

Teammate Joe Bench called him “The Show” on Saturday.

All Arlington High senior Eric Avakov really wants to be called is a
New England finalist, the first-ever in the history of Arlington’s
relatively young program. But Bench insists, watching Avakov battle his way
to a third-place finish in the 125-pound division at the all-state
championship tournament on Saturday in Salem was a sight to behold.

“He was awesome,” said Bench, who also competed in the 160-pound weight
class on Saturday. “Eric puts a tremendous amount of time into (wrestling)
in the offseason. I think he’s the most technical wrestler to come out of
Arlington.”

“You get out of it what you put into it,” said AHS coach Kevin
Cummings. “This is a testimony to Eric’s offseason work. To represent
Massachusetts (at New Englands) as one of the top three wrestlers in state?
That’s cool. It’s an honor and anything after this is icing on the cake.”

Avakov, who qualified for All-States with a fourth-place finish at the
Div. 2 state finals last weekend, started the all-state event with a loss,
but rebounded to win his next four matches. All four victories came against
opponents he had lost to earlier in the year.

“He had a great day, especially after losing his first match,” said
Cummings. “He certainly impressed the heck out of me.”

“It’s kind of sinking in right now,” said Avakov, who hopes to wrestle
next year at Springfield College or Bridgewater State College. “But now I
have to prepare for (Saturday). You can’t stop now. (New Englands) was my
whole goal this season. Over the summer I decided that I really wanted to go
out with a bang.”

Avakov admits, suffering a loss right at the start of his biggest
tournament ever wasn’t easy to deal with.

“Obviously, it’s a blow to you,” he said. “But you just have to stay
positive. It’s one match… don’t worry about it and that’s just how I
thought. Everything I’ve worked for, I wasn’t going to throw it away on one
match.”

So he regrouped and took to the mat against wrestlers he had seen
before.

“All of those guys I lost to, I lost by only a point or two,” Avakov
said. “I felt comfortable that if I could get them one more time…”

Something like Saturday would happen.

“Against each kid, I knew what I wanted to do,” said Avakov, who was
born in Armenia but has lived in the United States since he was about three
years old. “You just try to take away from how they like to feel
comfortable. I approach every match the same way, but the thought process
was different.”

“I told him that the only difference between him and the others was who
was going to be mentally tougher,” Cummings said. “I knew there wasn’t much
difference between he and the best. Eric’s really peaking at the right
time.”

‘You get out of it what you put into it. This is a testimony to Eric’s
offseason work. To represent Massachusetts (at New Englands) as one of the
top three wrestlers in state? That’s cool. It’s an honor and anything after
this is icing on the cake.’

– Kevin Cummings, AHS wrestling coach

From: Emil Lazarian | Ararat NewsPress